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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C45F02 it is the complementary color #3BA0FD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C45F02. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C45F02: #C95F00, #DA7110, #EB8323, #FC9536 and #FFA749

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C45F02. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C45F02: #C45F02, #B34D00, #A23B00, #912900 and #801700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 99 / 23

HEX #C45F02

RGB 196 95 2

HSL 28.76, 0.98%, 0.39%

LAB 51.75, 36.11, 60.07

 

Complementary color

CMYK 77 / 37 / 0 / 1

HEX #3BA0FD

RGB 59 160 253

HSL 208.76, 0.98%, 0.61%

LAB 64.29, 2.12, -54.43

 

CMYK 0 / 53 / 100 / 21

HEX #C95F00

RGB 201 95 0

HSL 28.36, 1%, 0.39%

LAB 52.51, 38.1, 61.34

 

CMYK 0 / 48 / 93 / 15

HEX #DA7110

RGB 218 113 16

HSL 28.81, 0.86%, 0.46%

LAB 58.75, 35.9, 63.43

 

CMYK 0 / 44 / 85 / 8

HEX #EB8323

RGB 235 131 35

HSL 28.8, 0.83%, 0.53%

LAB 64.98, 33.85, 63.9

 

CMYK 0 / 41 / 79 / 1

HEX #FC9536

RGB 252 149 54

HSL 28.79, 0.97%, 0.6%

LAB 71.18, 31.98, 63.3

 

CMYK 0 / 35 / 71 / 0

HEX #FFA749

RGB 255 167 73

HSL 30.99, 1%, 0.64%

LAB 75.69, 24.62, 59.93

 

CMYK 0 / 52 / 99 / 23

HEX #C45F02

RGB 196 95 2

HSL 28.76, 0.98%, 0.39%

LAB 51.75, 36.11, 60.07

 

CMYK 0 / 57 / 100 / 30

HEX #B34D00

RGB 179 77 0

HSL 25.81, 1%, 0.35%

LAB 45.49, 38.42, 55.49

 

CMYK 0 / 64 / 100 / 36

HEX #A23B00

RGB 162 59 0

HSL 21.85, 1%, 0.32%

LAB 39.26, 40.54, 50.53

 

CMYK 0 / 72 / 100 / 43

HEX #912900

RGB 145 41 0

HSL 16.97, 1%, 0.28%

LAB 33.15, 42.22, 45.55

 

CMYK 0 / 82 / 100 / 50

HEX #801700

RGB 128 23 0

HSL 10.78, 1%, 0.25%

LAB 27.3, 42.99, 39.65

 

CMYK 0 / 52 / 99 / 23

HEX #C45F02

RGB 196 95 2

HSL 28.76, 0.98%, 0.39%

LAB 51.75, 36.11, 60.07

 

CMYK 0 / 36 / 99 / 23

HEX #C47D01

RGB 196 125 1

HSL 38.15, 0.99%, 0.39%

LAB 58.42, 20.05, 64.48

 

CMYK 0 / 20 / 99 / 23

HEX #C49D01

RGB 196 157 1

HSL 48, 0.99%, 0.39%

LAB 66.41, 2.59, 69.92

 

CMYK 0 / 3 / 99 / 23

HEX #C4BE01

RGB 196 190 1

HSL 58.15, 0.99%, 0.39%

LAB 75.18, -14.66, 76.21

 

CMYK 13 / 0 / 99 / 23

HEX #AAC401

RGB 170 196 1

HSL 68, 0.99%, 0.39%

LAB 74.84, -28.72, 75.06

 

CMYK 0 / 52 / 99 / 23

HEX #C45F02

RGB 196 95 2

HSL 28.76, 0.98%, 0.39%

LAB 51.75, 36.11, 60.07

 

CMYK 0 / 51 / 99 / 3

HEX #F77803

RGB 247 120 3

HSL 28.77, 0.98%, 0.49%

LAB 64.33, 43.69, 71.36

 

CMYK 0 / 51 / 100 / 83

HEX #2B1500

RGB 43 21 0

HSL 29.3, 1%, 0.08%

LAB 9.4, 8.99, 14.26

 

CMYK 0 / 51 / 99 / 63

HEX #5E2E01

RGB 94 46 1

HSL 29.03, 0.98%, 0.19%

LAB 24.75, 18.89, 34.52

 

CMYK 0 / 52 / 99 / 43

HEX #914601

RGB 145 70 1

HSL 28.75, 0.99%, 0.29%

LAB 38.55, 28.11, 48.29

 

CMYK 0 / 52 / 99 / 23

HEX #C45F02

RGB 196 95 2

HSL 28.76, 0.98%, 0.39%

LAB 51.75, 36.11, 60.07

 

CMYK 66 / 0 / 99 / 23

HEX #42C401

RGB 66 196 1

HSL 100, 0.99%, 0.39%

LAB 69.92, -63.4, 69.13

 

CMYK 93 / 99 / 0 / 23

HEX #0E01C4

RGB 14 1 196

HSL 244, 0.99%, 0.39%

LAB 24, 64.84, -87.84

 

CMYK 0 / 52 / 99 / 23

HEX #C45F02

RGB 196 95 2

HSL 28.76, 0.98%, 0.39%

LAB 51.75, 36.11, 60.07

 

CMYK 99 / 0 / 53 / 23

HEX #01C45C

RGB 1 196 92

HSL 148, 0.99%, 0.39%

LAB 69.65, -63.68, 40.51

 

CMYK 53 / 99 / 0 / 23

HEX #5C01C4

RGB 92 1 196

HSL 268, 0.99%, 0.39%

LAB 30.11, 67.71, -77.5

 

CMYK 0 / 52 / 99 / 23

HEX #C45F02

RGB 196 95 2

HSL 28.76, 0.98%, 0.39%

LAB 51.75, 36.11, 60.07

 

CMYK 66 / 0 / 99 / 23

HEX #42C401

RGB 66 196 1

HSL 100, 0.99%, 0.39%

LAB 69.92, -63.4, 69.13

 

CMYK 99 / 46 / 0 / 23

HEX #0169C4

RGB 1 105 196

HSL 208, 0.99%, 0.39%

LAB 44.37, 10.16, -54.37

 

CMYK 33 / 99 / 0 / 23

HEX #8301C4

RGB 131 1 196

HSL 280, 0.99%, 0.39%

LAB 35.66, 71.39, -68.17

 

CMYK 0 / 52 / 99 / 23

HEX #C45F02

RGB 196 95 2

HSL 28.76, 0.98%, 0.39%

LAB 51.75, 36.11, 60.07

 

CMYK 96 / 0 / 99 / 23

HEX #08C401

RGB 8 196 1

HSL 117.85, 0.99%, 0.39%

LAB 69.14, -70.34, 68.17

 

CMYK 99 / 46 / 0 / 23

HEX #0169C4

RGB 1 105 196

HSL 208, 0.99%, 0.39%

LAB 44.37, 10.16, -54.37

 

CMYK 3 / 99 / 0 / 23

HEX #BE01C4

RGB 190 1 196

HSL 298.15, 0.99%, 0.39%

LAB 45.57, 79.55, -51.63

 

Description

Color code: HEX #C45F02 | qconv.com Color code: HEX #C45F02 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 95 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 95 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 99 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 99% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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