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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2DF8C it is the complementary color #3D2073. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2DF8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2DF8C shade: #C7DF87, #D8F19A, #E9FFAD, #FAFFC0 and #FFFFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2DF8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2DF8C shade: #C2DF8C, #B1CD79, #A0BB66, #8FA953 and #7E9740

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2DF8C shade: #C2DE8C, #D8DE8C, #DECF8C, #DEB88C and #DEA28C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2DF8C shade: #C2DE8C, #ABDE8C, #95DE8C, #8CDE99 and #8CDEAF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2DF8C shade matches the following richer shades: #C2DE8C, #C5EA80 and #C9F674

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2DF8C shade: #C2DE8C, #BED298, #BAC7A4, #B7BBB0 and #B3AFBB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2DF8C shade: #DECE8C, #D9DE8C, #C3DE8C, #ADDE8C and #97DE8C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2DF8C shade: #9FCC4B, #B0D56B, #C2DE8C, #D3E8AC and #E4F1CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2DF8C shade: #C2DF8C, #8CDEB8 and #D98CDE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2DF8C shade: #C2DF8C, #8CC3DE and #DE8CC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2DF8C shade: #C2DF8C, #8CDEB8, #A78CDE and #DE8CB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2DF8C shade: #C2DF8C, #8CDED1, #A78CDE and #DE8C99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 37 / 13

HEX #C2DF8C

RGB 194 223 140

HSL 80.96, 0.56%, 0.71%

LAB 85.07, -23.14, 37.56

 

Complementary color

CMYK 47 / 72 / 0 / 55

HEX #3D2073

RGB 61 32 115

HSL 260.96, 0.56%, 0.29%

LAB 21.07, 34.04, -42.84

 

CMYK 11 / 0 / 39 / 13

HEX #C7DF87

RGB 199 223 135

HSL 76.36, 0.58%, 0.7%

LAB 85.34, -21.87, 40.47

 

CMYK 10 / 0 / 36 / 5

HEX #D8F19A

RGB 216 241 154

HSL 77.24, 0.76%, 0.77%

LAB 91.61, -21.97, 39.35

 

CMYK 9 / 0 / 32 / 0

HEX #E9FFAD

RGB 233 255 173

HSL 76.1, 1%, 0.84%

LAB 96.76, -20.13, 36.88

 

CMYK 2 / 0 / 25 / 0

HEX #FAFFC0

RGB 250 255 192

HSL 64.76, 1%, 0.88%

LAB 98.29, -11.49, 29.64

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD3

RGB 255 255 211

HSL 60, 1%, 0.91%

LAB 99.02, -7.05, 21.08

 

CMYK 13 / 0 / 37 / 13

HEX #C2DF8C

RGB 194 223 140

HSL 80.96, 0.56%, 0.71%

LAB 85.07, -23.14, 37.56

 

CMYK 14 / 0 / 41 / 20

HEX #B1CD79

RGB 177 205 121

HSL 80, 0.46%, 0.64%

LAB 78.69, -23.08, 38.7

 

CMYK 14 / 0 / 45 / 27

HEX #A0BB66

RGB 160 187 102

HSL 79.06, 0.38%, 0.57%

LAB 72.21, -22.98, 39.87

 

CMYK 15 / 0 / 51 / 34

HEX #8FA953

RGB 143 169 83

HSL 78.14, 0.34%, 0.49%

LAB 65.62, -22.83, 41.05

 

CMYK 17 / 0 / 58 / 41

HEX #7E9740

RGB 126 151 64

HSL 77.24, 0.4%, 0.42%

LAB 58.92, -22.6, 42.16

 

CMYK 13 / 0 / 37 / 13

HEX #C2DE8C

RGB 194 222 140

HSL 80.49, 0.55%, 0.71%

LAB 84.79, -22.65, 37.21

 

CMYK 3 / 0 / 37 / 13

HEX #D8DE8C

RGB 216 222 140

HSL 64.39, 0.55%, 0.71%

LAB 86.37, -14.32, 39.55

 

