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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2F77B it is the complementary color #3D0884. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2F77B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2F77B shade: #C7F776, #D8FF89, #E9FF9C, #FAFFAF and #FFFFC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2F77B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2F77B shade: #C2F77B, #B1E568, #A0D355, #8FC142 and #7EAF2F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2F77B shade: #C3F77D, #E4F77D, #F7EA7D, #F7C97D and #F7A87D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2F77B shade: #C3F77D, #A2F77D, #81F77D, #7DF79A and #7DF7BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2F77B shade matches the following richer shades: #C3F77D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2F77B shade: #C3F77D, #C1EC88, #C0E193, #BED69E and #BDCBA9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2F77B shade: #F7E97D, #E5F77D, #C4F77D, #A4F77D and #83F77D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2F77B shade: #9FF32F, #B1F556, #C3F77D, #D5FAA4 and #E7FCCB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2F77B shade: #C2F77B, #7DF7C8 and #F77DF5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2F77B shade: #C2F77B, #7DC4F7 and #F77DC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2F77B shade: #C2F77B, #7DF7C8, #B07DF7 and #F77DAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2F77B shade: #C2F77B, #7DF7ED, #B07DF7 and #F77D87

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 50 / 3

HEX #C2F77B

RGB 194 247 123

HSL 85.65, 0.89%, 0.73%

LAB 91.42, -36.31, 53.71

 

Complementary color

CMYK 54 / 94 / 0 / 48

HEX #3D0884

RGB 61 8 132

HSL 265.65, 0.89%, 0.27%

LAB 19.36, 48.62, -56.49

 

CMYK 19 / 0 / 52 / 3

HEX #C7F776

RGB 199 247 118

HSL 82.33, 0.89%, 0.72%

LAB 91.67, -34.99, 56.36

 

CMYK 15 / 0 / 46 / 0

HEX #D8FF89

RGB 216 255 137

HSL 79.83, 1%, 0.77%

LAB 95.13, -30.52, 52.01

 

CMYK 9 / 0 / 39 / 0

HEX #E9FF9C

RGB 233 255 156

HSL 73.33, 1%, 0.81%

LAB 96.51, -22.17, 44.91

 

CMYK 2 / 0 / 31 / 0

HEX #FAFFAF

RGB 250 255 175

HSL 63.75, 1%, 0.84%

LAB 98.01, -13.65, 37.76

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC2

RGB 255 255 194

HSL 60, 1%, 0.88%

LAB 98.7, -9.41, 29.25

 

CMYK 21 / 0 / 50 / 3

HEX #C2F77B

RGB 194 247 123

HSL 85.65, 0.89%, 0.73%

LAB 91.42, -36.31, 53.71

 

CMYK 23 / 0 / 55 / 10

HEX #B1E568

RGB 177 229 104

HSL 84.96, 0.71%, 0.65%

LAB 85.19, -36.21, 54.76

 

CMYK 24 / 0 / 60 / 17

HEX #A0D355

RGB 160 211 85

HSL 84.29, 0.59%, 0.58%

LAB 78.88, -36.05, 55.73

 

CMYK 26 / 0 / 66 / 24

HEX #8FC142

RGB 143 193 66

HSL 83.62, 0.51%, 0.51%

LAB 72.48, -35.79, 56.48

 

CMYK 28 / 0 / 73 / 31

HEX #7EAF2F

RGB 126 175 47

HSL 82.97, 0.58%, 0.44%

LAB 65.98, -35.39, 56.84

 

CMYK 21 / 0 / 49 / 3

HEX #C3F77D

RGB 195 247 125

HSL 85.57, 0.88%, 0.73%

LAB 91.51, -35.75, 52.9

 

CMYK 8 / 0 / 49 / 3

HEX #E4F77D

RGB 228 247 125

HSL 69.34, 0.88%, 0.73%

LAB 93.67, -23.42, 56

 

CMYK 0 / 5 / 49 / 3

HEX #F7EA7D

RGB 247 234 125

HSL 53.61, 0.88%, 0.73%

LAB 91.73, -9.65, 54.03

 

CMYK 0 / 19 / 49 / 3

HEX #F7C97D

RGB 247 201 125

HSL 37.38, 0.88%, 0.73%

LAB 83.46, 7.13, 43.92

 

CMYK 0 / 32 / 49 / 3

HEX #F7A87D

RGB 247 168 125

HSL 21.15, 0.88%, 0.73%

LAB 75.61, 24.44, 33.94

 

CMYK 21 / 0 / 49 / 3

HEX #C3F77D

RGB 195 247 125

HSL 85.57, 0.88%, 0.73%

LAB 91.51, -35.75, 52.9

 

CMYK 34 / 0 / 49 / 3

HEX #A2F77D

RGB 162 247 125

HSL 101.8, 0.88%, 0.73%

LAB 89.71, -47.08, 50.3

 

CMYK 48 / 0 / 49 / 3

HEX #81F77D

RGB 129 247 125

HSL 118.03, 0.88%, 0.73%

LAB 88.29, -56.92, 48.23

 

CMYK 49 / 0 / 38 / 3

HEX #7DF79A

RGB 125 247 154

HSL 134.26, 0.88%, 0.73%

LAB 88.55, -53.72, 34.44

 

CMYK 49 / 0 / 24 / 3

HEX #7DF7BB

RGB 125 247 187

HSL 150.49, 0.88%, 0.73%

LAB 89.14, -47.74, 18.49

 

CMYK 21 / 0 / 49 / 3

HEX #C3F77D

RGB 195 247 125

HSL 85.57, 0.88%, 0.73%

LAB 91.51, -35.75, 52.9

 

CMYK 21 / 0 / 49 / 3

HEX #C3F77D

RGB 195 247 125

HSL 85.57, 0.88%, 0.73%

LAB 91.51, -35.75, 52.9

 

