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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C45CDF it is the complementary color #3BA320. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C45CDF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C45CDF shade: #C95CDA, #DA6EED, #EB80FF, #FC92FF and #FFA4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C45CDF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C45CDF shade: #C45CDF, #B34ACC, #A238B9, #9126A6 and #801493

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C45CDF shade: #C45DDF, #DF5DD7, #DF5DB4, #DF5D91 and #DF5D6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C45CDF shade: #C45DDF, #A15DDF, #7E5DDF and #5D5DDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C45CDF shade matches the following richer shades: #C45DDF, #CD4DEF and #D73EFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C45CDF shade: #C45DDF, #BB6DCF, #B27DC0, #A98CB0 and #9F9CA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C45CDF shade: #7E5DDF, #A05DDF, #C35DDF, #DF5DD9 and #DF5DB6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C45CDF shade: #A327C3, #B83BD8, #C45DDF, #D180E6 and #DDA2ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C45CDF shade: #C45CDF, #DF5D5F and #5DDF8F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C45CDF shade: #C45CDF, #DFC35D and #5DDFC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C45CDF shade: #C45CDF, #DF5D5F, #79DF5D and #5DDFDD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C45CDF shade: #C45CDF, #DF825D, #79DF5D and #5DBADF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 59 / 0 / 13

HEX #C45CDF

RGB 196 92 223

HSL 287.63, 0.67%, 0.62%

LAB 56.8, 60.63, -49.11

 

Complementary color

CMYK 64 / 0 / 80 / 36

HEX #3BA320

RGB 59 163 32

HSL 107.63, 0.67%, 0.38%

LAB 59.19, -52.91, 54.28

 

CMYK 8 / 58 / 0 / 15

HEX #C95CDA

RGB 201 92 218

HSL 291.9, 0.63%, 0.61%

LAB 57.21, 60.92, -45.61

 

CMYK 8 / 54 / 0 / 7

HEX #DA6EED

RGB 218 110 237

HSL 291.02, 0.78%, 0.68%

LAB 63.48, 60.42, -46.17

 

CMYK 8 / 50 / 0 / 0

HEX #EB80FF

RGB 235 128 255

HSL 290.55, 1%, 0.75%

LAB 69.7, 59.61, -46.15

 

CMYK 1 / 43 / 0 / 0

HEX #FC92FF

RGB 252 146 255

HSL 298.35, 1%, 0.79%

LAB 75.12, 55.46, -37.53

 

CMYK 0 / 36 / 0 / 0

HEX #FFA4FF

RGB 255 164 255

HSL 300, 1%, 0.82%

LAB 79.06, 47.25, -31.42

 

CMYK 12 / 59 / 0 / 13

HEX #C45CDF

RGB 196 92 223

HSL 287.63, 0.67%, 0.62%

LAB 56.8, 60.63, -49.11

 

CMYK 12 / 64 / 0 / 20

HEX #B34ACC

RGB 179 74 204

HSL 288.46, 0.56%, 0.55%

LAB 50.5, 60.97, -48.47

 

CMYK 12 / 70 / 0 / 27

HEX #A238B9

RGB 162 56 185

HSL 289.3, 0.54%, 0.47%

LAB 44.25, 60.96, -47.57

 

CMYK 13 / 77 / 0 / 35

HEX #9126A6

RGB 145 38 166

HSL 290.16, 0.63%, 0.4%

LAB 38.13, 60.34, -46.27

 

CMYK 13 / 86 / 0 / 42

HEX #801493

RGB 128 20 147

HSL 291.02, 0.76%, 0.33%

LAB 32.25, 58.69, -44.35

 

CMYK 12 / 58 / 0 / 13

HEX #C45DDF

RGB 196 93 223

HSL 287.54, 0.67%, 0.62%

LAB 56.97, 60.16, -48.84

 

CMYK 0 / 58 / 4 / 13

HEX #DF5DD7

RGB 223 93 215

HSL 303.69, 0.67%, 0.62%

LAB 60.27, 65.55, -38.88

 

