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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C39B27 it is the complementary color #3C64D8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C39B27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C39B27 shade: #C89B22, #D9AD35, #EABF48, #FBD15B and #FFE36E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C39B27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C39B27 shade: #C39B27, #B28914, #A17701, #906500 and #7F5300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C39B27 shade: #C49C27, #C47127, #C44727 and #C42727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C39B27 shade: #C49C27, #C2C427, #97C427, #6DC427 and #43C427

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C39B27 shade matches the following richer shades: #C49C27, #D7A514 and #EAAE01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C39B27 shade: #C49C27, #B1923A, #9E894D, #8B8060 and #787773

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C39B27 shade: #C44627, #C47027, #C49A27, #C4C427 and #9AC427

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C39B27 shade: #7F6519, #A18020, #C49C27, #D8B03B and #DFBE5E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C39B27 shade: #C39B27, #31C427 and #5B27C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C39B27 shade: #C39B27, #27C49A and #9A27C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C39B27 shade: #C39B27, #31C427, #2751C4 and #B927C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C39B27 shade: #C39B27, #27C44B, #2751C4 and #C4279F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 80 / 24

HEX #C39B27

RGB 195 155 39

HSL 44.62, 0.67%, 0.46%

LAB 65.9, 3.98, 61.51

 

Complementary color

CMYK 72 / 54 / 0 / 15

HEX #3C64D8

RGB 60 100 216

HSL 224.62, 0.67%, 0.54%

LAB 45.68, 25.54, -63.66

 

CMYK 0 / 23 / 83 / 22

HEX #C89B22

RGB 200 155 34

HSL 43.73, 0.71%, 0.46%

LAB 66.4, 6.04, 63.73

 

CMYK 0 / 20 / 76 / 15

HEX #D9AD35

RGB 217 173 53

HSL 43.9, 0.68%, 0.53%

LAB 72.82, 4.52, 63.81

 

CMYK 0 / 18 / 69 / 8

HEX #EABF48

RGB 234 191 72

HSL 44.07, 0.79%, 0.6%

LAB 79.17, 3.22, 63.24

 

CMYK 0 / 17 / 64 / 2

HEX #FBD15B

RGB 251 209 91

HSL 44.25, 0.95%, 0.67%

LAB 85.44, 2.1, 62.34

 

CMYK 0 / 11 / 57 / 0

HEX #FFE36E

RGB 255 227 110

HSL 48.41, 1%, 0.72%

LAB 90.47, -4.14, 59.64

 

CMYK 0 / 21 / 80 / 24

HEX #C39B27

RGB 195 155 39

HSL 44.62, 0.67%, 0.46%

LAB 65.9, 3.98, 61.51

 

CMYK 0 / 23 / 89 / 30

HEX #B28914

RGB 178 137 20

HSL 44.43, 0.8%, 0.39%

LAB 59.35, 5.65, 60.73

 

CMYK 0 / 26 / 99 / 37

HEX #A17701

RGB 161 119 1

HSL 44.25, 0.99%, 0.32%

LAB 52.7, 7.58, 58.61

 

CMYK 0 / 30 / 100 / 44

HEX #906500

RGB 144 101 0

HSL 42.08, 1%, 0.28%

LAB 45.96, 9.91, 53.28

 

CMYK 0 / 35 / 100 / 50

HEX #7F5300

RGB 127 83 0

HSL 39.21, 1%, 0.25%

LAB 39.07, 12.39, 47.64

 

CMYK 0 / 20 / 80 / 23

HEX #C49C27

RGB 196 156 39

HSL 44.71, 0.67%, 0.46%

LAB 66.26, 3.89, 61.87

 

CMYK 0 / 42 / 80 / 23

HEX #C47127

RGB 196 113 39

HSL 28.28, 0.67%, 0.46%

LAB 55.78, 27.36, 52.32

 

CMYK 0 / 64 / 80 / 23

HEX #C44727

RGB 196 71 39

HSL 12.23, 0.67%, 0.46%

LAB 47.48, 48.37, 44.41

 

CMYK 0 / 80 / 80 / 23

HEX #C42727

RGB 196 39 39

HSL 0, 0.67%, 0.46%

LAB 43.26, 59.96, 40.23

 

CMYK 0 / 20 / 80 / 23

HEX #C49C27

RGB 196 156 39

HSL 44.71, 0.67%, 0.46%

LAB 66.26, 3.89, 61.87

 

CMYK 1 / 0 / 80 / 23

HEX #C2C427

RGB 194 196 39

HSL 60.76, 0.67%, 0.46%

LAB 76.74, -17.82, 71.03

 

CMYK 23 / 0 / 80 / 23

HEX #97C427

RGB 151 196 39

HSL 77.2, 0.67%, 0.46%

LAB 73.68, -35.59, 67.16

 

CMYK 44 / 0 / 80 / 23

HEX #6DC427

RGB 109 196 39

HSL 93.25, 0.67%, 0.46%

LAB 71.47, -50.75, 64.33

 

CMYK 66 / 0 / 80 / 23

HEX #43C427

RGB 67 196 39

HSL 109.3, 0.67%, 0.46%

LAB 70.05, -61.96, 62.49

 

CMYK 0 / 20 / 80 / 23

HEX #C49C27

RGB 196 156 39

HSL 44.71, 0.67%, 0.46%

LAB 66.26, 3.89, 61.87

 

CMYK 0 / 23 / 91 / 16

HEX #D7A514

RGB 215 165 20

HSL 44.62, 0.83%, 0.46%

LAB 70.46, 6.97, 71.06

 

CMYK 0 / 26 / 100 / 8

HEX #EAAE01

RGB 234 174 1

HSL 44.55, 0.99%, 0.46%

LAB 74.68, 10.27, 77.53

 

