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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C34621 it is the complementary color #3CB9DE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C34621. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C34621: #C8461C, #D9582F, #EA6A42, #FB7C55 and #FF8E68

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C34621. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C34621: #C34621, #B2340E, #A12200, #901000 and #7F0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 83 / 24

HEX #C34621

RGB 195 70 33

HSL 13.7, 0.71%, 0.45%

LAB 47.1, 48.27, 46.88

 

Complementary color

CMYK 73 / 17 / 0 / 13

HEX #3CB9DE

RGB 60 185 222

HSL 193.7, 0.71%, 0.55%

LAB 70.13, -21.98, -28.37

 

CMYK 0 / 65 / 86 / 22

HEX #C8461C

RGB 200 70 28

HSL 14.65, 0.75%, 0.45%

LAB 47.94, 49.9, 50.17

 

CMYK 0 / 59 / 78 / 15

HEX #D9582F

RGB 217 88 47

HSL 14.47, 0.69%, 0.52%

LAB 53.96, 48.51, 48.04

 

CMYK 0 / 55 / 72 / 8

HEX #EA6A42

RGB 234 106 66

HSL 14.29, 0.8%, 0.59%

LAB 60.06, 47.05, 45.72

 

CMYK 0 / 51 / 66 / 2

HEX #FB7C55

RGB 251 124 85

HSL 14.1, 0.95%, 0.66%

LAB 66.2, 45.61, 43.49

 

CMYK 0 / 44 / 59 / 0

HEX #FF8E68

RGB 255 142 104

HSL 15.1, 1%, 0.7%

LAB 70.6, 39.34, 38.91

 

CMYK 0 / 64 / 83 / 24

HEX #C34621

RGB 195 70 33

HSL 13.7, 0.71%, 0.45%

LAB 47.1, 48.27, 46.88

 

CMYK 0 / 71 / 92 / 30

HEX #B2340E

RGB 178 52 14

HSL 13.9, 0.85%, 0.38%

LAB 41.14, 49.44, 48.67

 

CMYK 0 / 79 / 100 / 37

HEX #A12200

RGB 161 34 0

HSL 12.67, 1%, 0.32%

LAB 35.44, 50.08, 48.54

 

CMYK 0 / 89 / 100 / 44

HEX #901000

RGB 144 16 0

HSL 6.67, 1%, 0.28%

LAB 30.16, 49.68, 43.41

 

CMYK 0 / 100 / 100 / 50

HEX #7F0000

RGB 127 0 0

HSL 0, 1%, 0.25%

LAB 25.3, 47.78, 37.76

 

CMYK 0 / 64 / 83 / 24

HEX #C34621

RGB 195 70 33

HSL 13.7, 0.71%, 0.45%

LAB 47.1, 48.27, 46.88

 

CMYK 0 / 52 / 83 / 23

HEX #C45F21

RGB 196 95 33

HSL 22.82, 0.71%, 0.45%

LAB 51.87, 36.67, 51.23

 

CMYK 0 / 38 / 83 / 23

HEX #C47A21

RGB 196 122 33

HSL 32.76, 0.71%, 0.45%

LAB 57.81, 22.27, 56.46

 

CMYK 0 / 23 / 83 / 23

HEX #C49621

RGB 196 150 33

HSL 43.07, 0.71%, 0.45%

LAB 64.69, 6.94, 62.4

 

CMYK 0 / 10 / 83 / 23

HEX #C4B121

RGB 196 177 33

HSL 53.01, 0.71%, 0.45%

LAB 71.75, -7.45, 68.4

 

CMYK 0 / 64 / 83 / 24

HEX #C34621

RGB 195 70 33

HSL 13.7, 0.71%, 0.45%

LAB 47.1, 48.27, 46.88

 

CMYK 0 / 64 / 83 / 4

HEX #F6582A

RGB 246 88 42

HSL 13.53, 0.92%, 0.56%

LAB 58.73, 58.45, 56.55

 

CMYK 0 / 64 / 83 / 84

HEX #2A0F07

RGB 42 15 7

HSL 13.71, 0.71%, 0.1%

LAB 7.67, 13.22, 8.88

 

CMYK 0 / 65 / 83 / 64

HEX #5D2110

RGB 93 33 16

HSL 13.25, 0.71%, 0.21%

LAB 21.77, 26.42, 24.88

 

CMYK 0 / 64 / 83 / 44

HEX #903418

RGB 144 52 24

HSL 14, 0.71%, 0.33%

LAB 34.91, 37.5, 36.67

 

CMYK 0 / 64 / 83 / 24

HEX #C34621

RGB 195 70 33

HSL 13.7, 0.71%, 0.45%

LAB 47.1, 48.27, 46.88

 

CMYK 35 / 0 / 83 / 23

HEX #80C421

RGB 128 196 33

HSL 85.03, 0.71%, 0.45%

LAB 72.35, -44.53, 67.04

 

CMYK 83 / 68 / 0 / 23

HEX #213FC4

RGB 33 63 196

HSL 228.96, 0.71%, 0.45%

LAB 33.7, 39.16, -71.73

 

CMYK 0 / 64 / 83 / 24

HEX #C34621

RGB 195 70 33

HSL 13.7, 0.71%, 0.45%

LAB 47.1, 48.27, 46.88

 

CMYK 83 / 0 / 65 / 23

HEX #21C444

RGB 33 196 68

HSL 132.88, 0.71%, 0.45%

LAB 69.63, -64.85, 51.47

 

CMYK 65 / 83 / 0 / 23

HEX #4421C4

RGB 68 33 196

HSL 252.88, 0.71%, 0.45%

LAB 30.16, 57.92, -77.5

 

CMYK 0 / 64 / 83 / 24

HEX #C34621

RGB 195 70 33

HSL 13.7, 0.71%, 0.45%

LAB 47.1, 48.27, 46.88

 

CMYK 35 / 0 / 83 / 23

HEX #80C421

RGB 128 196 33

HSL 85.03, 0.71%, 0.45%

LAB 72.35, -44.53, 67.04

 

CMYK 83 / 18 / 0 / 23

HEX #21A0C4

RGB 33 160 196

HSL 193.25, 0.71%, 0.45%

LAB 61.18, -20.35, -27.83

 

CMYK 48 / 83 / 0 / 23

HEX #6521C4

RGB 101 33 196

HSL 265.03, 0.71%, 0.45%

LAB 33.65, 61.36, -71.63

 

CMYK 0 / 64 / 83 / 24

HEX #C34621

RGB 195 70 33

HSL 13.7, 0.71%, 0.45%

LAB 47.1, 48.27, 46.88

 

CMYK 60 / 0 / 83 / 23

HEX #4FC421

RGB 79 196 33

HSL 103.07, 0.71%, 0.45%

LAB 70.35, -59.55, 64.5

 

CMYK 83 / 18 / 0 / 23

HEX #21A0C4

RGB 33 160 196

HSL 193.25, 0.71%, 0.45%

LAB 61.18, -20.35, -27.83

 

CMYK 23 / 83 / 0 / 23

HEX #9621C4

RGB 150 33 196

HSL 283.07, 0.71%, 0.45%

LAB 40.5, 68.41, -60.14

 

Description

Color code: HEX #C34621 | qconv.com Color code: HEX #C34621 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 70 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 70 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 83 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 83% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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