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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4A431 it is the complementary color #3B5BCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4A431. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4A431 shade: #C9A42C, #DAB63F, #EBC852, #FCDA65 and #FFEC78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4A431. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4A431 shade: #C4A431, #B3921E, #A2800B, #916E00 and #805C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4A431 shade: #C4A431, #C47C31, #C45531 and #C43131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4A431 shade: #C4A431, #BCC431, #95C431, #6DC431 and #45C431

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4A431 shade matches the following richer shades: #C4A431, #D8AF1D and #EBBA09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4A431 shade: #C4A431, #B09945, #9C8E59, #88826C and #757780

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4A431 shade: #C45331, #C47A31, #C4A231, #BFC431 and #98C431

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4A431 shade: #826D20, #A38829, #C4A431, #D2B54C and #DAC36D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4A431 shade: #C4A431, #36C431 and #6731C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4A431 shade: #C4A431, #31C4A2 and #A231C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4A431 shade: #C4A431, #36C431, #3153C4 and #BF31C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4A431 shade: #C4A431, #31C458, #3153C4 and #C4319D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 75 / 23

HEX #C4A431

RGB 196 164 49

HSL 46.94, 0.6%, 0.48%

LAB 68.39, -0.02, 60.33

 

Complementary color

CMYK 71 / 56 / 0 / 19

HEX #3B5BCE

RGB 59 91 206

HSL 226.94, 0.6%, 0.52%

LAB 42.56, 27.53, -62.99

 

CMYK 0 / 18 / 78 / 21

HEX #C9A42C

RGB 201 164 44

HSL 45.86, 0.64%, 0.48%

LAB 68.86, 1.98, 62.73

 

CMYK 0 / 17 / 71 / 15

HEX #DAB63F

RGB 218 182 63

HSL 46.06, 0.68%, 0.55%

LAB 75.28, 0.65, 62.42

 

CMYK 0 / 15 / 65 / 8

HEX #EBC852

RGB 235 200 82

HSL 46.27, 0.79%, 0.62%

LAB 81.61, -0.47, 61.65

 

CMYK 0 / 13 / 60 / 1

HEX #FCDA65

RGB 252 218 101

HSL 46.49, 0.96%, 0.69%

LAB 87.86, -1.44, 60.65

 

CMYK 0 / 7 / 53 / 0

HEX #FFEC78

RGB 255 236 120

HSL 51.56, 1%, 0.74%

LAB 92.84, -7.88, 57.83

 

CMYK 0 / 16 / 75 / 23

HEX #C4A431

RGB 196 164 49

HSL 46.94, 0.6%, 0.48%

LAB 68.39, -0.02, 60.33

 

CMYK 0 / 18 / 83 / 30

HEX #B3921E

RGB 179 146 30

HSL 46.71, 0.71%, 0.41%

LAB 61.86, 1.42, 60.17

 

CMYK 0 / 21 / 93 / 36

HEX #A2800B

RGB 162 128 11

HSL 46.49, 0.87%, 0.34%

LAB 55.22, 3.14, 58.67

 

CMYK 0 / 24 / 100 / 43

HEX #916E00

RGB 145 110 0

HSL 45.52, 1%, 0.28%

LAB 48.48, 5.19, 55.05

 

CMYK 0 / 28 / 100 / 50

HEX #805C00

RGB 128 92 0

HSL 43.13, 1%, 0.25%

LAB 41.6, 7.54, 49.4

 

CMYK 0 / 16 / 75 / 23

HEX #C4A431

RGB 196 164 49

HSL 46.94, 0.6%, 0.48%

LAB 68.39, -0.02, 60.33

 

CMYK 0 / 37 / 75 / 23

HEX #C47C31

RGB 196 124 49

HSL 30.61, 0.6%, 0.48%

LAB 58.39, 21.77, 50.55

 

CMYK 0 / 57 / 75 / 23

HEX #C45531

RGB 196 85 49

HSL 14.69, 0.6%, 0.48%

LAB 50.04, 42.25, 41.93

 

CMYK 0 / 75 / 75 / 23

HEX #C43131

RGB 196 49 49

HSL 0, 0.6%, 0.48%

LAB 44.45, 57.28, 35.85

 

CMYK 0 / 16 / 75 / 23

HEX #C4A431

RGB 196 164 49

HSL 46.94, 0.6%, 0.48%

LAB 68.39, -0.02, 60.33

 

CMYK 4 / 0 / 75 / 23

HEX #BCC431

RGB 188 196 49

HSL 63.27, 0.6%, 0.48%

LAB 76.31, -19.99, 67.53

 

CMYK 24 / 0 / 75 / 23

HEX #95C431

RGB 149 196 49

HSL 79.18, 0.6%, 0.48%

LAB 73.6, -35.91, 64.02

 

CMYK 44 / 0 / 75 / 23

HEX #6DC431

RGB 109 196 49

HSL 95.51, 0.6%, 0.48%

LAB 71.52, -50.2, 61.29

 

CMYK 65 / 0 / 75 / 23

HEX #45C431

RGB 69 196 49

HSL 111.84, 0.6%, 0.48%

LAB 70.15, -60.91, 59.48

 

CMYK 0 / 16 / 75 / 23

HEX #C4A431

RGB 196 164 49

HSL 46.94, 0.6%, 0.48%

LAB 68.39, -0.02, 60.33

 

CMYK 0 / 19 / 87 / 15

HEX #D8AF1D

RGB 216 175 29

HSL 46.84, 0.76%, 0.48%

LAB 73.12, 2.27, 71.3

 

CMYK 0 / 21 / 96 / 8

HEX #EBBA09

RGB 235 186 9

HSL 46.99, 0.93%, 0.48%

LAB 77.76, 4.47, 78.89

 

