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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8FC142 it is the complementary color #703EBD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8FC142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8FC142 shade: #94C13D, #A5D350, #B6E563, #C7F776 and #D8FF89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8FC142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8FC142 shade: #8FC142, #7EAF2F, #6D9D1C, #5C8B09 and #4B7900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8FC142 shade: #90C242, #B2C242, #C2AF42, #C28D42 and #C26A42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8FC142 shade: #90C242, #6DC242, #4BC242, #42C25C and #42C27F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8FC142 shade matches the following richer shades: #90C242, #94D62E, #98EA1A and #9DFE06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8FC142 shade: #90C242, #8BAE57, #87996B, #83857F and #7E7193

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8FC142 shade: #C2AF42, #B3C242, #91C242, #6FC242 and #4DC242

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8FC142 shade: #62862C, #79A536, #90C242, #A2CC61 and #B4D681

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8FC142 shade: #8FC142, #42C28D and #C042C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8FC142 shade: #8FC142, #4291C2 and #C24291

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8FC142 shade: #8FC142, #42C28D, #7342C2 and #C24277

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8FC142 shade: #8FC142, #42C2B3, #7342C2 and #C24251

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 66 / 24

HEX #8FC142

RGB 143 193 66

HSL 83.62, 0.51%, 0.51%

LAB 72.48, -35.79, 56.48

 

Complementary color

CMYK 41 / 67 / 0 / 26

HEX #703EBD

RGB 112 62 189

HSL 263.62, 0.51%, 0.49%

LAB 38.84, 48.57, -58.99

 

CMYK 23 / 0 / 68 / 24

HEX #94C13D

RGB 148 193 61

HSL 80.45, 0.52%, 0.5%

LAB 72.74, -34.22, 58.84

 

CMYK 22 / 0 / 62 / 17

HEX #A5D350

RGB 165 211 80

HSL 81.07, 0.6%, 0.57%

LAB 79.14, -34.57, 58.24

 

CMYK 21 / 0 / 57 / 10

HEX #B6E563

RGB 182 229 99

HSL 81.69, 0.71%, 0.64%

LAB 85.45, -34.82, 57.37

 

CMYK 19 / 0 / 52 / 3

HEX #C7F776

RGB 199 247 118

HSL 82.33, 0.89%, 0.72%

LAB 91.67, -34.99, 56.36

 

CMYK 15 / 0 / 46 / 0

HEX #D8FF89

RGB 216 255 137

HSL 79.83, 1%, 0.77%

LAB 95.13, -30.52, 52.01

 

CMYK 26 / 0 / 66 / 24

HEX #8FC142

RGB 143 193 66

HSL 83.62, 0.51%, 0.51%

LAB 72.48, -35.79, 56.48

 

CMYK 28 / 0 / 73 / 31

HEX #7EAF2F

RGB 126 175 47

HSL 82.97, 0.58%, 0.44%

LAB 65.98, -35.39, 56.84

 

CMYK 31 / 0 / 82 / 38

HEX #6D9D1C

RGB 109 157 28

HSL 82.33, 0.7%, 0.36%

LAB 59.39, -34.8, 56.42

 

CMYK 34 / 0 / 94 / 45

HEX #5C8B09

RGB 92 139 9

HSL 81.69, 0.88%, 0.29%

LAB 52.69, -33.93, 54.57

 

CMYK 38 / 0 / 100 / 53

HEX #4B7900

RGB 75 121 0

HSL 82.81, 1%, 0.24%

LAB 45.87, -32.7, 50.47

 

CMYK 26 / 0 / 66 / 24

HEX #90C242

RGB 144 194 66

HSL 83.44, 0.51%, 0.51%

LAB 72.83, -35.86, 56.88

 

CMYK 8 / 0 / 66 / 24

HEX #B2C242

RGB 178 194 66

HSL 67.5, 0.51%, 0.51%

LAB 75.1, -22.3, 59.95

 

CMYK 0 / 10 / 66 / 24

HEX #C2AF42

RGB 194 175 66

HSL 51.09, 0.51%, 0.51%

LAB 71.23, -5.84, 56.33

 

