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Color name
HEX #C2ADB0

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2ADB0 it is the complementary color #3D524F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2ADB0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2ADB0 shade: #C7ADAB, #D8BFBE, #E9D1D1, #FAE3E4 and #FFF5F7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2ADB0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2ADB0 shade: #C2ADB0, #B19B9D, #A0898A, #8F7777 and #7E6564

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2ADB0 shade: #C2ADB0 and #C2ADAD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2ADB0 shade: #C2ADB0, #C2ADB6, #C2ADBC, #C2ADC1 and #BEADC2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2ADB0 shade matches the following richer shades: #C2ADB0, #CEA1A8, #D9969F, #E58A97 and #F17F8F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2ADB0 shade: #C2ADB0, #B7B8B8, #ABC4C0, #A0D0C9 and #94DBD1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2ADB0 shade: #C2ADBC, #C2ADB6, #C2ADB0, #C2AFAD and #C2B5AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2ADB0 shade: #9F7D82, #B19599, #C2ADB0, #D4C5C7 and #E5DCDE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2ADB0 shade: #C2ADB0, #C1C2AD and #ADB9C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2ADB0 shade: #C2ADB0, #B0C2AD and #ADB0C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2ADB0 shade: #C2ADB0, #C1C2AD, #ADC2BF and #AEADC2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2ADB0 shade: #C2ADB0, #BBC2AD, #ADC2BF and #B4ADC2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 9 / 24

HEX #C2ADB0

RGB 194 173 176

HSL 351.43, 0.15%, 0.72%

LAB 72.56, 8.07, 1.22

 

Complementary color

CMYK 26 / 0 / 4 / 68

HEX #3D524F

RGB 61 82 79

HSL 171.43, 0.15%, 0.28%

LAB 33.12, -8.79, -0.89

 

CMYK 0 / 13 / 14 / 22

HEX #C7ADAB

RGB 199 173 171

HSL 4.29, 0.2%, 0.73%

LAB 72.87, 9.06, 4.48

 

CMYK 0 / 12 / 12 / 15

HEX #D8BFBE

RGB 216 191 190

HSL 2.31, 0.25%, 0.8%

LAB 79.37, 8.68, 3.74

 

CMYK 0 / 10 / 10 / 9

HEX #E9D1D1

RGB 233 209 209

HSL 0, 0.35%, 0.87%

LAB 85.77, 8.34, 3.04

 

CMYK 0 / 9 / 9 / 2

HEX #FAE3E4

RGB 250 227 228

HSL 357.39, 0.7%, 0.94%

LAB 92.07, 8.02, 2.36

 

CMYK 0 / 4 / 3 / 0

HEX #FFF5F7

RGB 255 245 247

HSL 348, 1%, 0.98%

LAB 97.34, 3.68, 0.22

 

CMYK 0 / 11 / 9 / 24

HEX #C2ADB0

RGB 194 173 176

HSL 351.43, 0.15%, 0.72%

LAB 72.56, 8.07, 1.22

 

CMYK 0 / 12 / 11 / 31

HEX #B19B9D

RGB 177 155 157

HSL 354.55, 0.12%, 0.65%

LAB 65.92, 8.44, 1.93

 

CMYK 0 / 14 / 14 / 37

HEX #A0898A

RGB 160 137 138

HSL 357.39, 0.11%, 0.58%

LAB 59.16, 8.85, 2.68

 

CMYK 0 / 17 / 17 / 44

HEX #8F7777

RGB 143 119 119

HSL 0, 0.1%, 0.51%

LAB 52.25, 9.32, 3.48

 

CMYK 0 / 20 / 21 / 51

HEX #7E6564

RGB 126 101 100

HSL 2.31, 0.12%, 0.44%

LAB 45.17, 9.85, 4.36

 

CMYK 0 / 11 / 9 / 24

HEX #C2ADB0

RGB 194 173 176

HSL 351.43, 0.15%, 0.72%

LAB 72.56, 8.07, 1.22

 

