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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C429CD it is the complementary color #3BD632. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C429CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C429CD shade: #C929C8, #DA3BDB, #EB4DEE, #FC5FFF and #FF71FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C429CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C429CD shade: #C429CD, #B317BA, #A205A7, #910094 and #800081

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C429CD shade: #C328CC, #CC28A9, #CC287D, #CC2851 and #CC2828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C429CD shade: #C328CC, #9728CC, #6B28CC, #3F28CC and #2828CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C429CD shade matches the following richer shades: #C328CC, #D515E0 and #E701F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C429CD shade: #C328CC, #B23CB9, #A050A5, #8F6491 and #7D787D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C429CD shade: #6A28CC, #9628CC, #C128CC, #CC28AC and #CC2880

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C429CD shade: #821B88, #A222AA, #C328CC, #D244DA and #DA66E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C429CD shade: #C429CD, #CC3E28 and #28CC80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C429CD shade: #C429CD, #CCC128 and #28CCC1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C429CD shade: #C429CD, #CC3E28, #33CC28 and #28B7CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C429CD shade: #C429CD, #CC6F28, #33CC28 and #2885CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 80 / 0 / 20

HEX #C429CD

RGB 196 41 205

HSL 296.71, 0.67%, 0.48%

LAB 49.17, 76.04, -51.03

 

Complementary color

CMYK 72 / 0 / 77 / 16

HEX #3BD632

RGB 59 214 50

HSL 116.71, 0.67%, 0.52%

LAB 75.61, -68.53, 64.43

 

CMYK 0 / 80 / 0 / 21

HEX #C929C8

RGB 201 41 200

HSL 300.38, 0.66%, 0.47%

LAB 49.71, 76.21, -47.23

 

CMYK 0 / 73 / 0 / 14

HEX #DA3BDB

RGB 218 59 219

HSL 299.63, 0.69%, 0.55%

LAB 55.22, 77.62, -49.16

 

CMYK 1 / 68 / 0 / 7

HEX #EB4DEE

RGB 235 77 238

HSL 298.88, 0.83%, 0.62%

LAB 60.91, 78.35, -50.65

 

CMYK 1 / 63 / 0 / 0

HEX #FC5FFF

RGB 252 95 255

HSL 298.88, 1%, 0.69%

LAB 66.6, 78.28, -50.89

 

CMYK 0 / 56 / 0 / 0

HEX #FF71FF

RGB 255 113 255

HSL 300, 1%, 0.72%

LAB 69.68, 71.66, -46.01

 

CMYK 4 / 80 / 0 / 20

HEX #C429CD

RGB 196 41 205

HSL 296.71, 0.67%, 0.48%

LAB 49.17, 76.04, -51.03

 

CMYK 4 / 88 / 0 / 27

HEX #B317BA

RGB 179 23 186

HSL 297.42, 0.78%, 0.41%

LAB 43.86, 73.72, -48.63

 

CMYK 3 / 97 / 0 / 35

HEX #A205A7

RGB 162 5 167

HSL 298.15, 0.94%, 0.34%

LAB 38.86, 70.19, -45.53

 

CMYK 2 / 100 / 0 / 42

HEX #910094

RGB 145 0 148

HSL 298.78, 1%, 0.29%

LAB 34.31, 64.99, -41.49

 

CMYK 1 / 100 / 0 / 49

HEX #800081

RGB 128 0 129

HSL 299.53, 1%, 0.25%

LAB 29.85, 59.1, -37.02

 

CMYK 4 / 80 / 0 / 20

HEX #C328CC

RGB 195 40 204

HSL 296.71, 0.67%, 0.48%

LAB 48.86, 75.94, -50.95

 

CMYK 0 / 80 / 17 / 20

HEX #CC28A9

RGB 204 40 169

HSL 312.8, 0.67%, 0.48%

LAB 48.54, 72.62, -30.93

 

