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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 77 / 27 / 22 it is the complementary color CMYK 73 / 0 / 47 / 18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 77 / 27 / 22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 77 / 27 / 22: CMYK 0 / 77 / 31 / 20, CMYK 0 / 71 / 28 / 13, CMYK 0 / 66 / 25 / 7, CMYK 0 / 61 / 23 / 0 and CMYK 0 / 54 / 15 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 77 / 27 / 22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 77 / 27 / 22: CMYK 0 / 77 / 27 / 22, CMYK 0 / 85 / 31 / 29, CMYK 0 / 94 / 35 / 35, CMYK 0 / 100 / 41 / 42 and CMYK 0 / 100 / 47 / 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 27 / 22

HEX #C72E91

RGB 199 46 145

HSL 321.18, 0.62%, 0.48%

LAB 47.16, 66.84, -18.8

 

Complementary color

CMYK 73 / 0 / 47 / 18

HEX #38D16E

RGB 56 209 110

HSL 141.18, 0.62%, 0.52%

LAB 74.55, -60.63, 37.89

 

CMYK 0 / 77 / 31 / 20

HEX #CC2E8C

RGB 204 46 140

HSL 324.3, 0.63%, 0.49%

LAB 47.86, 67.47, -14.64

 

CMYK 0 / 71 / 28 / 13

HEX #DD409F

RGB 221 64 159

HSL 323.69, 0.7%, 0.56%

LAB 53.54, 68.32, -17.06

 

CMYK 0 / 66 / 25 / 7

HEX #EE52B2

RGB 238 82 178

HSL 323.08, 0.82%, 0.63%

LAB 59.37, 68.6, -19

 

CMYK 0 / 61 / 23 / 0

HEX #FF64C5

RGB 255 100 197

HSL 322.45, 1%, 0.7%

LAB 65.28, 68.5, -20.59

 

CMYK 0 / 54 / 15 / 0

HEX #FF76D8

RGB 255 118 216

HSL 317.08, 1%, 0.73%

LAB 68.88, 63.34, -25.74

 

CMYK 0 / 77 / 27 / 22

HEX #C72E91

RGB 199 46 145

HSL 321.18, 0.62%, 0.48%

LAB 47.16, 66.84, -18.8

 

CMYK 0 / 85 / 31 / 29

HEX #B61C7E

RGB 182 28 126

HSL 321.82, 0.73%, 0.41%

LAB 41.66, 65.16, -15.9

 

CMYK 0 / 94 / 35 / 35

HEX #A50A6B

RGB 165 10 107

HSL 322.45, 0.89%, 0.34%

LAB 36.51, 62.26, -12.15

 

CMYK 0 / 100 / 41 / 42

HEX #940058

RGB 148 0 88

HSL 324.32, 1%, 0.29%

LAB 31.81, 57.83, -7.35

 

CMYK 0 / 100 / 47 / 49

HEX #830045

RGB 131 0 69

HSL 328.4, 1%, 0.26%

LAB 27.45, 52.13, -1.59

 

CMYK 0 / 77 / 27 / 22

HEX #C72E91

RGB 199 46 145

HSL 321.18, 0.62%, 0.48%

LAB 47.16, 66.84, -18.8

 

CMYK 0 / 77 / 40 / 22

HEX #C62E77

RGB 198 46 119

HSL 331.18, 0.62%, 0.48%

LAB 46.03, 63.71, -4.71

 

CMYK 0 / 77 / 53 / 22

HEX #C62E5E

RGB 198 46 94

HSL 341.05, 0.62%, 0.48%

LAB 45.31, 61.47, 9.68

 

CMYK 0 / 77 / 65 / 22

HEX #C62E45

RGB 198 46 69

HSL 350.92, 0.62%, 0.48%

LAB 44.79, 59.79, 24.41

 

CMYK 0 / 75 / 77 / 22

HEX #C6312E

RGB 198 49 46

HSL 1.18, 0.62%, 0.48%

LAB 44.8, 57.77, 38.05

 

