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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2EA73 it is the complementary color #3D158C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2EA73. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2EA73 shade: #C7EA6E, #D8FC81, #E9FF94, #FAFFA7 and #FFFFBA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2EA73. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2EA73 shade: #C2EA73, #B1D860, #A0C64D, #8FB43A and #7EA227

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2EA73 shade: #C1EA71, #E2EA71, #EAD171, #EAB171 and #EA9071

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2EA73 shade: #C1EA71, #A1EA71, #80EA71, #71EA83 and #71EAA3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2EA73 shade matches the following richer shades: #C1EA71 and #C6F764

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2EA73 shade: #C1EA71, #BDDD7E, #B9CF8B, #B4C299 and #B0B5A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2EA73 shade: #EAD271, #E2EA71, #C2EA71, #A1EA71 and #81EA71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2EA73 shade: #A2DF29, #B2E44D, #C1EA71, #D1EF95 and #E0F5B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2EA73 shade: #C2EA73, #71EAB1 and #E271EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2EA73 shade: #C2EA73, #71C2EA and #EA71C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2EA73 shade: #C2EA73, #71EAB1, #9971EA and #EA71A9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2EA73 shade: #C2EA73, #71EAD6, #9971EA and #EA7185

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 51 / 8

HEX #C2EA73

RGB 194 234 115

HSL 80.17, 0.74%, 0.68%

LAB 87.75, -31.15, 53.01

 

Complementary color

CMYK 56 / 85 / 0 / 45

HEX #3D158C

RGB 61 21 140

HSL 260.17, 0.74%, 0.32%

LAB 21.66, 46.52, -57.71

 

CMYK 15 / 0 / 53 / 8

HEX #C7EA6E

RGB 199 234 110

HSL 76.94, 0.75%, 0.67%

LAB 88.02, -29.73, 55.7

 

CMYK 14 / 0 / 49 / 1

HEX #D8FC81

RGB 216 252 129

HSL 77.56, 0.95%, 0.75%

LAB 94.23, -29.93, 54.64

 

CMYK 9 / 0 / 42 / 0

HEX #E9FF94

RGB 233 255 148

HSL 72.34, 1%, 0.79%

LAB 96.4, -23.05, 48.63

 

CMYK 2 / 0 / 35 / 0

HEX #FAFFA7

RGB 250 255 167

HSL 63.41, 1%, 0.83%

LAB 97.89, -14.6, 41.55

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFBA

RGB 255 255 186

HSL 60, 1%, 0.86%

LAB 98.56, -10.45, 33.08

 

CMYK 17 / 0 / 51 / 8

HEX #C2EA73

RGB 194 234 115

HSL 80.17, 0.74%, 0.68%

LAB 87.75, -31.15, 53.01

 

CMYK 18 / 0 / 56 / 15

HEX #B1D860

RGB 177 216 96

HSL 79.5, 0.61%, 0.61%

LAB 81.46, -30.96, 54.05

 

CMYK 19 / 0 / 61 / 22

HEX #A0C64D

RGB 160 198 77

HSL 78.84, 0.51%, 0.54%

LAB 75.08, -30.7, 54.98

 

CMYK 21 / 0 / 68 / 29

HEX #8FB43A

RGB 143 180 58

HSL 78.2, 0.51%, 0.47%

LAB 68.6, -30.32, 55.65

 

CMYK 22 / 0 / 76 / 36

HEX #7EA227

RGB 126 162 39

HSL 77.56, 0.61%, 0.39%

LAB 62.02, -29.8, 55.8

 

CMYK 18 / 0 / 52 / 8

HEX #C1EA71

RGB 193 234 113

HSL 80.33, 0.74%, 0.68%

LAB 87.67, -31.72, 53.81

 

CMYK 3 / 0 / 52 / 8

HEX #E2EA71

RGB 226 234 113

HSL 63.97, 0.74%, 0.68%

LAB 89.96, -18.99, 57.08

 

