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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C458D7 it is the complementary color #3BA728. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C458D7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C458D7 shade: #C958D2, #DA6AE5, #EB7CF8, #FC8EFF and #FFA0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C458D7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C458D7 shade: #C458D7, #B346C4, #A234B1, #91229E and #80108B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C458D7 shade: #C357D6, #D657C7, #D657A5, #D65782 and #D65760

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C458D7 shade: #C357D6, #A157D6, #7E57D6, #5C57D6 and #5757D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C458D7 shade matches the following richer shades: #C357D6, #CF46E7 and #DB35F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C458D7 shade: #C357D6, #B768C5, #AB79B4, #A089A3 and #949A93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C458D7 shade: #7F57D6, #A157D6, #C357D6, #D657C7 and #D657A5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C458D7 shade: #9C2BB0, #B735CE, #C357D6, #CF78DE and #DB99E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C458D7 shade: #C458D7, #D65D57 and #57D690

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C458D7 shade: #C458D7, #D6C357 and #57D6C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C458D7 shade: #C458D7, #D65D57, #6AD657 and #57D0D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C458D7 shade: #C458D7, #D68357, #6AD657 and #57AAD6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 59 / 0 / 16

HEX #C458D7

RGB 196 88 215

HSL 291.02, 0.61%, 0.59%

LAB 55.71, 60.94, -46.33

 

Complementary color

CMYK 65 / 0 / 76 / 35

HEX #3BA728

RGB 59 167 40

HSL 111.02, 0.61%, 0.41%

LAB 60.53, -53.78, 52.97

 

CMYK 4 / 58 / 0 / 18

HEX #C958D2

RGB 201 88 210

HSL 295.57, 0.58%, 0.58%

LAB 56.14, 61.27, -42.76

 

CMYK 5 / 54 / 0 / 10

HEX #DA6AE5

RGB 218 106 229

HSL 294.63, 0.7%, 0.66%

LAB 62.4, 60.83, -43.44

 

CMYK 5 / 50 / 0 / 3

HEX #EB7CF8

RGB 235 124 248

HSL 293.71, 0.9%, 0.73%

LAB 68.65, 60.25, -43.97

 

CMYK 1 / 44 / 0 / 0

HEX #FC8EFF

RGB 252 142 255

HSL 298.41, 1%, 0.78%

LAB 74.36, 57.43, -38.72

 

CMYK 0 / 37 / 0 / 0

HEX #FFA0FF

RGB 255 160 255

HSL 300, 1%, 0.81%

LAB 78.24, 49.29, -32.68

 

CMYK 9 / 59 / 0 / 16

HEX #C458D7

RGB 196 88 215

HSL 291.02, 0.61%, 0.59%

LAB 55.71, 60.94, -46.33

 

CMYK 9 / 64 / 0 / 23

HEX #B346C4

RGB 179 70 196

HSL 291.9, 0.52%, 0.52%

LAB 49.43, 61.18, -45.56

 

CMYK 8 / 71 / 0 / 31

HEX #A234B1

RGB 162 52 177

HSL 292.8, 0.55%, 0.45%

LAB 43.23, 61.01, -44.5

 

CMYK 8 / 78 / 0 / 38

HEX #91229E

RGB 145 34 158

HSL 293.71, 0.65%, 0.38%

LAB 37.17, 60.15, -42.98

 

CMYK 8 / 88 / 0 / 45

HEX #80108B

RGB 128 16 139

HSL 294.63, 0.79%, 0.3%

LAB 31.4, 58.14, -40.77

 

CMYK 9 / 59 / 0 / 16

HEX #C357D6

RGB 195 87 214

HSL 291.02, 0.61%, 0.59%

LAB 55.35, 60.95, -46.33

 

CMYK 0 / 59 / 7 / 16

HEX #D657C7

RGB 214 87 199

HSL 307.09, 0.61%, 0.59%

LAB 57.3, 63.2, -34.54

 