CMYK 18 / 0 / 42 / 7

HEX #C1EC88

RGB 193 236 136

HSL 85.8, 0.72%, 0.73%

LAB 88.5, -30.18, 43.91

 

CMYK 15 / 0 / 35 / 12

HEX #C0E193

RGB 192 225 147

HSL 85.38, 0.57%, 0.73%

LAB 85.59, -23.94, 34.68

 

CMYK 11 / 0 / 26 / 16

HEX #BED69E

RGB 190 214 158

HSL 85.71, 0.41%, 0.73%

LAB 82.65, -17.72, 25.07

 

CMYK 7 / 0 / 17 / 20

HEX #BDCBA9

RGB 189 203 169

HSL 84.71, 0.25%, 0.73%

LAB 79.84, -10.81, 15.37

 

CMYK 0 / 6 / 49 / 3

HEX #F7E97D

RGB 247 233 125

HSL 53.11, 0.88%, 0.73%

LAB 91.47, -9.16, 53.73

 

CMYK 7 / 0 / 49 / 3

HEX #E5F77D

RGB 229 247 125

HSL 68.85, 0.88%, 0.73%

LAB 93.74, -23.03, 56.1

 

CMYK 21 / 0 / 49 / 3

HEX #C4F77D

RGB 196 247 125

HSL 85.08, 0.88%, 0.73%

LAB 91.57, -35.38, 52.98

 

CMYK 34 / 0 / 49 / 3

HEX #A4F77D

RGB 164 247 125

HSL 100.82, 0.88%, 0.73%

LAB 89.81, -46.43, 50.44

 

CMYK 47 / 0 / 49 / 3

HEX #83F77D

RGB 131 247 125

HSL 117.05, 0.88%, 0.73%

LAB 88.37, -56.37, 48.34

 

CMYK 35 / 0 / 81 / 5

HEX #9FF32F

RGB 159 243 47

HSL 85.71, 0.89%, 0.57%

LAB 87.81, -52.47, 77.91

 

CMYK 28 / 0 / 65 / 4

HEX #B1F556

RGB 177 245 86

HSL 85.66, 0.89%, 0.65%

LAB 89.54, -44.78, 67.2

 

CMYK 21 / 0 / 49 / 3

HEX #C3F77D

RGB 195 247 125

HSL 85.57, 0.88%, 0.73%

LAB 91.51, -35.75, 52.9

 

CMYK 15 / 0 / 34 / 2

HEX #D5FAA4

RGB 213 250 164

HSL 85.81, 0.9%, 0.81%

LAB 93.97, -26.09, 37.42

 

CMYK 8 / 0 / 19 / 1

HEX #E7FCCB

RGB 231 252 203

HSL 85.71, 0.89%, 0.89%

LAB 96.38, -15.18, 21.21

 

CMYK 21 / 0 / 50 / 3

HEX #C2F77B

RGB 194 247 123

HSL 85.65, 0.89%, 0.73%

LAB 91.42, -36.31, 53.71

 

CMYK 49 / 0 / 19 / 3

HEX #7DF7C8

RGB 125 247 200

HSL 156.89, 0.88%, 0.73%

LAB 89.42, -45.07, 12.17

 

CMYK 0 / 49 / 1 / 3

HEX #F77DF5

RGB 247 125 245

HSL 300.98, 0.88%, 0.73%

LAB 70.2, 62.48, -39.79

 

CMYK 21 / 0 / 50 / 3

HEX #C2F77B

RGB 194 247 123

HSL 85.65, 0.89%, 0.73%

LAB 91.42, -36.31, 53.71

 

CMYK 49 / 21 / 0 / 3

HEX #7DC4F7

RGB 125 196 247

HSL 205.08, 0.88%, 0.73%

LAB 76.41, -8.66, -32.04

 

CMYK 0 / 49 / 21 / 3

HEX #F77DC4

RGB 247 125 196

HSL 325.08, 0.88%, 0.73%

LAB 68.33, 54.8, -15.51

 

CMYK 21 / 0 / 50 / 3

HEX #C2F77B

RGB 194 247 123

HSL 85.65, 0.89%, 0.73%

LAB 91.42, -36.31, 53.71

 

CMYK 49 / 0 / 19 / 3

HEX #7DF7C8

RGB 125 247 200

HSL 156.89, 0.88%, 0.73%

LAB 89.42, -45.07, 12.17

 

CMYK 29 / 49 / 0 / 3

HEX #B07DF7

RGB 176 125 247

HSL 265.08, 0.88%, 0.73%

LAB 62.18, 43.94, -54.07

 

CMYK 0 / 49 / 30 / 3

HEX #F77DAC

RGB 247 125 172

HSL 336.89, 0.88%, 0.73%

LAB 67.59, 51.59, -3.12

 

CMYK 21 / 0 / 50 / 3

HEX #C2F77B

RGB 194 247 123

HSL 85.65, 0.89%, 0.73%

LAB 91.42, -36.31, 53.71

 

CMYK 49 / 0 / 4 / 3

HEX #7DF7ED

RGB 125 247 237

HSL 175.08, 0.88%, 0.73%

LAB 90.32, -36.62, -5.75

 

CMYK 29 / 49 / 0 / 3

HEX #B07DF7

RGB 176 125 247

HSL 265.08, 0.88%, 0.73%

LAB 62.18, 43.94, -54.07

 

CMYK 0 / 49 / 45 / 3

HEX #F77D87

RGB 247 125 135

HSL 355.08, 0.88%, 0.73%

LAB 66.67, 47.48, 16.46

 

Description

Color code: HEX #C2F77B | qconv.com Color code: HEX #C2F77B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 247 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 247 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 50 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 50% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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