CMYK 0 / 11 / 52 / 8

HEX #EAD171

RGB 234 209 113

HSL 47.6, 0.74%, 0.68%

LAB 84.11, -3.29, 50.33

 

CMYK 0 / 24 / 52 / 8

HEX #EAB171

RGB 234 177 113

HSL 31.74, 0.74%, 0.68%

LAB 76.15, 13.4, 40.59

 

CMYK 0 / 38 / 52 / 8

HEX #EA9071

RGB 234 144 113

HSL 15.37, 0.74%, 0.68%

LAB 68.48, 30.91, 30.83

 

CMYK 18 / 0 / 52 / 8

HEX #C1EA71

RGB 193 234 113

HSL 80.33, 0.74%, 0.68%

LAB 87.67, -31.72, 53.81

 

CMYK 31 / 0 / 52 / 8

HEX #A1EA71

RGB 161 234 113

HSL 96.2, 0.74%, 0.68%

LAB 85.81, -43.18, 51.16

 

CMYK 45 / 0 / 52 / 8

HEX #80EA71

RGB 128 234 113

HSL 112.56, 0.74%, 0.68%

LAB 84.29, -53.56, 48.96

 

CMYK 52 / 0 / 44 / 8

HEX #71EA83

RGB 113 234 131

HSL 128.93, 0.74%, 0.68%

LAB 83.96, -55.16, 39.8

 

CMYK 52 / 0 / 30 / 8

HEX #71EAA3

RGB 113 234 163

HSL 144.79, 0.74%, 0.68%

LAB 84.48, -49.75, 24.34

 

CMYK 18 / 0 / 52 / 8

HEX #C1EA71

RGB 193 234 113

HSL 80.33, 0.74%, 0.68%

LAB 87.67, -31.72, 53.81

 

CMYK 20 / 0 / 60 / 3

HEX #C6F764

RGB 198 247 100

HSL 80, 0.9%, 0.68%

LAB 91.44, -36.93, 63.94

 

CMYK 18 / 0 / 52 / 8

HEX #C1EA71

RGB 193 234 113

HSL 80.33, 0.74%, 0.68%

LAB 87.67, -31.72, 53.81

 

CMYK 14 / 0 / 43 / 13

HEX #BDDD7E

RGB 189 221 126

HSL 80.21, 0.58%, 0.68%

LAB 83.99, -25.71, 43.07

 

CMYK 11 / 0 / 33 / 19

HEX #B9CF8B

RGB 185 207 139

HSL 79.41, 0.41%, 0.68%

LAB 80.07, -18.76, 31.41

 

CMYK 7 / 0 / 21 / 24

HEX #B4C299

RGB 180 194 153

HSL 80.49, 0.25%, 0.68%

LAB 76.43, -12.01, 19.06

 

CMYK 3 / 0 / 8 / 29

HEX #B0B5A6

RGB 176 181 166

HSL 80, 0.09%, 0.68%

LAB 72.91, -4.5, 7.03

 

CMYK 0 / 10 / 52 / 8

HEX #EAD271

RGB 234 210 113

HSL 48.1, 0.74%, 0.68%

LAB 84.37, -3.81, 50.64

 

CMYK 3 / 0 / 52 / 8

HEX #E2EA71

RGB 226 234 113

HSL 63.97, 0.74%, 0.68%

LAB 89.96, -18.99, 57.08

 

CMYK 17 / 0 / 52 / 8

HEX #C2EA71

RGB 194 234 113

HSL 79.83, 0.74%, 0.68%

LAB 87.73, -31.34, 53.91

 

CMYK 31 / 0 / 52 / 8

HEX #A1EA71

RGB 161 234 113

HSL 96.2, 0.74%, 0.68%

LAB 85.81, -43.18, 51.16

 

CMYK 45 / 0 / 52 / 8

HEX #81EA71

RGB 129 234 113

HSL 112.07, 0.74%, 0.68%

LAB 84.33, -53.27, 49.02

 

