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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C36996 it is the complementary color #3C9669. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C36996. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C36996: #C86991, #D97BA4, #EA8DB7, #FB9FCA and #FFB1DD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C36996. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C36996: #C36996, #B25783, #A14570, #90335D and #7F214A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 23 / 24

HEX #C36996

RGB 195 105 150

HSL 330, 0.43%, 0.59%

LAB 55.99, 41.32, -8.46

 

Complementary color

CMYK 60 / 0 / 30 / 41

HEX #3C9669

RGB 60 150 105

HSL 150, 0.43%, 0.41%

LAB 55.88, -37.72, 15.92

 

CMYK 0 / 48 / 28 / 22

HEX #C86991

RGB 200 105 145

HSL 334.74, 0.46%, 0.6%

LAB 56.51, 42.32, -4.7

 

CMYK 0 / 43 / 24 / 15

HEX #D97BA4

RGB 217 123 164

HSL 333.83, 0.55%, 0.67%

LAB 63.01, 41.48, -5.8

 

CMYK 0 / 40 / 22 / 8

HEX #EA8DB7

RGB 234 141 183

HSL 332.9, 0.69%, 0.74%

LAB 69.44, 40.67, -6.75

 

CMYK 0 / 37 / 20 / 2

HEX #FB9FCA

RGB 251 159 202

HSL 331.96, 0.92%, 0.8%

LAB 75.8, 39.88, -7.61

 

CMYK 0 / 31 / 13 / 0

HEX #FFB1DD

RGB 255 177 221

HSL 326.15, 1%, 0.85%

LAB 80.7, 34.76, -10.61

 

CMYK 0 / 46 / 23 / 24

HEX #C36996

RGB 195 105 150

HSL 330, 0.43%, 0.59%

LAB 55.99, 41.32, -8.46

 

CMYK 0 / 51 / 26 / 30

HEX #B25783

RGB 178 87 131

HSL 330.99, 0.37%, 0.52%

LAB 49.4, 42.12, -7.33

 

CMYK 0 / 57 / 30 / 37

HEX #A14570

RGB 161 69 112

HSL 331.96, 0.4%, 0.45%

LAB 42.77, 42.84, -5.94

 

CMYK 0 / 65 / 35 / 44

HEX #90335D

RGB 144 51 93

HSL 332.9, 0.48%, 0.38%

LAB 36.15, 43.36, -4.17

 

CMYK 0 / 74 / 42 / 50

HEX #7F214A

RGB 127 33 74

HSL 333.83, 0.59%, 0.31%

LAB 29.65, 43.4, -1.79

 

CMYK 0 / 46 / 23 / 24

HEX #C36996

RGB 195 105 150

HSL 330, 0.43%, 0.59%

LAB 55.99, 41.32, -8.46

 

CMYK 0 / 46 / 31 / 24

HEX #C36987

RGB 195 105 135

HSL 340, 0.43%, 0.59%

LAB 55.54, 39.23, -0.37

 

CMYK 0 / 46 / 38 / 24

HEX #C36978

RGB 195 105 120

HSL 350, 0.43%, 0.59%

LAB 55.14, 37.36, 7.85

 

CMYK 0 / 46 / 46 / 24

HEX #C36969

RGB 195 105 105

HSL 0, 0.43%, 0.59%

LAB 54.79, 35.72, 16.15

 

CMYK 0 / 38 / 46 / 24

HEX #C37869

RGB 195 120 105

HSL 10, 0.43%, 0.59%

LAB 58.09, 27.66, 20.64

 

CMYK 0 / 46 / 23 / 24

HEX #C36996

RGB 195 105 150

HSL 330, 0.43%, 0.59%

LAB 55.99, 41.32, -8.46

 

CMYK 0 / 46 / 23 / 4

HEX #F684BD

RGB 246 132 189

HSL 330, 0.86%, 0.74%

LAB 69.31, 50.08, -10.15

 

CMYK 0 / 45 / 24 / 84

HEX #2A1720

RGB 42 23 32

HSL 331.58, 0.29%, 0.13%

LAB 10.63, 11.26, -2.25

 

CMYK 0 / 46 / 23 / 64

HEX #5D3248

RGB 93 50 72

HSL 329.3, 0.3%, 0.28%

LAB 26.95, 22.68, -5.11

 

CMYK 0 / 46 / 23 / 44

HEX #904E6F

RGB 144 78 111

HSL 330, 0.3%, 0.44%

LAB 42.04, 32.07, -6.68

 

CMYK 0 / 46 / 23 / 24

HEX #C36996

RGB 195 105 150

HSL 330, 0.43%, 0.59%

LAB 55.99, 41.32, -8.46

 

CMYK 0 / 14 / 46 / 24

HEX #C3A869

RGB 195 168 105

HSL 42, 0.43%, 0.59%

LAB 69.91, 1.41, 36.08

 

CMYK 46 / 5 / 0 / 24

HEX #69BAC3

RGB 105 186 195

HSL 186, 0.43%, 0.59%

LAB 70.91, -22.37, -12.27

 

CMYK 0 / 46 / 23 / 24

HEX #C36996

RGB 195 105 150

HSL 330, 0.43%, 0.59%

LAB 55.99, 41.32, -8.46

 

CMYK 23 / 0 / 46 / 24

HEX #96C369

RGB 150 195 105

HSL 90, 0.43%, 0.59%

LAB 73.89, -30.3, 40.32

 

CMYK 46 / 23 / 0 / 24

HEX #6996C3

RGB 105 150 195

HSL 210, 0.43%, 0.59%

LAB 60.57, -3.04, -28.02

 

CMYK 0 / 46 / 23 / 24

HEX #C36996

RGB 195 105 150

HSL 330, 0.43%, 0.59%

LAB 55.99, 41.32, -8.46

 

CMYK 0 / 14 / 46 / 24

HEX #C3A869

RGB 195 168 105

HSL 42, 0.43%, 0.59%

LAB 69.91, 1.41, 36.08

 

CMYK 46 / 0 / 23 / 24

HEX #69C396

RGB 105 195 150

HSL 150, 0.43%, 0.59%

LAB 72.39, -37.37, 14.39

 

CMYK 46 / 32 / 0 / 24

HEX #6984C3

RGB 105 132 195

HSL 222, 0.43%, 0.59%

LAB 55.53, 7.4, -35.85

 

CMYK 0 / 46 / 23 / 24

HEX #C36996

RGB 195 105 150

HSL 330, 0.43%, 0.59%

LAB 55.99, 41.32, -8.46

 

CMYK 0 / 0 / 46 / 24

HEX #C3C369

RGB 195 195 105

HSL 60, 0.43%, 0.59%

LAB 77.07, -12.72, 44.94

 

CMYK 46 / 0 / 23 / 24

HEX #69C396

RGB 105 195 150

HSL 150, 0.43%, 0.59%

LAB 72.39, -37.37, 14.39

 

CMYK 46 / 46 / 0 / 24

HEX #6969C3

RGB 105 105 195

HSL 240, 0.43%, 0.59%

LAB 48.32, 23.72, -47.25

 

Description

Color code: HEX #C36996 | qconv.com Color code: HEX #C36996 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 105 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 105 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 23 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 23% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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