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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3DE8C it is the complementary color #3C2173. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3DE8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3DE8C shade: #C8DE87, #D9F09A, #EAFFAD, #FBFFC0 and #FFFFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3DE8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3DE8C shade: #C3DE8C, #B2CC79, #A1BA66, #90A853 and #7F9640

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3DE8C shade: #C3DE8C, #D9DE8C, #DECD8C, #DEB78C and #DEA18C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3DE8C shade: #C3DE8C, #ADDE8C, #97DE8C, #8CDE98 and #8CDEAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3DE8C shade matches the following richer shades: #C3DE8C, #C7EA80 and #CBF674

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3DE8C shade: #C3DE8C, #BFD298, #BBC6A4, #B7BAB0 and #B3AEBC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3DE8C shade: #DECC8C, #DADE8C, #C4DE8C, #AEDE8C and #99DE8C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3DE8C shade: #A1CB4C, #B2D46C, #C3DE8C, #D4E7AC and #E4F0CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3DE8C shade: #C3DE8C, #8CDEB6 and #D78CDE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3DE8C shade: #C3DE8C, #8CC4DE and #DE8CC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3DE8C shade: #C3DE8C, #8CDEB6, #A68CDE and #DE8CB4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3DE8C shade: #C3DE8C, #8CDECF, #A68CDE and #DE8C9B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 37 / 13

HEX #C3DE8C

RGB 195 222 140

HSL 79.76, 0.55%, 0.71%

LAB 84.86, -22.28, 37.31

 

Complementary color

CMYK 48 / 71 / 0 / 55

HEX #3C2173

RGB 60 33 115

HSL 259.76, 0.55%, 0.29%

LAB 21.16, 33.26, -42.7

 

CMYK 10 / 0 / 39 / 13

HEX #C8DE87

RGB 200 222 135

HSL 75.17, 0.57%, 0.7%

LAB 85.13, -21.01, 40.23

 

CMYK 10 / 0 / 36 / 6

HEX #D9F09A

RGB 217 240 154

HSL 76.05, 0.74%, 0.77%

LAB 91.42, -21.12, 39.11

 

CMYK 8 / 0 / 32 / 0

HEX #EAFFAD

RGB 234 255 173

HSL 75.37, 1%, 0.84%

LAB 96.83, -19.76, 36.99

 

CMYK 2 / 0 / 25 / 0

HEX #FBFFC0

RGB 251 255 192

HSL 63.81, 1%, 0.88%

LAB 98.37, -11.13, 29.75

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD3

RGB 255 255 211

HSL 60, 1%, 0.91%

LAB 99.02, -7.05, 21.08

 

CMYK 12 / 0 / 37 / 13

HEX #C3DE8C

RGB 195 222 140

HSL 79.76, 0.55%, 0.71%

LAB 84.86, -22.28, 37.31

 

CMYK 13 / 0 / 41 / 20

HEX #B2CC79

RGB 178 204 121

HSL 78.8, 0.45%, 0.64%

LAB 78.48, -22.21, 38.45

 

CMYK 13 / 0 / 45 / 27

HEX #A1BA66

RGB 161 186 102

HSL 77.86, 0.38%, 0.56%

LAB 72, -22.1, 39.62

 

CMYK 14 / 0 / 51 / 34

HEX #90A853

RGB 144 168 83

HSL 76.94, 0.34%, 0.49%

LAB 65.4, -21.93, 40.8

 

CMYK 15 / 0 / 57 / 41

HEX #7F9640

RGB 127 150 64

HSL 76.05, 0.4%, 0.42%

LAB 58.69, -21.68, 41.92

 

CMYK 12 / 0 / 37 / 13

HEX #C3DE8C

RGB 195 222 140

HSL 79.76, 0.55%, 0.71%

LAB 84.86, -22.28, 37.31

 

CMYK 2 / 0 / 37 / 13

HEX #D9DE8C

RGB 217 222 140

HSL 63.66, 0.55%, 0.71%

LAB 86.45, -13.94, 39.67

 

