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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 58 / 17 / 0 / 13 it is the complementary color CMYK 0 / 56 / 80 / 36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 58 / 17 / 0 / 13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 58 / 17 / 0 / 13: CMYK 55 / 15 / 0 / 15, CMYK 51 / 14 / 0 / 7, CMYK 48 / 14 / 0 / 0, CMYK 42 / 7 / 0 / 0 and CMYK 35 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 58 / 17 / 0 / 13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 58 / 17 / 0 / 13: CMYK 58 / 17 / 0 / 13, CMYK 63 / 18 / 0 / 20, CMYK 68 / 20 / 0 / 28, CMYK 75 / 21 / 0 / 35 and CMYK 83 / 23 / 0 / 43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 17 / 0 / 13

HEX #5DB8DE

RGB 93 184 222

HSL 197.67, 0.66%, 0.62%

LAB 70.79, -16.26, -27.27

 

Complementary color

CMYK 0 / 56 / 80 / 36

HEX #A24721

RGB 162 71 33

HSL 17.67, 0.66%, 0.38%

LAB 41.69, 35.41, 39.77

 

CMYK 55 / 15 / 0 / 15

HEX #62B8D9

RGB 98 184 217

HSL 196.64, 0.61%, 0.62%

LAB 70.79, -16.75, -24.52

 

CMYK 51 / 14 / 0 / 7

HEX #73CAEC

RGB 115 202 236

HSL 196.86, 0.76%, 0.69%

LAB 77.25, -17.1, -24.89

 

CMYK 48 / 14 / 0 / 0

HEX #84DCFF

RGB 132 220 255

HSL 197.07, 1%, 0.76%

LAB 83.61, -17.38, -25.25

 

CMYK 42 / 7 / 0 / 0

HEX #95EEFF

RGB 149 238 255

HSL 189.62, 1%, 0.79%

LAB 89.28, -22.46, -16.59

 

CMYK 35 / 0 / 0 / 0

HEX #A6FFFF

RGB 166 255 255

HSL 180, 1%, 0.83%

LAB 94.67, -26.51, -8.46

 

CMYK 58 / 17 / 0 / 13

HEX #5DB8DE

RGB 93 184 222

HSL 197.67, 0.66%, 0.62%

LAB 70.79, -16.26, -27.27

 

CMYK 63 / 18 / 0 / 20

HEX #4CA6CB

RGB 76 166 203

HSL 197.48, 0.55%, 0.55%

LAB 64.26, -15.66, -26.9

 

CMYK 68 / 20 / 0 / 28

HEX #3B94B8

RGB 59 148 184

HSL 197.28, 0.51%, 0.48%

LAB 57.63, -14.87, -26.5

 

CMYK 75 / 21 / 0 / 35

HEX #2A82A5

RGB 42 130 165

HSL 197.07, 0.59%, 0.41%

LAB 50.89, -13.81, -26.06

 

CMYK 83 / 23 / 0 / 43

HEX #197092

RGB 25 112 146

HSL 196.86, 0.71%, 0.34%

LAB 44.05, -12.36, -25.55

 

CMYK 58 / 17 / 0 / 13

HEX #5DB8DE

RGB 93 184 222

HSL 197.67, 0.66%, 0.62%

LAB 70.79, -16.26, -27.27

 

CMYK 58 / 26 / 0 / 13

HEX #5EA4DE

RGB 94 164 222

HSL 207.19, 0.66%, 0.62%

LAB 65.12, -5.22, -36.03

 

CMYK 58 / 36 / 0 / 13

HEX #5E8FDE

RGB 94 143 222

HSL 217.03, 0.66%, 0.62%

LAB 59.25, 6.84, -45.24

 

CMYK 58 / 45 / 0 / 13

HEX #5E79DE

RGB 94 121 222

HSL 227.34, 0.66%, 0.62%

LAB 53.31, 20.07, -54.69

 

CMYK 58 / 55 / 0 / 13

HEX #5E64DE

RGB 94 100 222

HSL 237.19, 0.66%, 0.62%

LAB 47.97, 32.93, -63.28

 

