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Color name
HEX #C29B70

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C29B70 it is the complementary color #3D648F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C29B70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C29B70 shade: #C79B6B, #D8AD7E, #E9BF91, #FAD1A4 and #FFE3B7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C29B70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C29B70 shade: #C29B70, #B1895D, #A0774A, #8F6537 and #7E5324

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C29B70 shade: #C29B70, #C28570 and #C27070

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C29B70 shade: #C29B70, #C2B170, #BDC270, #A7C270 and #91C270

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C29B70 shade matches the following richer shades: #C29B70, #D29C60, #E39D4F and #F39D3F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C29B70 shade: #C29B70, #B19A81, #A19991, #9099A2 and #8098B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C29B70 shade: #C27072, #C28570, #C29A70, #C2B070 and #BEC270

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C29B70 shade: #9C7243, #B58753, #C29B70, #CEAF8D and #DBC3AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C29B70 shade: #C29B70, #87C270 and #7A70C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C29B70 shade: #C29B70, #70C29A and #9A70C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C29B70 shade: #C29B70, #87C270, #7098C2 and #AB70C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C29B70 shade: #C29B70, #70C272, #7098C2 and #C270C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 42 / 24

HEX #C29B70

RGB 194 155 112

HSL 31.46, 0.4%, 0.6%

LAB 66.58, 8.78, 28.04

 

Complementary color

CMYK 57 / 30 / 0 / 44

HEX #3D648F

RGB 61 100 143

HSL 211.46, 0.4%, 0.4%

LAB 41.36, -0.37, -27.86

 

CMYK 0 / 22 / 46 / 22

HEX #C79B6B

RGB 199 155 107

HSL 31.3, 0.45%, 0.6%

LAB 67.01, 10.31, 31.39

 

CMYK 0 / 20 / 42 / 15

HEX #D8AD7E

RGB 216 173 126

HSL 31.33, 0.54%, 0.67%

LAB 73.54, 9.52, 30.08

 

CMYK 0 / 18 / 38 / 9

HEX #E9BF91

RGB 233 191 145

HSL 31.36, 0.67%, 0.74%

LAB 79.97, 8.83, 28.86

 

CMYK 0 / 16 / 34 / 2

HEX #FAD1A4

RGB 250 209 164

HSL 31.4, 0.9%, 0.81%

LAB 86.31, 8.23, 27.72

 

CMYK 0 / 11 / 28 / 0

HEX #FFE3B7

RGB 255 227 183

HSL 36.67, 1%, 0.86%

LAB 91.51, 3.21, 25.04

 

CMYK 0 / 20 / 42 / 24

HEX #C29B70

RGB 194 155 112

HSL 31.46, 0.4%, 0.6%

LAB 66.58, 8.78, 28.04

 

CMYK 0 / 23 / 47 / 31

HEX #B1895D

RGB 177 137 93

HSL 31.43, 0.35%, 0.53%

LAB 59.91, 9.59, 29.38

 

CMYK 0 / 26 / 54 / 37

HEX #A0774A

RGB 160 119 74

HSL 31.4, 0.37%, 0.46%

LAB 53.13, 10.57, 30.83

 

CMYK 0 / 29 / 62 / 44

HEX #8F6537

RGB 143 101 55

HSL 31.36, 0.44%, 0.39%

LAB 46.21, 11.75, 32.38

 

CMYK 0 / 34 / 71 / 51

HEX #7E5324

RGB 126 83 36

HSL 31.33, 0.56%, 0.32%

LAB 39.16, 13.2, 33.96

 

CMYK 0 / 20 / 42 / 24

HEX #C29B70

RGB 194 155 112

HSL 31.46, 0.4%, 0.6%

LAB 66.58, 8.78, 28.04

 

CMYK 0 / 31 / 42 / 24

HEX #C28570

RGB 194 133 112

HSL 15.37, 0.4%, 0.6%

LAB 61.15, 20.88, 20.78

 

