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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C379C6 it is the complementary color #3C8639. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C379C6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C379C6 shade: #C879C1, #D98BD4, #EA9DE7, #FBAFFA and #FFC1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C379C6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C379C6 shade: #C379C6, #B267B3, #A155A0, #90438D and #7F317A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C379C6 shade: #C37BC6, #C67BB5, #C67BA1, #C67B8C and #C67B7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C379C6 shade: #C37BC6, #AF7BC6, #9B7BC6, #867BC6 and #7B7BC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C379C6 shade matches the following richer shades: #C37BC6, #D26CD6, #E05CE5 and #EE4DF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C379C6 shade: #C37BC6, #B58AB7, #A799A8, #99A999 and #8BB889

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C379C6 shade: #9A7BC6, #AE7BC6, #C37BC6, #C67BB6 and #C67BA2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C379C6 shade: #A348A7, #B65EBA, #C37BC6, #D098D3 and #DDB5DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C379C6 shade: #C379C6, #C6867B and #7BC6A4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C379C6 shade: #C379C6, #C6C37B and #7BC6C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C379C6 shade: #C379C6, #C6867B, #7FC67B and #7BBBC6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C379C6 shade: #C379C6, #C69D7B, #7FC67B and #7BA4C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 39 / 0 / 22

HEX #C379C6

RGB 195 121 198

HSL 297.66, 0.4%, 0.63%

LAB 61.09, 40.94, -28.28

 

Complementary color

CMYK 55 / 0 / 57 / 47

HEX #3C8639

RGB 60 134 57

HSL 117.66, 0.4%, 0.37%

LAB 49.87, -39.31, 34.14

 

CMYK 0 / 40 / 4 / 22

HEX #C879C1

RGB 200 121 193

HSL 305.32, 0.42%, 0.63%

LAB 61.49, 41.59, -24.79

 

CMYK 0 / 36 / 2 / 15

HEX #D98BD4

RGB 217 139 212

HSL 303.85, 0.51%, 0.7%

LAB 68, 40.84, -25.28

 

CMYK 0 / 33 / 1 / 8

HEX #EA9DE7

RGB 234 157 231

HSL 302.34, 0.65%, 0.77%

LAB 74.43, 40.12, -25.72

 

CMYK 0 / 30 / 0 / 2

HEX #FBAFFA

RGB 251 175 250

HSL 300.79, 0.9%, 0.84%

LAB 80.78, 39.42, -26.13

 

CMYK 0 / 24 / 0 / 0

HEX #FFC1FF

RGB 255 193 255

HSL 300, 1%, 0.88%

LAB 85.31, 32.15, -21.87

 

CMYK 2 / 39 / 0 / 22

HEX #C379C6

RGB 195 121 198

HSL 297.66, 0.4%, 0.63%

LAB 61.09, 40.94, -28.28

 

CMYK 1 / 42 / 0 / 30

HEX #B267B3

RGB 178 103 179

HSL 299.21, 0.33%, 0.55%

LAB 54.47, 41.7, -27.83

 

CMYK 0 / 47 / 1 / 37

HEX #A155A0

RGB 161 85 160

HSL 300.79, 0.31%, 0.48%

LAB 47.77, 42.44, -27.3

 

CMYK 0 / 53 / 2 / 44

HEX #90438D

RGB 144 67 141

HSL 302.34, 0.36%, 0.41%

LAB 41, 43.1, -26.63

 

CMYK 0 / 61 / 4 / 50

HEX #7F317A

RGB 127 49 122

HSL 303.85, 0.44%, 0.35%

LAB 34.22, 43.53, -25.71

 

CMYK 2 / 38 / 0 / 22

HEX #C37BC6

RGB 195 123 198

HSL 297.6, 0.4%, 0.63%

LAB 61.52, 39.87, -27.62

 

CMYK 0 / 38 / 9 / 22

HEX #C67BB5

RGB 198 123 181

HSL 313.6, 0.4%, 0.63%

LAB 61.23, 37.75, -18.4

 