CMYK 0 / 58 / 19 / 13

HEX #DF5DB4

RGB 223 93 180

HSL 319.85, 0.67%, 0.62%

LAB 58.8, 60.18, -21.23

 

CMYK 0 / 58 / 35 / 13

HEX #DF5D91

RGB 223 93 145

HSL 336, 0.67%, 0.62%

LAB 57.62, 55.67, -2.69

 

CMYK 0 / 58 / 51 / 13

HEX #DF5D6E

RGB 223 93 110

HSL 352.15, 0.67%, 0.62%

LAB 56.73, 52.14, 16.55

 

CMYK 12 / 58 / 0 / 13

HEX #C45DDF

RGB 196 93 223

HSL 287.54, 0.67%, 0.62%

LAB 56.97, 60.16, -48.84

 

CMYK 28 / 58 / 0 / 13

HEX #A15DDF

RGB 161 93 223

HSL 271.38, 0.67%, 0.62%

LAB 52.66, 51.65, -55.97

 

CMYK 43 / 58 / 0 / 13

HEX #7E5DDF

RGB 126 93 223

HSL 255.23, 0.67%, 0.62%

LAB 49, 43.74, -62.05

 

CMYK 58 / 58 / 0 / 13

HEX #5D5DDF

RGB 93 93 223

HSL 240, 0.67%, 0.62%

LAB 46.29, 37.33, -66.57

 

CMYK 12 / 58 / 0 / 13

HEX #C45DDF

RGB 196 93 223

HSL 287.54, 0.67%, 0.62%

LAB 56.97, 60.16, -48.84

 

CMYK 14 / 68 / 0 / 6

HEX #CD4DEF

RGB 205 77 239

HSL 287.41, 0.84%, 0.62%

LAB 56.6, 72.11, -58.33

 

CMYK 15 / 76 / 0 / 0

HEX #D73EFE

RGB 215 62 254

HSL 287.81, 0.99%, 0.62%

LAB 57.12, 81.98, -65.77

 

CMYK 12 / 58 / 0 / 13

HEX #C45DDF

RGB 196 93 223

HSL 287.54, 0.67%, 0.62%

LAB 56.97, 60.16, -48.84

 

CMYK 10 / 47 / 0 / 19

HEX #BB6DCF

RGB 187 109 207

HSL 287.76, 0.51%, 0.62%

LAB 58.04, 46.67, -38.19

 

CMYK 7 / 35 / 0 / 25

HEX #B27DC0

RGB 178 125 192

HSL 287.46, 0.35%, 0.62%

LAB 59.83, 32.23, -26.98

 

CMYK 4 / 20 / 0 / 31

HEX #A98CB0

RGB 169 140 176

HSL 288.33, 0.19%, 0.62%

LAB 61.93, 17.53, -14.78

 

CMYK 1 / 2 / 0 / 37

HEX #9F9CA0

RGB 159 156 160

HSL 285, 0.02%, 0.62%

LAB 64.71, 1.85, -1.71

 

CMYK 43 / 58 / 0 / 13

HEX #7E5DDF

RGB 126 93 223

HSL 255.23, 0.67%, 0.62%

LAB 49, 43.74, -62.05

 

CMYK 28 / 58 / 0 / 13

HEX #A05DDF

RGB 160 93 223

HSL 270.92, 0.67%, 0.62%

LAB 52.54, 51.42, -56.16

 

CMYK 13 / 58 / 0 / 13

HEX #C35DDF

RGB 195 93 223

HSL 287.08, 0.67%, 0.62%

LAB 56.84, 59.92, -49.06

 

CMYK 0 / 58 / 3 / 13

HEX #DF5DD9

RGB 223 93 217

HSL 302.77, 0.67%, 0.62%

LAB 60.36, 65.88, -39.87

 

CMYK 0 / 58 / 18 / 13

HEX #DF5DB6

RGB 223 93 182

HSL 318.92, 0.67%, 0.62%

LAB 58.88, 60.47, -22.26

 

