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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E05CE5 it is the complementary color #1FA31A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E05CE5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E05CE5 shade: #E55CE0, #F66EF3, #FF80FF, #FF92FF and #FFA4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E05CE5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E05CE5 shade: #E05CE5, #CF4AD2, #BE38BF, #AD26AC and #9C1499

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E05CE5 shade: #DF5CE4, #E45CC4, #E45CA0, #E45C7B and #E45C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E05CE5 shade: #DF5CE4, #BA5CE4, #965CE4, #715CE4 and #5C5CE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E05CE5 shade matches the following richer shades: #DF5CE4 and #ED4DF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E05CE5 shade: #DF5CE4, #D16BD5, #C37BC6, #B58AB6 and #A799A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E05CE5 shade: #955CE4, #B95CE4, #DD5CE4, #E45CC7 and #E45CA2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E05CE5 shade: #C721CD, #D839DE, #DF5CE4, #E680EA and #EDA3F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E05CE5 shade: #E05CE5, #E4715C and #5CE4A7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E05CE5 shade: #E05CE5, #E4DD5C and #5CE4DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E05CE5 shade: #E05CE5, #E4715C, #63E45C and #5CD0E4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E05CE5 shade: #E05CE5, #E4995C, #63E45C and #5CA7E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 60 / 0 / 10

HEX #E05CE5

RGB 224 92 229

HSL 297.81, 0.72%, 0.63%

LAB 60.92, 68.57, -45.71

 

Complementary color

CMYK 81 / 0 / 84 / 36

HEX #1FA31A

RGB 31 163 26

HSL 117.81, 0.72%, 0.37%

LAB 58.57, -58.3, 55.2

 

CMYK 0 / 60 / 2 / 10

HEX #E55CE0

RGB 229 92 224

HSL 302.19, 0.72%, 0.63%

LAB 61.39, 68.96, -42.12

 

CMYK 0 / 55 / 1 / 4

HEX #F66EF3

RGB 246 110 243

HSL 301.32, 0.88%, 0.7%

LAB 67.44, 68.7, -43.02

 

CMYK 0 / 50 / 0 / 0

HEX #FF80FF

RGB 255 128 255

HSL 300, 1%, 0.75%

LAB 72.17, 64.95, -42.09

 

CMYK 0 / 43 / 0 / 0

HEX #FF92FF

RGB 255 146 255

HSL 300, 1%, 0.79%

LAB 75.47, 56.32, -36.95

 

CMYK 0 / 36 / 0 / 0

HEX #FFA4FF

RGB 255 164 255

HSL 300, 1%, 0.82%

LAB 79.06, 47.25, -31.42

 

CMYK 2 / 60 / 0 / 10

HEX #E05CE5

RGB 224 92 229

HSL 297.81, 0.72%, 0.63%

LAB 60.92, 68.57, -45.71

 

CMYK 1 / 65 / 0 / 18

HEX #CF4AD2

RGB 207 74 210

HSL 298.68, 0.6%, 0.56%

LAB 54.88, 68.58, -44.69

 

CMYK 1 / 71 / 0 / 25

HEX #BE38BF

RGB 190 56 191

HSL 299.56, 0.55%, 0.48%

LAB 48.93, 68.16, -43.36

 

CMYK 0 / 78 / 1 / 32

HEX #AD26AC

RGB 173 38 172

HSL 300.44, 0.64%, 0.41%

LAB 43.14, 67.05, -41.58

 

CMYK 0 / 87 / 2 / 39

HEX #9C1499

RGB 156 20 153

HSL 301.32, 0.77%, 0.35%

LAB 37.6, 64.9, -39.15

 

CMYK 2 / 60 / 0 / 11

HEX #DF5CE4

RGB 223 92 228

HSL 297.79, 0.72%, 0.63%

LAB 60.73, 68.15, -45.46

 

CMYK 0 / 60 / 14 / 11

HEX #E45CC4

RGB 228 92 196

HSL 314.12, 0.72%, 0.63%

LAB 60.01, 64.33, -28.46

 

