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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2D7DF it is the complementary color #3D2820. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2D7DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2D7DF shade: #C7D7DA, #D8E9ED, #E9FBFF, #FAFFFF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2D7DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2D7DF shade: #C2D7DF, #B1C5CC, #A0B3B9, #8FA1A6 and #7E8F93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2D7DF shade: #C3D7DF, #C3D0DF, #C3C8DF, #C5C3DF and #CDC3DF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2D7DF shade: #C3D7DF, #C3D0DF, #C3C8DF and #C3C3DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2D7DF shade matches the following richer shades: #C3D7DF, #BBDBE7, #B4DEEE, #ADE1F6 and #A5E5FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2D7DF shade: #C3D7DF, #CAD4D8, #D2D1D0, #D9CDC9 and #E1CAC2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2D7DF shade: #C3DFD8, #C3DFDF, #C3D8DF, #C3D0DF and #C3C9DF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2D7DF shade: #8DB4C3, #A8C6D1, #C3D7DF, #DEE9EE and #F9FBFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2D7DF shade: #C2D7DF, #D0C3DF and #DFDCC3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2D7DF shade: #C2D7DF, #DFC3D8 and #D8DFC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2D7DF shade: #C2D7DF, #D0C3DF, #DFCAC3 and #D2DFC3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2D7DF shade: #C2D7DF, #D9C3DF, #DFCAC3 and #CADFC3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 4 / 0 / 13

HEX #C2D7DF

RGB 194 215 223

HSL 196.55, 0.31%, 0.82%

LAB 84.69, -5.4, -6.33

 

Complementary color

CMYK 0 / 34 / 48 / 76

HEX #3D2820

RGB 61 40 32

HSL 16.55, 0.31%, 0.18%

LAB 18.43, 8.64, 9.21

 

CMYK 9 / 1 / 0 / 15

HEX #C7D7DA

RGB 199 215 218

HSL 189.47, 0.2%, 0.82%

LAB 84.9, -4.77, -3.33

 

CMYK 9 / 2 / 0 / 7

HEX #D8E9ED

RGB 216 233 237

HSL 191.43, 0.37%, 0.89%

LAB 91.23, -4.84, -3.88

 

CMYK 9 / 2 / 0 / 0

HEX #E9FBFF

RGB 233 251 255

HSL 190.91, 1%, 0.96%

LAB 97.45, -5.1, -3.94

 

CMYK 2 / 0 / 0 / 0

HEX #FAFFFF

RGB 250 255 255

HSL 180, 1%, 0.99%

LAB 99.64, -1.63, -0.58

 

CMYK 13 / 4 / 0 / 13

HEX #C2D7DF

RGB 194 215 223

HSL 196.55, 0.31%, 0.82%

LAB 84.69, -5.4, -6.33

 

CMYK 13 / 3 / 0 / 20

HEX #B1C5CC

RGB 177 197 204

HSL 195.56, 0.21%, 0.75%

LAB 78.25, -5.34, -5.81

 

CMYK 14 / 3 / 0 / 27

HEX #A0B3B9

RGB 160 179 185

HSL 194.4, 0.15%, 0.68%

LAB 71.7, -5.29, -5.29

 

CMYK 14 / 3 / 0 / 35

HEX #8FA1A6

RGB 143 161 166

HSL 193.04, 0.11%, 0.61%

LAB 65.03, -5.25, -4.75

 

CMYK 14 / 3 / 0 / 42

HEX #7E8F93

RGB 126 143 147

HSL 191.43, 0.09%, 0.54%

LAB 58.21, -5.21, -4.19

 

CMYK 13 / 4 / 0 / 13

HEX #C3D7DF

RGB 195 215 223

HSL 197.14, 0.3%, 0.82%

LAB 84.76, -5.08, -6.22

 

CMYK 13 / 7 / 0 / 13

HEX #C3D0DF

RGB 195 208 223

HSL 212.14, 0.3%, 0.82%

LAB 82.94, -1.42, -8.92

 

CMYK 13 / 10 / 0 / 13

HEX #C3C8DF

RGB 195 200 223

HSL 229.29, 0.3%, 0.82%

LAB 80.87, 2.81, -11.99

 

