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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C30602 it is the complementary color #3CF9FD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C30602. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C30602: #C80600, #D91810, #EA2A23, #FB3C36 and #FF4E49

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C30602. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C30602: #C30602, #B20000, #A10000, #900000 and #7F0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 97 / 99 / 24

HEX #C30602

RGB 195 6 2

HSL 1.24, 0.98%, 0.39%

LAB 40.79, 64.87, 54.26

 

Complementary color

CMYK 76 / 2 / 0 / 1

HEX #3CF9FD

RGB 60 249 253

HSL 181.24, 0.98%, 0.61%

LAB 89.77, -43.14, -15.07

 

CMYK 0 / 97 / 100 / 22

HEX #C80600

RGB 200 6 0

HSL 1.8, 1%, 0.39%

LAB 41.86, 66.13, 56.05

 

CMYK 0 / 89 / 93 / 15

HEX #D91810

RGB 217 24 16

HSL 2.39, 0.86%, 0.46%

LAB 46.23, 68.49, 55.06

 

CMYK 0 / 82 / 85 / 8

HEX #EA2A23

RGB 234 42 35

HSL 2.11, 0.83%, 0.53%

LAB 51, 69.8, 52.16

 

CMYK 0 / 76 / 78 / 2

HEX #FB3C36

RGB 251 60 54

HSL 1.83, 0.96%, 0.6%

LAB 56.1, 70.28, 48.59

 

CMYK 0 / 69 / 71 / 0

HEX #FF4E49

RGB 255 78 73

HSL 1.65, 1%, 0.64%

LAB 59.15, 66.26, 41.9

 

CMYK 0 / 97 / 99 / 24

HEX #C30602

RGB 195 6 2

HSL 1.24, 0.98%, 0.39%

LAB 40.79, 64.87, 54.26

 

CMYK 0 / 100 / 100 / 30

HEX #B20000

RGB 178 0 0

HSL 0, 1%, 0.35%

LAB 36.86, 61.17, 51.27

 

CMYK 0 / 100 / 100 / 37

HEX #A10000

RGB 161 0 0

HSL 0, 1%, 0.32%

LAB 33.09, 56.8, 47.21

 

CMYK 0 / 100 / 100 / 44

HEX #900000

RGB 144 0 0

HSL 0, 1%, 0.28%

LAB 29.23, 52.34, 42.7

 

CMYK 0 / 100 / 100 / 50

HEX #7F0000

RGB 127 0 0

HSL 0, 1%, 0.25%

LAB 25.3, 47.78, 37.76

 

CMYK 0 / 97 / 99 / 24

HEX #C30602

RGB 195 6 2

HSL 1.24, 0.98%, 0.39%

LAB 40.79, 64.87, 54.26

 

CMYK 0 / 81 / 99 / 23

HEX #C42501

RGB 196 37 1

HSL 11.08, 0.99%, 0.39%

LAB 42.86, 59.83, 55.59

 

CMYK 0 / 64 / 99 / 23

HEX #C44601

RGB 196 70 1

HSL 21.23, 0.99%, 0.39%

LAB 47.13, 48.08, 57.67

 

CMYK 0 / 48 / 99 / 23

HEX #C46601

RGB 196 102 1

HSL 31.08, 0.99%, 0.39%

LAB 53.21, 32.46, 61.17

 

CMYK 0 / 31 / 99 / 23

HEX #C48701

RGB 196 135 1

HSL 41.23, 0.99%, 0.39%

LAB 60.84, 14.57, 66.09

 

CMYK 0 / 97 / 99 / 24

HEX #C30602

RGB 195 6 2

HSL 1.24, 0.98%, 0.39%

LAB 40.79, 64.87, 54.26

 

CMYK 0 / 97 / 99 / 4

HEX #F60803

RGB 246 8 3

HSL 1.23, 0.98%, 0.49%

LAB 51.58, 77.4, 64.69

 

CMYK 0 / 98 / 100 / 84

HEX #2A0100

RGB 42 1 0

HSL 1.43, 1%, 0.08%

LAB 4.64, 19.32, 7.31

 

CMYK 0 / 97 / 99 / 64

HEX #5D0301

RGB 93 3 1

HSL 1.3, 0.98%, 0.18%

LAB 17.43, 37.46, 26.47

 

CMYK 0 / 97 / 99 / 44

HEX #900401

RGB 144 4 1

HSL 1.26, 0.99%, 0.28%

LAB 29.46, 51.72, 42.47

 

CMYK 0 / 97 / 99 / 24

HEX #C30602

RGB 195 6 2

HSL 1.24, 0.98%, 0.39%

LAB 40.79, 64.87, 54.26

 

CMYK 21 / 0 / 99 / 23

HEX #9AC401

RGB 154 196 1

HSL 72.92, 0.99%, 0.39%

LAB 73.77, -35.28, 73.78

 

CMYK 99 / 61 / 0 / 23

HEX #014CC4

RGB 1 76 196

HSL 216.92, 0.99%, 0.39%

LAB 36.29, 29.28, -67.49

 

CMYK 0 / 97 / 99 / 24

HEX #C30602

RGB 195 6 2

HSL 1.24, 0.98%, 0.39%

LAB 40.79, 64.87, 54.26

 

CMYK 99 / 0 / 97 / 23

HEX #01C405

RGB 1 196 5

HSL 121.23, 0.99%, 0.39%

LAB 69.11, -70.55, 67.68

 

CMYK 97 / 99 / 0 / 23

HEX #0501C4

RGB 5 1 196

HSL 241.23, 0.99%, 0.39%

LAB 23.8, 64.78, -88.18

 

CMYK 0 / 97 / 99 / 24

HEX #C30602

RGB 195 6 2

HSL 1.24, 0.98%, 0.39%

LAB 40.79, 64.87, 54.26

 

CMYK 21 / 0 / 99 / 23

HEX #9AC401

RGB 154 196 1

HSL 72.92, 0.99%, 0.39%

LAB 73.77, -35.28, 73.78

 

CMYK 99 / 2 / 0 / 23

HEX #01C1C4

RGB 1 193 196

HSL 180.92, 0.99%, 0.39%

LAB 70.96, -38.05, -12.96

 

CMYK 78 / 99 / 0 / 23

HEX #2C01C4

RGB 44 1 196

HSL 253.23, 0.99%, 0.39%

LAB 25.39, 65.36, -85.49

 

CMYK 0 / 97 / 99 / 24

HEX #C30602

RGB 195 6 2

HSL 1.24, 0.98%, 0.39%

LAB 40.79, 64.87, 54.26

 

CMYK 51 / 0 / 99 / 23

HEX #60C401

RGB 96 196 1

HSL 90.77, 0.99%, 0.39%

LAB 70.85, -55.84, 70.26

 

CMYK 99 / 2 / 0 / 23

HEX #01C1C4

RGB 1 193 196

HSL 180.92, 0.99%, 0.39%

LAB 70.96, -38.05, -12.96

 

CMYK 48 / 99 / 0 / 23

HEX #6601C4

RGB 102 1 196

HSL 271.08, 0.99%, 0.39%

LAB 31.42, 68.5, -75.3

 

Description

Color code: HEX #C30602 | qconv.com Color code: HEX #C30602 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 6 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 6 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 97 magenta, 99 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 97% 99% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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