CMYK 0 / 59 / 23 / 16

HEX #D657A5

RGB 214 87 165

HSL 323.15, 0.61%, 0.59%

LAB 55.92, 58.14, -17.06

 

CMYK 0 / 59 / 39 / 16

HEX #D65782

RGB 214 87 130

HSL 339.69, 0.61%, 0.59%

LAB 54.79, 53.84, 1.82

 

CMYK 0 / 59 / 55 / 16

HEX #D65760

RGB 214 87 96

HSL 355.75, 0.61%, 0.59%

LAB 53.98, 50.67, 20.8

 

CMYK 9 / 59 / 0 / 16

HEX #C357D6

RGB 195 87 214

HSL 291.02, 0.61%, 0.59%

LAB 55.35, 60.95, -46.33

 

CMYK 25 / 59 / 0 / 16

HEX #A157D6

RGB 161 87 214

HSL 274.96, 0.61%, 0.59%

LAB 50.98, 52.66, -53.56

 

CMYK 41 / 59 / 0 / 16

HEX #7E57D6

RGB 126 87 214

HSL 258.43, 0.61%, 0.59%

LAB 47.11, 44.64, -59.98

 

CMYK 57 / 59 / 0 / 16

HEX #5C57D6

RGB 92 87 214

HSL 242.36, 0.61%, 0.59%

LAB 44.16, 37.9, -64.91

 

CMYK 59 / 59 / 0 / 16

HEX #5757D6

RGB 87 87 214

HSL 240, 0.61%, 0.59%

LAB 43.8, 37.03, -65.51

 

CMYK 9 / 59 / 0 / 16

HEX #C357D6

RGB 195 87 214

HSL 291.02, 0.61%, 0.59%

LAB 55.35, 60.95, -46.33

 

CMYK 10 / 70 / 0 / 9

HEX #CF46E7

RGB 207 70 231

HSL 291.06, 0.77%, 0.59%

LAB 55.5, 73.7, -55.6

 

CMYK 12 / 79 / 0 / 3

HEX #DB35F8

RGB 219 53 248

HSL 291.08, 0.93%, 0.59%

LAB 56.47, 84.22, -63.45

 

CMYK 9 / 59 / 0 / 16

HEX #C357D6

RGB 195 87 214

HSL 291.02, 0.61%, 0.59%

LAB 55.35, 60.95, -46.33

 

CMYK 7 / 47 / 0 / 23

HEX #B768C5

RGB 183 104 197

HSL 290.97, 0.44%, 0.59%

LAB 56.09, 46.14, -35.6

 

CMYK 5 / 33 / 0 / 29

HEX #AB79B4

RGB 171 121 180

HSL 290.85, 0.28%, 0.59%

LAB 57.68, 29.77, -23.52

 

CMYK 2 / 16 / 0 / 36

HEX #A089A3

RGB 160 137 163

HSL 293.08, 0.12%, 0.59%

LAB 59.9, 13.49, -10.54

 

CMYK 4 / 0 / 5 / 40

HEX #949A93

RGB 148 154 147

HSL 111.43, 0.03%, 0.59%

LAB 62.94, -3.51, 2.91

 

CMYK 41 / 59 / 0 / 16

HEX #7F57D6

RGB 127 87 214

HSL 258.9, 0.61%, 0.59%

LAB 47.21, 44.86, -59.81

 

CMYK 25 / 59 / 0 / 16

HEX #A157D6

RGB 161 87 214

HSL 274.96, 0.61%, 0.59%

LAB 50.98, 52.66, -53.56

 

CMYK 9 / 59 / 0 / 16

HEX #C357D6

RGB 195 87 214

HSL 291.02, 0.61%, 0.59%

LAB 55.35, 60.95, -46.33

 

CMYK 0 / 59 / 7 / 16

HEX #D657C7

RGB 214 87 199

HSL 307.09, 0.61%, 0.59%

LAB 57.3, 63.2, -34.54

 

CMYK 0 / 59 / 23 / 16

HEX #D657A5

RGB 214 87 165

HSL 323.15, 0.61%, 0.59%

LAB 55.92, 58.14, -17.06

 

