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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3F61C it is the complementary color #3C09E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3F61C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C3F61C: #C8F617, #D9FF2A, #EAFF3D, #FBFF50 and #FFFF63

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3F61C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C3F61C: #C3F61C, #B2E409, #A1D200, #90C000 and #7FAE00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 89 / 4

HEX #C3F61C

RGB 195 246 28

HSL 74.04, 0.92%, 0.54%

LAB 90.6, -41.12, 84.95

 

Complementary color

CMYK 74 / 96 / 0 / 11

HEX #3C09E3

RGB 60 9 227

HSL 254.04, 0.92%, 0.46%

LAB 31.12, 71.98, -93.91

 

CMYK 19 / 0 / 91 / 4

HEX #C8F617

RGB 200 246 23

HSL 72.38, 0.93%, 0.53%

LAB 90.9, -39.28, 86.04

 

CMYK 15 / 0 / 84 / 0

HEX #D9FF2A

RGB 217 255 42

HSL 70.7, 1%, 0.58%

LAB 94.5, -36.24, 86.18

 

CMYK 8 / 0 / 76 / 0

HEX #EAFF3D

RGB 234 255 61

HSL 66.49, 1%, 0.62%

LAB 95.73, -28.9, 82.98

 

CMYK 2 / 0 / 69 / 0

HEX #FBFF50

RGB 251 255 80

HSL 61.37, 1%, 0.66%

LAB 97.07, -21.27, 78.65

 

CMYK 0 / 0 / 61 / 0

HEX #FFFF63

RGB 255 255 99

HSL 60, 1%, 0.69%

LAB 97.5, -18.63, 72.08

 

CMYK 21 / 0 / 89 / 4

HEX #C3F61C

RGB 195 246 28

HSL 74.04, 0.92%, 0.54%

LAB 90.6, -41.12, 84.95

 

CMYK 22 / 0 / 96 / 11

HEX #B2E409

RGB 178 228 9

HSL 73.7, 0.92%, 0.46%

LAB 84.47, -40.06, 81.9

 

CMYK 23 / 0 / 100 / 18

HEX #A1D200

RGB 161 210 0

HSL 74, 1%, 0.41%

LAB 78.27, -38.82, 77.49

 

CMYK 25 / 0 / 100 / 25

HEX #90C000

RGB 144 192 0

HSL 75, 1%, 0.38%

LAB 71.98, -37.47, 72.26

 

CMYK 27 / 0 / 100 / 32

HEX #7FAE00

RGB 127 174 0

HSL 76.21, 1%, 0.34%

LAB 65.58, -36.1, 66.93

 

CMYK 21 / 0 / 89 / 4

HEX #C3F61C

RGB 195 246 28

HSL 74.04, 0.92%, 0.54%

LAB 90.6, -41.12, 84.95

 

CMYK 35 / 0 / 88 / 4

HEX #9FF51D

RGB 159 245 29

HSL 83.89, 0.92%, 0.54%

LAB 88.34, -53.85, 82.12

 

CMYK 50 / 0 / 88 / 4

HEX #7BF51D

RGB 123 245 29

HSL 93.89, 0.92%, 0.54%

LAB 86.8, -65.19, 80.21

 

CMYK 64 / 0 / 88 / 4

HEX #57F51D

RGB 87 245 29

HSL 103.89, 0.92%, 0.54%

LAB 85.72, -73.99, 78.86

 

CMYK 79 / 0 / 88 / 4

HEX #33F51D

RGB 51 245 29

HSL 113.89, 0.92%, 0.54%

LAB 85.05, -79.78, 78.02

 

CMYK 21 / 0 / 89 / 4

HEX #C3F61C

RGB 195 246 28

HSL 74.04, 0.92%, 0.54%

LAB 90.6, -41.12, 84.95

 

CMYK 21 / 0 / 88 / 84

HEX #212A05

RGB 33 42 5

HSL 74.59, 0.79%, 0.09%

LAB 15.44, -10.57, 20.18

 

CMYK 20 / 0 / 88 / 64

HEX #4A5D0B

RGB 74 93 11

HSL 73.9, 0.79%, 0.2%

LAB 36.57, -19.05, 40.12

 

CMYK 21 / 0 / 89 / 44

HEX #729010

RGB 114 144 16

HSL 74.06, 0.8%, 0.31%

LAB 55.65, -27.07, 56.27

 

CMYK 21 / 0 / 89 / 24

HEX #9BC316

RGB 155 195 22

HSL 73.87, 0.8%, 0.43%

LAB 73.58, -34.08, 71.03

 

CMYK 21 / 0 / 89 / 4

HEX #C3F61C

RGB 195 246 28

HSL 74.04, 0.92%, 0.54%

LAB 90.6, -41.12, 84.95

 

CMYK 88 / 0 / 50 / 4

HEX #1DF57B

RGB 29 245 123

HSL 146.11, 0.92%, 0.54%

LAB 85.5, -73.3, 45.25

 

CMYK 15 / 88 / 0 / 4

HEX #D11DF5

RGB 209 29 245

HSL 290, 0.92%, 0.54%

LAB 52.98, 87.15, -67.49

 

CMYK 21 / 0 / 89 / 4

HEX #C3F61C

RGB 195 246 28

HSL 74.04, 0.92%, 0.54%

LAB 90.6, -41.12, 84.95

 

CMYK 88 / 20 / 0 / 4

HEX #1DC3F5

RGB 29 195 245

HSL 193.89, 0.92%, 0.54%

LAB 73.47, -22.21, -35.72

 

CMYK 0 / 88 / 20 / 4

HEX #F51DC3

RGB 245 29 195

HSL 313.89, 0.92%, 0.54%

LAB 56.32, 86.3, -33.41

 

CMYK 21 / 0 / 89 / 4

HEX #C3F61C

RGB 195 246 28

HSL 74.04, 0.92%, 0.54%

LAB 90.6, -41.12, 84.95

 

CMYK 88 / 0 / 50 / 4

HEX #1DF57B

RGB 29 245 123

HSL 146.11, 0.92%, 0.54%

LAB 85.5, -73.3, 45.25

 

CMYK 67 / 88 / 0 / 4

HEX #501DF5

RGB 80 29 245

HSL 254.17, 0.92%, 0.54%

LAB 36.32, 73, -95.44

 

CMYK 0 / 88 / 38 / 4

HEX #F51D98

RGB 245 29 152

HSL 325.83, 0.92%, 0.54%

LAB 54.61, 81.72, -10.88

 

CMYK 21 / 0 / 89 / 4

HEX #C3F61C

RGB 195 246 28

HSL 74.04, 0.92%, 0.54%

LAB 90.6, -41.12, 84.95

 

CMYK 88 / 0 / 23 / 4

HEX #1DF5BC

RGB 29 245 188

HSL 164.17, 0.92%, 0.54%

LAB 86.6, -60.7, 14.12

 

CMYK 67 / 88 / 0 / 4

HEX #501DF5

RGB 80 29 245

HSL 254.17, 0.92%, 0.54%

LAB 36.32, 73, -95.44

 

CMYK 0 / 88 / 64 / 4

HEX #F51D57

RGB 245 29 87

HSL 343.89, 0.92%, 0.54%

LAB 52.93, 77.02, 25.78

 

Description

Color code: HEX #C3F61C | qconv.com Color code: HEX #C3F61C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 246 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 246 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 89 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 89% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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