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Color name
HEX #C2B171

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2B171 it is the complementary color #3D4E8E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2B171. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2B171 shade: #C7B16C, #D8C37F, #E9D592, #FAE7A5 and #FFF9B8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2B171. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2B171 shade: #C2B171, #B19F5E, #A08D4B, #8F7B38 and #7E6925

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2B171 shade: #C2B170, #C29B70, #C28570 and #C27070

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2B171 shade: #C2B170, #BDC270, #A7C270, #91C270 and #7BC270

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2B171 shade matches the following richer shades: #C2B170, #D2BA60, #E3C44F and #F3CD3F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2B171 shade: #C2B170, #B1A781, #A19E91, #9094A2 and #808AB2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2B171 shade: #C28570, #C29A70, #C2B070, #BEC270 and #A8C270

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2B171 shade: #9C8A43, #B5A153, #C2B170, #CEC18D and #DBD0AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2B171 shade: #C2B171, #72C270 and #8F70C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2B171 shade: #C2B171, #70C2B0 and #B070C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2B171 shade: #C2B171, #72C270, #7082C2 and #C070C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2B171 shade: #C2B171, #70C287, #7082C2 and #C270AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 42 / 24

HEX #C2B171

RGB 194 177 113

HSL 47.41, 0.4%, 0.6%

LAB 72.3, -2.96, 34.92

 

Complementary color

CMYK 57 / 45 / 0 / 44

HEX #3D4E8E

RGB 61 78 142

HSL 227.41, 0.4%, 0.4%

LAB 34.79, 13.37, -37.63

 

CMYK 0 / 11 / 46 / 22

HEX #C7B16C

RGB 199 177 108

HSL 45.49, 0.45%, 0.6%

LAB 72.67, -1.43, 38.08

 

CMYK 0 / 10 / 41 / 15

HEX #D8C37F

RGB 216 195 127

HSL 45.84, 0.53%, 0.67%

LAB 79.13, -2, 36.84

 

CMYK 0 / 9 / 37 / 9

HEX #E9D592

RGB 233 213 146

HSL 46.21, 0.66%, 0.74%

LAB 85.5, -2.49, 35.65

 

CMYK 0 / 8 / 34 / 2

HEX #FAE7A5

RGB 250 231 165

HSL 46.59, 0.89%, 0.81%

LAB 91.77, -2.92, 34.52

 

CMYK 0 / 2 / 28 / 0

HEX #FFF9B8

RGB 255 249 184

HSL 54.93, 1%, 0.86%

LAB 97.01, -7.74, 32

 

CMYK 0 / 9 / 42 / 24

HEX #C2B171

RGB 194 177 113

HSL 47.41, 0.4%, 0.6%

LAB 72.3, -2.96, 34.92

 

CMYK 0 / 10 / 47 / 31

HEX #B19F5E

RGB 177 159 94

HSL 46.99, 0.35%, 0.53%

LAB 65.71, -2.39, 36.18

 

CMYK 0 / 12 / 53 / 37

HEX #A08D4B

RGB 160 141 75

HSL 46.59, 0.36%, 0.46%

LAB 59, -1.69, 37.48

 

CMYK 0 / 14 / 61 / 44

HEX #8F7B38

RGB 143 123 56

HSL 46.21, 0.44%, 0.39%

LAB 52.16, -0.82, 38.76

 

CMYK 0 / 17 / 71 / 51

HEX #7E6925

RGB 126 105 37

HSL 45.84, 0.55%, 0.32%

LAB 45.18, 0.28, 39.87

 

CMYK 0 / 9 / 42 / 24

HEX #C2B170

RGB 194 177 112

HSL 47.56, 0.4%, 0.6%

LAB 72.28, -3.07, 35.42

 

CMYK 0 / 20 / 42 / 24

HEX #C29B70

RGB 194 155 112

HSL 31.46, 0.4%, 0.6%

LAB 66.58, 8.78, 28.04

 

