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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C34A53 it is the complementary color #3CB5AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C34A53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C34A53 shade: #C84A4E, #D95C61, #EA6E74, #FB8087 and #FF929A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C34A53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C34A53 shade: #C34A53, #B23840, #A1262D, #90141A and #7F0207

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C34A53 shade: #C34B54 and #C34B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C34A53 shade: #C34B54, #C34B74, #C34B95, #C34BB5 and #B14BC3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C34A53 shade matches the following richer shades: #C34B54, #D63844, #EA2433 and #FD1123

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C34A53 shade: #C34B54, #B05F65, #9C7275, #898586 and #769996

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C34A53 shade: #C34B95, #C34B75, #C34B55, #C3614B and #C3814B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C34A53 shade: #8D2F36, #AC3942, #C34B54, #CD6A72 and #D8898F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C34A53 shade: #C34A53, #B5C34B and #4B85C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C34A53 shade: #C34A53, #55C34B and #4B55C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C34A53 shade: #C34A53, #B5C34B, #4BC3B9 and #594BC3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C34A53 shade: #C34A53, #91C34B, #4BC3B9 and #7D4BC3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 57 / 24

HEX #C34A53

RGB 195 74 83

HSL 355.54, 0.5%, 0.53%

LAB 48.42, 49.05, 20.55

 

Complementary color

CMYK 67 / 0 / 5 / 29

HEX #3CB5AC

RGB 60 181 172

HSL 175.54, 0.5%, 0.47%

LAB 67.27, -35.03, -5.2

 

CMYK 0 / 63 / 61 / 22

HEX #C84A4E

RGB 200 74 78

HSL 358.1, 0.53%, 0.54%

LAB 49.16, 50.4, 24.68

 

CMYK 0 / 58 / 55 / 15

HEX #D95C61

RGB 217 92 97

HSL 357.6, 0.62%, 0.61%

LAB 55.35, 49.48, 22.12

 

CMYK 0 / 53 / 50 / 8

HEX #EA6E74

RGB 234 110 116

HSL 357.1, 0.75%, 0.67%

LAB 61.57, 48.46, 19.97

 

CMYK 0 / 49 / 46 / 2

HEX #FB8087

RGB 251 128 135

HSL 356.59, 0.94%, 0.74%

LAB 67.8, 47.42, 18.11

 

CMYK 0 / 43 / 40 / 0

HEX #FF929A

RGB 255 146 154

HSL 355.6, 1%, 0.79%

LAB 72.33, 41.78, 13.9

 

CMYK 0 / 62 / 57 / 24

HEX #C34A53

RGB 195 74 83

HSL 355.54, 0.5%, 0.53%

LAB 48.42, 49.05, 20.55

 

CMYK 0 / 69 / 64 / 30

HEX #B23840

RGB 178 56 64

HSL 356.07, 0.52%, 0.46%

LAB 42.25, 49.74, 23.47

 

CMYK 0 / 76 / 72 / 37

HEX #A1262D

RGB 161 38 45

HSL 356.59, 0.62%, 0.39%

LAB 36.28, 49.97, 27.07

 

CMYK 0 / 86 / 82 / 44

HEX #90141A

RGB 144 20 26

HSL 357.1, 0.76%, 0.32%

LAB 30.65, 49.32, 31.41

 

CMYK 0 / 98 / 94 / 50

HEX #7F0207

RGB 127 2 7

HSL 357.6, 0.97%, 0.25%

LAB 25.48, 47.53, 35.07

 

CMYK 0 / 62 / 57 / 24

HEX #C34B54

RGB 195 75 84

HSL 355.5, 0.5%, 0.53%

LAB 48.6, 48.68, 20.2

 

CMYK 0 / 62 / 62 / 24

HEX #C34B4B

RGB 195 75 75

HSL 0, 0.5%, 0.53%

LAB 48.44, 48.03, 25.36

 

CMYK 0 / 62 / 57 / 24

HEX #C34B54

RGB 195 75 84

HSL 355.5, 0.5%, 0.53%

LAB 48.6, 48.68, 20.2

 

CMYK 0 / 62 / 41 / 24

HEX #C34B74

RGB 195 75 116

HSL 339.5, 0.5%, 0.53%

LAB 49.37, 51.62, 1.95

 

CMYK 0 / 62 / 24 / 24

HEX #C34B95

RGB 195 75 149

HSL 323, 0.5%, 0.53%

LAB 50.46, 55.66, -16.22

 

CMYK 0 / 62 / 7 / 24

HEX #C34BB5

RGB 195 75 181

HSL 307, 0.5%, 0.53%

LAB 51.8, 60.45, -32.96

 

CMYK 9 / 62 / 0 / 24

HEX #B14BC3

RGB 177 75 195

HSL 291, 0.5%, 0.53%

LAB 49.88, 58.33, -44.29

 

CMYK 0 / 62 / 57 / 24

HEX #C34B54

RGB 195 75 84

HSL 355.5, 0.5%, 0.53%

LAB 48.6, 48.68, 20.2

 

CMYK 0 / 74 / 68 / 16

HEX #D63844

RGB 214 56 68

HSL 355.44, 0.66%, 0.53%

LAB 48.94, 61.25, 30.84

 

CMYK 0 / 85 / 78 / 8

HEX #EA2433

RGB 234 36 51

HSL 355.45, 0.83%, 0.53%

LAB 50.68, 71.52, 43.61

 

CMYK 0 / 93 / 86 / 1

HEX #FD1123

RGB 253 17 35

HSL 355.42, 0.98%, 0.53%

LAB 53.39, 78.73, 55.68

 