CMYK 27 / 0 / 82 / 13

HEX #A2DF29

RGB 162 223 41

HSL 80.11, 0.74%, 0.52%

LAB 82.17, -43.26, 74.45

 

CMYK 22 / 0 / 66 / 11

HEX #B2E44D

RGB 178 228 77

HSL 79.87, 0.74%, 0.6%

LAB 84.73, -37.57, 65.65

 

CMYK 18 / 0 / 52 / 8

HEX #C1EA71

RGB 193 234 113

HSL 80.33, 0.74%, 0.68%

LAB 87.67, -31.72, 53.81

 

CMYK 13 / 0 / 38 / 6

HEX #D1EF95

RGB 209 239 149

HSL 80, 0.74%, 0.76%

LAB 90.53, -24.2, 40.33

 

CMYK 9 / 0 / 24 / 4

HEX #E0F5B9

RGB 224 245 185

HSL 81, 0.75%, 0.84%

LAB 93.73, -16.88, 26.67

 

CMYK 17 / 0 / 51 / 8

HEX #C2EA73

RGB 194 234 115

HSL 80.17, 0.74%, 0.68%

LAB 87.75, -31.15, 53.01

 

CMYK 52 / 0 / 24 / 8

HEX #71EAB1

RGB 113 234 177

HSL 151.74, 0.74%, 0.68%

LAB 84.76, -47.01, 17.47

 

CMYK 3 / 52 / 0 / 8

HEX #E271EA

RGB 226 113 234

HSL 296.03, 0.74%, 0.68%

LAB 64.9, 60.55, -42.22

 

CMYK 17 / 0 / 51 / 8

HEX #C2EA73

RGB 194 234 115

HSL 80.17, 0.74%, 0.68%

LAB 87.75, -31.15, 53.01

 

CMYK 52 / 17 / 0 / 8

HEX #71C2EA

RGB 113 194 234

HSL 199.83, 0.74%, 0.68%

LAB 74.85, -13.93, -27.49

 

CMYK 0 / 52 / 17 / 8

HEX #EA71C2

RGB 234 113 194

HSL 319.83, 0.74%, 0.68%

LAB 64.32, 56.27, -20.64

 

CMYK 17 / 0 / 51 / 8

HEX #C2EA73

RGB 194 234 115

HSL 80.17, 0.74%, 0.68%

LAB 87.75, -31.15, 53.01

 

CMYK 52 / 0 / 24 / 8

HEX #71EAB1

RGB 113 234 177

HSL 151.74, 0.74%, 0.68%

LAB 84.76, -47.01, 17.47

 

CMYK 35 / 52 / 0 / 8

HEX #9971EA

RGB 153 113 234

HSL 259.83, 0.74%, 0.68%

LAB 56.61, 41.6, -55.88

 

CMYK 0 / 52 / 28 / 8

HEX #EA71A9

RGB 234 113 169

HSL 332.23, 0.74%, 0.68%

LAB 63.48, 52.79, -7.7

 

CMYK 17 / 0 / 51 / 8

HEX #C2EA73

RGB 194 234 115

HSL 80.17, 0.74%, 0.68%

LAB 87.75, -31.15, 53.01

 

CMYK 52 / 0 / 9 / 8

HEX #71EAD6

RGB 113 234 214

HSL 170.08, 0.74%, 0.68%

LAB 85.61, -38.78, -0.68

 

CMYK 35 / 52 / 0 / 8

HEX #9971EA

RGB 153 113 234

HSL 259.83, 0.74%, 0.68%

LAB 56.61, 41.6, -55.88

 

CMYK 0 / 52 / 43 / 8

HEX #EA7185

RGB 234 113 133

HSL 350.08, 0.74%, 0.68%

LAB 62.5, 48.61, 11.51

 

Description

Color code: HEX #C2EA73 | qconv.com Color code: HEX #C2EA73 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 234 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 234 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 51 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 51% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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