CMYK 0 / 7 / 37 / 13

HEX #DECF8C

RGB 222 207 140

HSL 49.02, 0.55%, 0.71%

LAB 82.94, -4.4, 35.2

 

CMYK 0 / 17 / 37 / 13

HEX #DEB88C

RGB 222 184 140

HSL 32.2, 0.55%, 0.71%

LAB 77.1, 7.63, 27.48

 

CMYK 0 / 27 / 37 / 13

HEX #DEA28C

RGB 222 162 140

HSL 16.1, 0.55%, 0.71%

LAB 71.73, 19.4, 20.2

 

CMYK 13 / 0 / 37 / 13

HEX #C2DE8C

RGB 194 222 140

HSL 80.49, 0.55%, 0.71%

LAB 84.79, -22.65, 37.21

 

CMYK 23 / 0 / 37 / 13

HEX #ABDE8C

RGB 171 222 140

HSL 97.32, 0.55%, 0.71%

LAB 83.33, -30.96, 35.02

 

CMYK 33 / 0 / 37 / 13

HEX #95DE8C

RGB 149 222 140

HSL 113.41, 0.55%, 0.71%

LAB 82.12, -38.37, 33.21

 

CMYK 37 / 0 / 31 / 13

HEX #8CDE99

RGB 140 222 153

HSL 129.51, 0.55%, 0.71%

LAB 81.9, -39.09, 26.17

 

CMYK 37 / 0 / 21 / 13

HEX #8CDEAF

RGB 140 222 175

HSL 145.61, 0.55%, 0.71%

LAB 82.33, -35.09, 15.28

 

CMYK 13 / 0 / 37 / 13

HEX #C2DE8C

RGB 194 222 140

HSL 80.49, 0.55%, 0.71%

LAB 84.79, -22.65, 37.21

 

CMYK 16 / 0 / 45 / 8

HEX #C5EA80

RGB 197 234 128

HSL 80.94, 0.72%, 0.71%

LAB 88.1, -28.68, 47.34

 

CMYK 18 / 0 / 53 / 4

HEX #C9F674

RGB 201 246 116

HSL 80.77, 0.88%, 0.71%

LAB 91.5, -33.98, 57.09

 

CMYK 13 / 0 / 37 / 13

HEX #C2DE8C

RGB 194 222 140

HSL 80.49, 0.55%, 0.71%

LAB 84.79, -22.65, 37.21

 

CMYK 10 / 0 / 28 / 18

HEX #BED298

RGB 190 210 152

HSL 80.69, 0.39%, 0.71%

LAB 81.46, -16.6, 26.58

 

CMYK 7 / 0 / 18 / 22

HEX #BAC7A4

RGB 186 199 164

HSL 82.29, 0.24%, 0.71%

LAB 78.44, -10.64, 16.05

 

CMYK 2 / 0 / 6 / 27

HEX #B7BBB0

RGB 183 187 176

HSL 81.82, 0.07%, 0.71%

LAB 75.29, -3.41, 5.07

 

CMYK 4 / 6 / 0 / 27

HEX #B3AFBB

RGB 179 175 187

HSL 260, 0.08%, 0.71%

LAB 72.12, 3.7, -5.61

 

CMYK 0 / 7 / 37 / 13

HEX #DECE8C

RGB 222 206 140

HSL 48.29, 0.55%, 0.71%

LAB 82.68, -3.88, 34.86

 

CMYK 2 / 0 / 37 / 13

HEX #D9DE8C

RGB 217 222 140

HSL 63.66, 0.55%, 0.71%

LAB 86.45, -13.94, 39.67

 

CMYK 12 / 0 / 37 / 13

HEX #C3DE8C

RGB 195 222 140

HSL 79.76, 0.55%, 0.71%

LAB 84.86, -22.28, 37.31

 

CMYK 22 / 0 / 37 / 13

HEX #ADDE8C

RGB 173 222 140

HSL 95.85, 0.55%, 0.71%

LAB 83.45, -30.26, 35.2

 