CMYK 0 / 77 / 27 / 22

HEX #C72E91

RGB 199 46 145

HSL 321.18, 0.62%, 0.48%

LAB 47.16, 66.84, -18.8

 

CMYK 0 / 77 / 27 / 2

HEX #FA3AB6

RGB 250 58 182

HSL 321.25, 0.95%, 0.6%

LAB 58.72, 79.88, -22.12

 

CMYK 0 / 76 / 26 / 82

HEX #2E0B22

RGB 46 11 34

HSL 320.57, 0.61%, 0.11%

LAB 8.44, 21.03, -6.98

 

CMYK 0 / 77 / 27 / 62

HEX #611647

RGB 97 22 71

HSL 320.8, 0.63%, 0.23%

LAB 22.2, 38.29, -11.56

 

CMYK 0 / 77 / 27 / 42

HEX #94226C

RGB 148 34 108

HSL 321.05, 0.63%, 0.36%

LAB 35.05, 53.08, -15.32

 

CMYK 0 / 77 / 27 / 22

HEX #C72E91

RGB 199 46 145

HSL 321.18, 0.62%, 0.48%

LAB 47.16, 66.84, -18.8

 

CMYK 0 / 35 / 77 / 22

HEX #C6812E

RGB 198 129 46

HSL 32.76, 0.62%, 0.48%

LAB 59.8, 19.77, 53.32

 

CMYK 77 / 0 / 4 / 22

HEX #2EC6BE

RGB 46 198 190

HSL 176.84, 0.62%, 0.48%

LAB 72.69, -39.52, -7.07

 

CMYK 0 / 77 / 27 / 22

HEX #C72E91

RGB 199 46 145

HSL 321.18, 0.62%, 0.48%

LAB 47.16, 66.84, -18.8

 

CMYK 27 / 0 / 77 / 22

HEX #91C62E

RGB 145 198 46

HSL 80.92, 0.62%, 0.48%

LAB 73.94, -38.51, 65.21

 

CMYK 77 / 27 / 0 / 22

HEX #2E91C6

RGB 46 145 198

HSL 200.92, 0.62%, 0.48%

LAB 56.99, -10.2, -35.45

 

CMYK 0 / 77 / 27 / 22

HEX #C72E91

RGB 199 46 145

HSL 321.18, 0.62%, 0.48%

LAB 47.16, 66.84, -18.8

 

CMYK 0 / 35 / 77 / 22

HEX #C6812E

RGB 198 129 46

HSL 32.76, 0.62%, 0.48%

LAB 59.8, 19.77, 53.32

 

CMYK 77 / 0 / 50 / 22

HEX #2EC663

RGB 46 198 99

HSL 140.92, 0.62%, 0.48%

LAB 70.78, -59.91, 38.56

 

CMYK 77 / 42 / 0 / 22

HEX #2E72C6

RGB 46 114 198

HSL 213.16, 0.62%, 0.48%

LAB 47.87, 8.26, -49.87

 

CMYK 0 / 77 / 27 / 22

HEX #C72E91

RGB 199 46 145

HSL 321.18, 0.62%, 0.48%

LAB 47.16, 66.84, -18.8

 

CMYK 0 / 12 / 77 / 22

HEX #C6AF2E

RGB 198 175 46

HSL 50.92, 0.62%, 0.48%

LAB 71.46, -5.09, 64.34

 

CMYK 77 / 0 / 50 / 22

HEX #2EC663

RGB 46 198 99

HSL 140.92, 0.62%, 0.48%

LAB 70.78, -59.91, 38.56

 

CMYK 77 / 65 / 0 / 22

HEX #2E45C6

RGB 46 69 198

HSL 230.92, 0.62%, 0.48%

LAB 35.82, 37.18, -69.39

 

Description

Color code: CMYK 0 / 77 / 27 / 22 | qconv.com Color code: CMYK 0 / 77 / 27 / 22 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 46 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 46 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 27 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 27% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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