CMYK 0 / 42 / 42 / 24

HEX #C27070

RGB 194 112 112

HSL 0, 0.4%, 0.6%

LAB 56.31, 32.35, 14.16

 

CMYK 0 / 20 / 42 / 24

HEX #C29B70

RGB 194 155 112

HSL 31.46, 0.4%, 0.6%

LAB 66.58, 8.78, 28.04

 

CMYK 0 / 9 / 42 / 24

HEX #C2B170

RGB 194 177 112

HSL 47.56, 0.4%, 0.6%

LAB 72.28, -3.07, 35.42

 

CMYK 3 / 0 / 42 / 24

HEX #BDC270

RGB 189 194 112

HSL 63.66, 0.4%, 0.6%

LAB 76.42, -13.92, 40.55

 

CMYK 14 / 0 / 42 / 24

HEX #A7C270

RGB 167 194 112

HSL 79.76, 0.4%, 0.6%

LAB 74.81, -22.57, 38.18

 

CMYK 25 / 0 / 42 / 24

HEX #91C270

RGB 145 194 112

HSL 95.85, 0.4%, 0.6%

LAB 73.4, -30.77, 36.11

 

CMYK 0 / 20 / 42 / 24

HEX #C29B70

RGB 194 155 112

HSL 31.46, 0.4%, 0.6%

LAB 66.58, 8.78, 28.04

 

CMYK 0 / 26 / 54 / 18

HEX #D29C60

RGB 210 156 96

HSL 31.58, 0.56%, 0.6%

LAB 68.26, 13.31, 39.02

 

CMYK 0 / 31 / 65 / 11

HEX #E39D4F

RGB 227 157 79

HSL 31.62, 0.73%, 0.6%

LAB 70.18, 18.65, 50.28

 

CMYK 0 / 35 / 74 / 5

HEX #F39D3F

RGB 243 157 63

HSL 31.33, 0.88%, 0.6%

LAB 71.91, 24.47, 59.93

 

CMYK 0 / 20 / 42 / 24

HEX #C29B70

RGB 194 155 112

HSL 31.46, 0.4%, 0.6%

LAB 66.58, 8.78, 28.04

 

CMYK 0 / 13 / 27 / 31

HEX #B19A81

RGB 177 154 129

HSL 31.25, 0.24%, 0.6%

LAB 65, 4.59, 16.26

 

CMYK 0 / 5 / 10 / 37

HEX #A19991

RGB 161 153 145

HSL 30, 0.08%, 0.6%

LAB 63.68, 1.48, 5.24

 

CMYK 11 / 6 / 0 / 36

HEX #9099A2

RGB 144 153 162

HSL 210, 0.09%, 0.6%

LAB 62.78, -1.35, -5.82

 

CMYK 28 / 15 / 0 / 30

HEX #8098B2

RGB 128 152 178

HSL 211.2, 0.25%, 0.6%

LAB 61.88, -2.33, -16.31

 

CMYK 0 / 42 / 41 / 24

HEX #C27072

RGB 194 112 114

HSL 358.54, 0.4%, 0.6%

LAB 56.36, 32.57, 13.06

 

CMYK 0 / 31 / 42 / 24

HEX #C28570

RGB 194 133 112

HSL 15.37, 0.4%, 0.6%

LAB 61.15, 20.88, 20.78

 

CMYK 0 / 21 / 42 / 24

HEX #C29A70

RGB 194 154 112

HSL 30.73, 0.4%, 0.6%

LAB 66.33, 9.32, 27.7

 

CMYK 0 / 9 / 42 / 24

HEX #C2B070

RGB 194 176 112

HSL 46.83, 0.4%, 0.6%

LAB 72.02, -2.54, 35.09

 

CMYK 2 / 0 / 42 / 24

HEX #BEC270

RGB 190 194 112

HSL 62.93, 0.4%, 0.6%

LAB 76.5, -13.52, 40.67

 