CMYK 0 / 31 / 42 / 24

HEX #C28570

RGB 194 133 112

HSL 15.37, 0.4%, 0.6%

LAB 61.15, 20.88, 20.78

 

CMYK 0 / 42 / 42 / 24

HEX #C27070

RGB 194 112 112

HSL 0, 0.4%, 0.6%

LAB 56.31, 32.35, 14.16

 

CMYK 0 / 9 / 42 / 24

HEX #C2B170

RGB 194 177 112

HSL 47.56, 0.4%, 0.6%

LAB 72.28, -3.07, 35.42

 

CMYK 3 / 0 / 42 / 24

HEX #BDC270

RGB 189 194 112

HSL 63.66, 0.4%, 0.6%

LAB 76.42, -13.92, 40.55

 

CMYK 14 / 0 / 42 / 24

HEX #A7C270

RGB 167 194 112

HSL 79.76, 0.4%, 0.6%

LAB 74.81, -22.57, 38.18

 

CMYK 25 / 0 / 42 / 24

HEX #91C270

RGB 145 194 112

HSL 95.85, 0.4%, 0.6%

LAB 73.4, -30.77, 36.11

 

CMYK 37 / 0 / 42 / 24

HEX #7BC270

RGB 123 194 112

HSL 111.95, 0.4%, 0.6%

LAB 72.2, -38.31, 34.34

 

CMYK 0 / 9 / 42 / 24

HEX #C2B170

RGB 194 177 112

HSL 47.56, 0.4%, 0.6%

LAB 72.28, -3.07, 35.42

 

CMYK 0 / 11 / 54 / 18

HEX #D2BA60

RGB 210 186 96

HSL 47.37, 0.56%, 0.6%

LAB 75.86, -2.69, 48.18

 

CMYK 0 / 14 / 65 / 11

HEX #E3C44F

RGB 227 196 79

HSL 47.43, 0.73%, 0.6%

LAB 79.83, -1.94, 60.8

 

CMYK 0 / 16 / 74 / 5

HEX #F3CD3F

RGB 243 205 63

HSL 47.33, 0.88%, 0.6%

LAB 83.48, -0.62, 71.23

 

CMYK 0 / 9 / 42 / 24

HEX #C2B170

RGB 194 177 112

HSL 47.56, 0.4%, 0.6%

LAB 72.28, -3.07, 35.42

 

CMYK 0 / 6 / 27 / 31

HEX #B1A781

RGB 177 167 129

HSL 47.5, 0.24%, 0.6%

LAB 68.44, -2.49, 21

 

CMYK 0 / 2 / 10 / 37

HEX #A19E91

RGB 161 158 145

HSL 48.75, 0.08%, 0.6%

LAB 65.02, -1.27, 7.17

 

CMYK 11 / 9 / 0 / 36

HEX #9094A2

RGB 144 148 162

HSL 226.67, 0.09%, 0.6%

LAB 61.41, 1.44, -7.85

 

CMYK 28 / 22 / 0 / 30

HEX #808AB2

RGB 128 138 178

HSL 228, 0.25%, 0.6%

LAB 58.02, 5.64, -22.19

 

CMYK 0 / 31 / 42 / 24

HEX #C28570

RGB 194 133 112

HSL 15.37, 0.4%, 0.6%

LAB 61.15, 20.88, 20.78

 

CMYK 0 / 21 / 42 / 24

HEX #C29A70

RGB 194 154 112

HSL 30.73, 0.4%, 0.6%

LAB 66.33, 9.32, 27.7

 

CMYK 0 / 9 / 42 / 24

HEX #C2B070

RGB 194 176 112

HSL 46.83, 0.4%, 0.6%

LAB 72.02, -2.54, 35.09

 

CMYK 2 / 0 / 42 / 24

HEX #BEC270

RGB 190 194 112

HSL 62.93, 0.4%, 0.6%

LAB 76.5, -13.52, 40.67

 

