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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3B08E it is the complementary color #3C4F71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3B08E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C3B08E: #C8B089, #D9C29C, #EAD4AF, #FBE6C2 and #FFF8D5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3B08E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C3B08E: #C3B08E, #B29E7B, #A18C68, #907A55 and #7F6842

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 27 / 24

HEX #C3B08E

RGB 195 176 142

HSL 38.49, 0.31%, 0.66%

LAB 72.63, 1.55, 19.93

 

Complementary color

CMYK 47 / 30 / 0 / 56

HEX #3C4F71

RGB 60 79 113

HSL 218.49, 0.31%, 0.34%

LAB 33.45, 2.66, -21.84

 

CMYK 0 / 12 / 32 / 22

HEX #C8B089

RGB 200 176 137

HSL 37.14, 0.36%, 0.66%

LAB 72.98, 2.84, 23.18

 

CMYK 0 / 11 / 28 / 15

HEX #D9C29C

RGB 217 194 156

HSL 37.38, 0.45%, 0.73%

LAB 79.46, 2.4, 22.11

 

CMYK 0 / 9 / 25 / 8

HEX #EAD4AF

RGB 234 212 175

HSL 37.63, 0.58%, 0.8%

LAB 85.84, 2.02, 21.1

 

CMYK 0 / 8 / 23 / 2

HEX #FBE6C2

RGB 251 230 194

HSL 37.89, 0.88%, 0.87%

LAB 92.13, 1.67, 20.15

 

CMYK 0 / 3 / 16 / 0

HEX #FFF8D5

RGB 255 248 213

HSL 50, 1%, 0.92%

LAB 97.31, -3.27, 17.66

 

CMYK 0 / 10 / 27 / 24

HEX #C3B08E

RGB 195 176 142

HSL 38.49, 0.31%, 0.66%

LAB 72.63, 1.55, 19.93

 

CMYK 0 / 11 / 31 / 30

HEX #B29E7B

RGB 178 158 123

HSL 38.18, 0.26%, 0.59%

LAB 66.02, 1.97, 21

 

CMYK 0 / 13 / 35 / 37

HEX #A18C68

RGB 161 140 104

HSL 37.89, 0.23%, 0.52%

LAB 59.28, 2.46, 22.16

 

CMYK 0 / 15 / 41 / 44

HEX #907A55

RGB 144 122 85

HSL 37.63, 0.26%, 0.45%

LAB 52.4, 3.06, 23.42

 

CMYK 0 / 18 / 48 / 50

HEX #7F6842

RGB 127 104 66

HSL 37.38, 0.32%, 0.38%

LAB 45.37, 3.79, 24.79

 

CMYK 0 / 10 / 27 / 24

HEX #C3B08E

RGB 195 176 142

HSL 38.49, 0.31%, 0.66%

LAB 72.63, 1.55, 19.93

 

CMYK 0 / 6 / 28 / 24

HEX #C3B88D

RGB 195 184 141

HSL 47.78, 0.31%, 0.66%

LAB 74.7, -2.84, 23.3

 

CMYK 0 / 1 / 28 / 24

HEX #C3C18D

RGB 195 193 141

HSL 57.78, 0.31%, 0.66%

LAB 77.08, -7.56, 26.51

 

CMYK 4 / 0 / 28 / 24

HEX #BCC38D

RGB 188 195 141

HSL 67.78, 0.31%, 0.66%

LAB 77.07, -11.28, 26.4

 

CMYK 8 / 0 / 28 / 24

HEX #B3C38D

RGB 179 195 141

HSL 77.78, 0.31%, 0.66%

LAB 76.4, -14.69, 25.38

 

CMYK 0 / 10 / 27 / 24

HEX #C3B08E

RGB 195 176 142

HSL 38.49, 0.31%, 0.66%

LAB 72.63, 1.55, 19.93

 

CMYK 0 / 10 / 27 / 4

HEX #F6DEB3

RGB 246 222 179

HSL 38.51, 0.79%, 0.83%

LAB 89.44, 1.89, 24.13

SW® 9663

CMYK 0 / 10 / 26 / 84

HEX #2A261F

RGB 42 38 31

HSL 38.18, 0.15%, 0.14%

LAB 15.37, 0.38, 5.32

 

CMYK 0 / 10 / 27 / 64

HEX #5D5444

RGB 93 84 68

HSL 38.4, 0.16%, 0.32%

LAB 36.15, 0.8, 10.71

 

CMYK 0 / 10 / 27 / 44

HEX #908269

RGB 144 130 105

HSL 38.46, 0.16%, 0.49%

LAB 54.98, 1.19, 15.49

 

CMYK 0 / 10 / 27 / 24

HEX #C3B08E

RGB 195 176 142

HSL 38.49, 0.31%, 0.66%

LAB 72.63, 1.55, 19.93

 

CMYK 23 / 0 / 28 / 24

HEX #96C38D

RGB 150 195 141

HSL 110, 0.31%, 0.66%

LAB 74.47, -25.2, 22.44

 

CMYK 22 / 28 / 0 / 24

HEX #998DC3

RGB 153 141 195

HSL 253.33, 0.31%, 0.66%

LAB 61.45, 15.85, -26.38

 

CMYK 0 / 10 / 27 / 24

HEX #C3B08E

RGB 195 176 142

HSL 38.49, 0.31%, 0.66%

LAB 72.63, 1.55, 19.93

 

CMYK 28 / 0 / 10 / 24

HEX #8DC3AF

RGB 141 195 175

HSL 157.78, 0.31%, 0.66%

LAB 74.69, -21.8, 4.4

 

CMYK 10 / 28 / 0 / 24

HEX #AF8DC3

RGB 175 141 195

HSL 277.78, 0.31%, 0.66%

LAB 63.43, 22.9, -23.17

 

CMYK 0 / 10 / 27 / 24

HEX #C3B08E

RGB 195 176 142

HSL 38.49, 0.31%, 0.66%

LAB 72.63, 1.55, 19.93

 

CMYK 23 / 0 / 28 / 24

HEX #96C38D

RGB 150 195 141

HSL 110, 0.31%, 0.66%

LAB 74.47, -25.2, 22.44

 

CMYK 28 / 17 / 0 / 24

HEX #8DA1C3

RGB 141 161 195

HSL 217.78, 0.31%, 0.66%

LAB 65.82, 0.79, -19.77

 

CMYK 5 / 28 / 0 / 24

HEX #BA8DC3

RGB 186 141 195

HSL 290, 0.31%, 0.66%

LAB 64.51, 26.51, -21.43

 

CMYK 0 / 10 / 27 / 24

HEX #C3B08E

RGB 195 176 142

HSL 38.49, 0.31%, 0.66%

LAB 72.63, 1.55, 19.93

 

CMYK 28 / 0 / 24 / 24

HEX #8DC394

RGB 141 195 148

HSL 127.78, 0.31%, 0.66%

LAB 74.08, -27.04, 18.09

 

CMYK 28 / 17 / 0 / 24

HEX #8DA1C3

RGB 141 161 195

HSL 217.78, 0.31%, 0.66%

LAB 65.82, 0.79, -19.77

 

CMYK 0 / 28 / 4 / 24

HEX #C38DBC

RGB 195 141 188

HSL 307.78, 0.31%, 0.66%

LAB 65.19, 28.18, -16.38

 

Description

Color code: HEX #C3B08E | qconv.com Color code: HEX #C3B08E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 176 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 176 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 27 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 27% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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