CMYK 58 / 17 / 0 / 13

HEX #5DB8DE

RGB 93 184 222

HSL 197.67, 0.66%, 0.62%

LAB 70.79, -16.26, -27.27

 

CMYK 56 / 17 / 0 / 93

HEX #080F12

RGB 8 15 18

HSL 198, 0.38%, 0.05%

LAB 3.95, -1.44, -2.3

 

CMYK 58 / 17 / 0 / 73

HEX #1D3945

RGB 29 57 69

HSL 198, 0.41%, 0.19%

LAB 22.36, -6.57, -10.67

 

CMYK 58 / 18 / 0 / 53

HEX #326378

RGB 50 99 120

HSL 198, 0.41%, 0.33%

LAB 39.51, -9.96, -16.84

 

CMYK 58 / 17 / 0 / 33

HEX #488EAB

RGB 72 142 171

HSL 197.58, 0.41%, 0.48%

LAB 55.75, -13.38, -21.95

 

CMYK 58 / 17 / 0 / 13

HEX #5DB8DE

RGB 93 184 222

HSL 197.67, 0.66%, 0.62%

LAB 70.79, -16.26, -27.27

 

CMYK 30 / 58 / 0 / 13

HEX #9B5EDE

RGB 155 94 222

HSL 268.59, 0.66%, 0.62%

LAB 52.12, 49.47, -56.31

 

CMYK 0 / 7 / 58 / 13

HEX #DECF5E

RGB 222 207 94

HSL 52.97, 0.66%, 0.62%

LAB 82.36, -8.68, 56.88

 

CMYK 58 / 17 / 0 / 13

HEX #5DB8DE

RGB 93 184 222

HSL 197.67, 0.66%, 0.62%

LAB 70.79, -16.26, -27.27

 

CMYK 0 / 58 / 17 / 13

HEX #DE5EB9

RGB 222 94 185

HSL 317.34, 0.66%, 0.62%

LAB 59.01, 60.18, -23.79

 

CMYK 17 / 0 / 58 / 13

HEX #B9DE5E

RGB 185 222 94

HSL 77.34, 0.66%, 0.62%

LAB 83.63, -30.87, 57.56

 

CMYK 58 / 17 / 0 / 13

HEX #5DB8DE

RGB 93 184 222

HSL 197.67, 0.66%, 0.62%

LAB 70.79, -16.26, -27.27

 

CMYK 30 / 58 / 0 / 13

HEX #9B5EDE

RGB 155 94 222

HSL 268.59, 0.66%, 0.62%

LAB 52.12, 49.47, -56.31

 

CMYK 0 / 41 / 58 / 13

HEX #DE825E

RGB 222 130 94

HSL 16.88, 0.66%, 0.62%

LAB 63.59, 32.02, 34.61

 

CMYK 28 / 0 / 58 / 13

HEX #A0DE5E

RGB 160 222 94

HSL 89.06, 0.66%, 0.62%

LAB 82.12, -40.18, 55.44

 

CMYK 58 / 17 / 0 / 13

HEX #5DB8DE

RGB 93 184 222

HSL 197.67, 0.66%, 0.62%

LAB 70.79, -16.26, -27.27

 

CMYK 13 / 58 / 0 / 13

HEX #C25EDE

RGB 194 94 222

HSL 286.88, 0.66%, 0.62%

LAB 56.83, 59, -48.52

 

CMYK 0 / 41 / 58 / 13

HEX #DE825E

RGB 222 130 94

HSL 16.88, 0.66%, 0.62%

LAB 63.59, 32.02, 34.61

 

CMYK 45 / 0 / 58 / 13

HEX #79DE5E

RGB 121 222 94

HSL 107.34, 0.66%, 0.62%

LAB 80.24, -52.99, 52.79

 

Description

Color code: CMYK 58 / 17 / 0 / 13 | qconv.com Color code: CMYK 58 / 17 / 0 / 13 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 184 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 184 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 17 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 17% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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