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Color name
RGB 213 162 246

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213 162 246 it is the complementary color RGB 42 93 9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213 162 246. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 213 162 246 shade: RGB 218 162 241, RGB 235 180 255, RGB 252 198 255, RGB 255 216 255 and RGB 255 234 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213 162 246. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 213 162 246 shade: RGB 213 162 246, RGB 196 144 227, RGB 179 126 208, RGB 162 108 189 and RGB 145 90 170

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 213 162 246 shade: RGB 213 162 246, RGB 236 162 246, RGB 246 162 234, RGB 246 162 211 and RGB 246 162 188

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 213 162 246 shade: RGB 213 162 246, RGB 190 162 246, RGB 168 162 246 and RGB 162 162 246

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 213 162 246 shade matches the following richer shades: RGB 213 162 246 and RGB 215 154 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 213 162 246 shade: RGB 213 162 246, RGB 211 170 238, RGB 209 179 229, RGB 208 187 221 and RGB 206 195 213

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 213 162 246 shade: RGB 168 162 246, RGB 190 162 246, RGB 212 162 246, RGB 235 162 246 and RGB 246 162 235

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 213 162 246 shade: RGB 179 87 238, RGB 196 125 242, RGB 213 162 246, RGB 230 200 250 and RGB 247 237 253

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 213 162 246 shade: RGB 213 162 246, RGB 246 162 179 and RGB 162 246 179

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 213 162 246 shade: RGB 213 162 246, RGB 246 212 162 and RGB 162 246 212

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 213 162 246 shade: RGB 213 162 246, RGB 246 162 179, RGB 196 246 162 and RGB 162 246 229

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 213 162 246 shade: RGB 213 162 246, RGB 246 171 162, RGB 196 246 162 and RGB 162 237 246

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 34 / 0 / 4

HEX #D5A2F6

RGB 213 162 246

HSL 276.43, 0.82%, 0.8%

LAB 73.96, 33.88, -34.78

 

Complementary color

CMYK 55 / 0 / 90 / 64

HEX #2A5D09

RGB 42 93 9

HSL 96.43, 0.82%, 0.2%

LAB 34.68, -32.14, 38.3

 

CMYK 10 / 33 / 0 / 5

HEX #DAA2F1

RGB 218 162 241

HSL 282.53, 0.74%, 0.79%

LAB 74.25, 34.38, -31.58

 

CMYK 8 / 29 / 0 / 0

HEX #EBB4FF

RGB 235 180 255

HSL 284, 1%, 0.85%

LAB 80.47, 32.74, -29.42

 

CMYK 1 / 22 / 0 / 0

HEX #FCC6FF

RGB 252 198 255

HSL 296.84, 1%, 0.89%

LAB 86.16, 28.56, -20.62

 

CMYK 0 / 15 / 0 / 0

HEX #FFD8FF

RGB 255 216 255

HSL 300, 1%, 0.92%

LAB 90.59, 20.08, -13.92

 

CMYK 0 / 8 / 0 / 0

HEX #FFEAFF

RGB 255 234 255

HSL 300, 1%, 0.96%

LAB 94.88, 10.72, -7.54

 

CMYK 13 / 34 / 0 / 4

HEX #D5A2F6

RGB 213 162 246

HSL 276.43, 0.82%, 0.8%

LAB 73.96, 33.88, -34.78

 

CMYK 14 / 37 / 0 / 11

HEX #C490E3

RGB 196 144 227

HSL 277.59, 0.6%, 0.73%

LAB 67.45, 34.58, -34.62

 

CMYK 14 / 39 / 0 / 18

HEX #B37ED0

RGB 179 126 208

HSL 278.78, 0.47%, 0.65%

LAB 60.83, 35.33, -34.46

 

CMYK 14 / 43 / 0 / 26

HEX #A26CBD

RGB 162 108 189

HSL 280, 0.38%, 0.58%

LAB 54.11, 36.12, -34.29

 

CMYK 15 / 47 / 0 / 33

HEX #915AAA

RGB 145 90 170

HSL 281.25, 0.32%, 0.51%

LAB 47.28, 36.95, -34.1

 

