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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3E055 it is the complementary color #3C1FAA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3E055. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3E055 shade: #C8E050, #D9F263, #EAFF76, #FBFF89 and #FFFF9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3E055. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3E055 shade: #C3E055, #B2CE42, #A1BC2F, #90AA1C and #7F9809

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3E055 shade: #C4E057, #E0D857, #E0B357, #E08E57 and #E06957

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3E055 shade: #C4E057, #9FE057, #7AE057, #57E059 and #57E07E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3E055 shade matches the following richer shades: #C4E057 and #CDF047

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3E055 shade: #C4E057, #BAD067, #B1C077, #A7B087 and #9EA097

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3E055 shade: #E0B257, #E0D757, #C5E057, #A0E057 and #7CE057

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3E055 shade: #A0C123, #B7DA34, #C4E057, #D0E77A and #DCED9D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3E055 shade: #C3E055, #57E08E and #C557E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3E055 shade: #C3E055, #57C5E0 and #E057C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3E055 shade: #C3E055, #57E08E, #7257E0 and #E057A9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3E055 shade: #C3E055, #57E0B7, #7257E0 and #E05780

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 62 / 12

HEX #C3E055

RGB 195 224 85

HSL 72.52, 0.69%, 0.61%

LAB 84.78, -28.61, 62.83

 

Complementary color

CMYK 65 / 82 / 0 / 33

HEX #3C1FAA

RGB 60 31 170

HSL 252.52, 0.69%, 0.39%

LAB 26.28, 50.67, -68.47

 

CMYK 11 / 0 / 64 / 12

HEX #C8E050

RGB 200 224 80

HSL 70, 0.7%, 0.6%

LAB 85.08, -26.97, 65.28

 

CMYK 10 / 0 / 59 / 5

HEX #D9F263

RGB 217 242 99

HSL 70.49, 0.85%, 0.67%

LAB 91.31, -27.45, 64.56

 

CMYK 8 / 0 / 54 / 0

HEX #EAFF76

RGB 234 255 118

HSL 69.2, 1%, 0.73%

LAB 96.13, -25.5, 62.14

 

CMYK 2 / 0 / 46 / 0

HEX #FBFF89

RGB 251 255 137

HSL 62.03, 1%, 0.77%

LAB 97.57, -17.31, 55.54

 

CMYK 0 / 0 / 39 / 0

HEX #FFFF9C

RGB 255 255 156

HSL 60, 1%, 0.81%

LAB 98.11, -13.92, 47.26

 

CMYK 13 / 0 / 62 / 12

HEX #C3E055

RGB 195 224 85

HSL 72.52, 0.69%, 0.61%

LAB 84.78, -28.61, 62.83

 

CMYK 14 / 0 / 68 / 19

HEX #B2CE42

RGB 178 206 66

HSL 72, 0.59%, 0.53%

LAB 78.46, -28.1, 63.4

 

CMYK 14 / 0 / 75 / 26

HEX #A1BC2F

RGB 161 188 47

HSL 71.49, 0.6%, 0.46%

LAB 72.06, -27.46, 63.48

 

CMYK 15 / 0 / 84 / 33

HEX #90AA1C

RGB 144 170 28

HSL 70.99, 0.72%, 0.39%

LAB 65.56, -26.63, 62.73

 

CMYK 16 / 0 / 94 / 40

HEX #7F9809

RGB 127 152 9

HSL 70.49, 0.89%, 0.32%

LAB 58.96, -25.57, 60.55

 

CMYK 13 / 0 / 61 / 12

HEX #C4E057

RGB 196 224 87

HSL 72.26, 0.69%, 0.61%

LAB 84.86, -28.07, 62.12

 

CMYK 0 / 4 / 61 / 12

HEX #E0D857

RGB 224 216 87

HSL 56.5, 0.69%, 0.61%

LAB 84.82, -12.86, 62.68

 