CMYK 12 / 13 / 0 / 13

HEX #C5C3DF

RGB 197 195 223

HSL 244.29, 0.3%, 0.82%

LAB 79.74, 6.13, -13.67

 

CMYK 8 / 13 / 0 / 13

HEX #CDC3DF

RGB 205 195 223

HSL 261.43, 0.3%, 0.82%

LAB 80.37, 8.74, -12.66

 

CMYK 13 / 4 / 0 / 13

HEX #C3D7DF

RGB 195 215 223

HSL 197.14, 0.3%, 0.82%

LAB 84.76, -5.08, -6.22

 

CMYK 13 / 7 / 0 / 13

HEX #C3D0DF

RGB 195 208 223

HSL 212.14, 0.3%, 0.82%

LAB 82.94, -1.42, -8.92

 

CMYK 13 / 10 / 0 / 13

HEX #C3C8DF

RGB 195 200 223

HSL 229.29, 0.3%, 0.82%

LAB 80.87, 2.81, -11.99

 

CMYK 13 / 13 / 0 / 13

HEX #C3C3DF

RGB 195 195 223

HSL 240, 0.3%, 0.82%

LAB 79.59, 5.48, -13.91

 

CMYK 13 / 4 / 0 / 13

HEX #C3D7DF

RGB 195 215 223

HSL 197.14, 0.3%, 0.82%

LAB 84.76, -5.08, -6.22

 

CMYK 19 / 5 / 0 / 9

HEX #BBDBE7

RGB 187 219 231

HSL 196.36, 0.48%, 0.82%

LAB 85.5, -8, -9.41

 

CMYK 24 / 7 / 0 / 7

HEX #B4DEEE

RGB 180 222 238

HSL 196.55, 0.63%, 0.82%

LAB 86.07, -10.13, -12.31

 

CMYK 30 / 9 / 0 / 4

HEX #ADE1F6

RGB 173 225 246

HSL 197.26, 0.8%, 0.82%

LAB 86.7, -11.86, -15.63

 

CMYK 35 / 9 / 0 / 1

HEX #A5E5FD

RGB 165 229 253

HSL 196.36, 0.96%, 0.82%

LAB 87.55, -14.41, -18.07

 

CMYK 13 / 4 / 0 / 13

HEX #C3D7DF

RGB 195 215 223

HSL 197.14, 0.3%, 0.82%

LAB 84.76, -5.08, -6.22

 

CMYK 6 / 2 / 0 / 15

HEX #CAD4D8

RGB 202 212 216

HSL 197.14, 0.15%, 0.82%

LAB 84.28, -2.61, -3.15

 

CMYK 0 / 0 / 1 / 18

HEX #D2D1D0

RGB 210 209 208

HSL 30, 0.02%, 0.82%

LAB 83.89, 0.17, 0.61

 

CMYK 0 / 6 / 7 / 15

HEX #D9CDC9

RGB 217 205 201

HSL 15, 0.17%, 0.82%

LAB 83.25, 3.47, 3.47

 

CMYK 0 / 10 / 14 / 12

HEX #E1CAC2

RGB 225 202 194

HSL 15.48, 0.34%, 0.82%

LAB 82.99, 6.74, 6.91

 

CMYK 13 / 0 / 3 / 13

HEX #C3DFD8

RGB 195 223 216

HSL 165, 0.3%, 0.82%

LAB 86.67, -10.58, 0.29

 

CMYK 13 / 0 / 0 / 13

HEX #C3DFDF

RGB 195 223 223

HSL 180, 0.3%, 0.82%

LAB 86.85, -9.2, -3.13

 

CMYK 13 / 3 / 0 / 13

HEX #C3D8DF

RGB 195 216 223

HSL 195, 0.3%, 0.82%

LAB 85.02, -5.6, -5.83

 

CMYK 13 / 7 / 0 / 13

HEX #C3D0DF

RGB 195 208 223

HSL 212.14, 0.3%, 0.82%

LAB 82.94, -1.42, -8.92

 

