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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 3 / 76 / 24 it is the complementary color CMYK 71 / 68 / 0 / 18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 3 / 76 / 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 3 / 76 / 24: CMYK 0 / 6 / 79 / 22, CMYK 0 / 5 / 72 / 15, CMYK 0 / 4 / 66 / 9, CMYK 0 / 3 / 60 / 2 and CMYK 0 / 0 / 54 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 3 / 76 / 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 3 / 76 / 24: CMYK 0 / 3 / 76 / 24, CMYK 0 / 4 / 84 / 31, CMYK 0 / 5 / 94 / 37, CMYK 0 / 6 / 100 / 44 and CMYK 0 / 8 / 100 / 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 76 / 24

HEX #C2BC2F

RGB 194 188 47

HSL 57.55, 0.61%, 0.47%

LAB 74.6, -13.5, 66.76

 

Complementary color

CMYK 71 / 68 / 0 / 18

HEX #3D43D0

RGB 61 67 208

HSL 237.55, 0.61%, 0.53%

LAB 37.04, 43.46, -73.16

 

CMYK 0 / 6 / 79 / 22

HEX #C7BC2A

RGB 199 188 42

HSL 55.8, 0.65%, 0.47%

LAB 75, -11.54, 68.82

 

CMYK 0 / 5 / 72 / 15

HEX #D8CE3D

RGB 216 206 61

HSL 56.13, 0.67%, 0.54%

LAB 81.33, -12.63, 69.04

 

CMYK 0 / 4 / 66 / 9

HEX #E9E050

RGB 233 224 80

HSL 56.47, 0.78%, 0.61%

LAB 87.59, -13.55, 68.67

 

CMYK 0 / 3 / 60 / 2

HEX #FAF263

RGB 250 242 99

HSL 56.82, 0.94%, 0.68%

LAB 93.77, -14.34, 67.96

 

CMYK 0 / 0 / 54 / 0

HEX #FFFF76

RGB 255 255 118

HSL 60, 1%, 0.73%

LAB 97.67, -17.33, 64.31

 

CMYK 0 / 3 / 76 / 24

HEX #C2BC2F

RGB 194 188 47

HSL 57.55, 0.61%, 0.47%

LAB 74.6, -13.5, 66.76

 

CMYK 0 / 4 / 84 / 31

HEX #B1AA1C

RGB 177 170 28

HSL 57.18, 0.73%, 0.4%

LAB 68.15, -12.32, 65.96

 

CMYK 0 / 5 / 94 / 37

HEX #A09809

RGB 160 152 9

HSL 56.82, 0.89%, 0.33%

LAB 61.61, -10.89, 63.75

 

CMYK 0 / 6 / 100 / 44

HEX #8F8600

RGB 143 134 0

HSL 56.22, 1%, 0.28%

LAB 54.96, -9.19, 59.54

 

CMYK 0 / 8 / 100 / 51

HEX #7E7400

RGB 126 116 0

HSL 55.24, 1%, 0.25%

LAB 48.17, -7.29, 53.91

 

CMYK 0 / 3 / 76 / 24

HEX #C2BC2F

RGB 194 188 47

HSL 57.55, 0.61%, 0.47%

LAB 74.6, -13.5, 66.76

 

CMYK 9 / 0 / 76 / 25

HEX #AFC02E

RGB 175 192 46

HSL 66.99, 0.61%, 0.47%

LAB 74.2, -23.62, 66.16

 

CMYK 21 / 0 / 76 / 25

HEX #97C02E

RGB 151 192 46

HSL 76.85, 0.61%, 0.47%

LAB 72.55, -33.44, 64.03

 

CMYK 34 / 0 / 76 / 25

HEX #7FC02E

RGB 127 192 46

HSL 86.71, 0.61%, 0.47%

LAB 71.15, -42.58, 62.22

 

CMYK 47 / 0 / 76 / 25

HEX #66C02E

RGB 102 192 46

HSL 96.99, 0.61%, 0.47%

LAB 69.98, -51.01, 60.68

 