CMYK 0 / 62 / 57 / 24

HEX #C34B54

RGB 195 75 84

HSL 355.5, 0.5%, 0.53%

LAB 48.6, 48.68, 20.2

 

CMYK 0 / 46 / 43 / 31

HEX #B05F65

RGB 176 95 101

HSL 355.56, 0.34%, 0.53%

LAB 49.92, 33.39, 11.36

 

CMYK 0 / 27 / 25 / 39

HEX #9C7275

RGB 156 114 117

HSL 355.71, 0.18%, 0.53%

LAB 52.27, 17.02, 4.87

 

CMYK 0 / 3 / 2 / 46

HEX #898586

RGB 137 133 134

HSL 345, 0.02%, 0.53%

LAB 55.9, 1.69, -0.01

 

CMYK 23 / 0 / 2 / 40

HEX #769996

RGB 118 153 150

HSL 174.86, 0.15%, 0.53%

LAB 60.64, -12.7, -2.39

 

CMYK 0 / 62 / 24 / 24

HEX #C34B95

RGB 195 75 149

HSL 323, 0.5%, 0.53%

LAB 50.46, 55.66, -16.22

 

CMYK 0 / 62 / 40 / 24

HEX #C34B75

RGB 195 75 117

HSL 339, 0.5%, 0.53%

LAB 49.4, 51.73, 1.38

 

CMYK 0 / 62 / 56 / 24

HEX #C34B55

RGB 195 75 85

HSL 355, 0.5%, 0.53%

LAB 48.62, 48.75, 19.63

 

CMYK 0 / 50 / 62 / 24

HEX #C3614B

RGB 195 97 75

HSL 11, 0.5%, 0.53%

LAB 52.57, 37.31, 30.58

 

CMYK 0 / 34 / 62 / 24

HEX #C3814B

RGB 195 129 75

HSL 27, 0.5%, 0.53%

LAB 59.72, 20.11, 39.25

 

CMYK 0 / 67 / 62 / 45

HEX #8D2F36

RGB 141 47 54

HSL 355.53, 0.5%, 0.37%

LAB 33.9, 40.29, 17.62

 

CMYK 0 / 67 / 62 / 33

HEX #AC3942

RGB 172 57 66

HSL 355.3, 0.5%, 0.45%

LAB 41.36, 47.45, 20.88

 

CMYK 0 / 62 / 57 / 24

HEX #C34B54

RGB 195 75 84

HSL 355.5, 0.5%, 0.53%

LAB 48.6, 48.68, 20.2

 

CMYK 0 / 48 / 44 / 20

HEX #CD6A72

RGB 205 106 114

HSL 355.15, 0.5%, 0.61%

LAB 56.59, 39.85, 13.6

 

CMYK 0 / 37 / 34 / 15

HEX #D8898F

RGB 216 137 143

HSL 355.44, 0.5%, 0.69%

LAB 65.34, 30.92, 9.5

 

CMYK 0 / 62 / 57 / 24

HEX #C34A53

RGB 195 74 83

HSL 355.54, 0.5%, 0.53%

LAB 48.42, 49.05, 20.55

 

CMYK 7 / 0 / 62 / 24

HEX #B5C34B

RGB 181 195 75

HSL 67, 0.5%, 0.53%

LAB 75.68, -20.96, 56.91

 

CMYK 62 / 32 / 0 / 24

HEX #4B85C3

RGB 75 133 195

HSL 211, 0.5%, 0.53%

LAB 54.25, 0.14, -37.97

 

CMYK 0 / 62 / 57 / 24

HEX #C34A53

RGB 195 74 83

HSL 355.54, 0.5%, 0.53%

LAB 48.42, 49.05, 20.55

 

CMYK 56 / 0 / 62 / 24

HEX #55C34B

RGB 85 195 75

HSL 115, 0.5%, 0.53%

LAB 70.5, -54.52, 49.74

 

CMYK 62 / 56 / 0 / 24

HEX #4B55C3

RGB 75 85 195

HSL 235, 0.5%, 0.53%

LAB 41.11, 29.92, -58.95

 

CMYK 0 / 62 / 57 / 24

HEX #C34A53

RGB 195 74 83

HSL 355.54, 0.5%, 0.53%

LAB 48.42, 49.05, 20.55

 

CMYK 7 / 0 / 62 / 24

HEX #B5C34B

RGB 181 195 75

HSL 67, 0.5%, 0.53%

LAB 75.68, -20.96, 56.91

 

CMYK 62 / 0 / 5 / 24

HEX #4BC3B9

RGB 75 195 185

HSL 175, 0.5%, 0.53%

LAB 72.25, -35.56, -4.93

 

CMYK 54 / 62 / 0 / 24

HEX #594BC3

RGB 89 75 195

HSL 247, 0.5%, 0.53%

LAB 39.74, 38.58, -61.12

 

CMYK 0 / 62 / 57 / 24

HEX #C34A53

RGB 195 74 83

HSL 355.54, 0.5%, 0.53%

LAB 48.42, 49.05, 20.55

 

CMYK 26 / 0 / 62 / 24

HEX #91C34B

RGB 145 195 75

HSL 85, 0.5%, 0.53%

LAB 73.26, -35.23, 53.58

 

CMYK 62 / 0 / 5 / 24

HEX #4BC3B9

RGB 75 195 185

HSL 175, 0.5%, 0.53%

LAB 72.25, -35.56, -4.93

 

CMYK 36 / 62 / 0 / 24

HEX #7D4BC3

RGB 125 75 195

HSL 265, 0.5%, 0.53%

LAB 43.26, 45.99, -55.26

 

Description

Color code: HEX #C34A53 | qconv.com Color code: HEX #C34A53 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 74 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 74 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 57 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 57% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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