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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C23197 it is the complementary color #3DCE68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C23197. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C23197 shade: #C73192, #D843A5, #E955B8, #FA67CB and #FF79DE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C23197. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C23197 shade: #C23197, #B11F84, #A00D71, #8F005E and #7E004B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C23197 shade: #C43198, #C43171, #C43149 and #C43131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C23197 shade: #C43198, #C431C0, #A031C4, #7931C4 and #5131C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C23197 shade matches the following richer shades: #C43198, #D81DA0 and #EB09A8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C23197 shade: #C43198, #B04590, #9C5988, #886C80 and #758078

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C23197 shade: #9F31C4, #C431C1, #C4319A, #C43173 and #C4314C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C23197 shade: #822065, #A3297F, #C43198, #D24CAA and #DA6DBA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C23197 shade: #C23197, #C47831 and #31C4B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C23197 shade: #C23197, #9AC431 and #319AC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C23197 shade: #C23197, #C47831, #31C45B and #317DC4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C23197 shade: #C23197, #C4A431, #31C45B and #3151C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 22 / 24

HEX #C23197

RGB 194 49 151

HSL 317.79, 0.6%, 0.48%

LAB 46.84, 65.47, -22.97

 

Complementary color

CMYK 70 / 0 / 50 / 19

HEX #3DCE68

RGB 61 206 104

HSL 137.79, 0.6%, 0.52%

LAB 73.63, -59.73, 39.71

 

CMYK 0 / 75 / 27 / 22

HEX #C73192

RGB 199 49 146

HSL 321.2, 0.6%, 0.49%

LAB 47.51, 66.06, -18.86

 

CMYK 0 / 69 / 24 / 15

HEX #D843A5

RGB 216 67 165

HSL 320.54, 0.66%, 0.55%

LAB 53.31, 66.72, -21.01

 

CMYK 0 / 64 / 21 / 9

HEX #E955B8

RGB 233 85 184

HSL 319.86, 0.77%, 0.62%

LAB 59.23, 66.87, -22.73

 

CMYK 0 / 59 / 19 / 2

HEX #FA67CB

RGB 250 103 203

HSL 319.18, 0.94%, 0.69%

LAB 65.23, 66.67, -24.12

 

CMYK 0 / 53 / 13 / 0

HEX #FF79DE

RGB 255 121 222

HSL 314.78, 1%, 0.74%

LAB 69.62, 62.86, -27.94

 

CMYK 0 / 75 / 22 / 24

HEX #C23197

RGB 194 49 151

HSL 317.79, 0.6%, 0.48%

LAB 46.84, 65.47, -22.97

 

CMYK 0 / 82 / 25 / 31

HEX #B11F84

RGB 177 31 132

HSL 318.49, 0.7%, 0.41%

LAB 41.21, 64.04, -20.38

 

CMYK 0 / 92 / 29 / 37

HEX #A00D71

RGB 160 13 113

HSL 319.18, 0.85%, 0.34%

LAB 35.89, 61.42, -16.99

 

CMYK 0 / 100 / 34 / 44

HEX #8F005E

RGB 143 0 94

HSL 320.56, 1%, 0.28%

LAB 30.99, 57.35, -12.6

 

CMYK 0 / 100 / 40 / 51

HEX #7E004B

RGB 126 0 75

HSL 324.29, 1%, 0.25%

LAB 26.57, 51.54, -7.06

 

CMYK 0 / 75 / 22 / 23

HEX #C43198

RGB 196 49 152

HSL 317.96, 0.6%, 0.48%

LAB 47.23, 66.08, -22.94

 

CMYK 0 / 75 / 42 / 23

HEX #C43171

RGB 196 49 113

HSL 333.88, 0.6%, 0.48%

LAB 45.8, 61.65, -1.4

 

CMYK 0 / 75 / 63 / 23

HEX #C43149

RGB 196 49 73

HSL 350.2, 0.6%, 0.48%

LAB 44.82, 58.48, 21.93

 

CMYK 0 / 75 / 75 / 23

HEX #C43131

RGB 196 49 49

HSL 0, 0.6%, 0.48%

LAB 44.45, 57.28, 35.85

 

CMYK 0 / 75 / 22 / 23

HEX #C43198

RGB 196 49 152

HSL 317.96, 0.6%, 0.48%

LAB 47.23, 66.08, -22.94

 

CMYK 0 / 75 / 2 / 23

HEX #C431C0

RGB 196 49 192

HSL 301.63, 0.6%, 0.48%

LAB 49.18, 71.82, -43.49

 

CMYK 18 / 75 / 0 / 23

HEX #A031C4

RGB 160 49 196

HSL 285.31, 0.6%, 0.48%

LAB 43.74, 65.25, -54.84

 

CMYK 38 / 75 / 0 / 23

HEX #7931C4

RGB 121 49 196

HSL 269.39, 0.6%, 0.48%

LAB 38.28, 58.11, -63.94

 

CMYK 59 / 75 / 0 / 23

HEX #5131C4

RGB 81 49 196

HSL 253.06, 0.6%, 0.48%

LAB 33.84, 52.06, -71.39

 

CMYK 0 / 75 / 22 / 23

HEX #C43198

RGB 196 49 152

HSL 317.96, 0.6%, 0.48%

LAB 47.23, 66.08, -22.94

 

CMYK 0 / 87 / 26 / 15

HEX #D81DA0

RGB 216 29 160

HSL 317.97, 0.76%, 0.48%

LAB 49.52, 76.34, -23.9

 

CMYK 0 / 96 / 29 / 8

HEX #EB09A8

RGB 235 9 168

HSL 317.79, 0.93%, 0.48%

LAB 52.6, 83.4, -23.58

 

