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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5E39C it is the complementary color #2A1C63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5E39C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5E39C shade: #DAE397, #EBF5AA, #FCFFBD, #FFFFD0 and #FFFFE3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5E39C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5E39C shade: #D5E39C, #C4D189, #B3BF76, #A2AD63 and #919B50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5E39C shade: #D5E39C, #E3DE9C, #E3CB9C, #E3B79C and #E3A49C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5E39C shade: #D5E39C, #C2E39C, #AEE39C, #9CE39C and #9CE3AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5E39C shade matches the following richer shades: #D5E39C, #DBED91 and #E1F887

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5E39C shade: #D5E39C, #CFD9A6, #C8CEB0, #C2C4BA and #BCBAC5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5E39C shade: #E3CA9C, #E3DD9C, #D6E39C, #C3E39C and #B0E39C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5E39C shade: #BAD15B, #C7DA7B, #D5E39C, #E3ECBC and #F0F5DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5E39C shade: #D5E39C, #9CE3B7 and #D39CE3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5E39C shade: #D5E39C, #9CD6E3 and #E39CD6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5E39C shade: #D5E39C, #9CE3B7, #A99CE3 and #E39CC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5E39C shade: #D5E39C, #9CE3CC, #A99CE3 and #E39CB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 31 / 11

HEX #D5E39C

RGB 213 227 156

HSL 71.83, 0.56%, 0.75%

LAB 87.72, -15.99, 33.19

 

Complementary color

CMYK 58 / 72 / 0 / 61

HEX #2A1C63

RGB 42 28 99

HSL 251.83, 0.56%, 0.25%

LAB 16.62, 27.66, -39.76

 

CMYK 4 / 0 / 33 / 11

HEX #DAE397

RGB 218 227 151

HSL 67.11, 0.58%, 0.74%

LAB 88.01, -14.74, 36.17

 

CMYK 4 / 0 / 31 / 4

HEX #EBF5AA

RGB 235 245 170

HSL 68, 0.79%, 0.81%

LAB 94.26, -14.92, 35.08

 

CMYK 1 / 0 / 26 / 0

HEX #FCFFBD

RGB 252 255 189

HSL 62.73, 1%, 0.87%

LAB 98.39, -11.16, 31.3

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD0

RGB 255 255 208

HSL 60, 1%, 0.91%

LAB 98.96, -7.48, 22.52

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE3

RGB 255 255 227

HSL 60, 1%, 0.95%

LAB 99.35, -4.64, 13.39

 

CMYK 6 / 0 / 31 / 11

HEX #D5E39C

RGB 213 227 156

HSL 71.83, 0.56%, 0.75%

LAB 87.72, -15.99, 33.19

 

CMYK 6 / 0 / 34 / 18

HEX #C4D189

RGB 196 209 137

HSL 70.83, 0.44%, 0.68%

LAB 81.37, -15.85, 34.3

 

CMYK 6 / 0 / 38 / 25

HEX #B3BF76

RGB 179 191 118

HSL 69.86, 0.36%, 0.61%

LAB 74.92, -15.68, 35.45

 

CMYK 6 / 0 / 43 / 32

HEX #A2AD63

RGB 162 173 99

HSL 68.92, 0.31%, 0.53%

LAB 68.37, -15.46, 36.64

 

CMYK 6 / 0 / 48 / 39

HEX #919B50

RGB 145 155 80

HSL 68, 0.32%, 0.46%

LAB 61.69, -15.17, 37.85

 

CMYK 6 / 0 / 31 / 11

HEX #D5E39C

RGB 213 227 156

HSL 71.83, 0.56%, 0.75%

LAB 87.72, -15.99, 33.19

 

CMYK 0 / 2 / 31 / 11

HEX #E3DE9C

RGB 227 222 156

HSL 55.77, 0.56%, 0.75%

LAB 87.47, -8.21, 33.06

 

CMYK 0 / 11 / 31 / 11

HEX #E3CB9C

RGB 227 203 156

HSL 39.72, 0.56%, 0.75%

LAB 82.62, 1.54, 26.55

 