CMYK 0 / 20 / 61 / 12

HEX #E0B357

RGB 224 179 87

HSL 40.29, 0.69%, 0.61%

LAB 75.31, 6.19, 52.18

 

CMYK 0 / 37 / 61 / 12

HEX #E08E57

RGB 224 142 87

HSL 24.09, 0.69%, 0.61%

LAB 66.43, 25.94, 41.85

 

CMYK 0 / 53 / 61 / 12

HEX #E06957

RGB 224 105 87

HSL 7.88, 0.69%, 0.61%

LAB 58.64, 45.04, 32.32

 

CMYK 13 / 0 / 61 / 12

HEX #C4E057

RGB 196 224 87

HSL 72.26, 0.69%, 0.61%

LAB 84.86, -28.07, 62.12

 

CMYK 29 / 0 / 61 / 12

HEX #9FE057

RGB 159 224 87

HSL 88.47, 0.69%, 0.61%

LAB 82.58, -42.04, 58.96

 

CMYK 46 / 0 / 61 / 12

HEX #7AE057

RGB 122 224 87

HSL 104.67, 0.69%, 0.61%

LAB 80.81, -54.2, 56.51

 

CMYK 61 / 0 / 60 / 12

HEX #57E059

RGB 87 224 89

HSL 120.88, 0.69%, 0.61%

LAB 79.65, -63.03, 54.01

 

CMYK 61 / 0 / 44 / 12

HEX #57E07E

RGB 87 224 126

HSL 137.08, 0.69%, 0.61%

LAB 80.09, -58.03, 37.14

 

CMYK 13 / 0 / 61 / 12

HEX #C4E057

RGB 196 224 87

HSL 72.26, 0.69%, 0.61%

LAB 84.86, -28.07, 62.12

 

CMYK 15 / 0 / 70 / 6

HEX #CDF047

RGB 205 240 71

HSL 72.43, 0.85%, 0.61%

LAB 89.75, -32.98, 73.47

 

CMYK 13 / 0 / 61 / 12

HEX #C4E057

RGB 196 224 87

HSL 72.26, 0.69%, 0.61%

LAB 84.86, -28.07, 62.12

 

CMYK 11 / 0 / 50 / 18

HEX #BAD067

RGB 186 208 103

HSL 72.57, 0.53%, 0.61%

LAB 79.91, -23, 49.16

 

CMYK 8 / 0 / 38 / 25

HEX #B1C077

RGB 177 192 119

HSL 72.33, 0.37%, 0.61%

LAB 75.06, -16.85, 35.08

 

CMYK 5 / 0 / 23 / 31

HEX #A7B087

RGB 167 176 135

HSL 73.17, 0.21%, 0.61%

LAB 70.19, -10.29, 19.99

 

CMYK 1 / 0 / 6 / 37

HEX #9EA097

RGB 158 160 151

HSL 73.33, 0.05%, 0.61%

LAB 65.47, -2.4, 4.43

 

CMYK 0 / 21 / 61 / 12

HEX #E0B257

RGB 224 178 87

HSL 39.85, 0.69%, 0.61%

LAB 75.06, 6.72, 51.89

 

CMYK 0 / 4 / 61 / 12

HEX #E0D757

RGB 224 215 87

HSL 56.06, 0.69%, 0.61%

LAB 84.55, -12.36, 62.4

 

CMYK 12 / 0 / 61 / 12

HEX #C5E057

RGB 197 224 87

HSL 71.82, 0.69%, 0.61%

LAB 84.93, -27.68, 62.21

 

CMYK 29 / 0 / 61 / 12

HEX #A0E057

RGB 160 224 87

HSL 88.03, 0.69%, 0.61%

LAB 82.63, -41.68, 59.04

 

CMYK 45 / 0 / 61 / 12

HEX #7CE057

RGB 124 224 87

HSL 103.8, 0.69%, 0.61%

LAB 80.9, -53.6, 56.62

 

