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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 11 / 9 / 0 / 24 it is the complementary color CMYK 0 / 5 / 27 / 67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 11 / 9 / 0 / 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 11 / 9 / 0 / 24: CMYK 6 / 7 / 0 / 26, CMYK 7 / 7 / 0 / 18, CMYK 7 / 7 / 0 / 11, CMYK 7 / 7 / 0 / 4 and CMYK 4 / 3 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 11 / 9 / 0 / 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 11 / 9 / 0 / 24: CMYK 11 / 9 / 0 / 24, CMYK 11 / 10 / 0 / 31, CMYK 12 / 10 / 0 / 39, CMYK 12 / 11 / 0 / 46 and CMYK 12 / 12 / 0 / 54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 9 / 0 / 24

HEX #ACB0C2

RGB 172 176 194

HSL 229.09, 0.15%, 0.72%

LAB 72.04, 2.19, -9.63

 

Complementary color

CMYK 0 / 5 / 27 / 67

HEX #534F3D

RGB 83 79 61

HSL 49.09, 0.15%, 0.28%

LAB 33.49, -1.72, 11.25

 

CMYK 6 / 7 / 0 / 26

HEX #B1B0BD

RGB 177 176 189

HSL 244.62, 0.09%, 0.72%

LAB 72.28, 2.86, -6.49

 

CMYK 7 / 7 / 0 / 18

HEX #C2C2D0

RGB 194 194 208

HSL 240, 0.13%, 0.79%

LAB 78.81, 2.67, -7

 

CMYK 7 / 7 / 0 / 11

HEX #D3D4E3

RGB 211 212 227

HSL 236.25, 0.22%, 0.86%

LAB 85.24, 2.48, -7.49

 

CMYK 7 / 7 / 0 / 4

HEX #E4E6F6

RGB 228 230 246

HSL 233.33, 0.5%, 0.93%

LAB 91.57, 2.3, -7.98

 

CMYK 4 / 3 / 0 / 0

HEX #F5F8FF

RGB 245 248 255

HSL 222, 1%, 0.98%

LAB 97.54, 0.28, -3.7

 

CMYK 11 / 9 / 0 / 24

HEX #ACB0C2

RGB 172 176 194

HSL 229.09, 0.15%, 0.72%

LAB 72.04, 2.19, -9.63

 

CMYK 11 / 10 / 0 / 31

HEX #9B9EAF

RGB 155 158 175

HSL 231, 0.11%, 0.65%

LAB 65.37, 2.39, -9.18

 

CMYK 12 / 10 / 0 / 39

HEX #8A8C9C

RGB 138 140 156

HSL 233.33, 0.08%, 0.58%

LAB 58.56, 2.59, -8.73

 

CMYK 12 / 11 / 0 / 46

HEX #797A89

RGB 121 122 137

HSL 236.25, 0.06%, 0.51%

LAB 51.6, 2.81, -8.27

 

CMYK 12 / 12 / 0 / 54

HEX #686876

RGB 104 104 118

HSL 240, 0.06%, 0.44%

LAB 44.45, 3.05, -7.81

 

CMYK 11 / 9 / 0 / 24

HEX #ACB0C2

RGB 172 176 194

HSL 229.09, 0.15%, 0.72%

LAB 72.04, 2.19, -9.63

 

CMYK 11 / 11 / 0 / 24

HEX #ACADC2

RGB 172 173 194

HSL 237.27, 0.15%, 0.72%

LAB 71.25, 3.83, -10.81

 

CMYK 9 / 11 / 0 / 24

HEX #B0ACC2

RGB 176 172 194

HSL 250.91, 0.15%, 0.72%

LAB 71.3, 5.72, -10.7

 

CMYK 8 / 11 / 0 / 24

HEX #B3ACC2

RGB 179 172 194

HSL 259.09, 0.15%, 0.72%

LAB 71.54, 6.73, -10.31

 

CMYK 6 / 11 / 0 / 24

HEX #B7ACC2

RGB 183 172 194

HSL 270, 0.15%, 0.72%

LAB 71.87, 8.09, -9.79

 

