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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C1952D it is the complementary color #3E6AD2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C1952D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C1952D shade: #C69528, #D7A73B, #E8B94E, #F9CB61 and #FFDD74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C1952D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C1952D shade: #C1952D, #B0831A, #9F7107, #8E5F00 and #7D4D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C1952D shade: #C2962E, #C26E2E, #C2462E and #C22E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C1952D shade: #C2962E, #C2BE2E, #9EC22E, #76C22E and #4EC22E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C1952D shade matches the following richer shades: #C2962E, #D69E1A and #E9A607

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C1952D shade: #C2962E, #AF8E41, #9B8654, #887E68 and #75777B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C1952D shade: #C2462E, #C26E2E, #C2962E, #C2BD2E and #9FC22E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C1952D shade: #7F621E, #A17C26, #C2962E, #D3A945 and #DBB967

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C1952D shade: #C1952D, #3CC22E and #5A2EC2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C1952D shade: #C1952D, #2EC296 and #962EC2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C1952D shade: #C1952D, #3CC22E, #2E5AC2 and #B32EC2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C1952D shade: #C1952D, #2EC24B, #2E5AC2 and #C22EA4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 77 / 24

HEX #C1952D

RGB 193 149 45

HSL 42.16, 0.62%, 0.47%

LAB 64.18, 6.58, 57.72

 

Complementary color

CMYK 70 / 50 / 0 / 18

HEX #3E6AD2

RGB 62 106 210

HSL 222.16, 0.62%, 0.53%

LAB 46.96, 19.83, -58.17

 

CMYK 0 / 25 / 80 / 22

HEX #C69528

RGB 198 149 40

HSL 41.39, 0.66%, 0.47%

LAB 64.69, 8.6, 60.2

 

CMYK 0 / 22 / 73 / 16

HEX #D7A73B

RGB 215 167 59

HSL 41.54, 0.66%, 0.54%

LAB 71.15, 7.11, 59.79

 

CMYK 0 / 20 / 66 / 9

HEX #E8B94E

RGB 232 185 78

HSL 41.69, 0.77%, 0.61%

LAB 77.52, 5.84, 58.92

 

CMYK 0 / 18 / 61 / 2

HEX #F9CB61

RGB 249 203 97

HSL 41.84, 0.93%, 0.68%

LAB 83.82, 4.74, 57.83

 

CMYK 0 / 13 / 55 / 0

HEX #FFDD74

RGB 255 221 116

HSL 45.32, 1%, 0.73%

LAB 89.03, -0.66, 55.21

 

CMYK 0 / 23 / 77 / 24

HEX #C1952D

RGB 193 149 45

HSL 42.16, 0.62%, 0.47%

LAB 64.18, 6.58, 57.72

 

CMYK 0 / 26 / 85 / 31

HEX #B0831A

RGB 176 131 26

HSL 42, 0.74%, 0.4%

LAB 57.6, 8.21, 57.61

 

CMYK 0 / 29 / 96 / 38

HEX #9F7107

RGB 159 113 7

HSL 41.84, 0.92%, 0.33%

LAB 50.92, 10.16, 56.06

 

CMYK 0 / 33 / 100 / 44

HEX #8E5F00

RGB 142 95 0

HSL 40.14, 1%, 0.28%

LAB 44.14, 12.46, 51.94

 

CMYK 0 / 38 / 100 / 51

HEX #7D4D00

RGB 125 77 0

HSL 36.96, 1%, 0.25%

LAB 37.24, 15, 46.31

 

CMYK 0 / 23 / 76 / 24

HEX #C2962E

RGB 194 150 46

HSL 42.16, 0.62%, 0.47%

LAB 64.55, 6.52, 57.72

 

CMYK 0 / 43 / 76 / 24

HEX #C26E2E

RGB 194 110 46

HSL 25.95, 0.62%, 0.47%

LAB 54.88, 28.41, 48.3

 