CMYK 13 / 0 / 42 / 24

HEX #A8C270

RGB 168 194 112

HSL 79.02, 0.4%, 0.6%

LAB 74.87, -22.18, 38.29

 

CMYK 0 / 12 / 57 / 39

HEX #9C8A43

RGB 156 138 67

HSL 47.87, 0.4%, 0.44%

LAB 57.7, -2.49, 39.93

 

CMYK 0 / 11 / 54 / 29

HEX #B5A153

RGB 181 161 83

HSL 47.76, 0.4%, 0.52%

LAB 66.47, -2.78, 42.81

 

CMYK 0 / 9 / 42 / 24

HEX #C2B170

RGB 194 177 112

HSL 47.56, 0.4%, 0.6%

LAB 72.28, -3.07, 35.42

 

CMYK 0 / 6 / 32 / 19

HEX #CEC18D

RGB 206 193 141

HSL 48, 0.4%, 0.68%

LAB 77.98, -3.28, 27.88

 

CMYK 0 / 5 / 22 / 14

HEX #DBD0AA

RGB 219 208 170

HSL 46.53, 0.4%, 0.76%

LAB 83.48, -2.22, 20.27

 

CMYK 0 / 9 / 42 / 24

HEX #C2B171

RGB 194 177 113

HSL 47.41, 0.4%, 0.6%

LAB 72.3, -2.96, 34.92

 

CMYK 41 / 0 / 42 / 24

HEX #72C270

RGB 114 194 112

HSL 118.54, 0.4%, 0.6%

LAB 71.78, -41.15, 33.71

 

CMYK 26 / 42 / 0 / 24

HEX #8F70C2

RGB 143 112 194

HSL 262.68, 0.4%, 0.6%

LAB 53.3, 29.4, -38.57

 

CMYK 0 / 9 / 42 / 24

HEX #C2B171

RGB 194 177 113

HSL 47.41, 0.4%, 0.6%

LAB 72.3, -2.96, 34.92

 

CMYK 42 / 0 / 9 / 24

HEX #70C2B0

RGB 112 194 176

HSL 166.83, 0.4%, 0.6%

LAB 73, -29.34, 1.22

 

CMYK 9 / 42 / 0 / 24

HEX #B070C2

RGB 176 112 194

HSL 286.83, 0.4%, 0.6%

LAB 56.8, 39.19, -32.85

 

CMYK 0 / 9 / 42 / 24

HEX #C2B171

RGB 194 177 113

HSL 47.41, 0.4%, 0.6%

LAB 72.3, -2.96, 34.92

 

CMYK 41 / 0 / 42 / 24

HEX #72C270

RGB 114 194 112

HSL 118.54, 0.4%, 0.6%

LAB 71.78, -41.15, 33.71

 

CMYK 42 / 33 / 0 / 24

HEX #7082C2

RGB 112 130 194

HSL 226.83, 0.4%, 0.6%

LAB 55.39, 10.09, -35.48

 

CMYK 1 / 42 / 0 / 24

HEX #C070C2

RGB 192 112 194

HSL 298.54, 0.4%, 0.6%

LAB 58.69, 44.05, -29.76

 

CMYK 0 / 9 / 42 / 24

HEX #C2B171

RGB 194 177 113

HSL 47.41, 0.4%, 0.6%

LAB 72.3, -2.96, 34.92

 

CMYK 42 / 0 / 30 / 24

HEX #70C287

RGB 112 194 135

HSL 136.83, 0.4%, 0.6%

LAB 72.08, -37.91, 22.05

 

CMYK 42 / 33 / 0 / 24

HEX #7082C2

RGB 112 130 194

HSL 226.83, 0.4%, 0.6%

LAB 55.39, 10.09, -35.48

 

CMYK 0 / 42 / 12 / 24

HEX #C270AB

RGB 194 112 171

HSL 316.83, 0.4%, 0.6%

LAB 58.04, 40.6, -17.57

 

Description

Color code: HEX #C2B171 | qconv.com Color code: HEX #C2B171 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 177 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 177 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 42 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 42% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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