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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C359AF it is the complementary color #3CA650. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C359AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C359AF shade: #C859AA, #D96BBD, #EA7DD0, #FB8FE3 and #FFA1F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C359AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C359AF shade: #C359AF, #B2479C, #A13589, #902376 and #7F1163

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C359AF shade: #C45AB0, #C45A93, #C45A77 and #C45A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C359AF shade: #C45AB0, #BB5AC4, #9F5AC4, #825AC4 and #665AC4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C359AF shade matches the following richer shades: #C45AB0, #D648BB, #E836C6 and #FA24D2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C359AF shade: #C45AB0, #B16CA4, #9F7E99, #8D918E and #7BA382

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C359AF shade: #9F5AC4, #BB5AC4, #C45AB0, #C45A94 and #C45A78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C359AF shade: #953683, #B4419E, #C45AB0, #CE78BE and #D997CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C359AF shade: #C359AF, #C4825A and #5AC4AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C359AF shade: #C359AF, #B0C45A and #5AB0C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C359AF shade: #C359AF, #C4825A, #5AC46D and #5A9BC4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C359AF shade: #C359AF, #C4A25A, #5AC46D and #5A7BC4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 10 / 24

HEX #C359AF

RGB 195 89 175

HSL 311.32, 0.47%, 0.56%

LAB 53.86, 53.18, -26.28

 

Complementary color

CMYK 64 / 0 / 52 / 35

HEX #3CA650

RGB 60 166 80

HSL 131.32, 0.47%, 0.44%

LAB 60.62, -48.82, 35.53

 

CMYK 0 / 56 / 15 / 22

HEX #C859AA

RGB 200 89 170

HSL 316.22, 0.5%, 0.57%

LAB 54.37, 53.85, -22.52

 

CMYK 0 / 51 / 13 / 15

HEX #D96BBD

RGB 217 107 189

HSL 315.27, 0.59%, 0.64%

LAB 60.73, 53.28, -23.5

 

CMYK 0 / 47 / 11 / 8

HEX #EA7DD0

RGB 234 125 208

HSL 314.31, 0.72%, 0.7%

LAB 67.06, 52.61, -24.31

 

CMYK 0 / 43 / 10 / 2

HEX #FB8FE3

RGB 251 143 227

HSL 313.33, 0.93%, 0.77%

LAB 73.35, 51.9, -25.02

 

CMYK 0 / 37 / 4 / 0

HEX #FFA1F6

RGB 255 161 246

HSL 305.74, 1%, 0.82%

LAB 78.11, 47.2, -28.02

 

CMYK 0 / 54 / 10 / 24

HEX #C359AF

RGB 195 89 175

HSL 311.32, 0.47%, 0.56%

LAB 53.86, 53.18, -26.28

 

CMYK 0 / 60 / 12 / 30

HEX #B2479C

RGB 178 71 156

HSL 312.34, 0.43%, 0.49%

LAB 47.46, 53.58, -25.22

 

CMYK 0 / 67 / 15 / 37

HEX #A13589

RGB 161 53 137

HSL 313.33, 0.5%, 0.42%

LAB 41.1, 53.65, -23.83

 

CMYK 0 / 76 / 18 / 44

HEX #902376

RGB 144 35 118

HSL 314.31, 0.61%, 0.35%

LAB 34.88, 53.1, -21.95

 

CMYK 0 / 87 / 22 / 50

HEX #7F1163

RGB 127 17 99

HSL 315.27, 0.76%, 0.28%

LAB 28.94, 51.47, -19.3

 

CMYK 0 / 54 / 10 / 23

HEX #C45AB0

RGB 196 90 176

HSL 311.32, 0.47%, 0.56%

LAB 54.22, 53.16, -26.29

 

CMYK 0 / 54 / 25 / 23

HEX #C45A93

RGB 196 90 147

HSL 327.74, 0.47%, 0.56%

LAB 53.12, 48.78, -11

 