CMYK 0 / 11 / 11 / 24

HEX #C2ADAD

RGB 194 173 173

HSL 0, 0.15%, 0.72%

LAB 72.48, 7.56, 2.76

 

CMYK 0 / 11 / 9 / 24

HEX #C2ADB0

RGB 194 173 176

HSL 351.43, 0.15%, 0.72%

LAB 72.56, 8.07, 1.22

 

CMYK 0 / 11 / 6 / 24

HEX #C2ADB6

RGB 194 173 182

HSL 334.29, 0.15%, 0.72%

LAB 72.72, 9.13, -1.84

 

CMYK 0 / 11 / 3 / 24

HEX #C2ADBC

RGB 194 173 188

HSL 317.14, 0.15%, 0.72%

LAB 72.88, 10.21, -4.89

 

CMYK 0 / 11 / 1 / 24

HEX #C2ADC1

RGB 194 173 193

HSL 302.86, 0.15%, 0.72%

LAB 73.03, 11.13, -7.42

 

CMYK 2 / 11 / 0 / 24

HEX #BEADC2

RGB 190 173 194

HSL 288.57, 0.15%, 0.72%

LAB 72.71, 9.94, -8.47

 

CMYK 0 / 11 / 9 / 24

HEX #C2ADB0

RGB 194 173 176

HSL 351.43, 0.15%, 0.72%

LAB 72.56, 8.07, 1.22

 

CMYK 0 / 22 / 18 / 19

HEX #CEA1A8

RGB 206 161 168

HSL 350.67, 0.31%, 0.72%

LAB 70.48, 17.7, 2.76

 

CMYK 0 / 31 / 27 / 15

HEX #D9969F

RGB 217 150 159

HSL 351.94, 0.47%, 0.72%

LAB 68.8, 26.42, 5.48

 

CMYK 0 / 40 / 34 / 10

HEX #E58A97

RGB 229 138 151

HSL 351.43, 0.64%, 0.72%

LAB 67.33, 36.18, 8.04

 

CMYK 0 / 47 / 41 / 5

HEX #F17F8F

RGB 241 127 143

HSL 351.58, 0.8%, 0.72%

LAB 66.41, 45.2, 11.47

 

CMYK 0 / 11 / 9 / 24

HEX #C2ADB0

RGB 194 173 176

HSL 351.43, 0.15%, 0.72%

LAB 72.56, 8.07, 1.22

 

CMYK 1 / 0 / 0 / 28

HEX #B7B8B8

RGB 183 184 184

HSL 180, 0.01%, 0.72%

LAB 74.7, -0.35, -0.13

 

CMYK 13 / 0 / 2 / 23

HEX #ABC4C0

RGB 171 196 192

HSL 170.4, 0.17%, 0.72%

LAB 77.25, -9.22, -0.86

 

CMYK 23 / 0 / 3 / 18

HEX #A0D0C9

RGB 160 208 201

HSL 171.25, 0.34%, 0.72%

LAB 80.07, -17.04, -1.65

 

CMYK 32 / 0 / 5 / 14

HEX #94DBD1

RGB 148 219 209

HSL 171.55, 0.5%, 0.72%

LAB 82.68, -24.28, -2.16

 

CMYK 0 / 11 / 3 / 24

HEX #C2ADBC

RGB 194 173 188

HSL 317.14, 0.15%, 0.72%

LAB 72.88, 10.21, -4.89

 

CMYK 0 / 11 / 6 / 24

HEX #C2ADB6

RGB 194 173 182

HSL 334.29, 0.15%, 0.72%

LAB 72.72, 9.13, -1.84

 

CMYK 0 / 11 / 9 / 24

HEX #C2ADB0

RGB 194 173 176

HSL 351.43, 0.15%, 0.72%

LAB 72.56, 8.07, 1.22

 

CMYK 0 / 10 / 11 / 24

HEX #C2AFAD

RGB 194 175 173

HSL 5.71, 0.15%, 0.72%

LAB 72.99, 6.48, 3.5

 

CMYK 0 / 7 / 11 / 24

HEX #C2B5AD

RGB 194 181 173

HSL 22.86, 0.15%, 0.72%

LAB 74.53, 3.24, 5.72

 