CMYK 0 / 16 / 75 / 23

HEX #C4A431

RGB 196 164 49

HSL 46.94, 0.6%, 0.48%

LAB 68.39, -0.02, 60.33

 

CMYK 0 / 13 / 61 / 31

HEX #B09945

RGB 176 153 69

HSL 47.1, 0.44%, 0.48%

LAB 63.71, -1.74, 46.32

 

CMYK 0 / 9 / 43 / 39

HEX #9C8E59

RGB 156 142 89

HSL 47.46, 0.27%, 0.48%

LAB 59.1, -2.55, 30.1

 

CMYK 0 / 4 / 21 / 47

HEX #88826C

RGB 136 130 108

HSL 47.14, 0.11%, 0.48%

LAB 54.33, -1.61, 12.74

 

CMYK 9 / 7 / 0 / 50

HEX #757780

RGB 117 119 128

HSL 229.09, 0.04%, 0.48%

LAB 50.14, 1.15, -5.18

 

CMYK 0 / 58 / 75 / 23

HEX #C45331

RGB 196 83 49

HSL 13.88, 0.6%, 0.48%

LAB 49.67, 43.22, 41.53

 

CMYK 0 / 38 / 75 / 23

HEX #C47A31

RGB 196 122 49

HSL 29.8, 0.6%, 0.48%

LAB 57.92, 22.86, 50.07

 

CMYK 0 / 17 / 75 / 23

HEX #C4A231

RGB 196 162 49

HSL 46.12, 0.6%, 0.48%

LAB 67.87, 1.05, 59.83

 

CMYK 3 / 0 / 75 / 23

HEX #BFC431

RGB 191 196 49

HSL 62.04, 0.6%, 0.48%

LAB 76.54, -18.73, 67.83

 

CMYK 22 / 0 / 75 / 23

HEX #98C431

RGB 152 196 49

HSL 77.96, 0.6%, 0.48%

LAB 73.79, -34.74, 64.26

 

CMYK 0 / 16 / 75 / 49

HEX #826D20

RGB 130 109 32

HSL 47.14, 0.6%, 0.32%

LAB 46.69, -0.42, 43.74

 

CMYK 0 / 17 / 75 / 36

HEX #A38829

RGB 163 136 41

HSL 46.72, 0.6%, 0.4%

LAB 57.61, 0.08, 51.89

 

CMYK 0 / 16 / 75 / 23

HEX #C4A431

RGB 196 164 49

HSL 46.94, 0.6%, 0.48%

LAB 68.39, -0.02, 60.33

 

CMYK 0 / 14 / 64 / 18

HEX #D2B54C

RGB 210 181 76

HSL 47.01, 0.6%, 0.56%

LAB 74.36, -1.52, 55.77

 

CMYK 0 / 11 / 50 / 15

HEX #DAC36D

RGB 218 195 109

HSL 47.34, 0.6%, 0.64%

LAB 79.06, -2.96, 45.85

 

CMYK 0 / 16 / 75 / 23

HEX #C4A431

RGB 196 164 49

HSL 46.94, 0.6%, 0.48%

LAB 68.39, -0.02, 60.33

 

CMYK 72 / 0 / 75 / 23

HEX #36C431

RGB 54 196 49

HSL 117.96, 0.6%, 0.48%

LAB 69.81, -63.75, 59.03

 

CMYK 47 / 75 / 0 / 23

HEX #6731C4

RGB 103 49 196

HSL 262.04, 0.6%, 0.48%

LAB 36.11, 55.18, -67.58

 

CMYK 0 / 16 / 75 / 23

HEX #C4A431

RGB 196 164 49

HSL 46.94, 0.6%, 0.48%

LAB 68.39, -0.02, 60.33

 

CMYK 75 / 0 / 17 / 23

HEX #31C4A2

RGB 49 196 162

HSL 166.12, 0.6%, 0.48%

LAB 71.38, -45.82, 6.25

 

CMYK 17 / 75 / 0 / 23

HEX #A231C4

RGB 162 49 196

HSL 286.12, 0.6%, 0.48%

LAB 44.04, 65.64, -54.34

 

CMYK 0 / 16 / 75 / 23

HEX #C4A431

RGB 196 164 49

HSL 46.94, 0.6%, 0.48%

LAB 68.39, -0.02, 60.33

 

CMYK 72 / 0 / 75 / 23

HEX #36C431

RGB 54 196 49

HSL 117.96, 0.6%, 0.48%

LAB 69.81, -63.75, 59.03

 

CMYK 75 / 58 / 0 / 23

HEX #3153C4

RGB 49 83 196

HSL 226.12, 0.6%, 0.48%

LAB 39.28, 27.78, -62.56

 

CMYK 3 / 75 / 0 / 23

HEX #BF31C4

RGB 191 49 196

HSL 297.96, 0.6%, 0.48%

LAB 48.58, 71.43, -46.8

 

CMYK 0 / 16 / 75 / 23

HEX #C4A431

RGB 196 164 49

HSL 46.94, 0.6%, 0.48%

LAB 68.39, -0.02, 60.33

 

CMYK 75 / 0 / 55 / 23

HEX #31C458

RGB 49 196 88

HSL 135.92, 0.6%, 0.48%

LAB 70.06, -60.43, 43.03

 

CMYK 75 / 58 / 0 / 23

HEX #3153C4

RGB 49 83 196

HSL 226.12, 0.6%, 0.48%

LAB 39.28, 27.78, -62.56

 

CMYK 0 / 75 / 20 / 23

HEX #C4319D

RGB 196 49 157

HSL 315.92, 0.6%, 0.48%

LAB 47.45, 66.74, -25.59

 

Description

Color code: HEX #C4A431 | qconv.com Color code: HEX #C4A431 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 164 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 164 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 75 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 75% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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