CMYK 17 / 0 / 82 / 24

HEX #A0C123

RGB 160 193 35

HSL 72.53, 0.69%, 0.45%

LAB 73.37, -30.74, 68.17

 

CMYK 16 / 0 / 76 / 15

HEX #B7DA34

RGB 183 218 52

HSL 72.65, 0.69%, 0.53%

LAB 82.09, -32.46, 71.82

 

CMYK 13 / 0 / 61 / 12

HEX #C4E057

RGB 196 224 87

HSL 72.26, 0.69%, 0.61%

LAB 84.86, -28.07, 62.12

 

CMYK 10 / 0 / 47 / 9

HEX #D0E77A

RGB 208 231 122

HSL 72.66, 0.69%, 0.69%

LAB 87.95, -23.73, 50.19

 

CMYK 7 / 0 / 34 / 7

HEX #DCED9D

RGB 220 237 157

HSL 72.75, 0.69%, 0.77%

LAB 90.88, -18.18, 36.95

 

CMYK 13 / 0 / 62 / 12

HEX #C3E055

RGB 195 224 85

HSL 72.52, 0.69%, 0.61%

LAB 84.78, -28.61, 62.83

 

CMYK 61 / 0 / 37 / 12

HEX #57E08E

RGB 87 224 142

HSL 144.09, 0.69%, 0.61%

LAB 80.34, -55.3, 29.39

 

CMYK 12 / 61 / 0 / 12

HEX #C557E0

RGB 197 87 224

HSL 288.18, 0.69%, 0.61%

LAB 56.16, 63.33, -50.69

 

CMYK 13 / 0 / 62 / 12

HEX #C3E055

RGB 195 224 85

HSL 72.52, 0.69%, 0.61%

LAB 84.78, -28.61, 62.83

 

CMYK 61 / 12 / 0 / 12

HEX #57C5E0

RGB 87 197 224

HSL 191.82, 0.69%, 0.61%

LAB 74.41, -23.45, -22.84

 

CMYK 0 / 61 / 12 / 12

HEX #E057C5

RGB 224 87 197

HSL 311.82, 0.69%, 0.61%

LAB 58.69, 65.51, -31.12

 

CMYK 13 / 0 / 62 / 12

HEX #C3E055

RGB 195 224 85

HSL 72.52, 0.69%, 0.61%

LAB 84.78, -28.61, 62.83

 

CMYK 61 / 0 / 37 / 12

HEX #57E08E

RGB 87 224 142

HSL 144.09, 0.69%, 0.61%

LAB 80.34, -55.3, 29.39

 

CMYK 49 / 61 / 0 / 12

HEX #7257E0

RGB 114 87 224

HSL 251.82, 0.69%, 0.61%

LAB 46.68, 44.99, -66.43

 

CMYK 0 / 61 / 25 / 12

HEX #E057A9

RGB 224 87 169

HSL 324.09, 0.69%, 0.61%

LAB 57.59, 61.56, -16.71

 

CMYK 13 / 0 / 62 / 12

HEX #C3E055

RGB 195 224 85

HSL 72.52, 0.69%, 0.61%

LAB 84.78, -28.61, 62.83

 

CMYK 61 / 0 / 18 / 12

HEX #57E0B7

RGB 87 224 183

HSL 162.04, 0.69%, 0.61%

LAB 81.16, -46.81, 9.13

 

CMYK 49 / 61 / 0 / 12

HEX #7257E0

RGB 114 87 224

HSL 251.82, 0.69%, 0.61%

LAB 46.68, 44.99, -66.43

 

CMYK 0 / 61 / 43 / 12

HEX #E05780

RGB 224 87 128

HSL 342.04, 0.69%, 0.61%

LAB 56.31, 56.81, 5.4

 

Description

Color code: HEX #C3E055 | qconv.com Color code: HEX #C3E055 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 224 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 224 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 62 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 62% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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