CMYK 13 / 34 / 0 / 4

HEX #D5A2F6

RGB 213 162 246

HSL 276.43, 0.82%, 0.8%

LAB 73.96, 33.88, -34.78

 

CMYK 4 / 34 / 0 / 4

HEX #ECA2F6

RGB 236 162 246

HSL 292.86, 0.82%, 0.8%

LAB 76.27, 40.87, -31.03

 

CMYK 0 / 34 / 5 / 4

HEX #F6A2EA

RGB 246 162 234

HSL 308.57, 0.82%, 0.8%

LAB 76.91, 41.81, -23.46

 

CMYK 0 / 34 / 14 / 4

HEX #F6A2D3

RGB 246 162 211

HSL 325, 0.82%, 0.8%

LAB 76.15, 38.01, -12.07

 

CMYK 0 / 34 / 24 / 4

HEX #F6A2BC

RGB 246 162 188

HSL 341.43, 0.82%, 0.8%

LAB 75.49, 34.57, -0.45

 

CMYK 13 / 34 / 0 / 4

HEX #D5A2F6

RGB 213 162 246

HSL 276.43, 0.82%, 0.8%

LAB 73.96, 33.88, -34.78

 

CMYK 23 / 34 / 0 / 4

HEX #BEA2F6

RGB 190 162 246

HSL 260, 0.82%, 0.8%

LAB 71.85, 27.06, -38.22

 

CMYK 32 / 34 / 0 / 4

HEX #A8A2F6

RGB 168 162 246

HSL 244.29, 0.82%, 0.8%

LAB 70.05, 20.82, -41.17

 

CMYK 34 / 34 / 0 / 4

HEX #A2A2F6

RGB 162 162 246

HSL 240, 0.82%, 0.8%

LAB 69.59, 19.18, -41.91

 

CMYK 13 / 34 / 0 / 4

HEX #D5A2F6

RGB 213 162 246

HSL 276.43, 0.82%, 0.8%

LAB 73.96, 33.88, -34.78

 

CMYK 15 / 39 / 0 / 0

HEX #D79AFE

RGB 215 154 254

HSL 276.6, 0.98%, 0.8%

LAB 72.7, 40.46, -41.06

 

CMYK 13 / 34 / 0 / 4

HEX #D5A2F6

RGB 213 162 246

HSL 276.43, 0.82%, 0.8%

LAB 73.96, 33.88, -34.78

 

CMYK 11 / 29 / 0 / 7

HEX #D3AAEE

RGB 211 170 238

HSL 276.18, 0.67%, 0.8%

LAB 75.31, 27.26, -28.38

 

CMYK 9 / 22 / 0 / 10

HEX #D1B3E5

RGB 209 179 229

HSL 276, 0.49%, 0.8%

LAB 76.95, 19.9, -21.02

 

CMYK 6 / 15 / 0 / 13

HEX #D0BBDD

RGB 208 187 221

HSL 277.06, 0.33%, 0.8%

LAB 78.56, 13.64, -14.27

 

CMYK 3 / 8 / 0 / 16

HEX #CEC3D5

RGB 206 195 213

HSL 276.67, 0.18%, 0.8%

LAB 80.15, 7.13, -7.6

 

CMYK 32 / 34 / 0 / 4

HEX #A8A2F6

RGB 168 162 246

HSL 244.29, 0.82%, 0.8%

LAB 70.05, 20.82, -41.17

 

CMYK 23 / 34 / 0 / 4

HEX #BEA2F6

RGB 190 162 246

HSL 260, 0.82%, 0.8%

LAB 71.85, 27.06, -38.22

 

CMYK 14 / 34 / 0 / 4

HEX #D4A2F6

RGB 212 162 246

HSL 275.71, 0.82%, 0.8%

LAB 73.86, 33.58, -34.94

 

CMYK 4 / 34 / 0 / 4

HEX #EBA2F6

RGB 235 162 246

HSL 292.14, 0.82%, 0.8%

LAB 76.17, 40.56, -31.2

 

