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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2B53B it is the complementary color #3D4AC4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2B53B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C2B53B: #C7B536, #D8C749, #E9D95C, #FAEB6F and #FFFD82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2B53B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C2B53B: #C2B53B, #B1A328, #A09115, #8F7F02 and #7E6D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 70 / 24

HEX #C2B53B

RGB 194 181 59

HSL 54.22, 0.53%, 0.5%

LAB 72.78, -9.36, 60.76

 

Complementary color

CMYK 69 / 62 / 0 / 23

HEX #3D4AC4

RGB 61 74 196

HSL 234.22, 0.53%, 0.5%

LAB 37.62, 35.05, -65.25

 

CMYK 0 / 9 / 73 / 22

HEX #C7B536

RGB 199 181 54

HSL 52.55, 0.57%, 0.5%

LAB 73.19, -7.45, 63.19

 

CMYK 0 / 8 / 66 / 15

HEX #D8C749

RGB 216 199 73

HSL 52.87, 0.65%, 0.57%

LAB 79.57, -8.47, 62.73

 

CMYK 0 / 7 / 61 / 9

HEX #E9D95C

RGB 233 217 92

HSL 53.19, 0.76%, 0.64%

LAB 85.87, -9.34, 61.91

 

CMYK 0 / 6 / 56 / 2

HEX #FAEB6F

RGB 250 235 111

HSL 53.53, 0.93%, 0.71%

LAB 92.08, -10.07, 60.92

 

CMYK 0 / 1 / 49 / 0

HEX #FFFD82

RGB 255 253 130

HSL 59.04, 1%, 0.75%

LAB 97.28, -15.4, 58.49

 

CMYK 0 / 7 / 70 / 24

HEX #C2B53B

RGB 194 181 59

HSL 54.22, 0.53%, 0.5%

LAB 72.78, -9.36, 60.76

 

CMYK 0 / 8 / 77 / 31

HEX #B1A328

RGB 177 163 40

HSL 53.87, 0.63%, 0.43%

LAB 66.29, -8.26, 60.88

 

CMYK 0 / 9 / 87 / 37

HEX #A09115

RGB 160 145 21

HSL 53.53, 0.77%, 0.35%

LAB 59.69, -6.92, 60.01

 

CMYK 0 / 11 / 99 / 44

HEX #8F7F02

RGB 143 127 2

HSL 53.19, 0.97%, 0.28%

LAB 52.97, -5.32, 57.74

 

CMYK 0 / 13 / 100 / 51

HEX #7E6D00

RGB 126 109 0

HSL 51.9, 1%, 0.25%

LAB 46.14, -3.33, 52.46

 

CMYK 0 / 7 / 70 / 24

HEX #C2B53B

RGB 194 181 59

HSL 54.22, 0.53%, 0.5%

LAB 72.78, -9.36, 60.76

 

CMYK 5 / 0 / 70 / 24

HEX #BAC33B

RGB 186 195 59

HSL 63.97, 0.54%, 0.5%

LAB 75.94, -19.86, 63.67

 

CMYK 16 / 0 / 70 / 24

HEX #A3C33B

RGB 163 195 59

HSL 74.12, 0.54%, 0.5%

LAB 74.27, -29.34, 61.47

 

CMYK 28 / 0 / 70 / 24

HEX #8DC33B

RGB 141 195 59

HSL 83.82, 0.54%, 0.5%

LAB 72.9, -37.94, 59.63

 

CMYK 39 / 0 / 70 / 24

HEX #76C33B

RGB 118 195 59

HSL 93.97, 0.54%, 0.5%

LAB 71.69, -46.17, 58.01

 

CMYK 0 / 7 / 70 / 24

HEX #C2B53B

RGB 194 181 59

HSL 54.22, 0.53%, 0.5%

LAB 72.78, -9.36, 60.76

 

CMYK 0 / 7 / 69 / 4

HEX #F5E54B

RGB 245 229 75

HSL 54.35, 0.89%, 0.63%

LAB 89.84, -11.34, 73.15

 