CMYK 0 / 38 / 19 / 22

HEX #C67BA1

RGB 198 123 161

HSL 329.6, 0.4%, 0.63%

LAB 60.56, 34.46, -7.98

 

CMYK 0 / 38 / 29 / 22

HEX #C67B8C

RGB 198 123 140

HSL 346.4, 0.4%, 0.63%

LAB 59.95, 31.38, 3.19

 

CMYK 0 / 38 / 38 / 22

HEX #C67B7B

RGB 198 123 123

HSL 0, 0.4%, 0.63%

LAB 59.53, 29.2, 12.37

 

CMYK 2 / 38 / 0 / 22

HEX #C37BC6

RGB 195 123 198

HSL 297.6, 0.4%, 0.63%

LAB 61.52, 39.87, -27.62

 

CMYK 12 / 38 / 0 / 22

HEX #AF7BC6

RGB 175 123 198

HSL 281.6, 0.4%, 0.63%

LAB 59.3, 33.65, -31.23

 

CMYK 22 / 38 / 0 / 22

HEX #9B7BC6

RGB 155 123 198

HSL 265.6, 0.4%, 0.63%

LAB 57.28, 27.54, -34.53

 

CMYK 32 / 38 / 0 / 22

HEX #867BC6

RGB 134 123 198

HSL 248.8, 0.4%, 0.63%

LAB 55.39, 21.4, -37.62

 

CMYK 38 / 38 / 0 / 22

HEX #7B7BC6

RGB 123 123 198

HSL 240, 0.4%, 0.63%

LAB 54.51, 18.34, -39.08

 

CMYK 2 / 38 / 0 / 22

HEX #C37BC6

RGB 195 123 198

HSL 297.6, 0.4%, 0.63%

LAB 61.52, 39.87, -27.62

 

CMYK 2 / 50 / 0 / 16

HEX #D26CD6

RGB 210 108 214

HSL 297.74, 0.56%, 0.63%

LAB 61.03, 55, -37.26

 

CMYK 2 / 60 / 0 / 10

HEX #E05CE5

RGB 224 92 229

HSL 297.81, 0.72%, 0.63%

LAB 60.92, 68.57, -45.71

 

CMYK 2 / 68 / 0 / 4

HEX #EE4DF4

RGB 238 77 244

HSL 297.84, 0.88%, 0.63%

LAB 61.67, 79.96, -52.75

 

CMYK 2 / 38 / 0 / 22

HEX #C37BC6

RGB 195 123 198

HSL 297.6, 0.4%, 0.63%

LAB 61.52, 39.87, -27.62

 

CMYK 1 / 25 / 0 / 28

HEX #B58AB7

RGB 181 138 183

HSL 297.33, 0.24%, 0.63%

LAB 62.86, 24.15, -17.23

 

CMYK 1 / 9 / 0 / 34

HEX #A799A8

RGB 167 153 168

HSL 296, 0.08%, 0.63%

LAB 64.82, 7.93, -5.96

 

CMYK 9 / 0 / 9 / 34

HEX #99A999

RGB 153 169 153

HSL 120, 0.09%, 0.63%

LAB 67.61, -8.71, 6.35

 

CMYK 24 / 0 / 26 / 28

HEX #8BB889

RGB 139 184 137

HSL 117.45, 0.25%, 0.63%

LAB 70.58, -24.25, 19.15

 

CMYK 22 / 38 / 0 / 22

HEX #9A7BC6

RGB 154 123 198

HSL 264.8, 0.4%, 0.63%

LAB 57.19, 27.24, -34.69

 

CMYK 12 / 38 / 0 / 22

HEX #AE7BC6

RGB 174 123 198

HSL 280.8, 0.4%, 0.63%

LAB 59.2, 33.34, -31.4

 

CMYK 2 / 38 / 0 / 22

HEX #C37BC6

RGB 195 123 198

HSL 297.6, 0.4%, 0.63%

LAB 61.52, 39.87, -27.62

 

CMYK 0 / 38 / 8 / 22

HEX #C67BB6

RGB 198 123 182

HSL 312.8, 0.4%, 0.63%

LAB 61.26, 37.93, -18.91

 

