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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2E39D it is the complementary color #3D1C62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2E39D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2E39D shade: #C7E398, #D8F5AB, #E9FFBE, #FAFFD1 and #FFFFE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2E39D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2E39D shade: #C2E39D, #B1D18A, #A0BF77, #8FAD64 and #7E9B51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2E39D shade: #C1E39C, #D5E39C, #E3DE9C, #E3CB9C and #E3B89C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2E39D shade: #C1E39C, #AEE39C, #9CE39C, #9CE3B0 and #9CE3C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2E39D shade matches the following richer shades: #C1E39C, #C2ED91 and #C2F887

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2E39D shade: #C1E39C, #C1D9A6, #C0CEB0, #C0C4BA and #BFBAC5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2E39D shade: #E3DE9C, #D5E39C, #C2E39C, #AFE39C and #9CE39C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2E39D shade: #99D15B, #ADDA7B, #C1E39C, #D5ECBC and #E9F5DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2E39D shade: #C2E39D, #9CE3CB and #E39CDE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2E39D shade: #C2E39D, #9CC2E3 and #E39CC2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2E39D shade: #C2E39D, #9CE3CB, #BD9CE3 and #E39CB3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2E39D shade: #C2E39D, #9CE3E1, #BD9CE3 and #E39C9E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 31 / 11

HEX #C2E39D

RGB 194 227 157

HSL 88.29, 0.56%, 0.75%

LAB 86.43, -22.82, 30.73

 

Complementary color

CMYK 38 / 71 / 0 / 62

HEX #3D1C62

RGB 61 28 98

HSL 268.29, 0.56%, 0.25%

LAB 18.82, 31.39, -35.42

 

CMYK 12 / 0 / 33 / 11

HEX #C7E398

RGB 199 227 152

HSL 82.4, 0.57%, 0.74%

LAB 86.68, -21.69, 33.66

 

CMYK 12 / 0 / 30 / 4

HEX #D8F5AB

RGB 216 245 171

HSL 83.51, 0.79%, 0.82%

LAB 92.95, -21.7, 32.6

 

CMYK 9 / 0 / 25 / 0

HEX #E9FFBE

RGB 233 255 190

HSL 80.31, 1%, 0.87%

LAB 97.05, -17.85, 28.75

 

CMYK 2 / 0 / 18 / 0

HEX #FAFFD1

RGB 250 255 209

HSL 66.52, 1%, 0.91%

LAB 98.61, -9.11, 21.47

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE4

RGB 255 255 228

HSL 60, 1%, 0.95%

LAB 99.37, -4.48, 12.91

 

CMYK 15 / 0 / 31 / 11

HEX #C2E39D

RGB 194 227 157

HSL 88.29, 0.56%, 0.75%

LAB 86.43, -22.82, 30.73

 

CMYK 15 / 0 / 34 / 18

HEX #B1D18A

RGB 177 209 138

HSL 87.04, 0.44%, 0.68%

LAB 80.06, -22.85, 31.81

 

CMYK 16 / 0 / 38 / 25

HEX #A0BF77

RGB 160 191 119

HSL 85.83, 0.36%, 0.61%

LAB 73.59, -22.87, 32.95

 

CMYK 17 / 0 / 42 / 32

HEX #8FAD64

RGB 143 173 100

HSL 84.66, 0.31%, 0.54%

LAB 67.01, -22.87, 34.13

 

CMYK 19 / 0 / 48 / 39

HEX #7E9B51

RGB 126 155 81

HSL 83.51, 0.31%, 0.46%

LAB 60.31, -22.82, 35.34

 

CMYK 15 / 0 / 31 / 11

HEX #C1E39C

RGB 193 227 156

HSL 88.73, 0.56%, 0.75%

LAB 86.34, -23.31, 31.11

 

CMYK 6 / 0 / 31 / 11

HEX #D5E39C

RGB 213 227 156

HSL 71.83, 0.56%, 0.75%

LAB 87.72, -15.99, 33.19

 