CMYK 0 / 7 / 71 / 84

HEX #29260C

RGB 41 38 12

HSL 53.79, 0.55%, 0.1%

LAB 14.87, -2.96, 16.72

 

CMYK 0 / 7 / 70 / 64

HEX #5C561C

RGB 92 86 28

HSL 54.38, 0.53%, 0.24%

LAB 36.01, -5.52, 33.45

 

CMYK 0 / 7 / 70 / 44

HEX #8F852B

RGB 143 133 43

HSL 54, 0.54%, 0.36%

LAB 54.85, -7.26, 47.69

 

CMYK 0 / 7 / 70 / 24

HEX #C2B53B

RGB 194 181 59

HSL 54.22, 0.53%, 0.5%

LAB 72.78, -9.36, 60.76

 

CMYK 70 / 0 / 63 / 24

HEX #3BC349

RGB 59 195 73

HSL 126.18, 0.54%, 0.5%

LAB 69.78, -60.35, 49.62

 

CMYK 35 / 70 / 0 / 24

HEX #7F3BC3

RGB 127 59 195

HSL 270, 0.54%, 0.5%

LAB 40.54, 54.51, -59.65

 

CMYK 0 / 7 / 70 / 24

HEX #C2B53B

RGB 194 181 59

HSL 54.22, 0.53%, 0.5%

LAB 72.78, -9.36, 60.76

 

CMYK 70 / 0 / 7 / 24

HEX #3BC3B5

RGB 59 195 181

HSL 173.82, 0.54%, 0.5%

LAB 71.76, -39.12, -3.52

 

CMYK 7 / 70 / 0 / 24

HEX #B53BC3

RGB 181 59 195

HSL 293.82, 0.54%, 0.5%

LAB 48.12, 65.81, -47.05

 

CMYK 0 / 7 / 70 / 24

HEX #C2B53B

RGB 194 181 59

HSL 54.22, 0.53%, 0.5%

LAB 72.78, -9.36, 60.76

 

CMYK 70 / 0 / 63 / 24

HEX #3BC349

RGB 59 195 73

HSL 126.18, 0.54%, 0.5%

LAB 69.78, -60.35, 49.62

 

CMYK 70 / 63 / 0 / 24

HEX #3B49C3

RGB 59 73 195

HSL 233.82, 0.54%, 0.5%

LAB 37.18, 35.07, -65.39

 

CMYK 0 / 70 / 7 / 24

HEX #C33BB5

RGB 195 59 181

HSL 306.18, 0.54%, 0.5%

LAB 49.58, 66.66, -36.46

 

CMYK 0 / 7 / 70 / 24

HEX #C2B53B

RGB 194 181 59

HSL 54.22, 0.53%, 0.5%

LAB 72.78, -9.36, 60.76

 

CMYK 70 / 0 / 42 / 24

HEX #3BC371

RGB 59 195 113

HSL 143.82, 0.54%, 0.5%

LAB 70.28, -54.57, 30.9

 

CMYK 70 / 63 / 0 / 24

HEX #3B49C3

RGB 59 73 195

HSL 233.82, 0.54%, 0.5%

LAB 37.18, 35.07, -65.39

 

CMYK 0 / 70 / 28 / 24

HEX #C33B8D

RGB 195 59 141

HSL 323.82, 0.54%, 0.5%

LAB 47.82, 61.05, -15.45

 

Description

Color code: HEX #C2B53B | qconv.com Color code: HEX #C2B53B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 181 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 181 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 70 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 70% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to HEX

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RAL® to HKS®

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RAL® to PANTONE®

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RAL® to Sherwin Williams®

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HKS® to Sherwin Williams®

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convert from Pantone®-number (Pantone 0000) to #RRGGBB

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PANTONE® to HKS®

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PANTONE® to Sherwin Williams®

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Sherwin Williams® to CMYK

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Sherwin Williams® to HKS®

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NCS® to PANTONE®

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