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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C265B6 it is the complementary color #3D9A49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C265B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C265B6: #C765B1, #D877C4, #E989D7, #FA9BEA and #FFADFD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C265B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C265B6: #C265B6, #B153A3, #A04190, #8F2F7D and #7E1D6A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 6 / 24

HEX #C265B6

RGB 194 101 182

HSL 307.74, 0.43%, 0.58%

LAB 56.24, 48.17, -26.65

 

Complementary color

CMYK 60 / 0 / 53 / 40

HEX #3D9A49

RGB 61 154 73

HSL 127.74, 0.43%, 0.42%

LAB 56.67, -44.94, 34.24

 

CMYK 0 / 49 / 11 / 22

HEX #C765B1

RGB 199 101 177

HSL 313.47, 0.47%, 0.59%

LAB 56.71, 48.85, -23

 

CMYK 0 / 45 / 9 / 15

HEX #D877C4

RGB 216 119 196

HSL 312.37, 0.55%, 0.66%

LAB 63.16, 48.15, -23.75

 

CMYK 0 / 41 / 8 / 9

HEX #E989D7

RGB 233 137 215

HSL 311.25, 0.69%, 0.73%

LAB 69.56, 47.42, -24.4

 

CMYK 0 / 38 / 6 / 2

HEX #FA9BEA

RGB 250 155 234

HSL 310.11, 0.9%, 0.79%

LAB 75.89, 46.68, -24.97

 

CMYK 0 / 32 / 1 / 0

HEX #FFADFD

RGB 255 173 253

HSL 301.46, 1%, 0.84%

LAB 80.87, 42.25, -27.56

 

CMYK 0 / 48 / 6 / 24

HEX #C265B6

RGB 194 101 182

HSL 307.74, 0.43%, 0.58%

LAB 56.24, 48.17, -26.65

 

CMYK 0 / 53 / 8 / 31

HEX #B153A3

RGB 177 83 163

HSL 308.94, 0.38%, 0.51%

LAB 49.71, 48.8, -25.88

 

CMYK 0 / 59 / 10 / 37

HEX #A04190

RGB 160 65 144

HSL 310.11, 0.42%, 0.44%

LAB 43.16, 49.26, -24.9

 

CMYK 0 / 67 / 13 / 44

HEX #8F2F7D

RGB 143 47 125

HSL 311.25, 0.51%, 0.37%

LAB 36.66, 49.38, -23.58

 

CMYK 0 / 77 / 16 / 51

HEX #7E1D6A

RGB 126 29 106

HSL 312.37, 0.63%, 0.3%

LAB 30.29, 48.81, -21.73

 

CMYK 0 / 48 / 6 / 24

HEX #C265B6

RGB 194 101 182

HSL 307.74, 0.43%, 0.58%

LAB 56.24, 48.17, -26.65

 

CMYK 0 / 48 / 13 / 24

HEX #C165A7

RGB 193 101 167

HSL 316.96, 0.43%, 0.58%

LAB 55.52, 45.35, -19.11

 

CMYK 0 / 48 / 21 / 24

HEX #C16598

RGB 193 101 152

HSL 326.74, 0.43%, 0.58%

LAB 54.98, 43.01, -11.18

 

CMYK 0 / 48 / 29 / 24

HEX #C16589

RGB 193 101 137

HSL 336.52, 0.43%, 0.58%

LAB 54.5, 40.88, -3.09

 

CMYK 0 / 48 / 37 / 24

HEX #C16579

RGB 193 101 121

HSL 346.96, 0.43%, 0.58%

LAB 54.05, 38.84, 5.68

 

CMYK 0 / 48 / 6 / 24

HEX #C265B6

RGB 194 101 182

HSL 307.74, 0.43%, 0.58%

LAB 56.24, 48.17, -26.65

 

CMYK 0 / 48 / 6 / 4

HEX #F580E6

RGB 245 128 230

HSL 307.69, 0.85%, 0.73%

LAB 69.87, 57.98, -32.08

 

CMYK 0 / 49 / 7 / 84

HEX #291526

RGB 41 21 38

HSL 309, 0.32%, 0.12%

LAB 10.17, 13.53, -7.43

 

CMYK 0 / 48 / 7 / 64

HEX #5C3056

RGB 92 48 86

HSL 308.18, 0.31%, 0.27%

LAB 26.91, 26.12, -14.43

 

CMYK 0 / 48 / 6 / 44

HEX #8F4A86

RGB 143 74 134

HSL 307.83, 0.32%, 0.43%

LAB 41.94, 37.83, -20.93

 

CMYK 0 / 48 / 6 / 24

HEX #C265B6

RGB 194 101 182

HSL 307.74, 0.43%, 0.58%

LAB 56.24, 48.17, -26.65

 

CMYK 0 / 32 / 48 / 24

HEX #C18365

RGB 193 131 101

HSL 19.57, 0.43%, 0.58%

LAB 60.35, 20.41, 25.86

 

CMYK 48 / 0 / 13 / 24

HEX #65C1A7

RGB 101 193 167

HSL 163.04, 0.43%, 0.58%

LAB 72.03, -33.73, 4.65

 

CMYK 0 / 48 / 6 / 24

HEX #C265B6

RGB 194 101 182

HSL 307.74, 0.43%, 0.58%

LAB 56.24, 48.17, -26.65

 

CMYK 5 / 0 / 48 / 24

HEX #B7C165

RGB 183 193 101

HSL 66.52, 0.43%, 0.58%

LAB 75.54, -16.95, 44.83

 

CMYK 48 / 5 / 0 / 24

HEX #65B7C1

RGB 101 183 193

HSL 186.52, 0.43%, 0.58%

LAB 69.81, -22.32, -12.84

 

CMYK 0 / 48 / 6 / 24

HEX #C265B6

RGB 194 101 182

HSL 307.74, 0.43%, 0.58%

LAB 56.24, 48.17, -26.65

 

CMYK 0 / 32 / 48 / 24

HEX #C18365

RGB 193 131 101

HSL 19.57, 0.43%, 0.58%

LAB 60.35, 20.41, 25.86

 

CMYK 48 / 0 / 42 / 24

HEX #65C170

RGB 101 193 112

HSL 127.17, 0.43%, 0.58%

LAB 70.92, -44.53, 32.49

 

CMYK 48 / 15 / 0 / 24

HEX #65A4C1

RGB 101 164 193

HSL 198.91, 0.43%, 0.58%

LAB 64.3, -12.36, -21.19

 

CMYK 0 / 48 / 6 / 24

HEX #C265B6

RGB 194 101 182

HSL 307.74, 0.43%, 0.58%

LAB 56.24, 48.17, -26.65

 

CMYK 0 / 18 / 48 / 24

HEX #C19E65

RGB 193 158 101

HSL 37.17, 0.43%, 0.58%

LAB 67.07, 5.58, 34.55

 

CMYK 48 / 0 / 42 / 24

HEX #65C170

RGB 101 193 112

HSL 127.17, 0.43%, 0.58%

LAB 70.92, -44.53, 32.49

 

CMYK 48 / 29 / 0 / 24

HEX #6589C1

RGB 101 137 193

HSL 216.52, 0.43%, 0.58%

LAB 56.59, 2.86, -33.07

 

Description

Color code: HEX #C265B6 | qconv.com Color code: HEX #C265B6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 101 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 101 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 6 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 6% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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