CMYK 0 / 54 / 39 / 23

HEX #C45A77

RGB 196 90 119

HSL 343.58, 0.47%, 0.56%

LAB 52.26, 45.25, 4.35

 

CMYK 0 / 54 / 54 / 23

HEX #C45A5A

RGB 196 90 90

HSL 0, 0.47%, 0.56%

LAB 51.59, 42.39, 20.65

 

CMYK 0 / 54 / 10 / 23

HEX #C45AB0

RGB 196 90 176

HSL 311.32, 0.47%, 0.56%

LAB 54.22, 53.16, -26.29

 

CMYK 5 / 54 / 0 / 23

HEX #BB5AC4

RGB 187 90 196

HSL 294.91, 0.47%, 0.56%

LAB 53.88, 54.12, -38.45

 

CMYK 19 / 54 / 0 / 23

HEX #9F5AC4

RGB 159 90 196

HSL 279.06, 0.47%, 0.56%

LAB 50.3, 46.6, -44.35

 

CMYK 34 / 54 / 0 / 23

HEX #825AC4

RGB 130 90 196

HSL 262.64, 0.47%, 0.56%

LAB 47.03, 39.1, -49.75

 

CMYK 48 / 54 / 0 / 23

HEX #665AC4

RGB 102 90 196

HSL 246.79, 0.47%, 0.56%

LAB 44.41, 32.48, -54.1

 

CMYK 0 / 54 / 10 / 23

HEX #C45AB0

RGB 196 90 176

HSL 311.32, 0.47%, 0.56%

LAB 54.22, 53.16, -26.29

 

CMYK 0 / 66 / 13 / 16

HEX #D648BB

RGB 214 72 187

HSL 311.41, 0.63%, 0.56%

LAB 54.57, 67.41, -31.9

 

CMYK 0 / 77 / 15 / 9

HEX #E836C6

RGB 232 54 198

HSL 311.46, 0.79%, 0.56%

LAB 55.96, 78.93, -35.86

 

CMYK 0 / 86 / 16 / 2

HEX #FA24D2

RGB 250 36 210

HSL 311.21, 0.96%, 0.56%

LAB 58.26, 88.02, -38.89

 

CMYK 0 / 54 / 10 / 23

HEX #C45AB0

RGB 196 90 176

HSL 311.32, 0.47%, 0.56%

LAB 54.22, 53.16, -26.29

 

CMYK 0 / 39 / 7 / 31

HEX #B16CA4

RGB 177 108 164

HSL 311.3, 0.31%, 0.56%

LAB 54.82, 35.92, -18.62

 

CMYK 0 / 21 / 4 / 38

HEX #9F7E99

RGB 159 126 153

HSL 310.91, 0.15%, 0.56%

LAB 56.68, 17.48, -9.63

 

CMYK 3 / 0 / 2 / 43

HEX #8D918E

RGB 141 145 142

HSL 135, 0.02%, 0.56%

LAB 59.77, -2.04, 1.07

 

CMYK 25 / 0 / 20 / 36

HEX #7BA382

RGB 123 163 130

HSL 130.5, 0.18%, 0.56%

LAB 63.36, -20.44, 12.8

 

CMYK 19 / 54 / 0 / 23

HEX #9F5AC4

RGB 159 90 196

HSL 279.06, 0.47%, 0.56%

LAB 50.3, 46.6, -44.35

 

CMYK 5 / 54 / 0 / 23

HEX #BB5AC4

RGB 187 90 196

HSL 294.91, 0.47%, 0.56%

LAB 53.88, 54.12, -38.45

 

CMYK 0 / 54 / 10 / 23

HEX #C45AB0

RGB 196 90 176

HSL 311.32, 0.47%, 0.56%

LAB 54.22, 53.16, -26.29

 

CMYK 0 / 54 / 24 / 23

HEX #C45A94

RGB 196 90 148

HSL 327.17, 0.47%, 0.56%

LAB 53.15, 48.92, -11.53

 

CMYK 0 / 54 / 39 / 23

HEX #C45A78

RGB 196 90 120

HSL 343.02, 0.47%, 0.56%

LAB 52.29, 45.36, 3.8

 