CMYK 0 / 60 / 30 / 11

HEX #E45CA0

RGB 228 92 160

HSL 330, 0.72%, 0.63%

LAB 58.68, 59.43, -9.77

 

CMYK 0 / 60 / 46 / 11

HEX #E45C7B

RGB 228 92 123

HSL 346.32, 0.72%, 0.63%

LAB 57.63, 55.41, 10.31

 

CMYK 0 / 60 / 60 / 11

HEX #E45C5C

RGB 228 92 92

HSL 0, 0.72%, 0.63%

LAB 57, 52.9, 27.51

 

CMYK 2 / 60 / 0 / 11

HEX #DF5CE4

RGB 223 92 228

HSL 297.79, 0.72%, 0.63%

LAB 60.73, 68.15, -45.46

 

CMYK 18 / 60 / 0 / 11

HEX #BA5CE4

RGB 186 92 228

HSL 281.47, 0.72%, 0.63%

LAB 55.78, 59.2, -53.62

 

CMYK 34 / 60 / 0 / 11

HEX #965CE4

RGB 150 92 228

HSL 265.59, 0.72%, 0.63%

LAB 51.54, 50.84, -60.65

 

CMYK 50 / 60 / 0 / 11

HEX #715CE4

RGB 113 92 228

HSL 249.26, 0.72%, 0.63%

LAB 47.96, 43.11, -66.61

 

CMYK 60 / 60 / 0 / 11

HEX #5C5CE4

RGB 92 92 228

HSL 240, 0.72%, 0.63%

LAB 46.35, 39.36, -69.3

 

CMYK 2 / 60 / 0 / 11

HEX #DF5CE4

RGB 223 92 228

HSL 297.79, 0.72%, 0.63%

LAB 60.73, 68.15, -45.46

 

CMYK 2 / 68 / 0 / 5

HEX #ED4DF3

RGB 237 77 243

HSL 297.83, 0.87%, 0.63%

LAB 61.47, 79.58, -52.53

 

CMYK 2 / 60 / 0 / 11

HEX #DF5CE4

RGB 223 92 228

HSL 297.79, 0.72%, 0.63%

LAB 60.73, 68.15, -45.46

 

CMYK 2 / 50 / 0 / 16

HEX #D16BD5

RGB 209 107 213

HSL 297.74, 0.56%, 0.63%

LAB 60.67, 55.02, -37.26

 

CMYK 2 / 38 / 0 / 22

HEX #C37BC6

RGB 195 123 198

HSL 297.6, 0.4%, 0.63%

LAB 61.52, 39.87, -27.62

 

CMYK 1 / 24 / 0 / 29

HEX #B58AB6

RGB 181 138 182

HSL 298.64, 0.23%, 0.63%

LAB 62.83, 23.96, -16.71

 

CMYK 0 / 8 / 0 / 35

HEX #A799A7

RGB 167 153 167

HSL 300, 0.07%, 0.63%

LAB 64.79, 7.74, -5.44

 

CMYK 35 / 60 / 0 / 11

HEX #955CE4

RGB 149 92 228

HSL 265.15, 0.72%, 0.63%

LAB 51.43, 50.62, -60.83

 

CMYK 19 / 60 / 0 / 11

HEX #B95CE4

RGB 185 92 228

HSL 281.03, 0.72%, 0.63%

LAB 55.65, 58.96, -53.83

 

CMYK 3 / 60 / 0 / 11

HEX #DD5CE4

RGB 221 92 228

HSL 296.91, 0.72%, 0.63%

LAB 60.45, 67.67, -45.92

 

CMYK 0 / 60 / 13 / 11

HEX #E45CC7

RGB 228 92 199

HSL 312.79, 0.72%, 0.63%

LAB 60.13, 64.77, -29.98

 

CMYK 0 / 60 / 29 / 11

HEX #E45CA2

RGB 228 92 162

HSL 329.12, 0.72%, 0.63%

LAB 58.75, 59.68, -10.83

 

