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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3B64B it is the complementary color #3C49B4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3B64B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C3B64B: #C8B646, #D9C859, #EADA6C, #FBEC7F and #FFFE92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3B64B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C3B64B: #C3B64B, #B2A438, #A19225, #908012 and #7F6E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 62 / 24

HEX #C3B64B

RGB 195 182 75

HSL 53.5, 0.5%, 0.53%

LAB 73.26, -8.49, 54.63

 

Complementary color

CMYK 67 / 59 / 0 / 29

HEX #3C49B4

RGB 60 73 180

HSL 233.5, 0.5%, 0.47%

LAB 36.02, 29.92, -58.46

 

CMYK 0 / 9 / 65 / 22

HEX #C8B646

RGB 200 182 70

HSL 51.69, 0.54%, 0.53%

LAB 73.66, -6.68, 57.35

 

CMYK 0 / 8 / 59 / 15

HEX #D9C859

RGB 217 200 89

HSL 52.03, 0.63%, 0.6%

LAB 80.06, -7.54, 56.42

 

CMYK 0 / 7 / 54 / 8

HEX #EADA6C

RGB 234 218 108

HSL 52.38, 0.75%, 0.67%

LAB 86.36, -8.27, 55.34

 

CMYK 0 / 6 / 49 / 2

HEX #FBEC7F

RGB 251 236 127

HSL 52.74, 0.94%, 0.74%

LAB 92.59, -8.89, 54.21

 

CMYK 0 / 0 / 43 / 0

HEX #FFFE92

RGB 255 254 146

HSL 59.45, 1%, 0.79%

LAB 97.72, -14.44, 51.57

 

CMYK 0 / 7 / 62 / 24

HEX #C3B64B

RGB 195 182 75

HSL 53.5, 0.5%, 0.53%

LAB 73.26, -8.49, 54.63

 

CMYK 0 / 8 / 69 / 30

HEX #B2A438

RGB 178 164 56

HSL 53.11, 0.52%, 0.46%

LAB 66.75, -7.58, 55.41

 

CMYK 0 / 9 / 77 / 37

HEX #A19225

RGB 161 146 37

HSL 52.74, 0.63%, 0.39%

LAB 60.13, -6.47, 55.69

 

CMYK 0 / 11 / 88 / 44

HEX #908012

RGB 144 128 18

HSL 52.38, 0.78%, 0.32%

LAB 53.4, -5.09, 54.95

 

CMYK 0 / 13 / 100 / 50

HEX #7F6E00

RGB 127 110 0

HSL 51.97, 1%, 0.25%

LAB 46.53, -3.42, 52.78

 

CMYK 0 / 7 / 62 / 24

HEX #C3B64B

RGB 195 182 75

HSL 53.5, 0.5%, 0.53%

LAB 73.26, -8.49, 54.63

 

CMYK 3 / 0 / 62 / 24

HEX #BDC34B

RGB 189 195 75

HSL 63, 0.5%, 0.53%

LAB 76.29, -17.65, 57.75

 

CMYK 13 / 0 / 62 / 24

HEX #A9C34B

RGB 169 195 75

HSL 73, 0.5%, 0.53%

LAB 74.81, -25.85, 55.72

 

CMYK 24 / 0 / 62 / 24

HEX #95C34B

RGB 149 195 75

HSL 83, 0.5%, 0.53%

LAB 73.5, -33.71, 53.91

 

CMYK 34 / 0 / 62 / 24

HEX #81C34B

RGB 129 195 75

HSL 93, 0.5%, 0.53%

LAB 72.37, -41.07, 52.34

 

CMYK 0 / 7 / 62 / 24

HEX #C3B64B

RGB 195 182 75

HSL 53.5, 0.5%, 0.53%

LAB 73.26, -8.49, 54.63

 

CMYK 0 / 7 / 61 / 4

HEX #F6E65F

RGB 246 230 95

HSL 53.64, 0.89%, 0.67%

LAB 90.33, -10.31, 65.81

 

CMYK 0 / 7 / 62 / 84

HEX #2A2710

RGB 42 39 16

HSL 53.08, 0.45%, 0.11%

LAB 15.39, -2.66, 15.38

 

CMYK 0 / 6 / 61 / 64

HEX #5D5724

RGB 93 87 36

HSL 53.68, 0.44%, 0.25%

LAB 36.5, -5, 29.95

 

CMYK 0 / 7 / 62 / 44

HEX #908637

RGB 144 134 55

HSL 53.26, 0.45%, 0.39%

LAB 55.33, -6.57, 42.83

 

CMYK 0 / 7 / 62 / 24

HEX #C3B64B

RGB 195 182 75

HSL 53.5, 0.5%, 0.53%

LAB 73.26, -8.49, 54.63

 

CMYK 62 / 0 / 56 / 24

HEX #4BC355

RGB 75 195 85

HSL 125, 0.5%, 0.53%

LAB 70.3, -55.72, 44.88

 

CMYK 32 / 62 / 0 / 24

HEX #854BC3

RGB 133 75 195

HSL 269, 0.5%, 0.53%

LAB 44.17, 47.81, -53.74

 

CMYK 0 / 7 / 62 / 24

HEX #C3B64B

RGB 195 182 75

HSL 53.5, 0.5%, 0.53%

LAB 73.26, -8.49, 54.63

 

CMYK 62 / 0 / 7 / 24

HEX #4BC3B5

RGB 75 195 181

HSL 173, 0.5%, 0.53%

LAB 72.14, -36.62, -2.92

 

CMYK 7 / 62 / 0 / 24

HEX #B54BC3

RGB 181 75 195

HSL 293, 0.5%, 0.53%

LAB 50.45, 59.32, -43.35

 

CMYK 0 / 7 / 62 / 24

HEX #C3B64B

RGB 195 182 75

HSL 53.5, 0.5%, 0.53%

LAB 73.26, -8.49, 54.63

 

CMYK 62 / 0 / 56 / 24

HEX #4BC355

RGB 75 195 85

HSL 125, 0.5%, 0.53%

LAB 70.3, -55.72, 44.88

 

CMYK 62 / 54 / 0 / 24

HEX #4B59C3

RGB 75 89 195

HSL 233, 0.5%, 0.53%

LAB 42.12, 27.39, -57.31

 

CMYK 0 / 62 / 5 / 24

HEX #C34BB9

RGB 195 75 185

HSL 305, 0.5%, 0.53%

LAB 51.99, 61.1, -34.99

 

CMYK 0 / 7 / 62 / 24

HEX #C3B64B

RGB 195 182 75

HSL 53.5, 0.5%, 0.53%

LAB 73.26, -8.49, 54.63

 

CMYK 62 / 0 / 38 / 24

HEX #4BC379

RGB 75 195 121

HSL 143, 0.5%, 0.53%

LAB 70.81, -50.14, 27.5

 

CMYK 62 / 54 / 0 / 24

HEX #4B59C3

RGB 75 89 195

HSL 233, 0.5%, 0.53%

LAB 42.12, 27.39, -57.31

 

CMYK 0 / 62 / 24 / 24

HEX #C34B95

RGB 195 75 149

HSL 323, 0.5%, 0.53%

LAB 50.46, 55.66, -16.22

 

Description

Color code: HEX #C3B64B | qconv.com Color code: HEX #C3B64B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 182 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 182 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 62 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 62% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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