CMYK 11 / 76 / 0 / 31

HEX #9C2BB0

RGB 156 43 176

HSL 290.98, 0.61%, 0.43%

LAB 41.11, 62.75, -47.36

 

CMYK 11 / 74 / 0 / 19

HEX #B735CE

RGB 183 53 206

HSL 290.98, 0.61%, 0.51%

LAB 48.35, 70.26, -53.03

 

CMYK 9 / 59 / 0 / 16

HEX #C357D6

RGB 195 87 214

HSL 291.02, 0.61%, 0.59%

LAB 55.35, 60.95, -46.33

 

CMYK 7 / 46 / 0 / 13

HEX #CF78DE

RGB 207 120 222

HSL 291.18, 0.61%, 0.67%

LAB 63.32, 49.62, -38.19

 

CMYK 5 / 33 / 0 / 10

HEX #DB99E6

RGB 219 153 230

HSL 291.43, 0.61%, 0.75%

LAB 71.93, 37.36, -29.15

 

CMYK 9 / 59 / 0 / 16

HEX #C458D7

RGB 196 88 215

HSL 291.02, 0.61%, 0.59%

LAB 55.71, 60.94, -46.33

 

CMYK 0 / 57 / 59 / 16

HEX #D65D57

RGB 214 93 87

HSL 2.83, 0.61%, 0.59%

LAB 54.88, 47.2, 27.23

 

CMYK 59 / 0 / 33 / 16

HEX #57D690

RGB 87 214 144

HSL 146.93, 0.61%, 0.59%

LAB 77.36, -50.95, 24.34

 

CMYK 9 / 59 / 0 / 16

HEX #C458D7

RGB 196 88 215

HSL 291.02, 0.61%, 0.59%

LAB 55.71, 60.94, -46.33

 

CMYK 0 / 9 / 59 / 16

HEX #D6C357

RGB 214 195 87

HSL 51.02, 0.61%, 0.59%

LAB 78.47, -6.37, 55.48

 

CMYK 59 / 0 / 9 / 16

HEX #57D6C3

RGB 87 214 195

HSL 171.02, 0.61%, 0.59%

LAB 78.5, -39.53, -1.11

 

CMYK 9 / 59 / 0 / 16

HEX #C458D7

RGB 196 88 215

HSL 291.02, 0.61%, 0.59%

LAB 55.71, 60.94, -46.33

 

CMYK 0 / 57 / 59 / 16

HEX #D65D57

RGB 214 93 87

HSL 2.83, 0.61%, 0.59%

LAB 54.88, 47.2, 27.23

 

CMYK 50 / 0 / 59 / 16

HEX #6AD657

RGB 106 214 87

HSL 111.02, 0.61%, 0.59%

LAB 77.19, -54.89, 52.24

 

CMYK 59 / 3 / 0 / 16

HEX #57D0D6

RGB 87 208 214

HSL 182.83, 0.61%, 0.59%

LAB 77.28, -31.71, -13.11

 

CMYK 9 / 59 / 0 / 16

HEX #C458D7

RGB 196 88 215

HSL 291.02, 0.61%, 0.59%

LAB 55.71, 60.94, -46.33

 

CMYK 0 / 39 / 59 / 16

HEX #D68357

RGB 214 131 87

HSL 20.79, 0.61%, 0.59%

LAB 62.69, 27.76, 37.03

 

CMYK 50 / 0 / 59 / 16

HEX #6AD657

RGB 106 214 87

HSL 111.02, 0.61%, 0.59%

LAB 77.19, -54.89, 52.24

 

CMYK 59 / 21 / 0 / 16

HEX #57AAD6

RGB 87 170 214

HSL 200.79, 0.61%, 0.59%

LAB 66.24, -12.37, -29.91

 

Description

Color code: HEX #C458D7 | qconv.com Color code: HEX #C458D7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 88 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 88 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 59 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 59% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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