CMYK 0 / 21 / 18 / 38

HEX #9F7D82

RGB 159 125 130

HSL 351.18, 0.15%, 0.56%

LAB 55.74, 13.95, 2.32

 

CMYK 0 / 16 / 14 / 31

HEX #B19599

RGB 177 149 153

HSL 351.43, 0.15%, 0.64%

LAB 64.28, 11.09, 1.78

 

CMYK 0 / 11 / 9 / 24

HEX #C2ADB0

RGB 194 173 176

HSL 351.43, 0.15%, 0.72%

LAB 72.56, 8.07, 1.22

 

CMYK 0 / 7 / 6 / 17

HEX #D4C5C7

RGB 212 197 199

HSL 352, 0.15%, 0.8%

LAB 80.77, 5.59, 0.88

 

CMYK 0 / 4 / 3 / 10

HEX #E5DCDE

RGB 229 220 222

HSL 346.67, 0.15%, 0.88%

LAB 88.5, 3.42, 0.11

 

CMYK 0 / 11 / 9 / 24

HEX #C2ADB0

RGB 194 173 176

HSL 351.43, 0.15%, 0.72%

LAB 72.56, 8.07, 1.22

 

CMYK 1 / 0 / 11 / 24

HEX #C1C2AD

RGB 193 194 173

HSL 62.86, 0.15%, 0.72%

LAB 77.84, -4.03, 10.45

 

CMYK 11 / 5 / 0 / 24

HEX #ADB9C2

RGB 173 185 194

HSL 205.71, 0.15%, 0.72%

LAB 74.49, -2.33, -5.98

 

CMYK 0 / 11 / 9 / 24

HEX #C2ADB0

RGB 194 173 176

HSL 351.43, 0.15%, 0.72%

LAB 72.56, 8.07, 1.22

 

CMYK 9 / 0 / 11 / 24

HEX #B0C2AD

RGB 176 194 173

HSL 111.43, 0.15%, 0.72%

LAB 76.58, -10.09, 8.48

 

CMYK 11 / 9 / 0 / 24

HEX #ADB0C2

RGB 173 176 194

HSL 231.43, 0.15%, 0.72%

LAB 72.11, 2.53, -9.51

 

CMYK 0 / 11 / 9 / 24

HEX #C2ADB0

RGB 194 173 176

HSL 351.43, 0.15%, 0.72%

LAB 72.56, 8.07, 1.22

 

CMYK 1 / 0 / 11 / 24

HEX #C1C2AD

RGB 193 194 173

HSL 62.86, 0.15%, 0.72%

LAB 77.84, -4.03, 10.45

 

CMYK 11 / 0 / 2 / 24

HEX #ADC2BF

RGB 173 194 191

HSL 171.43, 0.15%, 0.72%

LAB 76.82, -7.71, -0.93

 

CMYK 10 / 11 / 0 / 24

HEX #AEADC2

RGB 174 173 194

HSL 242.86, 0.15%, 0.72%

LAB 71.41, 4.5, -10.56

 

CMYK 0 / 11 / 9 / 24

HEX #C2ADB0

RGB 194 173 176

HSL 351.43, 0.15%, 0.72%

LAB 72.56, 8.07, 1.22

 

CMYK 4 / 0 / 11 / 24

HEX #BBC2AD

RGB 187 194 173

HSL 80, 0.15%, 0.72%

LAB 77.38, -6.19, 9.73

 

CMYK 11 / 0 / 2 / 24

HEX #ADC2BF

RGB 173 194 191

HSL 171.43, 0.15%, 0.72%

LAB 76.82, -7.71, -0.93

 

CMYK 7 / 11 / 0 / 24

HEX #B4ADC2

RGB 180 173 194

HSL 260, 0.15%, 0.72%

LAB 71.88, 6.52, -9.8

 

Description

Color code: HEX #C2ADB0 | qconv.com Color code: HEX #C2ADB0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 173 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 173 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 9 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 9% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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