CMYK 0 / 8 / 37 / 13

HEX #DECD8C

RGB 222 205 140

HSL 47.56, 0.55%, 0.71%

LAB 82.42, -3.37, 34.53

 

CMYK 0 / 18 / 37 / 13

HEX #DEB78C

RGB 222 183 140

HSL 31.46, 0.55%, 0.71%

LAB 76.85, 8.16, 27.15

 

CMYK 0 / 27 / 37 / 13

HEX #DEA18C

RGB 222 161 140

HSL 15.37, 0.55%, 0.71%

LAB 71.5, 19.93, 19.87

 

CMYK 12 / 0 / 37 / 13

HEX #C3DE8C

RGB 195 222 140

HSL 79.76, 0.55%, 0.71%

LAB 84.86, -22.28, 37.31

 

CMYK 22 / 0 / 37 / 13

HEX #ADDE8C

RGB 173 222 140

HSL 95.85, 0.55%, 0.71%

LAB 83.45, -30.26, 35.2

 

CMYK 32 / 0 / 37 / 13

HEX #97DE8C

RGB 151 222 140

HSL 111.95, 0.55%, 0.71%

LAB 82.23, -37.72, 33.36

 

CMYK 37 / 0 / 32 / 13

HEX #8CDE98

RGB 140 222 152

HSL 128.78, 0.55%, 0.71%

LAB 81.88, -39.26, 26.66

 

CMYK 37 / 0 / 22 / 13

HEX #8CDEAE

RGB 140 222 174

HSL 144.88, 0.55%, 0.71%

LAB 82.31, -35.28, 15.77

 

CMYK 12 / 0 / 37 / 13

HEX #C3DE8C

RGB 195 222 140

HSL 79.76, 0.55%, 0.71%

LAB 84.86, -22.28, 37.31

 

CMYK 15 / 0 / 45 / 8

HEX #C7EA80

RGB 199 234 128

HSL 79.81, 0.72%, 0.71%

LAB 88.23, -27.94, 47.53

 

CMYK 17 / 0 / 53 / 4

HEX #CBF674

RGB 203 246 116

HSL 79.85, 0.88%, 0.71%

LAB 91.63, -33.24, 57.27

 

CMYK 12 / 0 / 37 / 13

HEX #C3DE8C

RGB 195 222 140

HSL 79.76, 0.55%, 0.71%

LAB 84.86, -22.28, 37.31

 

CMYK 9 / 0 / 28 / 18

HEX #BFD298

RGB 191 210 152

HSL 79.66, 0.39%, 0.71%

LAB 81.53, -16.23, 26.69

 

CMYK 6 / 0 / 17 / 22

HEX #BBC6A4

RGB 187 198 164

HSL 79.41, 0.23%, 0.71%

LAB 78.25, -9.76, 15.79

 

CMYK 2 / 0 / 5 / 27

HEX #B7BAB0

RGB 183 186 176

HSL 78, 0.07%, 0.71%

LAB 75.03, -2.88, 4.69

 

CMYK 5 / 7 / 0 / 26

HEX #B3AEBC

RGB 179 174 188

HSL 261.43, 0.09%, 0.71%

LAB 71.88, 4.44, -6.51

 

CMYK 0 / 8 / 37 / 13

HEX #DECC8C

RGB 222 204 140

HSL 46.83, 0.55%, 0.71%

LAB 82.17, -2.85, 34.19

 

CMYK 2 / 0 / 37 / 13

HEX #DADE8C

RGB 218 222 140

HSL 62.93, 0.55%, 0.71%

LAB 86.52, -13.55, 39.78

 

CMYK 12 / 0 / 37 / 13

HEX #C4DE8C

RGB 196 222 140

HSL 79.02, 0.55%, 0.71%

LAB 84.93, -21.91, 37.41

 

CMYK 22 / 0 / 37 / 13

HEX #AEDE8C

RGB 174 222 140

HSL 95.12, 0.55%, 0.71%

LAB 83.51, -29.91, 35.29

 