CMYK 0 / 64 / 76 / 24

HEX #C2462E

RGB 194 70 46

HSL 9.73, 0.62%, 0.47%

LAB 47.04, 48.36, 40.22

 

CMYK 0 / 76 / 76 / 24

HEX #C22E2E

RGB 194 46 46

HSL 0, 0.62%, 0.47%

LAB 43.68, 57.53, 36.62

 

CMYK 0 / 23 / 76 / 24

HEX #C2962E

RGB 194 150 46

HSL 42.16, 0.62%, 0.47%

LAB 64.55, 6.52, 57.72

 

CMYK 0 / 2 / 76 / 24

HEX #C2BE2E

RGB 194 190 46

HSL 58.38, 0.62%, 0.47%

LAB 75.14, -14.56, 67.57

 

CMYK 19 / 0 / 76 / 24

HEX #9EC22E

RGB 158 194 46

HSL 74.59, 0.62%, 0.47%

LAB 73.58, -31.57, 65.16

 

CMYK 39 / 0 / 76 / 24

HEX #76C22E

RGB 118 194 46

HSL 90.81, 0.62%, 0.47%

LAB 71.3, -46.59, 62.2

 

CMYK 60 / 0 / 76 / 24

HEX #4EC22E

RGB 78 194 46

HSL 107.03, 0.62%, 0.47%

LAB 69.75, -58.38, 60.17

 

CMYK 0 / 23 / 76 / 24

HEX #C2962E

RGB 194 150 46

HSL 42.16, 0.62%, 0.47%

LAB 64.55, 6.52, 57.72

 

CMYK 0 / 26 / 88 / 16

HEX #D69E1A

RGB 214 158 26

HSL 42.13, 0.78%, 0.47%

LAB 68.62, 10.39, 68.32

 

CMYK 0 / 29 / 97 / 9

HEX #E9A607

RGB 233 166 7

HSL 42.21, 0.94%, 0.47%

LAB 72.64, 14.12, 75.38

 

CMYK 0 / 23 / 76 / 24

HEX #C2962E

RGB 194 150 46

HSL 42.16, 0.62%, 0.47%

LAB 64.55, 6.52, 57.72

 

CMYK 0 / 19 / 63 / 31

HEX #AF8E41

RGB 175 142 65

HSL 42, 0.46%, 0.47%

LAB 60.64, 3.55, 44.77

 

CMYK 0 / 14 / 46 / 39

HEX #9B8654

RGB 155 134 84

HSL 42.25, 0.3%, 0.47%

LAB 56.74, 0.91, 29.79

 

CMYK 0 / 7 / 24 / 47

HEX #887E68

RGB 136 126 104

HSL 41.25, 0.13%, 0.47%

LAB 53.12, 0.03, 13.37

 

CMYK 5 / 3 / 0 / 52

HEX #75777B

RGB 117 119 123

HSL 220, 0.03%, 0.47%

LAB 49.98, 0.08, -2.46

 

CMYK 0 / 64 / 76 / 24

HEX #C2462E

RGB 194 70 46

HSL 9.73, 0.62%, 0.47%

LAB 47.04, 48.36, 40.22

 

CMYK 0 / 43 / 76 / 24

HEX #C26E2E

RGB 194 110 46

HSL 25.95, 0.62%, 0.47%

LAB 54.88, 28.41, 48.3

 

CMYK 0 / 23 / 76 / 24

HEX #C2962E

RGB 194 150 46

HSL 42.16, 0.62%, 0.47%

LAB 64.55, 6.52, 57.72

 

CMYK 0 / 3 / 76 / 24

HEX #C2BD2E

RGB 194 189 46

HSL 57.97, 0.62%, 0.47%

LAB 74.86, -14.05, 67.33

 

CMYK 18 / 0 / 76 / 24

HEX #9FC22E

RGB 159 194 46

HSL 74.19, 0.62%, 0.47%

LAB 73.64, -31.17, 65.25

 

