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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C37AF3 it is the complementary color #3C850C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C37AF3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C37AF3 shade: #C87AEE, #D98CFF, #EA9EFF, #FBB0FF and #FFC2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C37AF3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C37AF3 shade: #C37AF3, #B268E0, #A156CD, #9044BA and #7F32A7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C37AF3 shade: #C47CF3, #E47CF3, #F37CE2, #F37CC2 and #F37CA2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C37AF3 shade: #C47CF3, #A47CF3, #847CF3 and #7C7CF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C37AF3 shade matches the following richer shades: #C47CF3 and #C671FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C37AF3 shade: #C47CF3, #C188E7, #BF93DC, #BD9FD0 and #BAABC5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C37AF3 shade: #847CF3, #A47CF3, #C37CF3, #E37CF3 and #F37CE3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C37AF3 shade: #A231EC, #B357EF, #C47CF3, #D5A2F6 and #E6C8FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C37AF3 shade: #C37AF3, #F37C94 and #7CF394

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C37AF3 shade: #C37AF3, #F3C37C and #7CF3C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C37AF3 shade: #C37AF3, #F37C94, #ACF37C and #7CF3DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C37AF3 shade: #C37AF3, #F3887C, #ACF37C and #7CE7F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 50 / 0 / 5

HEX #C37AF3

RGB 195 122 243

HSL 276.2, 0.83%, 0.72%

LAB 63.34, 49.58, -49.91

 

Complementary color

CMYK 55 / 0 / 91 / 48

HEX #3C850C

RGB 60 133 12

HSL 96.2, 0.83%, 0.28%

LAB 49.21, -42.55, 50.5

 

CMYK 16 / 49 / 0 / 7

HEX #C87AEE

RGB 200 122 238

HSL 280.34, 0.77%, 0.71%

LAB 63.65, 49.85, -46.61

 

CMYK 15 / 45 / 0 / 0

HEX #D98CFF

RGB 217 140 255

HSL 280.17, 1%, 0.77%

LAB 69.98, 48.65, -45.84

 

CMYK 8 / 38 / 0 / 0

HEX #EA9EFF

RGB 234 158 255

HSL 287.01, 1%, 0.81%

LAB 75.55, 44.09, -37.01

 

CMYK 2 / 31 / 0 / 0

HEX #FBB0FF

RGB 251 176 255

HSL 296.96, 1%, 0.85%

LAB 81.17, 39.81, -28.21

 

CMYK 0 / 24 / 0 / 0

HEX #FFC2FF

RGB 255 194 255

HSL 300, 1%, 0.88%

LAB 85.54, 31.62, -21.53

 

CMYK 20 / 50 / 0 / 5

HEX #C37AF3

RGB 195 122 243

HSL 276.2, 0.83%, 0.72%

LAB 63.34, 49.58, -49.91

 

CMYK 21 / 54 / 0 / 12

HEX #B268E0

RGB 178 104 224

HSL 277, 0.66%, 0.64%

LAB 56.83, 50.39, -49.77

 

CMYK 21 / 58 / 0 / 20

HEX #A156CD

RGB 161 86 205

HSL 277.82, 0.54%, 0.57%

LAB 50.26, 51.16, -49.56

 

CMYK 23 / 63 / 0 / 27

HEX #9044BA

RGB 144 68 186

HSL 278.64, 0.46%, 0.5%

LAB 43.67, 51.81, -49.23

 

CMYK 24 / 70 / 0 / 35

HEX #7F32A7

RGB 127 50 167

HSL 279.49, 0.54%, 0.43%

LAB 37.08, 52.17, -48.69

 

CMYK 19 / 49 / 0 / 5

HEX #C47CF3

RGB 196 124 243

HSL 276.3, 0.83%, 0.72%

LAB 63.85, 48.79, -49.08

 