CMYK 0 / 2 / 31 / 11

HEX #E3DE9C

RGB 227 222 156

HSL 55.77, 0.56%, 0.75%

LAB 87.47, -8.21, 33.06

 

CMYK 0 / 11 / 31 / 11

HEX #E3CB9C

RGB 227 203 156

HSL 39.72, 0.56%, 0.75%

LAB 82.62, 1.54, 26.55

 

CMYK 0 / 19 / 31 / 11

HEX #E3B89C

RGB 227 184 156

HSL 23.66, 0.56%, 0.75%

LAB 77.88, 11.54, 20.08

 

CMYK 15 / 0 / 31 / 11

HEX #C1E39C

RGB 193 227 156

HSL 88.73, 0.56%, 0.75%

LAB 86.34, -23.31, 31.11

 

CMYK 23 / 0 / 31 / 11

HEX #AEE39C

RGB 174 227 156

HSL 104.79, 0.56%, 0.75%

LAB 85.17, -29.97, 29.33

 

CMYK 31 / 0 / 31 / 11

HEX #9CE39C

RGB 156 227 156

HSL 120, 0.56%, 0.75%

LAB 84.18, -35.9, 27.83

 

CMYK 31 / 0 / 22 / 11

HEX #9CE3B0

RGB 156 227 176

HSL 136.9, 0.56%, 0.75%

LAB 84.56, -32.47, 17.99

 

CMYK 31 / 0 / 14 / 11

HEX #9CE3C3

RGB 156 227 195

HSL 152.96, 0.56%, 0.75%

LAB 84.97, -28.83, 8.61

 

CMYK 15 / 0 / 31 / 11

HEX #C1E39C

RGB 193 227 156

HSL 88.73, 0.56%, 0.75%

LAB 86.34, -23.31, 31.11

 

CMYK 18 / 0 / 39 / 7

HEX #C2ED91

RGB 194 237 145

HSL 88.04, 0.72%, 0.75%

LAB 88.96, -29.19, 40.1

 

CMYK 22 / 0 / 46 / 3

HEX #C2F887

RGB 194 248 135

HSL 88.67, 0.89%, 0.75%

LAB 91.84, -35.47, 48.6

 

CMYK 15 / 0 / 31 / 11

HEX #C1E39C

RGB 193 227 156

HSL 88.73, 0.56%, 0.75%

LAB 86.34, -23.31, 31.11

 

CMYK 11 / 0 / 24 / 15

HEX #C1D9A6

RGB 193 217 166

HSL 88.24, 0.4%, 0.75%

LAB 83.82, -16.93, 22.53

 

CMYK 7 / 0 / 15 / 19

HEX #C0CEB0

RGB 192 206 176

HSL 88, 0.23%, 0.75%

LAB 81.01, -10.12, 13.32

 

CMYK 2 / 0 / 5 / 23

HEX #C0C4BA

RGB 192 196 186

HSL 84, 0.08%, 0.75%

LAB 78.6, -3.2, 4.53

 

CMYK 3 / 6 / 0 / 23

HEX #BFBAC5

RGB 191 186 197

HSL 267.27, 0.09%, 0.75%

LAB 76.21, 3.81, -4.93

 

CMYK 0 / 2 / 31 / 11

HEX #E3DE9C

RGB 227 222 156

HSL 55.77, 0.56%, 0.75%

LAB 87.47, -8.21, 33.06

 

CMYK 6 / 0 / 31 / 11

HEX #D5E39C

RGB 213 227 156

HSL 71.83, 0.56%, 0.75%

LAB 87.72, -15.99, 33.19

 

CMYK 15 / 0 / 31 / 11

HEX #C2E39C

RGB 194 227 156

HSL 87.89, 0.56%, 0.75%

LAB 86.41, -22.96, 31.21

 

CMYK 23 / 0 / 31 / 11

HEX #AFE39C

RGB 175 227 156

HSL 103.94, 0.56%, 0.75%

LAB 85.23, -29.63, 29.42

 

CMYK 31 / 0 / 31 / 11

HEX #9CE39C

RGB 156 227 156

HSL 120, 0.56%, 0.75%

LAB 84.18, -35.9, 27.83

 