CMYK 0 / 23 / 76 / 50

HEX #7F621E

RGB 127 98 30

HSL 42.06, 0.62%, 0.31%

LAB 43.27, 4.45, 41.13

 

CMYK 0 / 23 / 76 / 37

HEX #A17C26

RGB 161 124 38

HSL 41.95, 0.62%, 0.39%

LAB 54.17, 5.73, 49.68

 

CMYK 0 / 23 / 76 / 24

HEX #C2962E

RGB 194 150 46

HSL 42.16, 0.62%, 0.47%

LAB 64.55, 6.52, 57.72

 

CMYK 0 / 20 / 67 / 17

HEX #D3A945

RGB 211 169 69

HSL 42.25, 0.62%, 0.55%

LAB 71.32, 4.84, 55.62

 

CMYK 0 / 16 / 53 / 14

HEX #DBB967

RGB 219 185 103

HSL 42.41, 0.62%, 0.63%

LAB 76.52, 2.16, 45.75

 

CMYK 0 / 23 / 77 / 24

HEX #C1952D

RGB 193 149 45

HSL 42.16, 0.62%, 0.47%

LAB 64.18, 6.58, 57.72

 

CMYK 69 / 0 / 76 / 24

HEX #3CC22E

RGB 60 194 46

HSL 114.32, 0.62%, 0.47%

LAB 69.29, -62.26, 59.55

 

CMYK 54 / 76 / 0 / 24

HEX #5A2EC2

RGB 90 46 194

HSL 257.84, 0.62%, 0.47%

LAB 34.03, 54.14, -69.87

 

CMYK 0 / 23 / 77 / 24

HEX #C1952D

RGB 193 149 45

HSL 42.16, 0.62%, 0.47%

LAB 64.18, 6.58, 57.72

 

CMYK 76 / 0 / 23 / 24

HEX #2EC296

RGB 46 194 150

HSL 162.16, 0.62%, 0.47%

LAB 70.43, -48.29, 11.4

 

CMYK 23 / 76 / 0 / 24

HEX #962EC2

RGB 150 46 194

HSL 282.16, 0.62%, 0.47%

LAB 41.74, 64.01, -56.97

 

CMYK 0 / 23 / 77 / 24

HEX #C1952D

RGB 193 149 45

HSL 42.16, 0.62%, 0.47%

LAB 64.18, 6.58, 57.72

 

CMYK 69 / 0 / 76 / 24

HEX #3CC22E

RGB 60 194 46

HSL 114.32, 0.62%, 0.47%

LAB 69.29, -62.26, 59.55

 

CMYK 76 / 54 / 0 / 24

HEX #2E5AC2

RGB 46 90 194

HSL 222.16, 0.62%, 0.47%

LAB 40.88, 22.13, -58.81

 

CMYK 8 / 76 / 0 / 24

HEX #B32EC2

RGB 179 46 194

HSL 293.92, 0.62%, 0.47%

LAB 46.22, 69.59, -49.53

 

CMYK 0 / 23 / 77 / 24

HEX #C1952D

RGB 193 149 45

HSL 42.16, 0.62%, 0.47%

LAB 64.18, 6.58, 57.72

 

CMYK 76 / 0 / 61 / 24

HEX #2EC24B

RGB 46 194 75

HSL 131.76, 0.62%, 0.47%

LAB 69.24, -61.86, 48.05

 

CMYK 76 / 54 / 0 / 24

HEX #2E5AC2

RGB 46 90 194

HSL 222.16, 0.62%, 0.47%

LAB 40.88, 22.13, -58.81

 

CMYK 0 / 76 / 15 / 24

HEX #C22EA4

RGB 194 46 164

HSL 312.16, 0.62%, 0.47%

LAB 47.11, 68.13, -30.32

 

Description

Color code: HEX #C1952D | qconv.com Color code: HEX #C1952D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 149 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 149 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 77 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 77% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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