CMYK 3 / 84 / 0 / 20

HEX #C721CD

RGB 199 33 205

HSL 297.91, 0.72%, 0.47%

LAB 49.05, 78.38, -51.18

 

CMYK 3 / 74 / 0 / 13

HEX #D839DE

RGB 216 57 222

HSL 297.82, 0.71%, 0.55%

LAB 54.86, 78.29, -51.45

 

CMYK 2 / 60 / 0 / 11

HEX #DF5CE4

RGB 223 92 228

HSL 297.79, 0.72%, 0.63%

LAB 60.73, 68.15, -45.46

 

CMYK 2 / 45 / 0 / 8

HEX #E680EA

RGB 230 128 234

HSL 297.74, 0.72%, 0.71%

LAB 68.17, 54.37, -37.07

 

CMYK 1 / 32 / 0 / 6

HEX #EDA3F0

RGB 237 163 240

HSL 297.66, 0.72%, 0.79%

LAB 76.37, 39.53, -27.62

 

CMYK 2 / 60 / 0 / 10

HEX #E05CE5

RGB 224 92 229

HSL 297.81, 0.72%, 0.63%

LAB 60.92, 68.57, -45.71

 

CMYK 0 / 50 / 60 / 11

HEX #E4715C

RGB 228 113 92

HSL 9.26, 0.72%, 0.63%

LAB 60.85, 42.92, 32.43

 

CMYK 60 / 0 / 27 / 11

HEX #5CE4A7

RGB 92 228 167

HSL 153.09, 0.72%, 0.63%

LAB 82.14, -51.04, 18.93

 

CMYK 2 / 60 / 0 / 10

HEX #E05CE5

RGB 224 92 229

HSL 297.81, 0.72%, 0.63%

LAB 60.92, 68.57, -45.71

 

CMYK 0 / 3 / 60 / 11

HEX #E4DD5C

RGB 228 221 92

HSL 56.91, 0.72%, 0.63%

LAB 86.49, -13.38, 62.48

 

CMYK 60 / 0 / 3 / 11

HEX #5CE4DD

RGB 92 228 221

HSL 176.91, 0.72%, 0.63%

LAB 83.43, -38.29, -7.66

 

CMYK 2 / 60 / 0 / 10

HEX #E05CE5

RGB 224 92 229

HSL 297.81, 0.72%, 0.63%

LAB 60.92, 68.57, -45.71

 

CMYK 0 / 50 / 60 / 11

HEX #E4715C

RGB 228 113 92

HSL 9.26, 0.72%, 0.63%

LAB 60.85, 42.92, 32.43

 

CMYK 57 / 0 / 60 / 11

HEX #63E45C

RGB 99 228 92

HSL 116.91, 0.72%, 0.63%

LAB 81.24, -61.38, 54.62

 

CMYK 60 / 9 / 0 / 11

HEX #5CD0E4

RGB 92 208 228

HSL 188.82, 0.72%, 0.63%

LAB 77.87, -26.9, -19.73

 

CMYK 2 / 60 / 0 / 10

HEX #E05CE5

RGB 224 92 229

HSL 297.81, 0.72%, 0.63%

LAB 60.92, 68.57, -45.71

 

CMYK 0 / 33 / 60 / 11

HEX #E4995C

RGB 228 153 92

HSL 26.91, 0.72%, 0.63%

LAB 69.5, 22.06, 43.07

 

CMYK 57 / 0 / 60 / 11

HEX #63E45C

RGB 99 228 92

HSL 116.91, 0.72%, 0.63%

LAB 81.24, -61.38, 54.62

 

CMYK 60 / 27 / 0 / 11

HEX #5CA7E4

RGB 92 167 228

HSL 206.91, 0.72%, 0.63%

LAB 66.15, -5.39, -37.74

 

Description

Color code: HEX #E05CE5 | qconv.com Color code: HEX #E05CE5 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 92 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 92 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 60 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 60% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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