CMYK 0 / 80 / 39 / 20

HEX #CC287D

RGB 204 40 125

HSL 328.9, 0.67%, 0.48%

LAB 46.76, 67.49, -7.19

 

CMYK 0 / 80 / 60 / 20

HEX #CC2851

RGB 204 40 81

HSL 345, 0.67%, 0.48%

LAB 45.56, 63.91, 18.26

 

CMYK 0 / 80 / 80 / 20

HEX #CC2828

RGB 204 40 40

HSL 0, 0.67%, 0.48%

LAB 44.95, 62.03, 41.89

 

CMYK 4 / 80 / 0 / 20

HEX #C328CC

RGB 195 40 204

HSL 296.71, 0.67%, 0.48%

LAB 48.86, 75.94, -50.95

 

CMYK 26 / 80 / 0 / 20

HEX #9728CC

RGB 151 40 204

HSL 280.61, 0.67%, 0.48%

LAB 41.93, 68.15, -62.47

 

CMYK 48 / 80 / 0 / 20

HEX #6B28CC

RGB 107 40 204

HSL 264.51, 0.67%, 0.48%

LAB 35.99, 61.55, -72.42

 

CMYK 69 / 80 / 0 / 20

HEX #3F28CC

RGB 63 40 204

HSL 248.41, 0.67%, 0.48%

LAB 31.66, 56.79, -79.72

 

CMYK 80 / 80 / 0 / 20

HEX #2828CC

RGB 40 40 204

HSL 240, 0.67%, 0.48%

LAB 30.23, 55.24, -82.13

 

CMYK 4 / 80 / 0 / 20

HEX #C328CC

RGB 195 40 204

HSL 296.71, 0.67%, 0.48%

LAB 48.86, 75.94, -50.95

 

CMYK 5 / 91 / 0 / 12

HEX #D515E0

RGB 213 21 224

HSL 296.75, 0.83%, 0.48%

LAB 51.91, 85.58, -57.34

 

CMYK 5 / 100 / 0 / 4

HEX #E701F4

RGB 231 1 244

HSL 296.79, 0.99%, 0.48%

LAB 55.63, 92.99, -62.47

 

CMYK 4 / 80 / 0 / 20

HEX #C328CC

RGB 195 40 204

HSL 296.71, 0.67%, 0.48%

LAB 48.86, 75.94, -50.95

 

CMYK 4 / 68 / 0 / 27

HEX #B23CB9

RGB 178 60 185

HSL 296.64, 0.51%, 0.48%

LAB 47.24, 63.01, -42.67

 

CMYK 3 / 52 / 0 / 35

HEX #A050A5

RGB 160 80 165

HSL 296.47, 0.35%, 0.48%

LAB 46.88, 45.69, -31.65

 

CMYK 1 / 31 / 0 / 43

HEX #8F6491

RGB 143 100 145

HSL 297.33, 0.18%, 0.48%

LAB 48.26, 25.28, -17.83

 

CMYK 0 / 4 / 0 / 51

HEX #7D787D

RGB 125 120 125

HSL 300, 0.02%, 0.48%

LAB 51.01, 2.9, -2.06

 

CMYK 48 / 80 / 0 / 20

HEX #6A28CC

RGB 106 40 204

HSL 264.15, 0.67%, 0.48%

LAB 35.87, 61.42, -72.62

 

CMYK 26 / 80 / 0 / 20

HEX #9628CC

RGB 150 40 204

HSL 280.24, 0.67%, 0.48%

LAB 41.78, 67.99, -62.72

 

CMYK 5 / 80 / 0 / 20

HEX #C128CC

RGB 193 40 204

HSL 295.98, 0.67%, 0.48%

LAB 48.53, 75.57, -51.5

 

CMYK 0 / 80 / 16 / 20

HEX #CC28AC

RGB 204 40 172

HSL 311.71, 0.67%, 0.48%

LAB 48.68, 73.02, -32.48

 

CMYK 0 / 80 / 37 / 20

HEX #CC2880

RGB 204 40 128

HSL 327.8, 0.67%, 0.48%

LAB 46.86, 67.8, -8.86

 