CMYK 13 / 10 / 0 / 13

HEX #C3C9DF

RGB 195 201 223

HSL 227.14, 0.3%, 0.82%

LAB 81.13, 2.28, -11.61

 

CMYK 28 / 8 / 0 / 24

HEX #8DB4C3

RGB 141 180 195

HSL 196.67, 0.31%, 0.66%

LAB 71.04, -9.58, -11.89

 

CMYK 20 / 5 / 0 / 18

HEX #A8C6D1

RGB 168 198 209

HSL 196.1, 0.31%, 0.74%

LAB 78.06, -7.68, -8.86

 

CMYK 13 / 4 / 0 / 13

HEX #C3D7DF

RGB 195 215 223

HSL 197.14, 0.3%, 0.82%

LAB 84.76, -5.08, -6.22

 

CMYK 7 / 2 / 0 / 7

HEX #DEE9EE

RGB 222 233 238

HSL 198.75, 0.32%, 0.9%

LAB 91.68, -2.71, -3.7

 

CMYK 1 / 0 / 0 / 1

HEX #F9FBFC

RGB 249 251 252

HSL 200, 0.33%, 0.98%

LAB 98.5, -0.48, -0.72

 

CMYK 13 / 4 / 0 / 13

HEX #C2D7DF

RGB 194 215 223

HSL 196.55, 0.31%, 0.82%

LAB 84.69, -5.4, -6.33

 

CMYK 7 / 13 / 0 / 13

HEX #D0C3DF

RGB 208 195 223

HSL 267.86, 0.3%, 0.82%

LAB 80.61, 9.73, -12.28

 

CMYK 0 / 1 / 13 / 13

HEX #DFDCC3

RGB 223 220 195

HSL 53.57, 0.3%, 0.82%

LAB 87.39, -3.18, 12.65

 

CMYK 13 / 4 / 0 / 13

HEX #C2D7DF

RGB 194 215 223

HSL 196.55, 0.31%, 0.82%

LAB 84.69, -5.4, -6.33

 

CMYK 0 / 13 / 3 / 13

HEX #DFC3D8

RGB 223 195 216

HSL 315, 0.3%, 0.82%

LAB 81.66, 13.47, -6.82

 

CMYK 3 / 0 / 13 / 13

HEX #D8DFC3

RGB 216 223 195

HSL 75, 0.3%, 0.82%

LAB 87.64, -7.2, 12.92

 

CMYK 13 / 4 / 0 / 13

HEX #C2D7DF

RGB 194 215 223

HSL 196.55, 0.31%, 0.82%

LAB 84.69, -5.4, -6.33

 

CMYK 7 / 13 / 0 / 13

HEX #D0C3DF

RGB 208 195 223

HSL 267.86, 0.3%, 0.82%

LAB 80.61, 9.73, -12.28

 

CMYK 0 / 9 / 13 / 13

HEX #DFCAC3

RGB 223 202 195

HSL 15, 0.3%, 0.82%

LAB 82.84, 6.18, 6.15

 

CMYK 6 / 0 / 13 / 13

HEX #D2DFC3

RGB 210 223 195

HSL 87.86, 0.3%, 0.82%

LAB 87.2, -9.31, 12.24

 

CMYK 13 / 4 / 0 / 13

HEX #C2D7DF

RGB 194 215 223

HSL 196.55, 0.31%, 0.82%

LAB 84.69, -5.4, -6.33

 

CMYK 3 / 13 / 0 / 13

HEX #D9C3DF

RGB 217 195 223

HSL 287.14, 0.3%, 0.82%

LAB 81.35, 12.72, -11.09

 

CMYK 0 / 9 / 13 / 13

HEX #DFCAC3

RGB 223 202 195

HSL 15, 0.3%, 0.82%

LAB 82.84, 6.18, 6.15

 

CMYK 9 / 0 / 13 / 13

HEX #CADFC3

RGB 202 223 195

HSL 105, 0.3%, 0.82%

LAB 86.64, -12.08, 11.36

 

Description

Color code: HEX #C2D7DF | qconv.com Color code: HEX #C2D7DF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 215 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 215 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 4 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 4% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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