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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3846D it is the complementary color #3C7B92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3846D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C3846D: #C88468, #D9967B, #EAA88E, #FBBAA1 and #FFCCB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3846D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C3846D: #C3846D, #B2725A, #A16047, #904E34 and #7F3C21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 44 / 24

HEX #C3846D

RGB 195 132 109

HSL 16.05, 0.42%, 0.6%

LAB 60.97, 21.5, 22.25

 

Complementary color

CMYK 59 / 16 / 0 / 43

HEX #3C7B92

RGB 60 123 146

HSL 196.05, 0.42%, 0.4%

LAB 48.51, -13.17, -18.58

 

CMYK 0 / 34 / 48 / 22

HEX #C88468

RGB 200 132 104

HSL 17.5, 0.47%, 0.6%

LAB 61.47, 23.01, 25.82

 

CMYK 0 / 31 / 43 / 15

HEX #D9967B

RGB 217 150 123

HSL 17.23, 0.55%, 0.67%

LAB 68.02, 21.98, 24.38

 

CMYK 0 / 28 / 39 / 8

HEX #EAA88E

RGB 234 168 142

HSL 16.96, 0.69%, 0.74%

LAB 74.48, 21.08, 23.07

 

CMYK 0 / 26 / 36 / 2

HEX #FBBAA1

RGB 251 186 161

HSL 16.67, 0.92%, 0.81%

LAB 80.85, 20.28, 21.87

 

CMYK 0 / 20 / 29 / 0

HEX #FFCCB4

RGB 255 204 180

HSL 19.2, 1%, 0.85%

LAB 85.88, 14.7, 18.81

 

CMYK 0 / 32 / 44 / 24

HEX #C3846D

RGB 195 132 109

HSL 16.05, 0.42%, 0.6%

LAB 60.97, 21.5, 22.25

 

CMYK 0 / 36 / 49 / 30

HEX #B2725A

RGB 178 114 90

HSL 16.36, 0.36%, 0.53%

LAB 54.28, 22.58, 23.75

 

CMYK 0 / 40 / 56 / 37

HEX #A16047

RGB 161 96 71

HSL 16.67, 0.39%, 0.45%

LAB 47.49, 23.81, 25.45

 

CMYK 0 / 46 / 64 / 44

HEX #904E34

RGB 144 78 52

HSL 16.96, 0.47%, 0.38%

LAB 40.62, 25.24, 27.4

 

CMYK 0 / 53 / 74 / 50

HEX #7F3C21

RGB 127 60 33

HSL 17.23, 0.59%, 0.31%

LAB 33.68, 26.87, 29.62

 

CMYK 0 / 32 / 44 / 24

HEX #C3846D

RGB 195 132 109

HSL 16.05, 0.42%, 0.6%

LAB 60.97, 21.5, 22.25

 

CMYK 0 / 25 / 44 / 24

HEX #C3936E

RGB 195 147 110

HSL 26.12, 0.41%, 0.6%

LAB 64.64, 13.35, 26.59

 

CMYK 0 / 17 / 44 / 24

HEX #C3A16E

RGB 195 161 110

HSL 36, 0.41%, 0.6%

LAB 68.18, 5.7, 31.22

 

CMYK 0 / 10 / 44 / 24

HEX #C3AF6E

RGB 195 175 110

HSL 45.88, 0.41%, 0.6%

LAB 71.82, -1.81, 35.89

 

CMYK 0 / 3 / 44 / 24

HEX #C3BE6E

RGB 195 190 110

HSL 56.47, 0.41%, 0.6%

LAB 75.8, -9.66, 40.89

 

CMYK 0 / 32 / 44 / 24

HEX #C3846D

RGB 195 132 109

HSL 16.05, 0.42%, 0.6%

LAB 60.97, 21.5, 22.25

 

CMYK 0 / 32 / 44 / 4

HEX #F6A78A

RGB 246 167 138

HSL 16.11, 0.86%, 0.75%

LAB 75.49, 25.83, 26.82

 

CMYK 0 / 33 / 45 / 84

HEX #2A1C17

RGB 42 28 23

HSL 15.79, 0.29%, 0.13%

LAB 11.85, 6.04, 6.18

 

CMYK 0 / 32 / 44 / 64

HEX #5D3F34

RGB 93 63 52

HSL 16.1, 0.28%, 0.28%

LAB 29.74, 11.55, 12

 

CMYK 0 / 33 / 44 / 44

HEX #906150

RGB 144 97 80

HSL 15.94, 0.29%, 0.44%

LAB 45.71, 16.94, 17.42

 

CMYK 0 / 32 / 44 / 24

HEX #C3846D

RGB 195 132 109

HSL 16.05, 0.42%, 0.6%

LAB 60.97, 21.5, 22.25

 

CMYK 21 / 0 / 44 / 24

HEX #9BC36E

RGB 155 195 110

HSL 88.24, 0.41%, 0.6%

LAB 74.27, -27.84, 38.35

 

CMYK 44 / 38 / 0 / 24

HEX #6E79C3

RGB 110 121 195

HSL 232.24, 0.41%, 0.6%

LAB 52.87, 15.25, -40

 

CMYK 0 / 32 / 44 / 24

HEX #C3846D

RGB 195 132 109

HSL 16.05, 0.42%, 0.6%

LAB 60.97, 21.5, 22.25

 

CMYK 44 / 0 / 32 / 24

HEX #6EC385

RGB 110 195 133

HSL 136.24, 0.41%, 0.6%

LAB 72.25, -39.3, 23.34

 

CMYK 32 / 44 / 0 / 24

HEX #856EC3

RGB 133 110 195

HSL 256.24, 0.41%, 0.6%

LAB 51.93, 28, -41.37

 

CMYK 0 / 32 / 44 / 24

HEX #C3846D

RGB 195 132 109

HSL 16.05, 0.42%, 0.6%

LAB 60.97, 21.5, 22.25

 

CMYK 21 / 0 / 44 / 24

HEX #9BC36E

RGB 155 195 110

HSL 88.24, 0.41%, 0.6%

LAB 74.27, -27.84, 38.35

 

CMYK 44 / 12 / 0 / 24

HEX #6EACC3

RGB 110 172 195

HSL 196.24, 0.41%, 0.6%

LAB 67.1, -13.88, -18

 

CMYK 23 / 44 / 0 / 24

HEX #966EC3

RGB 150 110 195

HSL 268.24, 0.41%, 0.6%

LAB 53.57, 32.82, -38.66

 

CMYK 0 / 32 / 44 / 24

HEX #C3846D

RGB 195 132 109

HSL 16.05, 0.42%, 0.6%

LAB 60.97, 21.5, 22.25

 

CMYK 33 / 0 / 44 / 24

HEX #82C36E

RGB 130 195 110

HSL 105.88, 0.41%, 0.6%

LAB 72.83, -36.73, 36.23

 

CMYK 44 / 12 / 0 / 24

HEX #6EACC3

RGB 110 172 195

HSL 196.24, 0.41%, 0.6%

LAB 67.1, -13.88, -18

 

CMYK 10 / 44 / 0 / 24

HEX #AF6EC3

RGB 175 110 195

HSL 285.88, 0.41%, 0.6%

LAB 56.29, 40.19, -34.21

 

Description

Color code: HEX #C3846D | qconv.com Color code: HEX #C3846D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 132 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 132 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 44 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 44% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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