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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2E44D it is the complementary color #4D1BB2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2E44D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2E44D shade: #B7E448, #C8F65B, #D9FF6E, #EAFF81 and #FBFF94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2E44D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2E44D shade: #B2E44D, #A1D23A, #90C027, #7FAE14 and #6E9C01

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2E44D shade: #B2E44E, #DBE44E, #E4C54E, #E49C4E and #E4744E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2E44D shade: #B2E44E, #8AE44E, #61E44E, #4EE463 and #4EE48B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2E44D shade matches the following richer shades: #B2E44E and #B8F53D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2E44D shade: #B2E44E, #ADD45E, #A7C36F, #A2B37F and #9CA290

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2E44D shade: #E4C44E, #DDE44E, #B5E44E, #8CE44E and #64E44E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2E44D shade: #8CC21D, #A3DF2A, #B2E44E, #C2EA71 and #D1EF95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2E44D shade: #B2E44D, #4EE49C and #D84EE4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2E44D shade: #B2E44D, #4EB5E4 and #E44EB5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2E44D shade: #B2E44D, #4EE49C, #7D4EE4 and #E44E96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2E44D shade: #B2E44D, #4EE4C9, #7D4EE4 and #E44E69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 66 / 11

HEX #B2E44D

RGB 178 228 77

HSL 79.87, 0.74%, 0.6%

LAB 84.73, -37.57, 65.65

 

Complementary color

CMYK 57 / 85 / 0 / 30

HEX #4D1BB2

RGB 77 27 178

HSL 259.87, 0.74%, 0.4%

LAB 28.32, 56.2, -69.86

 

CMYK 20 / 0 / 68 / 11

HEX #B7E448

RGB 183 228 72

HSL 77.31, 0.74%, 0.59%

LAB 85.01, -35.99, 67.91

 

CMYK 19 / 0 / 63 / 4

HEX #C8F65B

RGB 200 246 91

HSL 77.81, 0.9%, 0.66%

LAB 91.21, -36.4, 67.41

 

CMYK 15 / 0 / 57 / 0

HEX #D9FF6E

RGB 217 255 110

HSL 75.72, 1%, 0.72%

LAB 94.91, -32.64, 63.91

 

CMYK 8 / 0 / 49 / 0

HEX #EAFF81

RGB 234 255 129

HSL 70, 1%, 0.75%

LAB 96.24, -24.55, 57.34

 

CMYK 2 / 0 / 42 / 0

HEX #FBFF94

RGB 251 255 148

HSL 62.24, 1%, 0.79%

LAB 97.7, -16.26, 50.53

 

CMYK 22 / 0 / 66 / 11

HEX #B2E44D

RGB 178 228 77

HSL 79.87, 0.74%, 0.6%

LAB 84.73, -37.57, 65.65

 

CMYK 23 / 0 / 72 / 18

HEX #A1D23A

RGB 161 210 58

HSL 79.34, 0.63%, 0.53%

LAB 78.45, -37.12, 65.92

 

CMYK 25 / 0 / 80 / 25

HEX #90C027

RGB 144 192 39

HSL 78.82, 0.66%, 0.45%

LAB 72.08, -36.52, 65.55

 

CMYK 27 / 0 / 89 / 32

HEX #7FAE14

RGB 127 174 20

HSL 78.31, 0.79%, 0.38%

LAB 65.62, -35.72, 64.11

 

CMYK 29 / 0 / 99 / 39

HEX #6E9C01

RGB 110 156 1

HSL 77.81, 0.99%, 0.31%

LAB 59.06, -34.69, 61.35

 

CMYK 22 / 0 / 66 / 11

HEX #B2E44E

RGB 178 228 78

HSL 80, 0.74%, 0.6%

LAB 84.74, -37.51, 65.27

 

CMYK 4 / 0 / 66 / 11

HEX #DBE44E

RGB 219 228 78

HSL 63.6, 0.74%, 0.6%

LAB 87.53, -21.35, 69.03

 