CMYK 0 / 19 / 31 / 11

HEX #E3B79C

RGB 227 183 156

HSL 22.82, 0.56%, 0.75%

LAB 77.64, 12.07, 19.74

 

CMYK 0 / 28 / 31 / 11

HEX #E3A49C

RGB 227 164 156

HSL 6.76, 0.56%, 0.75%

LAB 73.08, 22.23, 13.38

 

CMYK 6 / 0 / 31 / 11

HEX #D5E39C

RGB 213 227 156

HSL 71.83, 0.56%, 0.75%

LAB 87.72, -15.99, 33.19

 

CMYK 15 / 0 / 31 / 11

HEX #C2E39C

RGB 194 227 156

HSL 87.89, 0.56%, 0.75%

LAB 86.41, -22.96, 31.21

 

CMYK 23 / 0 / 31 / 11

HEX #AEE39C

RGB 174 227 156

HSL 104.79, 0.56%, 0.75%

LAB 85.17, -29.97, 29.33

 

CMYK 31 / 0 / 31 / 11

HEX #9CE39C

RGB 156 227 156

HSL 120, 0.56%, 0.75%

LAB 84.18, -35.9, 27.83

 

CMYK 31 / 0 / 23 / 11

HEX #9CE3AF

RGB 156 227 175

HSL 136.06, 0.56%, 0.75%

LAB 84.54, -32.65, 18.48

 

CMYK 6 / 0 / 31 / 11

HEX #D5E39C

RGB 213 227 156

HSL 71.83, 0.56%, 0.75%

LAB 87.72, -15.99, 33.19

 

CMYK 8 / 0 / 39 / 7

HEX #DBED91

RGB 219 237 145

HSL 71.74, 0.72%, 0.75%

LAB 90.63, -19.98, 42.57

 

CMYK 9 / 0 / 46 / 3

HEX #E1F887

RGB 225 248 135

HSL 72.21, 0.89%, 0.75%

LAB 93.84, -24.08, 51.5

 

CMYK 6 / 0 / 31 / 11

HEX #D5E39C

RGB 213 227 156

HSL 71.83, 0.56%, 0.75%

LAB 87.72, -15.99, 33.19

 

CMYK 5 / 0 / 24 / 15

HEX #CFD9A6

RGB 207 217 166

HSL 71.76, 0.4%, 0.75%

LAB 84.81, -11.85, 24.05

 

CMYK 3 / 0 / 15 / 19

HEX #C8CEB0

RGB 200 206 176

HSL 72, 0.23%, 0.75%

LAB 81.6, -7.26, 14.24

 

CMYK 1 / 0 / 5 / 23

HEX #C2C4BA

RGB 194 196 186

HSL 72, 0.08%, 0.75%

LAB 78.75, -2.5, 4.77

 

CMYK 5 / 6 / 0 / 23

HEX #BCBAC5

RGB 188 186 197

HSL 250.91, 0.09%, 0.75%

LAB 75.97, 2.78, -5.3

 

CMYK 0 / 11 / 31 / 11

HEX #E3CA9C

RGB 227 202 156

HSL 38.87, 0.56%, 0.75%

LAB 82.36, 2.06, 26.21

 

CMYK 0 / 3 / 31 / 11

HEX #E3DD9C

RGB 227 221 156

HSL 54.93, 0.56%, 0.75%

LAB 87.21, -7.71, 32.71

 

CMYK 6 / 0 / 31 / 11

HEX #D6E39C

RGB 214 227 156

HSL 70.99, 0.56%, 0.75%

LAB 87.79, -15.62, 33.3

 

CMYK 14 / 0 / 31 / 11

HEX #C3E39C

RGB 195 227 156

HSL 87.04, 0.56%, 0.75%

LAB 86.47, -22.6, 31.31

 

CMYK 22 / 0 / 31 / 11

HEX #B0E39C

RGB 176 227 156

HSL 103.1, 0.56%, 0.75%

LAB 85.29, -29.28, 29.51

 

