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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E0B257 it is the complementary color #1F4DA8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E0B257. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E0B257 shade: #E5B252, #F6C465, #FFD678, #FFE88B and #FFFA9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E0B257. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E0B257 shade: #E0B257, #CFA044, #BE8E31, #AD7C1E and #9C6A0B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E0B257 shade: #E0B257, #E08D57, #E06857 and #E05757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E0B257 shade: #E0B257, #E0D757, #C4E057, #9FE057 and #7AE057

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E0B257 shade matches the following richer shades: #E0B257 and #F0B747

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E0B257 shade: #E0B257, #D0AD67, #C0A877, #B0A287 and #A09D97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E0B257 shade: #E06757, #E08C57, #E0B057, #E0D557 and #C7E057

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E0B257 shade: #C18C23, #DAA234, #E0B257, #E7C27A and #EDD29D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E0B257 shade: #E0B257, #6CE057 and #7957E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E0B257 shade: #E0B257, #57E0B0 and #B057E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E0B257 shade: #E0B257, #6CE057, #5787E0 and #CC57E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E0B257 shade: #E0B257, #57E06C, #5787E0 and #E057CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 61 / 12

HEX #E0B257

RGB 224 178 87

HSL 39.85, 0.69%, 0.61%

LAB 75.06, 6.72, 51.89

 

Complementary color

CMYK 82 / 54 / 0 / 34

HEX #1F4DA8

RGB 31 77 168

HSL 219.85, 0.69%, 0.39%

LAB 34.86, 19.07, -53.29

 

CMYK 0 / 22 / 64 / 10

HEX #E5B252

RGB 229 178 82

HSL 39.18, 0.74%, 0.61%

LAB 75.52, 8.49, 54.87

 

CMYK 0 / 20 / 59 / 4

HEX #F6C465

RGB 246 196 101

HSL 39.31, 0.89%, 0.68%

LAB 81.84, 7.4, 53.65

 

CMYK 0 / 16 / 53 / 0

HEX #FFD678

RGB 255 214 120

HSL 41.78, 1%, 0.74%

LAB 87.34, 3.22, 51.3

 

CMYK 0 / 9 / 45 / 0

HEX #FFE88B

RGB 255 232 139

HSL 48.1, 1%, 0.77%

LAB 92.06, -4.23, 47.9

 

CMYK 0 / 2 / 38 / 0

HEX #FFFA9E

RGB 255 250 158

HSL 56.91, 1%, 0.81%

LAB 96.86, -11.26, 44.71

 

CMYK 0 / 21 / 61 / 12

HEX #E0B257

RGB 224 178 87

HSL 39.85, 0.69%, 0.61%

LAB 75.06, 6.72, 51.89

 

CMYK 0 / 23 / 67 / 19

HEX #CFA044

RGB 207 160 68

HSL 39.71, 0.59%, 0.54%

LAB 68.62, 7.88, 53.07

 

CMYK 0 / 25 / 74 / 25

HEX #BE8E31

RGB 190 142 49

HSL 39.57, 0.59%, 0.47%

LAB 62.1, 9.26, 54.01

 

CMYK 0 / 28 / 83 / 32

HEX #AD7C1E

RGB 173 124 30

HSL 39.44, 0.7%, 0.4%

LAB 55.48, 10.88, 54.38

 

CMYK 0 / 32 / 93 / 39

HEX #9C6A0B

RGB 156 106 11

HSL 39.31, 0.87%, 0.33%

LAB 48.76, 12.83, 53.49

 

CMYK 0 / 21 / 61 / 12

HEX #E0B257

RGB 224 178 87

HSL 39.85, 0.69%, 0.61%

LAB 75.06, 6.72, 51.89

 

CMYK 0 / 37 / 61 / 12

HEX #E08D57

RGB 224 141 87

HSL 23.65, 0.69%, 0.61%

LAB 66.2, 26.48, 41.58

 

CMYK 0 / 54 / 61 / 12

HEX #E06857

RGB 224 104 87

HSL 7.45, 0.69%, 0.61%

LAB 58.45, 45.53, 32.08

 

CMYK 0 / 61 / 61 / 12

HEX #E05757

RGB 224 87 87

HSL 0, 0.69%, 0.61%

LAB 55.43, 53.42, 28.26

 

CMYK 0 / 21 / 61 / 12

HEX #E0B257

RGB 224 178 87

HSL 39.85, 0.69%, 0.61%

LAB 75.06, 6.72, 51.89

 

CMYK 0 / 4 / 61 / 12

HEX #E0D757

RGB 224 215 87

HSL 56.06, 0.69%, 0.61%

LAB 84.55, -12.36, 62.4

 

CMYK 13 / 0 / 61 / 12

HEX #C4E057

RGB 196 224 87

HSL 72.26, 0.69%, 0.61%

LAB 84.86, -28.07, 62.12

 

CMYK 29 / 0 / 61 / 12

HEX #9FE057

RGB 159 224 87

HSL 88.47, 0.69%, 0.61%

LAB 82.58, -42.04, 58.96

 

CMYK 46 / 0 / 61 / 12

HEX #7AE057

RGB 122 224 87

HSL 104.67, 0.69%, 0.61%

LAB 80.81, -54.2, 56.51

 

CMYK 0 / 21 / 61 / 12

HEX #E0B257

RGB 224 178 87

HSL 39.85, 0.69%, 0.61%

LAB 75.06, 6.72, 51.89

 

CMYK 0 / 24 / 70 / 6

HEX #F0B747

RGB 240 183 71

HSL 39.76, 0.85%, 0.61%

LAB 77.78, 9.89, 62.43

 