CMYK 4 / 80 / 0 / 47

HEX #821B88

RGB 130 27 136

HSL 296.7, 0.67%, 0.32%

LAB 32.5, 55.28, -37.14

 

CMYK 5 / 80 / 0 / 33

HEX #A222AA

RGB 162 34 170

HSL 296.47, 0.67%, 0.4%

LAB 40.78, 65.6, -44.26

 

CMYK 4 / 80 / 0 / 20

HEX #C328CC

RGB 195 40 204

HSL 296.71, 0.67%, 0.48%

LAB 48.86, 75.94, -50.95

 

CMYK 4 / 69 / 0 / 15

HEX #D244DA

RGB 210 68 218

HSL 296.8, 0.67%, 0.56%

LAB 54.97, 72.82, -49.08

 

CMYK 3 / 55 / 0 / 12

HEX #DA66E1

RGB 218 102 225

HSL 296.59, 0.67%, 0.64%

LAB 61.52, 61.97, -42.58

 

CMYK 4 / 80 / 0 / 20

HEX #C429CD

RGB 196 41 205

HSL 296.71, 0.67%, 0.48%

LAB 49.17, 76.04, -51.03

 

CMYK 0 / 70 / 80 / 20

HEX #CC3E28

RGB 204 62 40

HSL 8.05, 0.67%, 0.48%

LAB 47.54, 54.83, 44.45

 

CMYK 80 / 0 / 37 / 20

HEX #28CC80

RGB 40 204 128

HSL 152.2, 0.67%, 0.48%

LAB 73.02, -57.62, 26.67

 

CMYK 4 / 80 / 0 / 20

HEX #C429CD

RGB 196 41 205

HSL 296.71, 0.67%, 0.48%

LAB 49.17, 76.04, -51.03

 

CMYK 0 / 5 / 80 / 20

HEX #CCC128

RGB 204 193 40

HSL 55.98, 0.67%, 0.48%

LAB 76.76, -11.99, 71.1

 

CMYK 80 / 0 / 5 / 20

HEX #28CCC1

RGB 40 204 193

HSL 175.98, 0.67%, 0.48%

LAB 74.5, -41.91, -6.02

 

CMYK 4 / 80 / 0 / 20

HEX #C429CD

RGB 196 41 205

HSL 296.71, 0.67%, 0.48%

LAB 49.17, 76.04, -51.03

 

CMYK 0 / 70 / 80 / 20

HEX #CC3E28

RGB 204 62 40

HSL 8.05, 0.67%, 0.48%

LAB 47.54, 54.83, 44.45

 

CMYK 75 / 0 / 80 / 20

HEX #33CC28

RGB 51 204 40

HSL 115.98, 0.67%, 0.48%

LAB 72.26, -67.31, 64.16

 

CMYK 80 / 10 / 0 / 20

HEX #28B7CC

RGB 40 183 204

HSL 187.68, 0.67%, 0.48%

LAB 68.52, -28.83, -21.01

 

CMYK 4 / 80 / 0 / 20

HEX #C429CD

RGB 196 41 205

HSL 296.71, 0.67%, 0.48%

LAB 49.17, 76.04, -51.03

 

CMYK 0 / 46 / 80 / 20

HEX #CC6F28

RGB 204 111 40

HSL 25.98, 0.67%, 0.48%

LAB 56.45, 31.79, 52.92

 

CMYK 75 / 0 / 80 / 20

HEX #33CC28

RGB 51 204 40

HSL 115.98, 0.67%, 0.48%

LAB 72.26, -67.31, 64.16

 

CMYK 80 / 35 / 0 / 20

HEX #2885CC

RGB 40 133 204

HSL 205.98, 0.67%, 0.48%

LAB 53.58, -1.74, -44.2

 

Description

Color code: HEX #C429CD | qconv.com Color code: HEX #C429CD | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 41 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 41 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 80 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 80% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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