CMYK 0 / 3 / 76 / 24

HEX #C2BC2F

RGB 194 188 47

HSL 57.55, 0.61%, 0.47%

LAB 74.6, -13.5, 66.76

 

CMYK 0 / 3 / 76 / 4

HEX #F5ED3B

RGB 245 237 59

HSL 57.42, 0.9%, 0.6%

LAB 91.82, -15.95, 80.32

 

CMYK 0 / 2 / 76 / 84

HEX #29280A

RGB 41 40 10

HSL 58.06, 0.61%, 0.1%

LAB 15.54, -4.49, 18.44

 

CMYK 0 / 3 / 76 / 64

HEX #5C5916

RGB 92 89 22

HSL 57.43, 0.61%, 0.22%

LAB 36.89, -7.66, 37.05

 

CMYK 0 / 3 / 76 / 44

HEX #8F8B23

RGB 143 139 35

HSL 57.78, 0.61%, 0.35%

LAB 56.51, -10.94, 52.43

 

CMYK 0 / 3 / 76 / 24

HEX #C2BC2F

RGB 194 188 47

HSL 57.55, 0.61%, 0.47%

LAB 74.6, -13.5, 66.76

 

CMYK 76 / 0 / 65 / 25

HEX #2EC044

RGB 46 192 68

HSL 129.04, 0.61%, 0.47%

LAB 68.53, -61.99, 50.31

 

CMYK 34 / 76 / 0 / 25

HEX #7F2EC0

RGB 127 46 192

HSL 273.29, 0.61%, 0.47%

LAB 38.33, 59.44, -61.49

 

CMYK 0 / 3 / 76 / 24

HEX #C2BC2F

RGB 194 188 47

HSL 57.55, 0.61%, 0.47%

LAB 74.6, -13.5, 66.76

 

CMYK 76 / 0 / 4 / 25

HEX #2EC0B9

RGB 46 192 185

HSL 177.12, 0.61%, 0.47%

LAB 70.72, -38.23, -7.26

 

CMYK 4 / 76 / 0 / 25

HEX #B92EC0

RGB 185 46 192

HSL 297.12, 0.61%, 0.47%

LAB 47.07, 70.45, -46.95

 

CMYK 0 / 3 / 76 / 24

HEX #C2BC2F

RGB 194 188 47

HSL 57.55, 0.61%, 0.47%

LAB 74.6, -13.5, 66.76

 

CMYK 76 / 0 / 65 / 25

HEX #2EC044

RGB 46 192 68

HSL 129.04, 0.61%, 0.47%

LAB 68.53, -61.99, 50.31

 

CMYK 76 / 72 / 0 / 25

HEX #2E36C0

RGB 46 54 192

HSL 236.71, 0.61%, 0.47%

LAB 31.86, 44.25, -72.39

 

CMYK 0 / 76 / 11 / 25

HEX #C02EAB

RGB 192 46 171

HSL 308.63, 0.61%, 0.47%

LAB 47.11, 68.67, -34.5

 

CMYK 0 / 3 / 76 / 24

HEX #C2BC2F

RGB 194 188 47

HSL 57.55, 0.61%, 0.47%

LAB 74.6, -13.5, 66.76

 

CMYK 76 / 0 / 42 / 25

HEX #2EC070

RGB 46 192 112

HSL 147.12, 0.61%, 0.47%

LAB 69.08, -55.58, 29.79

 

CMYK 76 / 72 / 0 / 25

HEX #2E36C0

RGB 46 54 192

HSL 236.71, 0.61%, 0.47%

LAB 31.86, 44.25, -72.39

 

CMYK 0 / 76 / 34 / 25

HEX #C02E7F

RGB 192 46 127

HSL 326.71, 0.61%, 0.47%

LAB 45.21, 62.99, -10.96

 

Description

Color code: CMYK 0 / 3 / 76 / 24 | qconv.com Color code: CMYK 0 / 3 / 76 / 24 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 188 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 188 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 76 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 76% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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