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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B317BA it is the complementary color #4CE845. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B317BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B317BA: #B817B5, #C929C8, #DA3BDB, #EB4DEE and #FC5FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B317BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B317BA: #B317BA, #A205A7, #910094, #800081 and #6F006E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 88 / 0 / 27

HEX #B317BA

RGB 179 23 186

HSL 297.42, 0.78%, 0.41%

LAB 43.86, 73.72, -48.63

 

Complementary color

CMYK 67 / 0 / 70 / 9

HEX #4CE845

RGB 76 232 69

HSL 117.42, 0.78%, 0.59%

LAB 81.66, -69.86, 64.15

 

CMYK 0 / 88 / 2 / 28

HEX #B817B5

RGB 184 23 181

HSL 301.12, 0.78%, 0.41%

LAB 44.43, 73.84, -44.72

 

CMYK 0 / 80 / 0 / 21

HEX #C929C8

RGB 201 41 200

HSL 300.38, 0.66%, 0.47%

LAB 49.71, 76.21, -47.23

 

CMYK 0 / 73 / 0 / 14

HEX #DA3BDB

RGB 218 59 219

HSL 299.63, 0.69%, 0.55%

LAB 55.22, 77.62, -49.16

 

CMYK 1 / 68 / 0 / 7

HEX #EB4DEE

RGB 235 77 238

HSL 298.88, 0.83%, 0.62%

LAB 60.91, 78.35, -50.65

 

CMYK 1 / 63 / 0 / 0

HEX #FC5FFF

RGB 252 95 255

HSL 298.88, 1%, 0.69%

LAB 66.6, 78.28, -50.89

 

CMYK 4 / 88 / 0 / 27

HEX #B317BA

RGB 179 23 186

HSL 297.42, 0.78%, 0.41%

LAB 43.86, 73.72, -48.63

 

CMYK 3 / 97 / 0 / 35

HEX #A205A7

RGB 162 5 167

HSL 298.15, 0.94%, 0.34%

LAB 38.86, 70.19, -45.53

 

CMYK 2 / 100 / 0 / 42

HEX #910094

RGB 145 0 148

HSL 298.78, 1%, 0.29%

LAB 34.31, 64.99, -41.49

 

CMYK 1 / 100 / 0 / 49

HEX #800081

RGB 128 0 129

HSL 299.53, 1%, 0.25%

LAB 29.85, 59.1, -37.02

 

CMYK 0 / 100 / 1 / 56

HEX #6F006E

RGB 111 0 110

HSL 300.54, 1%, 0.22%

LAB 25.28, 53.06, -32.42

 

CMYK 4 / 88 / 0 / 27

HEX #B317BA

RGB 179 23 186

HSL 297.42, 0.78%, 0.41%

LAB 43.86, 73.72, -48.63

 

CMYK 0 / 88 / 10 / 27

HEX #BA17A7

RGB 186 23 167

HSL 306.99, 0.78%, 0.41%

LAB 44.01, 72.18, -37.08

 

CMYK 0 / 88 / 25 / 27

HEX #BA178B

RGB 186 23 139

HSL 317.3, 0.78%, 0.41%

LAB 42.64, 68.54, -22.33

 

CMYK 0 / 88 / 40 / 27

HEX #BA1770

RGB 186 23 112

HSL 327.24, 0.78%, 0.41%

LAB 41.57, 65.6, -7.27

 

CMYK 0 / 88 / 54 / 27

HEX #BA1755

RGB 186 23 85

HSL 337.18, 0.78%, 0.41%

LAB 40.75, 63.3, 8.57

 

CMYK 4 / 88 / 0 / 27

HEX #B317BA

RGB 179 23 186

HSL 297.42, 0.78%, 0.41%

LAB 43.86, 73.72, -48.63

 

CMYK 4 / 88 / 0 / 7

HEX #E41DED

RGB 228 29 237

HSL 297.4, 0.85%, 0.52%

LAB 55.57, 88.9, -58.67

 

CMYK 3 / 88 / 0 / 87

HEX #200421

RGB 32 4 33

HSL 297.93, 0.78%, 0.07%

LAB 4.55, 17.73, -12.38

 

CMYK 4 / 88 / 0 / 67

HEX #510A54

RGB 81 10 84

HSL 297.57, 0.79%, 0.18%

LAB 18.39, 40.37, -26.58

 

CMYK 4 / 87 / 0 / 47

HEX #821187

RGB 130 17 135

HSL 297.46, 0.78%, 0.3%

LAB 31.57, 57.63, -38

 

CMYK 4 / 88 / 0 / 27

HEX #B317BA

RGB 179 23 186

HSL 297.42, 0.78%, 0.41%

LAB 43.86, 73.72, -48.63

 

CMYK 0 / 75 / 88 / 27

HEX #BA2F17

RGB 186 47 23

HSL 8.83, 0.78%, 0.41%

LAB 42.05, 54.05, 46.45

 

CMYK 88 / 0 / 40 / 27

HEX #17BA70

RGB 23 186 112

HSL 152.76, 0.78%, 0.41%

LAB 66.88, -55.74, 26.84

 

CMYK 4 / 88 / 0 / 27

HEX #B317BA

RGB 179 23 186

HSL 297.42, 0.78%, 0.41%

LAB 43.86, 73.72, -48.63

 

CMYK 0 / 5 / 88 / 27

HEX #BAB117

RGB 186 177 23

HSL 56.69, 0.78%, 0.41%

LAB 70.83, -12.09, 69.58

 

CMYK 88 / 0 / 5 / 27

HEX #17BAB1

RGB 23 186 177

HSL 176.69, 0.78%, 0.41%

LAB 68.37, -39.72, -6.39

 

CMYK 4 / 88 / 0 / 27

HEX #B317BA

RGB 179 23 186

HSL 297.42, 0.78%, 0.41%

LAB 43.86, 73.72, -48.63

 

CMYK 0 / 75 / 88 / 27

HEX #BA2F17

RGB 186 47 23

HSL 8.83, 0.78%, 0.41%

LAB 42.05, 54.05, 46.45

 

CMYK 83 / 0 / 88 / 27

HEX #1FBA17

RGB 31 186 23

HSL 117.06, 0.78%, 0.41%

LAB 66.11, -65.33, 62.64

 

CMYK 88 / 13 / 0 / 27

HEX #17A1BA

RGB 23 161 186

HSL 189.2, 0.78%, 0.41%

LAB 60.97, -24.96, -22.55

 

CMYK 4 / 88 / 0 / 27

HEX #B317BA

RGB 179 23 186

HSL 297.42, 0.78%, 0.41%

LAB 43.86, 73.72, -48.63

 

CMYK 0 / 48 / 88 / 27

HEX #BA6017

RGB 186 96 23

HSL 26.87, 0.78%, 0.41%

LAB 50.53, 31.82, 53.27

 

CMYK 83 / 0 / 88 / 27

HEX #1FBA17

RGB 31 186 23

HSL 117.06, 0.78%, 0.41%

LAB 66.11, -65.33, 62.64

 

CMYK 88 / 40 / 0 / 27

HEX #1770BA

RGB 23 112 186

HSL 207.24, 0.78%, 0.41%

LAB 46.06, 2.75, -45.86

 

Description

Color code: HEX #B317BA | qconv.com Color code: HEX #B317BA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 23 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 23 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 88 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 88% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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