CMYK 31 / 0 / 37 / 13

HEX #99DE8C

RGB 153 222 140

HSL 110.49, 0.55%, 0.71%

LAB 82.33, -37.07, 33.52

 

CMYK 21 / 0 / 63 / 20

HEX #A1CB4C

RGB 161 203 76

HSL 79.84, 0.55%, 0.55%

LAB 76.56, -32.73, 57.05

 

CMYK 16 / 0 / 49 / 17

HEX #B2D46C

RGB 178 212 108

HSL 79.62, 0.55%, 0.63%

LAB 80.54, -27.53, 47.4

 

CMYK 12 / 0 / 37 / 13

HEX #C3DE8C

RGB 195 222 140

HSL 79.76, 0.55%, 0.71%

LAB 84.86, -22.28, 37.31

 

CMYK 8 / 0 / 26 / 9

HEX #D4E7AC

RGB 212 231 172

HSL 79.32, 0.55%, 0.79%

LAB 88.98, -16.16, 26.7

 

CMYK 5 / 0 / 15 / 6

HEX #E4F0CC

RGB 228 240 204

HSL 80, 0.55%, 0.87%

LAB 93.09, -10.13, 16.07

 

CMYK 12 / 0 / 37 / 13

HEX #C3DE8C

RGB 195 222 140

HSL 79.76, 0.55%, 0.71%

LAB 84.86, -22.28, 37.31

 

CMYK 37 / 0 / 18 / 13

HEX #8CDEB6

RGB 140 222 182

HSL 150.73, 0.55%, 0.71%

LAB 82.48, -33.71, 11.81

 

CMYK 3 / 37 / 0 / 13

HEX #D78CDE

RGB 215 140 222

HSL 294.88, 0.55%, 0.71%

LAB 68.37, 41.53, -30.27

 

CMYK 12 / 0 / 37 / 13

HEX #C3DE8C

RGB 195 222 140

HSL 79.76, 0.55%, 0.71%

LAB 84.86, -22.28, 37.31

 

CMYK 37 / 12 / 0 / 13

HEX #8CC4DE

RGB 140 196 222

HSL 199.02, 0.55%, 0.71%

LAB 76.27, -11.69, -18.72

 

CMYK 0 / 37 / 12 / 13

HEX #DE8CC4

RGB 222 140 196

HSL 319.02, 0.55%, 0.71%

LAB 68.22, 39.17, -15.99

 

CMYK 12 / 0 / 37 / 13

HEX #C3DE8C

RGB 195 222 140

HSL 79.76, 0.55%, 0.71%

LAB 84.86, -22.28, 37.31

 

CMYK 37 / 0 / 18 / 13

HEX #8CDEB6

RGB 140 222 182

HSL 150.73, 0.55%, 0.71%

LAB 82.48, -33.71, 11.81

 

CMYK 25 / 37 / 0 / 13

HEX #A68CDE

RGB 166 140 222

HSL 259.02, 0.55%, 0.71%

LAB 63.46, 26.79, -38.29

 

CMYK 0 / 37 / 19 / 13

HEX #DE8CB4

RGB 222 140 180

HSL 330.73, 0.55%, 0.71%

LAB 67.71, 36.63, -7.8

 

CMYK 12 / 0 / 37 / 13

HEX #C3DE8C

RGB 195 222 140

HSL 79.76, 0.55%, 0.71%

LAB 84.86, -22.28, 37.31

 

CMYK 37 / 0 / 7 / 13

HEX #8CDECF

RGB 140 222 207

HSL 169.02, 0.55%, 0.71%

LAB 83.08, -28.37, -0.55

 

CMYK 25 / 37 / 0 / 13

HEX #A68CDE

RGB 166 140 222

HSL 259.02, 0.55%, 0.71%

LAB 63.46, 26.79, -38.29

 

CMYK 0 / 37 / 30 / 13

HEX #DE8C9B

RGB 222 140 155

HSL 349.02, 0.55%, 0.71%

LAB 67.02, 33.08, 5.23

 

Description

Color code: HEX #C3DE8C | qconv.com Color code: HEX #C3DE8C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 222 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 222 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 37 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 37% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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