CMYK 0 / 27 / 57 / 39

HEX #9C7243

RGB 156 114 67

HSL 31.69, 0.4%, 0.44%

LAB 51.28, 11.04, 32.29

 

CMYK 0 / 25 / 54 / 29

HEX #B58753

RGB 181 135 83

HSL 31.84, 0.4%, 0.52%

LAB 59.69, 11.46, 34.6

 

CMYK 0 / 20 / 42 / 24

HEX #C29B70

RGB 194 155 112

HSL 31.46, 0.4%, 0.6%

LAB 66.58, 8.78, 28.04

 

CMYK 0 / 15 / 32 / 19

HEX #CEAF8D

RGB 206 175 141

HSL 31.38, 0.4%, 0.68%

LAB 73.35, 6.25, 21.62

 

CMYK 0 / 11 / 22 / 14

HEX #DBC3AA

RGB 219 195 170

HSL 30.61, 0.4%, 0.76%

LAB 80.18, 4.58, 15.66

 

CMYK 0 / 20 / 42 / 24

HEX #C29B70

RGB 194 155 112

HSL 31.46, 0.4%, 0.6%

LAB 66.58, 8.78, 28.04

 

CMYK 30 / 0 / 42 / 24

HEX #87C270

RGB 135 194 112

HSL 103.17, 0.4%, 0.6%

LAB 72.83, -34.3, 35.26

 

CMYK 37 / 42 / 0 / 24

HEX #7A70C2

RGB 122 112 194

HSL 247.32, 0.4%, 0.6%

LAB 51.41, 23.53, -41.69

 

CMYK 0 / 20 / 42 / 24

HEX #C29B70

RGB 194 155 112

HSL 31.46, 0.4%, 0.6%

LAB 66.58, 8.78, 28.04

 

CMYK 42 / 0 / 21 / 24

HEX #70C29A

RGB 112 194 154

HSL 150.73, 0.4%, 0.6%

LAB 72.47, -34.2, 12.39

 

CMYK 21 / 42 / 0 / 24

HEX #9A70C2

RGB 154 112 194

HSL 270.73, 0.4%, 0.6%

LAB 54.4, 32.61, -36.77

 

CMYK 0 / 20 / 42 / 24

HEX #C29B70

RGB 194 155 112

HSL 31.46, 0.4%, 0.6%

LAB 66.58, 8.78, 28.04

 

CMYK 30 / 0 / 42 / 24

HEX #87C270

RGB 135 194 112

HSL 103.17, 0.4%, 0.6%

LAB 72.83, -34.3, 35.26

 

CMYK 42 / 22 / 0 / 24

HEX #7098C2

RGB 112 152 194

HSL 210.73, 0.4%, 0.6%

LAB 61.48, -2.66, -26.02

 

CMYK 12 / 42 / 0 / 24

HEX #AB70C2

RGB 171 112 194

HSL 283.17, 0.4%, 0.6%

LAB 56.23, 37.68, -33.77

 

CMYK 0 / 20 / 42 / 24

HEX #C29B70

RGB 194 155 112

HSL 31.46, 0.4%, 0.6%

LAB 66.58, 8.78, 28.04

 

CMYK 42 / 0 / 41 / 24

HEX #70C272

RGB 112 194 114

HSL 121.46, 0.4%, 0.6%

LAB 71.72, -41.45, 32.58

 

CMYK 42 / 22 / 0 / 24

HEX #7098C2

RGB 112 152 194

HSL 210.73, 0.4%, 0.6%

LAB 61.48, -2.66, -26.02

 

CMYK 0 / 42 / 1 / 24

HEX #C270C0

RGB 194 112 192

HSL 301.46, 0.4%, 0.6%

LAB 58.85, 44.29, -28.35

 

Description

Color code: HEX #C29B70 | qconv.com Color code: HEX #C29B70 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 155 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 155 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 42 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 42% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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