CMYK 6 / 49 / 0 / 5

HEX #E47CF3

RGB 228 124 243

HSL 292.44, 0.83%, 0.72%

LAB 67.56, 57.44, -42.99

 

CMYK 0 / 49 / 7 / 5

HEX #F37CE2

RGB 243 124 226

HSL 308.57, 0.83%, 0.72%

LAB 68.72, 58.66, -31.66

 

CMYK 0 / 49 / 20 / 5

HEX #F37CC2

RGB 243 124 194

HSL 324.71, 0.83%, 0.72%

LAB 67.55, 53.75, -15.62

 

CMYK 0 / 49 / 33 / 5

HEX #F37CA2

RGB 243 124 162

HSL 340.84, 0.83%, 0.72%

LAB 66.58, 49.53, 0.98

 

CMYK 19 / 49 / 0 / 5

HEX #C47CF3

RGB 196 124 243

HSL 276.3, 0.83%, 0.72%

LAB 63.85, 48.79, -49.08

 

CMYK 33 / 49 / 0 / 5

HEX #A47CF3

RGB 164 124 243

HSL 260.17, 0.83%, 0.72%

LAB 60.59, 40.46, -54.47

 

CMYK 46 / 49 / 0 / 5

HEX #847CF3

RGB 132 124 243

HSL 244.03, 0.83%, 0.72%

LAB 57.84, 32.8, -59.01

 

CMYK 49 / 49 / 0 / 5

HEX #7C7CF3

RGB 124 124 243

HSL 240, 0.83%, 0.72%

LAB 57.24, 31.04, -60

 

CMYK 19 / 49 / 0 / 5

HEX #C47CF3

RGB 196 124 243

HSL 276.3, 0.83%, 0.72%

LAB 63.85, 48.79, -49.08

 

CMYK 22 / 56 / 0 / 0

HEX #C671FE

RGB 198 113 254

HSL 276.17, 0.99%, 0.72%

LAB 62.48, 57.33, -57.3

 

CMYK 19 / 49 / 0 / 5

HEX #C47CF3

RGB 196 124 243

HSL 276.3, 0.83%, 0.72%

LAB 63.85, 48.79, -49.08

 

CMYK 16 / 41 / 0 / 9

HEX #C188E7

RGB 193 136 231

HSL 276, 0.66%, 0.72%

LAB 65.53, 38.93, -39.85

 

CMYK 13 / 33 / 0 / 14

HEX #BF93DC

RGB 191 147 220

HSL 276.16, 0.51%, 0.72%

LAB 67.36, 29.92, -30.93

 

CMYK 9 / 24 / 0 / 18

HEX #BD9FD0

RGB 189 159 208

HSL 276.73, 0.34%, 0.72%

LAB 69.59, 20.11, -20.89

 

CMYK 6 / 13 / 0 / 23

HEX #BAABC5

RGB 186 171 197

HSL 274.62, 0.18%, 0.72%

LAB 71.96, 10.25, -11.28

 

CMYK 46 / 49 / 0 / 5

HEX #847CF3

RGB 132 124 243

HSL 244.03, 0.83%, 0.72%

LAB 57.84, 32.8, -59.01

 

CMYK 33 / 49 / 0 / 5

HEX #A47CF3

RGB 164 124 243

HSL 260.17, 0.83%, 0.72%

LAB 60.59, 40.46, -54.47

 

CMYK 20 / 49 / 0 / 5

HEX #C37CF3

RGB 195 124 243

HSL 275.8, 0.83%, 0.72%

LAB 63.74, 48.53, -49.26

 

CMYK 7 / 49 / 0 / 5

HEX #E37CF3

RGB 227 124 243

HSL 291.93, 0.83%, 0.72%

LAB 67.44, 57.16, -43.19

 

CMYK 0 / 49 / 7 / 5

HEX #F37CE3

RGB 243 124 227

HSL 308.07, 0.83%, 0.72%

LAB 68.76, 58.83, -32.15

 