CMYK 32 / 0 / 37 / 13

HEX #97DE8C

RGB 151 222 140

HSL 111.95, 0.55%, 0.71%

LAB 82.23, -37.72, 33.36

 

CMYK 22 / 0 / 63 / 20

HEX #9FCC4B

RGB 159 204 75

HSL 80.93, 0.56%, 0.55%

LAB 76.72, -34.04, 57.6

 

CMYK 17 / 0 / 50 / 16

HEX #B0D56B

RGB 176 213 107

HSL 80.94, 0.56%, 0.63%

LAB 80.67, -28.87, 48.01

 

CMYK 13 / 0 / 37 / 13

HEX #C2DE8C

RGB 194 222 140

HSL 80.49, 0.55%, 0.71%

LAB 84.79, -22.65, 37.21

 

CMYK 9 / 0 / 26 / 9

HEX #D3E8AC

RGB 211 232 172

HSL 81, 0.57%, 0.79%

LAB 89.18, -17.02, 26.95

 

CMYK 5 / 0 / 15 / 5

HEX #E4F1CC

RGB 228 241 204

HSL 81.08, 0.57%, 0.87%

LAB 93.35, -10.63, 16.43

 

CMYK 13 / 0 / 37 / 13

HEX #C2DF8C

RGB 194 223 140

HSL 80.96, 0.56%, 0.71%

LAB 85.07, -23.14, 37.56

 

CMYK 37 / 0 / 17 / 13

HEX #8CDEB8

RGB 140 222 184

HSL 152.2, 0.55%, 0.71%

LAB 82.53, -33.3, 10.82

 

CMYK 2 / 37 / 0 / 13

HEX #D98CDE

RGB 217 140 222

HSL 296.34, 0.55%, 0.71%

LAB 68.59, 42.15, -29.91

 

CMYK 13 / 0 / 37 / 13

HEX #C2DF8C

RGB 194 223 140

HSL 80.96, 0.56%, 0.71%

LAB 85.07, -23.14, 37.56

 

CMYK 37 / 12 / 0 / 13

HEX #8CC3DE

RGB 140 195 222

HSL 199.76, 0.55%, 0.71%

LAB 76, -11.17, -19.14

 

CMYK 0 / 37 / 12 / 13

HEX #DE8CC3

RGB 222 140 195

HSL 319.76, 0.55%, 0.71%

LAB 68.19, 39, -15.48

 

CMYK 13 / 0 / 37 / 13

HEX #C2DF8C

RGB 194 223 140

HSL 80.96, 0.56%, 0.71%

LAB 85.07, -23.14, 37.56

 

CMYK 37 / 0 / 17 / 13

HEX #8CDEB8

RGB 140 222 184

HSL 152.2, 0.55%, 0.71%

LAB 82.53, -33.3, 10.82

 

CMYK 25 / 37 / 0 / 13

HEX #A78CDE

RGB 167 140 222

HSL 259.76, 0.55%, 0.71%

LAB 63.55, 27.08, -38.14

 

CMYK 0 / 37 / 20 / 13

HEX #DE8CB2

RGB 222 140 178

HSL 332.2, 0.55%, 0.71%

LAB 67.65, 36.33, -6.77

 

CMYK 13 / 0 / 37 / 13

HEX #C2DF8C

RGB 194 223 140

HSL 80.96, 0.56%, 0.71%

LAB 85.07, -23.14, 37.56

 

CMYK 37 / 0 / 6 / 13

HEX #8CDED1

RGB 140 222 209

HSL 170.49, 0.55%, 0.71%

LAB 83.14, -27.92, -1.54

 

CMYK 25 / 37 / 0 / 13

HEX #A78CDE

RGB 167 140 222

HSL 259.76, 0.55%, 0.71%

LAB 63.55, 27.08, -38.14

 

CMYK 0 / 37 / 31 / 13

HEX #DE8C99

RGB 222 140 153

HSL 350.49, 0.55%, 0.71%

LAB 66.97, 32.82, 6.28

 

Description

Color code: HEX #C2DF8C | qconv.com Color code: HEX #C2DF8C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 223 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 223 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 37 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 37% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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