CMYK 27 / 0 / 56 / 18

HEX #99D15B

RGB 153 209 91

HSL 88.47, 0.56%, 0.59%

LAB 77.95, -37.18, 51.9

 

CMYK 21 / 0 / 44 / 15

HEX #ADDA7B

RGB 173 218 123

HSL 88.42, 0.56%, 0.67%

LAB 82.09, -30.56, 41.95

 

CMYK 15 / 0 / 31 / 11

HEX #C1E39C

RGB 193 227 156

HSL 88.73, 0.56%, 0.75%

LAB 86.34, -23.31, 31.11

 

CMYK 10 / 0 / 20 / 7

HEX #D5ECBC

RGB 213 236 188

HSL 88.75, 0.56%, 0.83%

LAB 90.67, -15.89, 20.79

 

CMYK 5 / 0 / 10 / 4

HEX #E9F5DC

RGB 233 245 220

HSL 88.8, 0.56%, 0.91%

LAB 95.07, -8.31, 10.67

 

CMYK 15 / 0 / 31 / 11

HEX #C2E39D

RGB 194 227 157

HSL 88.29, 0.56%, 0.75%

LAB 86.43, -22.82, 30.73

 

CMYK 31 / 0 / 11 / 11

HEX #9CE3CB

RGB 156 227 203

HSL 159.72, 0.56%, 0.75%

LAB 85.16, -27.2, 4.67

 

CMYK 0 / 31 / 2 / 11

HEX #E39CDE

RGB 227 156 222

HSL 304.23, 0.56%, 0.75%

LAB 73.14, 36.8, -22.84

 

CMYK 15 / 0 / 31 / 11

HEX #C2E39D

RGB 194 227 157

HSL 88.29, 0.56%, 0.75%

LAB 86.43, -22.82, 30.73

 

CMYK 31 / 15 / 0 / 11

HEX #9CC2E3

RGB 156 194 227

HSL 207.89, 0.56%, 0.75%

LAB 76.8, -4.98, -20.54

 

CMYK 0 / 31 / 15 / 11

HEX #E39CC2

RGB 227 156 194

HSL 327.89, 0.56%, 0.75%

LAB 72.23, 32.03, -8.81

 

CMYK 15 / 0 / 31 / 11

HEX #C2E39D

RGB 194 227 157

HSL 88.29, 0.56%, 0.75%

LAB 86.43, -22.82, 30.73

 

CMYK 31 / 0 / 11 / 11

HEX #9CE3CB

RGB 156 227 203

HSL 159.72, 0.56%, 0.75%

LAB 85.16, -27.2, 4.67

 

CMYK 17 / 31 / 0 / 11

HEX #BD9CE3

RGB 189 156 227

HSL 267.89, 0.56%, 0.75%

LAB 69.57, 25.82, -31.39

 

CMYK 0 / 31 / 21 / 11

HEX #E39CB3

RGB 227 156 179

HSL 340.56, 0.56%, 0.75%

LAB 71.8, 29.71, -1.14

 

CMYK 15 / 0 / 31 / 11

HEX #C2E39D

RGB 194 227 157

HSL 88.29, 0.56%, 0.75%

LAB 86.43, -22.82, 30.73

 

CMYK 31 / 0 / 1 / 11

HEX #9CE3E1

RGB 156 227 225

HSL 178.31, 0.56%, 0.75%

LAB 85.73, -22.4, -6.1

 

CMYK 17 / 31 / 0 / 11

HEX #BD9CE3

RGB 189 156 227

HSL 267.89, 0.56%, 0.75%

LAB 69.57, 25.82, -31.39

 

CMYK 0 / 31 / 30 / 11

HEX #E39C9E

RGB 227 156 158

HSL 358.31, 0.56%, 0.75%

LAB 71.27, 26.77, 9.72

 

Description

Color code: HEX #C2E39D | qconv.com Color code: HEX #C2E39D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 227 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 227 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 31 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 31% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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