CMYK 16 / 80 / 0 / 24

HEX #A327C3

RGB 163 39 195

HSL 287.69, 0.67%, 0.46%

LAB 43.03, 68.8, -55.37

 

CMYK 15 / 73 / 0 / 15

HEX #B83BD8

RGB 184 59 216

HSL 287.77, 0.67%, 0.54%

LAB 49.83, 70.23, -56.37

 

CMYK 12 / 58 / 0 / 13

HEX #C45DDF

RGB 196 93 223

HSL 287.54, 0.67%, 0.62%

LAB 56.97, 60.16, -48.84

 

CMYK 9 / 44 / 0 / 10

HEX #D180E6

RGB 209 128 230

HSL 287.65, 0.67%, 0.7%

LAB 65.52, 47.61, -39.18

 

CMYK 7 / 32 / 0 / 7

HEX #DDA2ED

RGB 221 162 237

HSL 287.2, 0.68%, 0.78%

LAB 74.4, 34.51, -29.16

 

CMYK 12 / 59 / 0 / 13

HEX #C45CDF

RGB 196 92 223

HSL 287.63, 0.67%, 0.62%

LAB 56.8, 60.63, -49.11

 

CMYK 0 / 58 / 57 / 13

HEX #DF5D5F

RGB 223 93 95

HSL 359.08, 0.67%, 0.62%

LAB 56.43, 50.94, 24.89

 

CMYK 58 / 0 / 36 / 13

HEX #5DDF8F

RGB 93 223 143

HSL 143.08, 0.67%, 0.62%

LAB 80.23, -53.48, 28.76

 

CMYK 12 / 59 / 0 / 13

HEX #C45CDF

RGB 196 92 223

HSL 287.63, 0.67%, 0.62%

LAB 56.8, 60.63, -49.11

 

CMYK 0 / 13 / 58 / 13

HEX #DFC35D

RGB 223 195 93

HSL 47.08, 0.67%, 0.62%

LAB 79.33, -2.18, 53.93

 

CMYK 58 / 0 / 13 / 13

HEX #5DDFC3

RGB 93 223 195

HSL 167.08, 0.67%, 0.62%

LAB 81.32, -42.43, 3.02

 

CMYK 12 / 59 / 0 / 13

HEX #C45CDF

RGB 196 92 223

HSL 287.63, 0.67%, 0.62%

LAB 56.8, 60.63, -49.11

 

CMYK 0 / 58 / 57 / 13

HEX #DF5D5F

RGB 223 93 95

HSL 359.08, 0.67%, 0.62%

LAB 56.43, 50.94, 24.89

 

CMYK 46 / 0 / 58 / 13

HEX #79DF5D

RGB 121 223 93

HSL 107.08, 0.67%, 0.62%

LAB 80.53, -53.5, 53.57

 

CMYK 58 / 0 / 1 / 13

HEX #5DDFDD

RGB 93 223 221

HSL 179.08, 0.67%, 0.62%

LAB 82.01, -35.82, -9.76

 

CMYK 12 / 59 / 0 / 13

HEX #C45CDF

RGB 196 92 223

HSL 287.63, 0.67%, 0.62%

LAB 56.8, 60.63, -49.11

 

CMYK 0 / 42 / 58 / 13

HEX #DF825D

RGB 223 130 93

HSL 17.08, 0.67%, 0.62%

LAB 63.71, 32.34, 35.32

 

CMYK 46 / 0 / 58 / 13

HEX #79DF5D

RGB 121 223 93

HSL 107.08, 0.67%, 0.62%

LAB 80.53, -53.5, 53.57

 

CMYK 58 / 17 / 0 / 13

HEX #5DBADF

RGB 93 186 223

HSL 197.08, 0.67%, 0.62%

LAB 71.4, -17.01, -26.88

 

Description

Color code: HEX #C45CDF | qconv.com Color code: HEX #C45CDF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 92 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 92 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 59 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 59% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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