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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2A17D it is the complementary color #3D5E82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2A17D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C2A17D: #C7A178, #D8B38B, #E9C59E, #FAD7B1 and #FFE9C4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2A17D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C2A17D: #C2A17D, #B18F6A, #A07D57, #8F6B44 and #7E5931

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 36 / 24

HEX #C2A17D

RGB 194 161 125

HSL 31.3, 0.36%, 0.63%

LAB 68.34, 7.02, 23.31

 

Complementary color

CMYK 53 / 28 / 0 / 49

HEX #3D5E82

RGB 61 94 130

HSL 211.3, 0.36%, 0.37%

LAB 38.91, -1, -23.81

 

CMYK 0 / 19 / 40 / 22

HEX #C7A178

RGB 199 161 120

HSL 31.14, 0.41%, 0.63%

LAB 68.74, 8.45, 26.65

 

CMYK 0 / 17 / 36 / 15

HEX #D8B38B

RGB 216 179 139

HSL 31.17, 0.5%, 0.7%

LAB 75.27, 7.8, 25.45

 

CMYK 0 / 15 / 32 / 9

HEX #E9C59E

RGB 233 197 158

HSL 31.2, 0.63%, 0.77%

LAB 81.69, 7.23, 24.33

 

CMYK 0 / 14 / 29 / 2

HEX #FAD7B1

RGB 250 215 177

HSL 31.23, 0.88%, 0.84%

LAB 88.02, 6.73, 23.27

 

CMYK 0 / 9 / 23 / 0

HEX #FFE9C4

RGB 255 233 196

HSL 37.63, 1%, 0.88%

LAB 93.24, 1.88, 20.72

 

CMYK 0 / 17 / 36 / 24

HEX #C2A17D

RGB 194 161 125

HSL 31.3, 0.36%, 0.63%

LAB 68.34, 7.02, 23.31

 

CMYK 0 / 19 / 40 / 31

HEX #B18F6A

RGB 177 143 106

HSL 31.27, 0.31%, 0.55%

LAB 61.68, 7.68, 24.53

 

CMYK 0 / 22 / 46 / 37

HEX #A07D57

RGB 160 125 87

HSL 31.23, 0.3%, 0.48%

LAB 54.9, 8.46, 25.86

 

CMYK 0 / 25 / 52 / 44

HEX #8F6B44

RGB 143 107 68

HSL 31.2, 0.36%, 0.41%

LAB 47.97, 9.4, 27.31

 

CMYK 0 / 29 / 61 / 51

HEX #7E5931

RGB 126 89 49

HSL 31.17, 0.44%, 0.34%

LAB 40.9, 10.57, 28.89

 

CMYK 0 / 17 / 36 / 24

HEX #C2A17D

RGB 194 161 125

HSL 31.3, 0.36%, 0.63%

LAB 68.34, 7.02, 23.31

 

CMYK 0 / 11 / 35 / 24

HEX #C2AD7E

RGB 194 173 126

HSL 41.47, 0.36%, 0.63%

LAB 71.46, 0.67, 26.95

 

CMYK 0 / 5 / 35 / 24

HEX #C2B87E

RGB 194 184 126

HSL 51.18, 0.36%, 0.63%

LAB 74.35, -5.16, 30.78

 

CMYK 1 / 0 / 35 / 24

HEX #C1C27E

RGB 193 194 126

HSL 60.88, 0.36%, 0.63%

LAB 76.94, -10.75, 34.14

 

CMYK 6 / 0 / 35 / 24

HEX #B6C27E

RGB 182 194 126

HSL 70.59, 0.36%, 0.63%

LAB 76.09, -15.05, 32.87

 

CMYK 0 / 17 / 36 / 24

HEX #C2A17D

RGB 194 161 125

HSL 31.3, 0.36%, 0.63%

LAB 68.34, 7.02, 23.31

 

CMYK 0 / 17 / 36 / 4

HEX #F5CB9E

RGB 245 203 158

HSL 31.03, 0.81%, 0.79%

LAB 84.27, 8.72, 28.02

 

CMYK 0 / 17 / 37 / 84

HEX #29221A

RGB 41 34 26

HSL 32, 0.22%, 0.13%

LAB 13.77, 1.75, 6.63

 

CMYK 0 / 17 / 36 / 64

HEX #5C4C3B

RGB 92 76 59

HSL 30.91, 0.22%, 0.3%

LAB 33.48, 3.9, 12.63

 

CMYK 0 / 17 / 36 / 44

HEX #8F775C

RGB 143 119 92

HSL 31.76, 0.22%, 0.46%

LAB 51.62, 5.23, 18.35

 

CMYK 0 / 17 / 36 / 24

HEX #C2A17D

RGB 194 161 125

HSL 31.3, 0.36%, 0.63%

LAB 68.34, 7.02, 23.31

 

CMYK 25 / 0 / 35 / 24

HEX #91C27E

RGB 145 194 126

HSL 103.24, 0.36%, 0.63%

LAB 73.62, -28.8, 29.16

 

CMYK 31 / 35 / 0 / 24

HEX #867EC2

RGB 134 126 194

HSL 247.06, 0.36%, 0.63%

LAB 55.97, 18.58, -34.44

 

CMYK 0 / 17 / 36 / 24

HEX #C2A17D

RGB 194 161 125

HSL 31.3, 0.36%, 0.63%

LAB 68.34, 7.02, 23.31

 

CMYK 35 / 0 / 17 / 24

HEX #7EC2A1

RGB 126 194 161

HSL 150.88, 0.36%, 0.63%

LAB 73.28, -28.75, 9.85

 

CMYK 17 / 35 / 0 / 24

HEX #A17EC2

RGB 161 126 194

HSL 270.88, 0.36%, 0.63%

LAB 58.41, 26.73, -30.46

 

CMYK 0 / 17 / 36 / 24

HEX #C2A17D

RGB 194 161 125

HSL 31.3, 0.36%, 0.63%

LAB 68.34, 7.02, 23.31

 

CMYK 25 / 0 / 35 / 24

HEX #91C27E

RGB 145 194 126

HSL 103.24, 0.36%, 0.63%

LAB 73.62, -28.8, 29.16

 

CMYK 35 / 18 / 0 / 24

HEX #7E9FC2

RGB 126 159 194

HSL 210.88, 0.36%, 0.63%

LAB 64.26, -2.76, -21.68

 

CMYK 10 / 35 / 0 / 24

HEX #AF7EC2

RGB 175 126 194

HSL 283.24, 0.36%, 0.63%

LAB 59.83, 31.13, -28.15

 

CMYK 0 / 17 / 36 / 24

HEX #C2A17D

RGB 194 161 125

HSL 31.3, 0.36%, 0.63%

LAB 68.34, 7.02, 23.31

 

CMYK 35 / 0 / 35 / 24

HEX #7EC27F

RGB 126 194 127

HSL 120.88, 0.36%, 0.63%

LAB 72.6, -35.04, 27.09

 

CMYK 35 / 18 / 0 / 24

HEX #7E9FC2

RGB 126 159 194

HSL 210.88, 0.36%, 0.63%

LAB 64.26, -2.76, -21.68

 

CMYK 0 / 35 / 1 / 24

HEX #C27EC1

RGB 194 126 193

HSL 300.88, 0.36%, 0.63%

LAB 61.86, 36.99, -24.28

 

Description

Color code: HEX #C2A17D | qconv.com Color code: HEX #C2A17D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 161 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 161 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 36 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 36% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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