CMYK 11 / 0 / 56 / 18

HEX #BAD15B

RGB 186 209 91

HSL 71.69, 0.56%, 0.59%

LAB 80.06, -24.55, 54.87

 

CMYK 9 / 0 / 44 / 15

HEX #C7DA7B

RGB 199 218 123

HSL 72, 0.56%, 0.67%

LAB 83.82, -20.78, 44.48

 

CMYK 6 / 0 / 31 / 11

HEX #D5E39C

RGB 213 227 156

HSL 71.83, 0.56%, 0.75%

LAB 87.72, -15.99, 33.19

 

CMYK 4 / 0 / 20 / 7

HEX #E3ECBC

RGB 227 236 188

HSL 71.25, 0.56%, 0.83%

LAB 91.66, -10.92, 22.32

 

CMYK 2 / 0 / 10 / 4

HEX #F0F5DC

RGB 240 245 220

HSL 72, 0.56%, 0.91%

LAB 95.58, -5.92, 11.46

 

CMYK 6 / 0 / 31 / 11

HEX #D5E39C

RGB 213 227 156

HSL 71.83, 0.56%, 0.75%

LAB 87.72, -15.99, 33.19

 

CMYK 31 / 0 / 19 / 11

HEX #9CE3B7

RGB 156 227 183

HSL 142.82, 0.56%, 0.75%

LAB 84.7, -31.17, 14.53

 

CMYK 7 / 31 / 0 / 11

HEX #D39CE3

RGB 211 156 227

HSL 286.48, 0.56%, 0.75%

LAB 71.67, 32.66, -27.97

 

CMYK 6 / 0 / 31 / 11

HEX #D5E39C

RGB 213 227 156

HSL 71.83, 0.56%, 0.75%

LAB 87.72, -15.99, 33.19

 

CMYK 31 / 6 / 0 / 11

HEX #9CD6E3

RGB 156 214 227

HSL 190.99, 0.56%, 0.75%

LAB 82.22, -15.42, -12.37

 

CMYK 0 / 31 / 6 / 11

HEX #E39CD6

RGB 227 156 214

HSL 310.99, 0.56%, 0.75%

LAB 72.87, 35.38, -18.87

 

CMYK 6 / 0 / 31 / 11

HEX #D5E39C

RGB 213 227 156

HSL 71.83, 0.56%, 0.75%

LAB 87.72, -15.99, 33.19

 

CMYK 31 / 0 / 19 / 11

HEX #9CE3B7

RGB 156 227 183

HSL 142.82, 0.56%, 0.75%

LAB 84.7, -31.17, 14.53

 

CMYK 26 / 31 / 0 / 11

HEX #A99CE3

RGB 169 156 227

HSL 250.99, 0.56%, 0.75%

LAB 67.84, 19.8, -34.2

 

CMYK 0 / 31 / 12 / 11

HEX #E39CC8

RGB 227 156 200

HSL 322.82, 0.56%, 0.75%

LAB 72.41, 33, -11.84

 

CMYK 6 / 0 / 31 / 11

HEX #D5E39C

RGB 213 227 156

HSL 71.83, 0.56%, 0.75%

LAB 87.72, -15.99, 33.19

 

CMYK 31 / 0 / 10 / 11

HEX #9CE3CC

RGB 156 227 204

HSL 160.56, 0.56%, 0.75%

LAB 85.18, -26.99, 4.18

 

CMYK 26 / 31 / 0 / 11

HEX #A99CE3

RGB 169 156 227

HSL 250.99, 0.56%, 0.75%

LAB 67.84, 19.8, -34.2

 

CMYK 0 / 31 / 22 / 11

HEX #E39CB2

RGB 227 156 178

HSL 341.41, 0.56%, 0.75%

LAB 71.77, 29.56, -0.63

 

Description

Color code: HEX #D5E39C | qconv.com Color code: HEX #D5E39C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 227 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 227 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 31 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 31% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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