CMYK 0 / 64 / 12 / 42

HEX #953683

RGB 149 54 131

HSL 311.37, 0.47%, 0.4%

LAB 39.01, 48.99, -23.55

 

CMYK 0 / 64 / 12 / 29

HEX #B4419E

RGB 180 65 158

HSL 311.48, 0.47%, 0.48%

LAB 46.91, 57.04, -27.23

 

CMYK 0 / 54 / 10 / 23

HEX #C45AB0

RGB 196 90 176

HSL 311.32, 0.47%, 0.56%

LAB 54.22, 53.16, -26.29

 

CMYK 0 / 42 / 8 / 19

HEX #CE78BE

RGB 206 120 190

HSL 311.16, 0.47%, 0.64%

LAB 61.89, 43.49, -22.41

 

CMYK 0 / 30 / 6 / 15

HEX #D997CD

RGB 217 151 205

HSL 310.91, 0.46%, 0.72%

LAB 70.38, 33.18, -17.77

 

CMYK 0 / 54 / 10 / 24

HEX #C359AF

RGB 195 89 175

HSL 311.32, 0.47%, 0.56%

LAB 53.86, 53.18, -26.28

 

CMYK 0 / 34 / 54 / 23

HEX #C4825A

RGB 196 130 90

HSL 22.64, 0.47%, 0.56%

LAB 60.28, 21.16, 31.93

 

CMYK 54 / 0 / 12 / 23

HEX #5AC4AD

RGB 90 196 173

HSL 166.98, 0.47%, 0.56%

LAB 72.67, -36.21, 2.28

 

CMYK 0 / 54 / 10 / 24

HEX #C359AF

RGB 195 89 175

HSL 311.32, 0.47%, 0.56%

LAB 53.86, 53.18, -26.28

 

CMYK 10 / 0 / 54 / 23

HEX #B0C45A

RGB 176 196 90

HSL 71.32, 0.47%, 0.56%

LAB 75.73, -22.29, 50.17

 

CMYK 54 / 10 / 0 / 23

HEX #5AB0C4

RGB 90 176 196

HSL 191.32, 0.47%, 0.56%

LAB 67.43, -20.31, -18.13

 

CMYK 0 / 54 / 10 / 24

HEX #C359AF

RGB 195 89 175

HSL 311.32, 0.47%, 0.56%

LAB 53.86, 53.18, -26.28

 

CMYK 0 / 34 / 54 / 23

HEX #C4825A

RGB 196 130 90

HSL 22.64, 0.47%, 0.56%

LAB 60.28, 21.16, 31.93

 

CMYK 54 / 0 / 44 / 23

HEX #5AC46D

RGB 90 196 109

HSL 130.75, 0.47%, 0.56%

LAB 71.39, -49.15, 34.55

 

CMYK 54 / 21 / 0 / 23

HEX #5A9BC4

RGB 90 155 196

HSL 203.21, 0.47%, 0.56%

LAB 61.31, -9.06, -27.49

 

CMYK 0 / 54 / 10 / 24

HEX #C359AF

RGB 195 89 175

HSL 311.32, 0.47%, 0.56%

LAB 53.86, 53.18, -26.28

 

CMYK 0 / 17 / 54 / 23

HEX #C4A25A

RGB 196 162 90

HSL 40.75, 0.47%, 0.56%

LAB 68.25, 3.67, 41.76

 

CMYK 54 / 0 / 44 / 23

HEX #5AC46D

RGB 90 196 109

HSL 130.75, 0.47%, 0.56%

LAB 71.39, -49.15, 34.55

 

CMYK 54 / 37 / 0 / 23

HEX #5A7BC4

RGB 90 123 196

HSL 221.32, 0.47%, 0.56%

LAB 52.2, 9.55, -41.72

 

Description

Color code: HEX #C359AF | qconv.com Color code: HEX #C359AF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 89 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 89 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 10 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 10% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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