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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B05F65 it is the complementary color #4FA09A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B05F65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B05F65: #B55F60, #C67173, #D78386, #E89599 and #F9A7AC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B05F65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B05F65: #B05F65, #9F4D52, #8E3B3F, #7D292C and #6C1719

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 43 / 31

HEX #B05F65

RGB 176 95 101

HSL 355.56, 0.34%, 0.53%

LAB 49.92, 33.39, 11.36

 

Complementary color

CMYK 51 / 0 / 4 / 37

HEX #4FA09A

RGB 79 160 154

HSL 175.56, 0.34%, 0.47%

LAB 60.9, -26.22, -4.49

 

CMYK 0 / 48 / 47 / 29

HEX #B55F60

RGB 181 95 96

HSL 359.3, 0.37%, 0.54%

LAB 50.51, 34.76, 15.26

 

CMYK 0 / 43 / 42 / 22

HEX #C67173

RGB 198 113 115

HSL 358.59, 0.43%, 0.61%

LAB 57.13, 33.67, 13.63

 

CMYK 0 / 39 / 38 / 16

HEX #D78386

RGB 215 131 134

HSL 357.86, 0.51%, 0.68%

LAB 63.67, 32.66, 12.22

 

CMYK 0 / 36 / 34 / 9

HEX #E89599

RGB 232 149 153

HSL 357.11, 0.64%, 0.75%

LAB 70.14, 31.72, 10.97

 

CMYK 0 / 33 / 31 / 2

HEX #F9A7AC

RGB 249 167 172

HSL 356.34, 0.87%, 0.82%

LAB 76.53, 30.87, 9.85

 

CMYK 0 / 46 / 43 / 31

HEX #B05F65

RGB 176 95 101

HSL 355.56, 0.34%, 0.53%

LAB 49.92, 33.39, 11.36

 

CMYK 0 / 52 / 48 / 38

HEX #9F4D52

RGB 159 77 82

HSL 356.34, 0.35%, 0.46%

LAB 43.19, 34.49, 13.12

 

CMYK 0 / 58 / 56 / 44

HEX #8E3B3F

RGB 142 59 63

HSL 357.11, 0.41%, 0.39%

LAB 36.44, 35.6, 15.3

 

CMYK 0 / 67 / 65 / 51

HEX #7D292C

RGB 125 41 44

HSL 357.86, 0.51%, 0.33%

LAB 29.73, 36.58, 18.08

 

CMYK 0 / 79 / 77 / 58

HEX #6C1719

RGB 108 23 25

HSL 358.59, 0.65%, 0.26%

LAB 23.24, 37.06, 21.76

 

CMYK 0 / 46 / 43 / 31

HEX #B05F65

RGB 176 95 101

HSL 355.56, 0.34%, 0.53%

LAB 49.92, 33.39, 11.36

 

CMYK 0 / 42 / 46 / 31

HEX #AF655E

RGB 175 101 94

HSL 5.19, 0.34%, 0.53%

LAB 50.95, 28.98, 16.91

 

CMYK 0 / 35 / 46 / 31

HEX #AF725E

RGB 175 114 94

HSL 14.81, 0.34%, 0.53%

LAB 53.98, 21.75, 21

 

CMYK 0 / 27 / 46 / 31

HEX #AF805E

RGB 175 128 94

HSL 25.19, 0.34%, 0.53%

LAB 57.42, 13.89, 25.55

 

CMYK 0 / 19 / 46 / 31

HEX #AF8D5E

RGB 175 141 94

HSL 34.81, 0.34%, 0.53%

LAB 60.76, 6.62, 29.88

 

CMYK 0 / 46 / 43 / 31

HEX #B05F65

RGB 176 95 101

HSL 355.56, 0.34%, 0.53%

LAB 49.92, 33.39, 11.36

 

CMYK 0 / 46 / 43 / 11

HEX #E37B82

RGB 227 123 130

HSL 355.96, 0.65%, 0.69%

LAB 63.43, 40.83, 14.38

 

CMYK 0 / 48 / 43 / 91

HEX #170C0D

RGB 23 12 13

HSL 354.55, 0.31%, 0.07%

LAB 4.28, 4.37, 1.05

 

CMYK 0 / 46 / 43 / 71

HEX #4A282A

RGB 74 40 42

HSL 356.47, 0.3%, 0.22%

LAB 20.6, 16.18, 5.61

 

CMYK 0 / 46 / 42 / 51

HEX #7D4348

RGB 125 67 72

HSL 354.83, 0.3%, 0.38%

LAB 35.68, 25.51, 8.13

 

CMYK 0 / 46 / 43 / 31

HEX #B05F65

RGB 176 95 101

HSL 355.56, 0.34%, 0.53%

LAB 49.92, 33.39, 11.36

 

CMYK 5 / 0 / 46 / 31

HEX #A6AF5E

RGB 166 175 94

HSL 66.67, 0.34%, 0.53%

LAB 69.17, -15.4, 40.24

 

CMYK 46 / 24 / 0 / 31

HEX #5E85AF

RGB 94 133 175

HSL 211.11, 0.34%, 0.53%

LAB 54.29, -1.95, -26.4

 

CMYK 0 / 46 / 43 / 31

HEX #B05F65

RGB 176 95 101

HSL 355.56, 0.34%, 0.53%

LAB 49.92, 33.39, 11.36

 

CMYK 42 / 0 / 46 / 31

HEX #65AF5E

RGB 101 175 94

HSL 114.81, 0.34%, 0.53%

LAB 65.15, -39.48, 34.37

 

CMYK 46 / 42 / 0 / 31

HEX #5E65AF

RGB 94 101 175

HSL 234.81, 0.34%, 0.53%

LAB 45.33, 17.38, -40.43

 

CMYK 0 / 46 / 43 / 31

HEX #B05F65

RGB 176 95 101

HSL 355.56, 0.34%, 0.53%

LAB 49.92, 33.39, 11.36

 

CMYK 5 / 0 / 46 / 31

HEX #A6AF5E

RGB 166 175 94

HSL 66.67, 0.34%, 0.53%

LAB 69.17, -15.4, 40.24

 

CMYK 46 / 0 / 3 / 31

HEX #5EAFA9

RGB 94 175 169

HSL 175.56, 0.34%, 0.53%

LAB 66.45, -26.25, -4.63

 

CMYK 41 / 46 / 0 / 31

HEX #675EAF

RGB 103 94 175

HSL 246.67, 0.34%, 0.53%

LAB 44.21, 24.02, -42.17

 

CMYK 0 / 46 / 43 / 31

HEX #B05F65

RGB 176 95 101

HSL 355.56, 0.34%, 0.53%

LAB 49.92, 33.39, 11.36

 

CMYK 19 / 0 / 46 / 31

HEX #8DAF5E

RGB 141 175 94

HSL 85.19, 0.34%, 0.53%

LAB 67.38, -25.36, 37.63

 

CMYK 46 / 0 / 3 / 31

HEX #5EAFA9

RGB 94 175 169

HSL 175.56, 0.34%, 0.53%

LAB 66.45, -26.25, -4.63

 

CMYK 27 / 46 / 0 / 31

HEX #805EAF

RGB 128 94 175

HSL 265.19, 0.34%, 0.53%

LAB 46.56, 30.87, -38.29

 

Description

Color code: HEX #B05F65 | qconv.com Color code: HEX #B05F65 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 95 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 95 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 43 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 43% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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