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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C220C5 it is the complementary color #3DDF3A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C220C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C220C5: #C720C0, #D832D3, #E944E6, #FA56F9 and #FF68FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C220C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C220C5: #C220C5, #B10EB2, #A0009F, #8F008C and #7E0079

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 84 / 0 / 23

HEX #C220C5

RGB 194 32 197

HSL 298.91, 0.72%, 0.45%

LAB 47.67, 76.44, -48.82

 

Complementary color

CMYK 73 / 0 / 74 / 13

HEX #3DDF3A

RGB 61 223 58

HSL 118.91, 0.72%, 0.55%

LAB 78.5, -70.45, 64.69

 

CMYK 0 / 84 / 4 / 22

HEX #C720C0

RGB 199 32 192

HSL 302.51, 0.72%, 0.45%

LAB 48.24, 76.6, -44.95

 

CMYK 0 / 77 / 2 / 15

HEX #D832D3

RGB 216 50 211

HSL 301.81, 0.68%, 0.52%

LAB 53.58, 78.54, -47.23

 

CMYK 0 / 71 / 1 / 9

HEX #E944E6

RGB 233 68 230

HSL 301.09, 0.79%, 0.59%

LAB 59.13, 79.66, -49.01

 

CMYK 0 / 66 / 0 / 2

HEX #FA56F9

RGB 250 86 249

HSL 300.37, 0.94%, 0.66%

LAB 64.82, 80.21, -50.41

 

CMYK 0 / 59 / 0 / 0

HEX #FF68FF

RGB 255 104 255

HSL 300, 1%, 0.7%

LAB 68.3, 75.43, -48.17

 

CMYK 2 / 84 / 0 / 23

HEX #C220C5

RGB 194 32 197

HSL 298.91, 0.72%, 0.45%

LAB 47.67, 76.44, -48.82

 

CMYK 1 / 92 / 0 / 30

HEX #B10EB2

RGB 177 14 178

HSL 299.63, 0.85%, 0.38%

LAB 42.58, 73.44, -45.99

 

CMYK 0 / 100 / 1 / 37

HEX #A0009F

RGB 160 0 159

HSL 300.38, 1%, 0.31%

LAB 37.8, 69.19, -42.44

 

CMYK 0 / 100 / 2 / 44

HEX #8F008C

RGB 143 0 140

HSL 301.26, 1%, 0.28%

LAB 33.42, 63.41, -38

 

CMYK 0 / 100 / 4 / 51

HEX #7E0079

RGB 126 0 121

HSL 302.38, 1%, 0.25%

LAB 28.94, 57.5, -33.44

 

CMYK 2 / 84 / 0 / 23

HEX #C220C5

RGB 194 32 197

HSL 298.91, 0.72%, 0.45%

LAB 47.67, 76.44, -48.82

 

CMYK 0 / 84 / 11 / 23

HEX #C520AF

RGB 197 32 175

HSL 308, 0.72%, 0.45%

LAB 46.97, 73.77, -37.01

 

CMYK 0 / 84 / 25 / 23

HEX #C52093

RGB 197 32 147

HSL 318.18, 0.72%, 0.45%

LAB 45.65, 70.14, -22.36

 

CMYK 0 / 84 / 39 / 23

HEX #C52078

RGB 197 32 120

HSL 328, 0.72%, 0.45%

LAB 44.6, 67.19, -7.47

 

CMYK 0 / 84 / 53 / 23

HEX #C5205C

RGB 197 32 92

HSL 338.18, 0.72%, 0.45%

LAB 43.76, 64.77, 8.72

 

CMYK 2 / 84 / 0 / 23

HEX #C220C5

RGB 194 32 197

HSL 298.91, 0.72%, 0.45%

LAB 47.67, 76.44, -48.82

 

CMYK 2 / 84 / 0 / 3

HEX #F428F8

RGB 244 40 248

HSL 298.85, 0.94%, 0.56%

LAB 59.46, 91.42, -58.44

 

CMYK 2 / 84 / 0 / 83

HEX #2B072C

RGB 43 7 44

HSL 298.38, 0.73%, 0.1%

LAB 7.65, 24.2, -15.8

 

CMYK 1 / 84 / 0 / 63

HEX #5E0F5F

RGB 94 15 95

HSL 299.25, 0.73%, 0.22%

LAB 22.12, 43.81, -27.85

 

CMYK 1 / 84 / 0 / 43

HEX #901892

RGB 144 24 146

HSL 299.02, 0.72%, 0.33%

LAB 35.32, 60.61, -38.66

 

CMYK 2 / 84 / 0 / 23

HEX #C220C5

RGB 194 32 197

HSL 298.91, 0.72%, 0.45%

LAB 47.67, 76.44, -48.82

 

CMYK 0 / 70 / 84 / 23

HEX #C53B20

RGB 197 59 32

HSL 9.82, 0.72%, 0.45%

LAB 45.77, 53.45, 46.29

 

CMYK 84 / 0 / 37 / 23

HEX #20C57D

RGB 32 197 125

HSL 153.82, 0.72%, 0.45%

LAB 70.68, -56.43, 25.08

 

CMYK 2 / 84 / 0 / 23

HEX #C220C5

RGB 194 32 197

HSL 298.91, 0.72%, 0.45%

LAB 47.67, 76.44, -48.82

 

CMYK 0 / 3 / 84 / 23

HEX #C5BF20

RGB 197 191 32

HSL 57.82, 0.72%, 0.45%

LAB 75.6, -14.23, 71.92

 

CMYK 84 / 0 / 3 / 23

HEX #20C5BF

RGB 32 197 191

HSL 177.82, 0.72%, 0.45%

LAB 72.23, -40, -8.32

 

CMYK 2 / 84 / 0 / 23

HEX #C220C5

RGB 194 32 197

HSL 298.91, 0.72%, 0.45%

LAB 47.67, 76.44, -48.82

 

CMYK 0 / 70 / 84 / 23

HEX #C53B20

RGB 197 59 32

HSL 9.82, 0.72%, 0.45%

LAB 45.77, 53.45, 46.29

 

CMYK 81 / 0 / 84 / 23

HEX #25C520

RGB 37 197 32

HSL 118.18, 0.72%, 0.45%

LAB 69.77, -67.5, 63.9

 

CMYK 84 / 14 / 0 / 23

HEX #20A9C5

RGB 32 169 197

HSL 190.18, 0.72%, 0.45%

LAB 63.93, -24.75, -24.16

 

CMYK 2 / 84 / 0 / 23

HEX #C220C5

RGB 194 32 197

HSL 298.91, 0.72%, 0.45%

LAB 47.67, 76.44, -48.82

 

CMYK 0 / 45 / 84 / 23

HEX #C56D20

RGB 197 109 32

HSL 28, 0.72%, 0.45%

LAB 54.98, 29.7, 54.41

 

CMYK 81 / 0 / 84 / 23

HEX #25C520

RGB 37 197 32

HSL 118.18, 0.72%, 0.45%

LAB 69.77, -67.5, 63.9

 

CMYK 84 / 39 / 0 / 23

HEX #2078C5

RGB 32 120 197

HSL 208, 0.72%, 0.45%

LAB 49.22, 2.74, -47.16

 

Description

Color code: HEX #C220C5 | qconv.com Color code: HEX #C220C5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 32 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 32 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 84 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 84% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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