CMYK 0 / 27 / 66 / 24

HEX #C28D42

RGB 194 141 66

HSL 35.16, 0.51%, 0.51%

LAB 62.43, 12.48, 46.85

 

CMYK 0 / 45 / 66 / 24

HEX #C26A42

RGB 194 106 66

HSL 18.75, 0.51%, 0.51%

LAB 54.21, 31.59, 37.5

 

CMYK 26 / 0 / 66 / 24

HEX #90C242

RGB 144 194 66

HSL 83.44, 0.51%, 0.51%

LAB 72.83, -35.86, 56.88

 

CMYK 44 / 0 / 66 / 24

HEX #6DC242

RGB 109 194 66

HSL 99.84, 0.51%, 0.51%

LAB 71.03, -48.14, 54.41

 

CMYK 61 / 0 / 66 / 24

HEX #4BC242

RGB 75 194 66

HSL 115.78, 0.51%, 0.51%

LAB 69.8, -57.47, 52.73

 

CMYK 66 / 0 / 53 / 24

HEX #42C25C

RGB 66 194 92

HSL 132.19, 0.51%, 0.51%

LAB 69.83, -56.29, 40.92

 

CMYK 66 / 0 / 35 / 24

HEX #42C27F

RGB 66 194 127

HSL 148.59, 0.51%, 0.51%

LAB 70.37, -50.34, 23.71

 

CMYK 26 / 0 / 66 / 24

HEX #90C242

RGB 144 194 66

HSL 83.44, 0.51%, 0.51%

LAB 72.83, -35.86, 56.88

 

CMYK 31 / 0 / 79 / 16

HEX #94D62E

RGB 148 214 46

HSL 83.57, 0.67%, 0.51%

LAB 78.8, -44.36, 69.79

 

CMYK 35 / 0 / 89 / 8

HEX #98EA1A

RGB 152 234 26

HSL 83.65, 0.83%, 0.51%

LAB 84.79, -51.92, 79.52

 

CMYK 38 / 0 / 98 / 0

HEX #9DFE06

RGB 157 254 6

HSL 83.47, 0.99%, 0.51%

LAB 90.81, -58.44, 86.6

 

CMYK 26 / 0 / 66 / 24

HEX #90C242

RGB 144 194 66

HSL 83.44, 0.51%, 0.51%

LAB 72.83, -35.86, 56.88

 

CMYK 20 / 0 / 50 / 32

HEX #8BAE57

RGB 139 174 87

HSL 84.14, 0.35%, 0.51%

LAB 66.86, -26.45, 40.49

 

CMYK 12 / 0 / 30 / 40

HEX #87996B

RGB 135 153 107

HSL 83.48, 0.18%, 0.51%

LAB 60.78, -14.75, 22.12

 

CMYK 2 / 0 / 5 / 48

HEX #83857F

RGB 131 133 127

HSL 80, 0.02%, 0.51%

LAB 55.21, -1.91, 2.96

 

CMYK 14 / 23 / 0 / 42

HEX #7E7193

RGB 126 113 147

HSL 262.94, 0.14%, 0.51%

LAB 49.92, 12.14, -16.64

 

CMYK 0 / 10 / 66 / 24

HEX #C2AF42

RGB 194 175 66

HSL 51.09, 0.51%, 0.51%

LAB 71.23, -5.84, 56.33

 

CMYK 8 / 0 / 66 / 24

HEX #B3C242

RGB 179 194 66

HSL 67.03, 0.51%, 0.51%

LAB 75.18, -21.89, 60.05

 

CMYK 25 / 0 / 66 / 24

HEX #91C242

RGB 145 194 66

HSL 82.97, 0.51%, 0.51%

LAB 72.89, -35.48, 56.96

 

CMYK 43 / 0 / 66 / 24

HEX #6FC242

RGB 111 194 66

HSL 98.91, 0.51%, 0.51%

LAB 71.12, -47.5, 54.54

 