CMYK 0 / 75 / 22 / 23

HEX #C43198

RGB 196 49 152

HSL 317.96, 0.6%, 0.48%

LAB 47.23, 66.08, -22.94

 

CMYK 0 / 61 / 18 / 31

HEX #B04590

RGB 176 69 144

HSL 317.94, 0.44%, 0.48%

LAB 46.31, 52.06, -19.83

 

CMYK 0 / 43 / 13 / 39

HEX #9C5988

RGB 156 89 136

HSL 317.91, 0.27%, 0.48%

LAB 46.96, 34.33, -14.29

 

CMYK 0 / 21 / 6 / 47

HEX #886C80

RGB 136 108 128

HSL 317.14, 0.11%, 0.48%

LAB 48.91, 14.69, -6.82

 

CMYK 9 / 0 / 6 / 50

HEX #758078

RGB 117 128 120

HSL 136.36, 0.04%, 0.48%

LAB 52.48, -5.7, 2.95

 

CMYK 19 / 75 / 0 / 23

HEX #9F31C4

RGB 159 49 196

HSL 284.9, 0.6%, 0.48%

LAB 43.59, 65.06, -55.09

 

CMYK 0 / 75 / 2 / 23

HEX #C431C1

RGB 196 49 193

HSL 301.22, 0.6%, 0.48%

LAB 49.23, 71.98, -43.98

 

CMYK 0 / 75 / 21 / 23

HEX #C4319A

RGB 196 49 154

HSL 317.14, 0.6%, 0.48%

LAB 47.32, 66.34, -24

 

CMYK 0 / 75 / 41 / 23

HEX #C43173

RGB 196 49 115

HSL 333.06, 0.6%, 0.48%

LAB 45.87, 61.85, -2.54

 

CMYK 0 / 75 / 61 / 23

HEX #C4314C

RGB 196 49 76

HSL 348.98, 0.6%, 0.48%

LAB 44.88, 58.67, 20.16

 

CMYK 0 / 75 / 22 / 49

HEX #822065

RGB 130 32 101

HSL 317.76, 0.6%, 0.32%

LAB 31.16, 48.07, -17.11

 

CMYK 0 / 75 / 22 / 36

HEX #A3297F

RGB 163 41 127

HSL 317.7, 0.6%, 0.4%

LAB 39.42, 57.16, -20.27

 

CMYK 0 / 75 / 22 / 23

HEX #C43198

RGB 196 49 152

HSL 317.96, 0.6%, 0.48%

LAB 47.23, 66.08, -22.94

 

CMYK 0 / 64 / 19 / 18

HEX #D24CAA

RGB 210 76 170

HSL 317.91, 0.6%, 0.56%

LAB 53.79, 62.36, -23.29

 

CMYK 0 / 50 / 15 / 15

HEX #DA6DBA

RGB 218 109 186

HSL 317.61, 0.6%, 0.64%

LAB 61.12, 52.14, -21.17

 

CMYK 0 / 75 / 22 / 24

HEX #C23197

RGB 194 49 151

HSL 317.79, 0.6%, 0.48%

LAB 46.84, 65.47, -22.97

 

CMYK 0 / 39 / 75 / 23

HEX #C47831

RGB 196 120 49

HSL 28.98, 0.6%, 0.48%

LAB 57.45, 23.96, 49.6

 

CMYK 75 / 0 / 9 / 23

HEX #31C4B3

RGB 49 196 179

HSL 173.06, 0.6%, 0.48%

LAB 71.82, -41.36, -2.36

 

CMYK 0 / 75 / 22 / 24

HEX #C23197

RGB 194 49 151

HSL 317.79, 0.6%, 0.48%

LAB 46.84, 65.47, -22.97

 

CMYK 21 / 0 / 75 / 23

HEX #9AC431

RGB 154 196 49

HSL 77.14, 0.6%, 0.48%

LAB 73.91, -33.95, 64.42

 

CMYK 75 / 21 / 0 / 23

HEX #319AC4

RGB 49 154 196

HSL 197.14, 0.6%, 0.48%

LAB 59.66, -15.52, -30.15

 

CMYK 0 / 75 / 22 / 24

HEX #C23197

RGB 194 49 151

HSL 317.79, 0.6%, 0.48%

LAB 46.84, 65.47, -22.97

 

CMYK 0 / 39 / 75 / 23

HEX #C47831

RGB 196 120 49

HSL 28.98, 0.6%, 0.48%

LAB 57.45, 23.96, 49.6

 

CMYK 75 / 0 / 54 / 23

HEX #31C45B

RGB 49 196 91

HSL 137.14, 0.6%, 0.48%

LAB 70.1, -60.01, 41.64

 

CMYK 75 / 36 / 0 / 23

HEX #317DC4

RGB 49 125 196

HSL 208.98, 0.6%, 0.48%

LAB 51.04, 1.12, -43.66

 

CMYK 0 / 75 / 22 / 24

HEX #C23197

RGB 194 49 151

HSL 317.79, 0.6%, 0.48%

LAB 46.84, 65.47, -22.97

 

CMYK 0 / 16 / 75 / 23

HEX #C4A431

RGB 196 164 49

HSL 46.94, 0.6%, 0.48%

LAB 68.39, -0.02, 60.33

 

CMYK 75 / 0 / 54 / 23

HEX #31C45B

RGB 49 196 91

HSL 137.14, 0.6%, 0.48%

LAB 70.1, -60.01, 41.64

 

CMYK 75 / 59 / 0 / 23

HEX #3151C4

RGB 49 81 196

HSL 226.94, 0.6%, 0.48%

LAB 38.77, 29.08, -63.4

 

Description

Color code: HEX #C23197 | qconv.com Color code: HEX #C23197 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 49 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 49 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 22 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 22% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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