CMYK 0 / 14 / 66 / 11

HEX #E4C54E

RGB 228 197 78

HSL 47.6, 0.74%, 0.6%

LAB 80.17, -2.1, 61.61

 

CMYK 0 / 32 / 66 / 11

HEX #E49C4E

RGB 228 156 78

HSL 31.2, 0.74%, 0.6%

LAB 70.05, 19.54, 50.64

 

CMYK 0 / 49 / 66 / 11

HEX #E4744E

RGB 228 116 78

HSL 15.2, 0.74%, 0.6%

LAB 61.25, 40.51, 40.55

 

CMYK 22 / 0 / 66 / 11

HEX #B2E44E

RGB 178 228 78

HSL 80, 0.74%, 0.6%

LAB 84.74, -37.51, 65.27

 

CMYK 39 / 0 / 66 / 11

HEX #8AE44E

RGB 138 228 78

HSL 96, 0.74%, 0.6%

LAB 82.61, -51.62, 62.37

 

CMYK 57 / 0 / 66 / 11

HEX #61E44E

RGB 97 228 78

HSL 112.4, 0.74%, 0.6%

LAB 81.06, -63.25, 60.24

 

CMYK 66 / 0 / 57 / 11

HEX #4EE463

RGB 78 228 99

HSL 128.4, 0.74%, 0.6%

LAB 80.74, -65.09, 50.78

 

CMYK 66 / 0 / 39 / 11

HEX #4EE48B

RGB 78 228 139

HSL 144.4, 0.74%, 0.6%

LAB 81.28, -59.06, 32.12

 

CMYK 22 / 0 / 66 / 11

HEX #B2E44E

RGB 178 228 78

HSL 80, 0.74%, 0.6%

LAB 84.74, -37.51, 65.27

 

CMYK 25 / 0 / 75 / 4

HEX #B8F53D

RGB 184 245 61

HSL 79.89, 0.9%, 0.6%

LAB 89.78, -43.73, 76.31

 

CMYK 22 / 0 / 66 / 11

HEX #B2E44E

RGB 178 228 78

HSL 80, 0.74%, 0.6%

LAB 84.74, -37.51, 65.27

 

CMYK 18 / 0 / 56 / 17

HEX #ADD45E

RGB 173 212 94

HSL 79.83, 0.58%, 0.6%

LAB 80.06, -30.8, 53.28

 

CMYK 14 / 0 / 43 / 24

HEX #A7C36F

RGB 167 195 111

HSL 80, 0.41%, 0.6%

LAB 75.07, -23.18, 39.03

 

CMYK 9 / 0 / 29 / 30

HEX #A2B37F

RGB 162 179 127

HSL 79.62, 0.25%, 0.6%

LAB 70.49, -14.94, 24.66

 

CMYK 4 / 0 / 11 / 36

HEX #9CA290

RGB 156 162 144

HSL 80, 0.09%, 0.6%

LAB 65.69, -5.49, 8.63

 

CMYK 0 / 14 / 66 / 11

HEX #E4C44E

RGB 228 196 78

HSL 47.2, 0.74%, 0.6%

LAB 79.91, -1.58, 61.34

 

CMYK 3 / 0 / 66 / 11

HEX #DDE44E

RGB 221 228 78

HSL 62.8, 0.74%, 0.6%

LAB 87.68, -20.54, 69.23

 

CMYK 21 / 0 / 66 / 11

HEX #B5E44E

RGB 181 228 78

HSL 78.8, 0.74%, 0.6%

LAB 84.93, -36.37, 65.52

 

CMYK 39 / 0 / 66 / 11

HEX #8CE44E

RGB 140 228 78

HSL 95.2, 0.74%, 0.6%

LAB 82.71, -50.97, 62.5

 

CMYK 56 / 0 / 66 / 11

HEX #64E44E

RGB 100 228 78

HSL 111.2, 0.74%, 0.6%

LAB 81.15, -62.53, 60.37

 