CMYK 60 / 0 / 66 / 24

HEX #4DC242

RGB 77 194 66

HSL 114.84, 0.51%, 0.51%

LAB 69.86, -57.01, 52.81

 

CMYK 27 / 0 / 67 / 47

HEX #62862C

RGB 98 134 44

HSL 84, 0.51%, 0.35%

LAB 51.64, -27.4, 42.82

 

CMYK 27 / 0 / 67 / 35

HEX #79A536

RGB 121 165 54

HSL 83.78, 0.51%, 0.43%

LAB 62.71, -32.25, 50.7

 

CMYK 26 / 0 / 66 / 24

HEX #90C242

RGB 144 194 66

HSL 83.44, 0.51%, 0.51%

LAB 72.83, -35.86, 56.88

 

CMYK 21 / 0 / 52 / 20

HEX #A2CC61

RGB 162 204 97

HSL 83.55, 0.51%, 0.59%

LAB 77.12, -30.94, 48.29

 

CMYK 16 / 0 / 40 / 16

HEX #B4D681

RGB 180 214 129

HSL 84, 0.51%, 0.67%

LAB 81.5, -25.35, 38.31

 

CMYK 26 / 0 / 66 / 24

HEX #8FC142

RGB 143 193 66

HSL 83.62, 0.51%, 0.51%

LAB 72.48, -35.79, 56.48

 

CMYK 66 / 0 / 27 / 24

HEX #42C28D

RGB 66 194 141

HSL 155.16, 0.51%, 0.51%

LAB 70.64, -47.44, 16.61

 

CMYK 1 / 66 / 0 / 24

HEX #C042C2

RGB 192 66 194

HSL 299.06, 0.51%, 0.51%

LAB 50.68, 65.49, -42.3

 

CMYK 26 / 0 / 66 / 24

HEX #8FC142

RGB 143 193 66

HSL 83.62, 0.51%, 0.51%

LAB 72.48, -35.79, 56.48

 

CMYK 66 / 25 / 0 / 24

HEX #4291C2

RGB 66 145 194

HSL 202.97, 0.51%, 0.51%

LAB 57.37, -8.75, -32.55

 

CMYK 0 / 66 / 25 / 24

HEX #C24291

RGB 194 66 145

HSL 322.97, 0.51%, 0.51%

LAB 48.77, 58.6, -16.41

 

CMYK 26 / 0 / 66 / 24

HEX #8FC142

RGB 143 193 66

HSL 83.62, 0.51%, 0.51%

LAB 72.48, -35.79, 56.48

 

CMYK 66 / 0 / 27 / 24

HEX #42C28D

RGB 66 194 141

HSL 155.16, 0.51%, 0.51%

LAB 70.64, -47.44, 16.61

 

CMYK 41 / 66 / 0 / 24

HEX #7342C2

RGB 115 66 194

HSL 262.97, 0.51%, 0.51%

LAB 40.31, 48.4, -59.51

 

CMYK 0 / 66 / 39 / 24

HEX #C24277

RGB 194 66 119

HSL 335.16, 0.51%, 0.51%

LAB 47.88, 55.47, -2.07

 

CMYK 26 / 0 / 66 / 24

HEX #8FC142

RGB 143 193 66

HSL 83.62, 0.51%, 0.51%

LAB 72.48, -35.79, 56.48

 

CMYK 66 / 0 / 8 / 24

HEX #42C2B3

RGB 66 194 179

HSL 172.97, 0.51%, 0.51%

LAB 71.55, -38.18, -2.71

 

CMYK 41 / 66 / 0 / 24

HEX #7342C2

RGB 115 66 194

HSL 262.97, 0.51%, 0.51%

LAB 40.31, 48.4, -59.51

 

CMYK 0 / 66 / 58 / 24

HEX #C24251

RGB 194 66 81

HSL 352.97, 0.51%, 0.51%

LAB 46.92, 52.03, 19.74

 

Description

Color code: HEX #8FC142 | qconv.com Color code: HEX #8FC142 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 193 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 193 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 66 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 66% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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