CMYK 0 / 21 / 61 / 12

HEX #E0B257

RGB 224 178 87

HSL 39.85, 0.69%, 0.61%

LAB 75.06, 6.72, 51.89

 

CMYK 0 / 17 / 50 / 18

HEX #D0AD67

RGB 208 173 103

HSL 40, 0.53%, 0.61%

LAB 72.41, 3.95, 40.5

 

CMYK 0 / 13 / 38 / 25

HEX #C0A877

RGB 192 168 119

HSL 40.27, 0.37%, 0.61%

LAB 69.85, 1.71, 28.54

 

CMYK 0 / 8 / 23 / 31

HEX #B0A287

RGB 176 162 135

HSL 39.51, 0.21%, 0.61%

LAB 67.14, 0.69, 15.9

 

CMYK 0 / 2 / 6 / 37

HEX #A09D97

RGB 160 157 151

HSL 40, 0.05%, 0.61%

LAB 64.82, -0.02, 3.51

 

CMYK 0 / 54 / 61 / 12

HEX #E06757

RGB 224 103 87

HSL 7.01, 0.69%, 0.61%

LAB 58.26, 46.02, 31.84

 

CMYK 0 / 38 / 61 / 12

HEX #E08C57

RGB 224 140 87

HSL 23.21, 0.69%, 0.61%

LAB 65.98, 27.01, 41.3

 

CMYK 0 / 21 / 61 / 12

HEX #E0B057

RGB 224 176 87

HSL 38.98, 0.69%, 0.61%

LAB 74.56, 7.78, 51.33

 

CMYK 0 / 5 / 61 / 12

HEX #E0D557

RGB 224 213 87

HSL 55.18, 0.69%, 0.61%

LAB 84.03, -11.36, 61.83

 

CMYK 11 / 0 / 61 / 12

HEX #C7E057

RGB 199 224 87

HSL 70.95, 0.69%, 0.61%

LAB 85.07, -26.89, 62.4

 

CMYK 0 / 27 / 82 / 24

HEX #C18C23

RGB 193 140 35

HSL 39.87, 0.69%, 0.45%

LAB 61.84, 11.14, 59.16

 

CMYK 0 / 26 / 76 / 15

HEX #DAA234

RGB 218 162 52

HSL 39.76, 0.69%, 0.53%

LAB 70.17, 10.77, 61.7

 

CMYK 0 / 21 / 61 / 12

HEX #E0B257

RGB 224 178 87

HSL 39.85, 0.69%, 0.61%

LAB 75.06, 6.72, 51.89

 

CMYK 0 / 16 / 47 / 9

HEX #E7C27A

RGB 231 194 122

HSL 39.63, 0.69%, 0.69%

LAB 80.17, 4.05, 40.98

 

CMYK 0 / 11 / 34 / 7

HEX #EDD29D

RGB 237 210 157

HSL 39.75, 0.69%, 0.77%

LAB 85.27, 1.88, 29.75

 

CMYK 0 / 21 / 61 / 12

HEX #E0B257

RGB 224 178 87

HSL 39.85, 0.69%, 0.61%

LAB 75.06, 6.72, 51.89

 

CMYK 52 / 0 / 61 / 12

HEX #6CE057

RGB 108 224 87

HSL 110.8, 0.69%, 0.61%

LAB 80.28, -58.15, 55.77

 

CMYK 46 / 61 / 0 / 12

HEX #7957E0

RGB 121 87 224

HSL 254.89, 0.69%, 0.61%

LAB 47.32, 46.36, -65.36

 

CMYK 0 / 21 / 61 / 12

HEX #E0B257

RGB 224 178 87

HSL 39.85, 0.69%, 0.61%

LAB 75.06, 6.72, 51.89

 

CMYK 61 / 0 / 21 / 12

HEX #57E0B0

RGB 87 224 176

HSL 158.98, 0.69%, 0.61%

LAB 81, -48.4, 12.6

 

CMYK 21 / 61 / 0 / 12

HEX #B057E0

RGB 176 87 224

HSL 278.98, 0.69%, 0.61%

LAB 53.42, 58.38, -55.22

 

CMYK 0 / 21 / 61 / 12

HEX #E0B257

RGB 224 178 87

HSL 39.85, 0.69%, 0.61%

LAB 75.06, 6.72, 51.89

 

CMYK 52 / 0 / 61 / 12

HEX #6CE057

RGB 108 224 87

HSL 110.8, 0.69%, 0.61%

LAB 80.28, -58.15, 55.77

 

CMYK 61 / 40 / 0 / 12

HEX #5787E0

RGB 87 135 224

HSL 218.98, 0.69%, 0.61%

LAB 56.82, 10.91, -50.23

 

CMYK 9 / 61 / 0 / 12

HEX #CC57E0

RGB 204 87 224

HSL 291.24, 0.69%, 0.61%

LAB 57.11, 65, -49.12

 

CMYK 0 / 21 / 61 / 12

HEX #E0B257

RGB 224 178 87

HSL 39.85, 0.69%, 0.61%

LAB 75.06, 6.72, 51.89

 

CMYK 61 / 0 / 52 / 12

HEX #57E06C

RGB 87 224 108

HSL 129.2, 0.69%, 0.61%

LAB 79.85, -60.7, 45.6

 

CMYK 61 / 40 / 0 / 12

HEX #5787E0

RGB 87 135 224

HSL 218.98, 0.69%, 0.61%

LAB 56.82, 10.91, -50.23

 

CMYK 0 / 61 / 9 / 12

HEX #E057CC

RGB 224 87 204

HSL 308.76, 0.69%, 0.61%

LAB 59, 66.58, -34.64

 

Description

Color code: HEX #E0B257 | qconv.com Color code: HEX #E0B257 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 178 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 178 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 61 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 61% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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