CMYK 0 / 20 / 80 / 23

HEX #C49C27

RGB 196 156 39

HSL 44.71, 0.67%, 0.46%

LAB 66.26, 3.89, 61.87

 

CMYK 0 / 18 / 67 / 31

HEX #B1923A

RGB 177 146 58

HSL 44.37, 0.51%, 0.46%

LAB 61.84, 1.78, 49.41

 

CMYK 0 / 13 / 51 / 38

HEX #9E894D

RGB 158 137 77

HSL 44.44, 0.34%, 0.46%

LAB 57.75, -0.16, 34.87

 

CMYK 0 / 8 / 31 / 45

HEX #8B8060

RGB 139 128 96

HSL 44.65, 0.18%, 0.46%

LAB 53.78, -1.05, 18.92

 

CMYK 0 / 1 / 4 / 53

HEX #787773

RGB 120 119 115

HSL 48, 0.02%, 0.46%

LAB 50.01, -0.41, 2.32

 

CMYK 0 / 64 / 80 / 23

HEX #C44627

RGB 196 70 39

HSL 11.85, 0.67%, 0.46%

LAB 47.32, 48.81, 44.25

 

CMYK 0 / 43 / 80 / 23

HEX #C47027

RGB 196 112 39

HSL 27.9, 0.67%, 0.46%

LAB 55.55, 27.9, 52.11

 

CMYK 0 / 21 / 80 / 23

HEX #C49A27

RGB 196 154 39

HSL 43.95, 0.67%, 0.46%

LAB 65.74, 4.97, 61.41

 

CMYK 0 / 0 / 80 / 23

HEX #C4C427

RGB 196 196 39

HSL 60, 0.67%, 0.46%

LAB 76.9, -16.97, 71.23

 

CMYK 21 / 0 / 80 / 23

HEX #9AC427

RGB 154 196 39

HSL 76.05, 0.67%, 0.46%

LAB 73.87, -34.4, 67.4

 

CMYK 0 / 20 / 80 / 50

HEX #7F6519

RGB 127 101 25

HSL 44.71, 0.67%, 0.3%

LAB 44.07, 2.46, 43.95

 

CMYK 0 / 20 / 80 / 37

HEX #A18020

RGB 161 128 32

HSL 44.65, 0.67%, 0.38%

LAB 55.2, 3.24, 52.92

 

CMYK 0 / 20 / 80 / 23

HEX #C49C27

RGB 196 156 39

HSL 44.71, 0.67%, 0.46%

LAB 66.26, 3.89, 61.87

 

CMYK 0 / 19 / 73 / 15

HEX #D8B03B

RGB 216 176 59

HSL 44.71, 0.67%, 0.54%

LAB 73.52, 2.76, 62.18

 

CMYK 0 / 15 / 58 / 13

HEX #DFBE5E

RGB 223 190 94

HSL 44.65, 0.67%, 0.62%

LAB 78.07, 0.49, 52.01

 

CMYK 0 / 21 / 80 / 24

HEX #C39B27

RGB 195 155 39

HSL 44.62, 0.67%, 0.46%

LAB 65.9, 3.98, 61.51

 

CMYK 75 / 0 / 80 / 23

HEX #31C427

RGB 49 196 39

HSL 116.18, 0.67%, 0.46%

LAB 69.67, -65.21, 62

 

CMYK 54 / 80 / 0 / 23

HEX #5B27C4

RGB 91 39 196

HSL 259.87, 0.67%, 0.46%

LAB 33.27, 57.87, -72.3

 

CMYK 0 / 21 / 80 / 24

HEX #C39B27

RGB 195 155 39

HSL 44.62, 0.67%, 0.46%

LAB 65.9, 3.98, 61.51

 

CMYK 80 / 0 / 21 / 23

HEX #27C49A

RGB 39 196 154

HSL 163.95, 0.67%, 0.46%

LAB 71.04, -48.9, 10.08

 

CMYK 21 / 80 / 0 / 23

HEX #9A27C4

RGB 154 39 196

HSL 283.95, 0.67%, 0.46%

LAB 41.7, 67.39, -58.17

 

CMYK 0 / 21 / 80 / 24

HEX #C39B27

RGB 195 155 39

HSL 44.62, 0.67%, 0.46%

LAB 65.9, 3.98, 61.51

 

CMYK 75 / 0 / 80 / 23

HEX #31C427

RGB 49 196 39

HSL 116.18, 0.67%, 0.46%

LAB 69.67, -65.21, 62

 

CMYK 80 / 59 / 0 / 23

HEX #2751C4

RGB 39 81 196

HSL 223.95, 0.67%, 0.46%

LAB 38.38, 28.04, -64.05

 

CMYK 6 / 80 / 0 / 23

HEX #B927C4

RGB 185 39 196

HSL 295.8, 0.67%, 0.46%

LAB 46.65, 73.02, -49.95

 

CMYK 0 / 21 / 80 / 24

HEX #C39B27

RGB 195 155 39

HSL 44.62, 0.67%, 0.46%

LAB 65.9, 3.98, 61.51

 

CMYK 80 / 0 / 62 / 23

HEX #27C44B

RGB 39 196 75

HSL 133.76, 0.67%, 0.46%

LAB 69.77, -63.41, 48.62

 

CMYK 80 / 59 / 0 / 23

HEX #2751C4

RGB 39 81 196

HSL 223.95, 0.67%, 0.46%

LAB 38.38, 28.04, -64.05

 

CMYK 0 / 80 / 19 / 23

HEX #C4279F

RGB 196 39 159

HSL 314.14, 0.67%, 0.46%

LAB 46.57, 69.8, -28.16

 

Description

Color code: HEX #C39B27 | qconv.com Color code: HEX #C39B27 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 155 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 155 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 80 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 80% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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