CMYK 11 / 9 / 0 / 24

HEX #ACB0C2

RGB 172 176 194

HSL 229.09, 0.15%, 0.72%

LAB 72.04, 2.19, -9.63

 

CMYK 11 / 9 / 0 / 4

HEX #D9DEF5

RGB 217 222 245

HSL 229.29, 0.58%, 0.91%

LAB 88.73, 2.73, -11.77

 

CMYK 12 / 10 / 0 / 84

HEX #242529

RGB 36 37 41

HSL 228, 0.06%, 0.15%

LAB 14.73, 0.57, -2.81

 

CMYK 11 / 10 / 0 / 64

HEX #52535C

RGB 82 83 92

HSL 234, 0.06%, 0.34%

LAB 35.5, 1.64, -5.37

 

CMYK 11 / 9 / 0 / 44

HEX #7F828F

RGB 127 130 143

HSL 228.75, 0.07%, 0.53%

LAB 54.51, 1.63, -7.37

 

CMYK 11 / 9 / 0 / 24

HEX #ACB0C2

RGB 172 176 194

HSL 229.09, 0.15%, 0.72%

LAB 72.04, 2.19, -9.63

 

CMYK 0 / 11 / 1 / 24

HEX #C2ACC1

RGB 194 172 193

HSL 302.73, 0.15%, 0.72%

LAB 72.78, 11.68, -7.79

 

CMYK 5 / 0 / 11 / 24

HEX #B9C2AC

RGB 185 194 172

HSL 84.55, 0.15%, 0.72%

LAB 77.21, -7.08, 10

 

CMYK 11 / 9 / 0 / 24

HEX #ACB0C2

RGB 172 176 194

HSL 229.09, 0.15%, 0.72%

LAB 72.04, 2.19, -9.63

 

CMYK 0 / 11 / 9 / 24

HEX #C2ACB0

RGB 194 172 176

HSL 349.09, 0.15%, 0.72%

LAB 72.3, 8.62, 0.85

 

CMYK 9 / 0 / 11 / 24

HEX #B0C2AC

RGB 176 194 172

HSL 109.09, 0.15%, 0.72%

LAB 76.55, -10.27, 8.98

 

CMYK 11 / 9 / 0 / 24

HEX #ACB0C2

RGB 172 176 194

HSL 229.09, 0.15%, 0.72%

LAB 72.04, 2.19, -9.63

 

CMYK 0 / 11 / 1 / 24

HEX #C2ACC1

RGB 194 172 193

HSL 302.73, 0.15%, 0.72%

LAB 72.78, 11.68, -7.79

 

CMYK 0 / 2 / 11 / 24

HEX #C2BEAC

RGB 194 190 172

HSL 49.09, 0.15%, 0.72%

LAB 76.85, -1.72, 9.58

 

CMYK 11 / 0 / 11 / 24

HEX #ACC2AD

RGB 172 194 173

HSL 122.73, 0.15%, 0.72%

LAB 76.3, -11.49, 8.04

 

CMYK 11 / 9 / 0 / 24

HEX #ACB0C2

RGB 172 176 194

HSL 229.09, 0.15%, 0.72%

LAB 72.04, 2.19, -9.63

 

CMYK 0 / 11 / 4 / 24

HEX #C2ACBB

RGB 194 172 187

HSL 319.09, 0.15%, 0.72%

LAB 72.6, 10.57, -4.75

 

CMYK 0 / 2 / 11 / 24

HEX #C2BEAC

RGB 194 190 172

HSL 49.09, 0.15%, 0.72%

LAB 76.85, -1.72, 9.58

 

CMYK 11 / 0 / 8 / 24

HEX #ACC2B3

RGB 172 194 179

HSL 139.09, 0.15%, 0.72%

LAB 76.44, -10.38, 5.01

 

Description

Color code: CMYK 11 / 9 / 0 / 24 | qconv.com Color code: CMYK 11 / 9 / 0 / 24 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 176 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 176 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 9 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 9% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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