CMYK 28 / 0 / 85 / 24

HEX #8CC21D

RGB 140 194 29

HSL 79.64, 0.74%, 0.44%

LAB 72.39, -39.34, 68.27

 

CMYK 27 / 0 / 81 / 13

HEX #A3DF2A

RGB 163 223 42

HSL 79.89, 0.74%, 0.52%

LAB 82.23, -42.85, 74.27

 

CMYK 22 / 0 / 66 / 11

HEX #B2E44E

RGB 178 228 78

HSL 80, 0.74%, 0.6%

LAB 84.74, -37.51, 65.27

 

CMYK 17 / 0 / 52 / 8

HEX #C2EA71

RGB 194 234 113

HSL 79.83, 0.74%, 0.68%

LAB 87.73, -31.34, 53.91

 

CMYK 13 / 0 / 38 / 6

HEX #D1EF95

RGB 209 239 149

HSL 80, 0.74%, 0.76%

LAB 90.53, -24.2, 40.33

 

CMYK 22 / 0 / 66 / 11

HEX #B2E44D

RGB 178 228 77

HSL 79.87, 0.74%, 0.6%

LAB 84.73, -37.57, 65.65

 

CMYK 66 / 0 / 32 / 11

HEX #4EE49C

RGB 78 228 156

HSL 151.2, 0.74%, 0.6%

LAB 81.57, -55.85, 23.81

 

CMYK 5 / 66 / 0 / 11

HEX #D84EE4

RGB 216 78 228

HSL 295.2, 0.74%, 0.6%

LAB 57.7, 72.15, -50.32

 

CMYK 22 / 0 / 66 / 11

HEX #B2E44D

RGB 178 228 77

HSL 79.87, 0.74%, 0.6%

LAB 84.73, -37.57, 65.65

 

CMYK 66 / 21 / 0 / 11

HEX #4EB5E4

RGB 78 181 228

HSL 198.8, 0.74%, 0.6%

LAB 69.66, -15.45, -32.33

 

CMYK 0 / 66 / 21 / 11

HEX #E44EB5

RGB 228 78 181

HSL 318.8, 0.74%, 0.6%

LAB 57.35, 67.87, -23.97

 

CMYK 22 / 0 / 66 / 11

HEX #B2E44D

RGB 178 228 77

HSL 79.87, 0.74%, 0.6%

LAB 84.73, -37.57, 65.65

 

CMYK 66 / 0 / 32 / 11

HEX #4EE49C

RGB 78 228 156

HSL 151.2, 0.74%, 0.6%

LAB 81.57, -55.85, 23.81

 

CMYK 45 / 66 / 0 / 11

HEX #7D4EE4

RGB 125 78 228

HSL 258.8, 0.74%, 0.6%

LAB 46.19, 53.08, -69.44

 

CMYK 0 / 66 / 34 / 11

HEX #E44E96

RGB 228 78 150

HSL 331.2, 0.74%, 0.6%

LAB 56.23, 64.05, -7.59

 

CMYK 22 / 0 / 66 / 11

HEX #B2E44D

RGB 178 228 77

HSL 79.87, 0.74%, 0.6%

LAB 84.73, -37.57, 65.65

 

CMYK 66 / 0 / 12 / 11

HEX #4EE4C9

RGB 78 228 201

HSL 169.2, 0.74%, 0.6%

LAB 82.55, -45.69, 1.59

 

CMYK 45 / 66 / 0 / 11

HEX #7D4EE4

RGB 125 78 228

HSL 258.8, 0.74%, 0.6%

LAB 46.19, 53.08, -69.44

 

CMYK 0 / 66 / 54 / 11

HEX #E44E69

RGB 228 78 105

HSL 349.2, 0.74%, 0.6%

LAB 55.03, 59.79, 17.3

 

Description

Color code: HEX #B2E44D | qconv.com Color code: HEX #B2E44D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 228 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 228 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 66 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 66% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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