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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C22D97 it is the complementary color #3DD268. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C22D97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C22D97 shade: #C72D92, #D83FA5, #E951B8, #FA63CB and #FF75DE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C22D97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C22D97 shade: #C22D97, #B11B84, #A00971, #8F005E and #7E004B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C22D97 shade: #C22E97, #C22E6F, #C22E47 and #C22E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C22D97 shade: #C22E97, #C22EBF, #9D2EC2, #752EC2 and #4D2EC2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C22D97 shade matches the following richer shades: #C22E97, #D61A9F and #E907A8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C22D97 shade: #C22E97, #AF418F, #9B5487, #88687F and #757B76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C22D97 shade: #9D2EC2, #C22EC0, #C22E98, #C22E70 and #C22E49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C22D97 shade: #7F1E63, #A1267D, #C22E97, #D345AA and #DB67BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C22D97 shade: #C22D97, #C2752E and #2EC2B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C22D97 shade: #C22D97, #98C22E and #2E98C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C22D97 shade: #C22D97, #C2752E, #2EC258 and #2E7AC2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C22D97 shade: #C22D97, #C2A22E, #2EC258 and #2E4EC2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 22 / 24

HEX #C22D97

RGB 194 45 151

HSL 317.32, 0.62%, 0.47%

LAB 46.42, 66.68, -23.63

 

Complementary color

CMYK 71 / 0 / 50 / 18

HEX #3DD268

RGB 61 210 104

HSL 137.32, 0.62%, 0.53%

LAB 74.88, -61.14, 41.26

 

CMYK 0 / 77 / 27 / 22

HEX #C72D92

RGB 199 45 146

HSL 320.65, 0.63%, 0.48%

LAB 47.1, 67.24, -19.5

 

CMYK 0 / 71 / 24 / 15

HEX #D83FA5

RGB 216 63 165

HSL 320, 0.66%, 0.55%

LAB 52.81, 68.13, -21.78

 

CMYK 0 / 65 / 21 / 9

HEX #E951B8

RGB 233 81 184

HSL 319.34, 0.78%, 0.62%

LAB 58.67, 68.43, -23.6

 

CMYK 0 / 60 / 19 / 2

HEX #FA63CB

RGB 250 99 203

HSL 318.68, 0.94%, 0.68%

LAB 64.61, 68.35, -25.07

 

CMYK 0 / 54 / 13 / 0

HEX #FF75DE

RGB 255 117 222

HSL 314.35, 1%, 0.73%

LAB 68.94, 64.68, -28.99

 

CMYK 0 / 77 / 22 / 24

HEX #C22D97

RGB 194 45 151

HSL 317.32, 0.62%, 0.47%

LAB 46.42, 66.68, -23.63

 

CMYK 0 / 85 / 25 / 31

HEX #B11B84

RGB 177 27 132

HSL 318, 0.74%, 0.4%

LAB 40.89, 64.94, -20.87

 

CMYK 0 / 94 / 29 / 37

HEX #A00971

RGB 160 9 113

HSL 318.68, 0.89%, 0.33%

LAB 35.72, 61.94, -17.26

 

CMYK 0 / 100 / 34 / 44

HEX #8F005E

RGB 143 0 94

HSL 320.56, 1%, 0.28%

LAB 30.99, 57.35, -12.6

 

CMYK 0 / 100 / 40 / 51

HEX #7E004B

RGB 126 0 75

HSL 324.29, 1%, 0.25%

LAB 26.57, 51.54, -7.06

 

CMYK 0 / 76 / 22 / 24

HEX #C22E97

RGB 194 46 151

HSL 317.43, 0.62%, 0.47%

LAB 46.52, 66.38, -23.47

 

CMYK 0 / 76 / 43 / 24

HEX #C22E6F

RGB 194 46 111

HSL 333.65, 0.62%, 0.47%

LAB 45.04, 61.86, -1.33

 