CMYK 0 / 38 / 18 / 22

HEX #C67BA2

RGB 198 123 162

HSL 328.8, 0.4%, 0.63%

LAB 60.59, 34.61, -8.51

 

CMYK 2 / 57 / 0 / 35

HEX #A348A7

RGB 163 72 167

HSL 297.47, 0.4%, 0.47%

LAB 45.92, 50.85, -34.31

 

CMYK 2 / 49 / 0 / 27

HEX #B65EBA

RGB 182 94 186

HSL 297.39, 0.4%, 0.55%

LAB 53.49, 48.89, -33.36

 

CMYK 2 / 38 / 0 / 22

HEX #C37BC6

RGB 195 123 198

HSL 297.6, 0.4%, 0.63%

LAB 61.52, 39.87, -27.62

 

CMYK 1 / 28 / 0 / 17

HEX #D098D3

RGB 208 152 211

HSL 296.95, 0.4%, 0.71%

LAB 69.87, 30.77, -21.95

 

CMYK 1 / 19 / 0 / 13

HEX #DDB5DF

RGB 221 181 223

HSL 297.14, 0.4%, 0.79%

LAB 78.31, 21.58, -15.61

 

CMYK 2 / 39 / 0 / 22

HEX #C379C6

RGB 195 121 198

HSL 297.66, 0.4%, 0.63%

LAB 61.09, 40.94, -28.28

 

CMYK 0 / 32 / 38 / 22

HEX #C6867B

RGB 198 134 123

HSL 8.8, 0.4%, 0.63%

LAB 62.07, 23.19, 15.91

 

CMYK 38 / 0 / 17 / 22

HEX #7BC6A4

RGB 123 198 164

HSL 152.8, 0.4%, 0.63%

LAB 74.37, -30.92, 9.76

 

CMYK 2 / 39 / 0 / 22

HEX #C379C6

RGB 195 121 198

HSL 297.66, 0.4%, 0.63%

LAB 61.09, 40.94, -28.28

 

CMYK 0 / 2 / 38 / 22

HEX #C6C37B

RGB 198 195 123

HSL 57.6, 0.4%, 0.63%

LAB 77.56, -9.63, 36.56

 

CMYK 38 / 0 / 2 / 22

HEX #7BC6C3

RGB 123 198 195

HSL 177.6, 0.4%, 0.63%

LAB 75.16, -23.92, -5.86

 

CMYK 2 / 39 / 0 / 22

HEX #C379C6

RGB 195 121 198

HSL 297.66, 0.4%, 0.63%

LAB 61.09, 40.94, -28.28

 

CMYK 0 / 32 / 38 / 22

HEX #C6867B

RGB 198 134 123

HSL 8.8, 0.4%, 0.63%

LAB 62.07, 23.19, 15.91

 

CMYK 36 / 0 / 38 / 22

HEX #7FC67B

RGB 127 198 123

HSL 116.8, 0.4%, 0.63%

LAB 73.76, -37.18, 30.73

 

CMYK 38 / 6 / 0 / 22

HEX #7BBBC6

RGB 123 187 198

HSL 188.8, 0.4%, 0.63%

LAB 72.11, -17.6, -12.03

 

CMYK 2 / 39 / 0 / 22

HEX #C379C6

RGB 195 121 198

HSL 297.66, 0.4%, 0.63%

LAB 61.09, 40.94, -28.28

 

CMYK 0 / 21 / 38 / 22

HEX #C69D7B

RGB 198 157 123

HSL 27.2, 0.4%, 0.63%

LAB 67.69, 10.57, 23.58

 

CMYK 36 / 0 / 38 / 22

HEX #7FC67B

RGB 127 198 123

HSL 116.8, 0.4%, 0.63%

LAB 73.76, -37.18, 30.73

 

CMYK 38 / 17 / 0 / 22

HEX #7BA4C6

RGB 123 164 198

HSL 207.2, 0.4%, 0.63%

LAB 65.62, -5.31, -21.85

 

Description

Color code: HEX #C379C6 | qconv.com Color code: HEX #C379C6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 121 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 121 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 39 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 39% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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