CMYK 0 / 34 / 4 / 4

HEX #F6A2EB

RGB 246 162 235

HSL 307.86, 0.82%, 0.8%

LAB 76.94, 41.99, -23.95

 

CMYK 25 / 63 / 0 / 7

HEX #B357EE

RGB 179 87 238

HSL 276.56, 0.82%, 0.64%

LAB 54.63, 62.06, -61.12

 

CMYK 19 / 48 / 0 / 5

HEX #C47DF2

RGB 196 125 242

HSL 276.41, 0.82%, 0.72%

LAB 64.01, 48.05, -48.28

 

CMYK 13 / 34 / 0 / 4

HEX #D5A2F6

RGB 213 162 246

HSL 276.43, 0.82%, 0.8%

LAB 73.96, 33.88, -34.78

 

CMYK 8 / 20 / 0 / 2

HEX #E6C8FA

RGB 230 200 250

HSL 276, 0.83%, 0.88%

LAB 84.5, 19.5, -20.66

 

CMYK 2 / 6 / 0 / 1

HEX #F7EDFD

RGB 247 237 253

HSL 277.5, 0.8%, 0.96%

LAB 94.92, 6.19, -6.51

 

CMYK 13 / 34 / 0 / 4

HEX #D5A2F6

RGB 213 162 246

HSL 276.43, 0.82%, 0.8%

LAB 73.96, 33.88, -34.78

 

CMYK 0 / 34 / 27 / 4

HEX #F6A2B3

RGB 246 162 179

HSL 347.86, 0.82%, 0.8%

LAB 75.26, 33.32, 4.15

 

CMYK 34 / 0 / 27 / 4

HEX #A2F6B3

RGB 162 246 179

HSL 132.14, 0.82%, 0.8%

LAB 90.25, -38.83, 24.37

 

CMYK 13 / 34 / 0 / 4

HEX #D5A2F6

RGB 213 162 246

HSL 276.43, 0.82%, 0.8%

LAB 73.96, 33.88, -34.78

 

CMYK 0 / 14 / 34 / 4

HEX #F6D4A2

RGB 246 212 162

HSL 35.71, 0.82%, 0.8%

LAB 86.65, 4.9, 29.15

 

CMYK 34 / 0 / 14 / 4

HEX #A2F6D4

RGB 162 246 212

HSL 155.71, 0.82%, 0.8%

LAB 90.94, -32.64, 8.33

 

CMYK 13 / 34 / 0 / 4

HEX #D5A2F6

RGB 213 162 246

HSL 276.43, 0.82%, 0.8%

LAB 73.96, 33.88, -34.78

 

CMYK 0 / 34 / 27 / 4

HEX #F6A2B3

RGB 246 162 179

HSL 347.86, 0.82%, 0.8%

LAB 75.26, 33.32, 4.15

 

CMYK 20 / 0 / 34 / 4

HEX #C4F6A2

RGB 196 246 162

HSL 95.71, 0.82%, 0.8%

LAB 91.8, -30.46, 35.36

 

CMYK 34 / 0 / 7 / 4

HEX #A2F6E5

RGB 162 246 229

HSL 167.86, 0.82%, 0.8%

LAB 91.35, -29.07, 0.09

 

CMYK 13 / 34 / 0 / 4

HEX #D5A2F6

RGB 213 162 246

HSL 276.43, 0.82%, 0.8%

LAB 73.96, 33.88, -34.78

 

CMYK 0 / 30 / 34 / 4

HEX #F6ABA2

RGB 246 171 162

HSL 6.43, 0.82%, 0.8%

LAB 76.88, 26.41, 15.74

 

CMYK 20 / 0 / 34 / 4

HEX #C4F6A2

RGB 196 246 162

HSL 95.71, 0.82%, 0.8%

LAB 91.8, -30.46, 35.36

 

CMYK 34 / 4 / 0 / 4

HEX #A2EDF6

RGB 162 237 246

HSL 186.43, 0.82%, 0.8%

LAB 89.35, -20.88, -11.72

 

Description

Color code: RGB 213 162 246 | qconv.com Color code: RGB 213 162 246 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 162 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 162 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 34 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 34% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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