CMYK 0 / 76 / 63 / 24

HEX #C22E47

RGB 194 46 71

HSL 349.86, 0.62%, 0.47%

LAB 44.06, 58.74, 22.09

 

CMYK 0 / 76 / 76 / 24

HEX #C22E2E

RGB 194 46 46

HSL 0, 0.62%, 0.47%

LAB 43.68, 57.53, 36.62

 

CMYK 0 / 76 / 22 / 24

HEX #C22E97

RGB 194 46 151

HSL 317.43, 0.62%, 0.47%

LAB 46.52, 66.38, -23.47

 

CMYK 0 / 76 / 2 / 24

HEX #C22EBF

RGB 194 46 191

HSL 301.22, 0.62%, 0.47%

LAB 48.49, 72.12, -44.01

 

CMYK 19 / 76 / 0 / 24

HEX #9D2EC2

RGB 157 46 194

HSL 285, 0.62%, 0.47%

LAB 42.79, 65.32, -55.22

 

CMYK 40 / 76 / 0 / 24

HEX #752EC2

RGB 117 46 194

HSL 268.78, 0.62%, 0.47%

LAB 37.17, 58.21, -64.6

 

CMYK 60 / 76 / 0 / 24

HEX #4D2EC2

RGB 77 46 194

HSL 252.57, 0.62%, 0.47%

LAB 32.76, 52.47, -72.01

 

CMYK 0 / 76 / 22 / 24

HEX #C22E97

RGB 194 46 151

HSL 317.43, 0.62%, 0.47%

LAB 46.52, 66.38, -23.47

 

CMYK 0 / 88 / 26 / 16

HEX #D61A9F

RGB 214 26 159

HSL 317.55, 0.78%, 0.47%

LAB 48.93, 76.31, -24.23

 

CMYK 0 / 97 / 28 / 9

HEX #E907A8

RGB 233 7 168

HSL 317.26, 0.94%, 0.47%

LAB 52.18, 83.15, -24.27

 

CMYK 0 / 76 / 22 / 24

HEX #C22E97

RGB 194 46 151

HSL 317.43, 0.62%, 0.47%

LAB 46.52, 66.38, -23.47

 

CMYK 0 / 63 / 18 / 31

HEX #AF418F

RGB 175 65 143

HSL 317.45, 0.46%, 0.47%

LAB 45.47, 53.39, -20.55

 

CMYK 0 / 46 / 13 / 39

HEX #9B5487

RGB 155 84 135

HSL 316.9, 0.3%, 0.47%

LAB 45.71, 36.55, -15.6

 

CMYK 0 / 24 / 7 / 47

HEX #88687F

RGB 136 104 127

HSL 316.88, 0.13%, 0.47%

LAB 47.84, 16.85, -7.82

 

CMYK 5 / 0 / 4 / 52

HEX #757B76

RGB 117 123 118

HSL 130, 0.03%, 0.47%

LAB 50.99, -3.26, 1.95

 

CMYK 19 / 76 / 0 / 24

HEX #9D2EC2

RGB 157 46 194

HSL 285, 0.62%, 0.47%

LAB 42.79, 65.32, -55.22

 

CMYK 0 / 76 / 1 / 24

HEX #C22EC0

RGB 194 46 192

HSL 300.81, 0.62%, 0.47%

LAB 48.55, 72.27, -44.51

 

CMYK 0 / 76 / 22 / 24

HEX #C22E98

RGB 194 46 152

HSL 317.03, 0.62%, 0.47%

LAB 46.57, 66.51, -24

 

CMYK 0 / 76 / 42 / 24

HEX #C22E70

RGB 194 46 112

HSL 333.24, 0.62%, 0.47%

LAB 45.07, 61.96, -1.91

 

CMYK 0 / 76 / 62 / 24

HEX #C22E49

RGB 194 46 73

HSL 349.05, 0.62%, 0.47%

LAB 44.1, 58.86, 20.91

 