CMYK 31 / 79 / 0 / 7

HEX #A231EC

RGB 162 49 236

HSL 276.26, 0.83%, 0.56%

LAB 46.89, 73.62, -72.64

 

CMYK 25 / 64 / 0 / 6

HEX #B357EF

RGB 179 87 239

HSL 276.32, 0.83%, 0.64%

LAB 54.69, 62.27, -61.58

 

CMYK 19 / 49 / 0 / 5

HEX #C47CF3

RGB 196 124 243

HSL 276.3, 0.83%, 0.72%

LAB 63.85, 48.79, -49.08

 

CMYK 13 / 34 / 0 / 4

HEX #D5A2F6

RGB 213 162 246

HSL 276.43, 0.82%, 0.8%

LAB 73.96, 33.88, -34.78

 

CMYK 8 / 20 / 0 / 2

HEX #E6C8FA

RGB 230 200 250

HSL 276, 0.83%, 0.88%

LAB 84.5, 19.5, -20.66

 

CMYK 20 / 50 / 0 / 5

HEX #C37AF3

RGB 195 122 243

HSL 276.2, 0.83%, 0.72%

LAB 63.34, 49.58, -49.91

 

CMYK 0 / 49 / 39 / 5

HEX #F37C94

RGB 243 124 148

HSL 347.9, 0.83%, 0.72%

LAB 66.22, 47.92, 8.4

 

CMYK 49 / 0 / 39 / 5

HEX #7CF394

RGB 124 243 148

HSL 132.1, 0.83%, 0.72%

LAB 87.25, -53.33, 35.72

 

CMYK 20 / 50 / 0 / 5

HEX #C37AF3

RGB 195 122 243

HSL 276.2, 0.83%, 0.72%

LAB 63.34, 49.58, -49.91

 

CMYK 0 / 20 / 49 / 5

HEX #F3C37C

RGB 243 195 124

HSL 35.8, 0.83%, 0.72%

LAB 81.59, 8.56, 42

 

CMYK 49 / 0 / 20 / 5

HEX #7CF3C3

RGB 124 243 195

HSL 155.8, 0.83%, 0.72%

LAB 88.13, -44.62, 12.92

 

CMYK 20 / 50 / 0 / 5

HEX #C37AF3

RGB 195 122 243

HSL 276.2, 0.83%, 0.72%

LAB 63.34, 49.58, -49.91

 

CMYK 0 / 49 / 39 / 5

HEX #F37C94

RGB 243 124 148

HSL 347.9, 0.83%, 0.72%

LAB 66.22, 47.92, 8.4

 

CMYK 29 / 0 / 49 / 5

HEX #ACF37C

RGB 172 243 124

HSL 95.8, 0.83%, 0.72%

LAB 89.08, -42.15, 50.11

 

CMYK 49 / 0 / 10 / 5

HEX #7CF3DB

RGB 124 243 219

HSL 167.9, 0.83%, 0.72%

LAB 88.69, -39.3, 1.23

 

CMYK 20 / 50 / 0 / 5

HEX #C37AF3

RGB 195 122 243

HSL 276.2, 0.83%, 0.72%

LAB 63.34, 49.58, -49.91

 

CMYK 0 / 44 / 49 / 5

HEX #F3887C

RGB 243 136 124

HSL 6.05, 0.83%, 0.72%

LAB 68.11, 39.49, 24.5

 

CMYK 29 / 0 / 49 / 5

HEX #ACF37C

RGB 172 243 124

HSL 95.8, 0.83%, 0.72%

LAB 89.08, -42.15, 50.11

 

CMYK 49 / 5 / 0 / 5

HEX #7CE7F3

RGB 124 231 243

HSL 186.05, 0.83%, 0.72%

LAB 85.96, -27.77, -15.39

 

Description

Color code: HEX #C37AF3 | qconv.com Color code: HEX #C37AF3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 122 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 122 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 50 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 50% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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