CMYK 0 / 76 / 22 / 50

HEX #7F1E63

RGB 127 30 99

HSL 317.32, 0.62%, 0.31%

LAB 30.26, 47.69, -17.25

 

CMYK 0 / 76 / 22 / 37

HEX #A1267D

RGB 161 38 125

HSL 317.56, 0.62%, 0.39%

LAB 38.63, 57.36, -20.28

 

CMYK 0 / 76 / 22 / 24

HEX #C22E97

RGB 194 46 151

HSL 317.43, 0.62%, 0.47%

LAB 46.52, 66.38, -23.47

 

CMYK 0 / 67 / 19 / 17

HEX #D345AA

RGB 211 69 170

HSL 317.32, 0.62%, 0.55%

LAB 52.96, 65.36, -24.56

 

CMYK 0 / 53 / 15 / 14

HEX #DB67BA

RGB 219 103 186

HSL 317.07, 0.62%, 0.63%

LAB 60.16, 55.33, -22.63

 

CMYK 0 / 77 / 22 / 24

HEX #C22D97

RGB 194 45 151

HSL 317.32, 0.62%, 0.47%

LAB 46.42, 66.68, -23.63

 

CMYK 0 / 40 / 76 / 24

HEX #C2752E

RGB 194 117 46

HSL 28.78, 0.62%, 0.47%

LAB 56.48, 24.61, 49.89

 

CMYK 76 / 0 / 9 / 24

HEX #2EC2B1

RGB 46 194 177

HSL 173.11, 0.62%, 0.47%

LAB 71.1, -41.36, -2.32

 

CMYK 0 / 77 / 22 / 24

HEX #C22D97

RGB 194 45 151

HSL 317.32, 0.62%, 0.47%

LAB 46.42, 66.68, -23.63

 

CMYK 22 / 0 / 76 / 24

HEX #98C22E

RGB 152 194 46

HSL 77.03, 0.62%, 0.47%

LAB 73.19, -33.97, 64.66

 

CMYK 76 / 22 / 0 / 24

HEX #2E98C2

RGB 46 152 194

HSL 197.03, 0.62%, 0.47%

LAB 58.91, -15.47, -30.19

 

CMYK 0 / 77 / 22 / 24

HEX #C22D97

RGB 194 45 151

HSL 317.32, 0.62%, 0.47%

LAB 46.42, 66.68, -23.63

 

CMYK 0 / 40 / 76 / 24

HEX #C2752E

RGB 194 117 46

HSL 28.78, 0.62%, 0.47%

LAB 56.48, 24.61, 49.89

 

CMYK 76 / 0 / 55 / 24

HEX #2EC258

RGB 46 194 88

HSL 137.03, 0.62%, 0.47%

LAB 69.38, -60.17, 42.19

 

CMYK 76 / 37 / 0 / 24

HEX #2E7AC2

RGB 46 122 194

HSL 209.19, 0.62%, 0.47%

LAB 49.97, 1.83, -44.22

 

CMYK 0 / 77 / 22 / 24

HEX #C22D97

RGB 194 45 151

HSL 317.32, 0.62%, 0.47%

LAB 46.42, 66.68, -23.63

 

CMYK 0 / 16 / 76 / 24

HEX #C2A22E

RGB 194 162 46

HSL 47.03, 0.62%, 0.47%

LAB 67.66, 0.04, 60.66

 

CMYK 76 / 0 / 55 / 24

HEX #2EC258

RGB 46 194 88

HSL 137.03, 0.62%, 0.47%

LAB 69.38, -60.17, 42.19

 

CMYK 76 / 60 / 0 / 24

HEX #2E4EC2

RGB 46 78 194

HSL 227.03, 0.62%, 0.47%

LAB 37.71, 29.95, -63.97

 

Description

Color code: HEX #C22D97 | qconv.com Color code: HEX #C22D97 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 45 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 45 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 22 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 22% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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