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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C19357 it is the complementary color #3E6CA8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C19357. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C19357: #C69352, #D7A565, #E8B778, #F9C98B and #FFDB9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C19357. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C19357: #C19357, #B08144, #9F6F31, #8E5D1E and #7D4B0B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 55 / 24

HEX #C19357

RGB 193 147 87

HSL 33.96, 0.46%, 0.55%

LAB 64.07, 10.3, 38.17

 

Complementary color

CMYK 63 / 36 / 0 / 34

HEX #3E6CA8

RGB 62 108 168

HSL 213.96, 0.46%, 0.45%

LAB 45.05, 3.51, -36.9

 

CMYK 0 / 26 / 59 / 22

HEX #C69352

RGB 198 147 82

HSL 33.62, 0.5%, 0.55%

LAB 64.55, 12.02, 41.45

 

CMYK 0 / 23 / 53 / 16

HEX #D7A565

RGB 215 165 101

HSL 33.68, 0.59%, 0.62%

LAB 71.08, 10.96, 40.03

 

CMYK 0 / 21 / 48 / 9

HEX #E8B778

RGB 232 183 120

HSL 33.75, 0.71%, 0.69%

LAB 77.51, 10.05, 38.66

 

CMYK 0 / 19 / 44 / 2

HEX #F9C98B

RGB 249 201 139

HSL 33.82, 0.9%, 0.76%

LAB 83.85, 9.26, 37.36

 

CMYK 0 / 14 / 38 / 0

HEX #FFDB9E

RGB 255 219 158

HSL 37.73, 1%, 0.81%

LAB 89.11, 4.31, 34.63

 

CMYK 0 / 24 / 55 / 24

HEX #C19357

RGB 193 147 87

HSL 33.96, 0.46%, 0.55%

LAB 64.07, 10.3, 38.17

 

CMYK 0 / 27 / 61 / 31

HEX #B08144

RGB 176 129 68

HSL 33.89, 0.44%, 0.48%

LAB 57.41, 11.43, 39.62

 

CMYK 0 / 30 / 69 / 38

HEX #9F6F31

RGB 159 111 49

HSL 33.82, 0.53%, 0.41%

LAB 50.64, 12.78, 41.04

 

CMYK 0 / 35 / 79 / 44

HEX #8E5D1E

RGB 142 93 30

HSL 33.75, 0.65%, 0.34%

LAB 43.76, 14.43, 42.22

 

CMYK 0 / 40 / 91 / 51

HEX #7D4B0B

RGB 125 75 11

HSL 33.68, 0.84%, 0.27%

LAB 36.77, 16.44, 42.49

 

CMYK 0 / 24 / 55 / 24

HEX #C19357

RGB 193 147 87

HSL 33.96, 0.46%, 0.55%

LAB 64.07, 10.3, 38.17

 

CMYK 0 / 16 / 55 / 24

HEX #C1A357

RGB 193 163 87

HSL 43.02, 0.46%, 0.55%

LAB 68.18, 1.6, 43.12

 

CMYK 0 / 7 / 55 / 24

HEX #C1B457

RGB 193 180 87

HSL 52.64, 0.46%, 0.55%

LAB 72.67, -7.41, 48.39

 

CMYK 3 / 0 / 55 / 24

HEX #BBC157

RGB 187 193 87

HSL 63.4, 0.46%, 0.55%

LAB 75.7, -16.58, 51.74

 

CMYK 12 / 0 / 55 / 24

HEX #AAC157

RGB 170 193 87

HSL 73.02, 0.46%, 0.55%

LAB 74.43, -23.49, 49.95

 

CMYK 0 / 24 / 55 / 24

HEX #C19357

RGB 193 147 87

HSL 33.96, 0.46%, 0.55%

LAB 64.07, 10.3, 38.17

 

CMYK 0 / 24 / 55 / 4

HEX #F4BA6E

RGB 244 186 110

HSL 34.03, 0.86%, 0.69%

LAB 79.32, 12.48, 46.24

 

CMYK 0 / 25 / 55 / 84

HEX #281E12

RGB 40 30 18

HSL 32.73, 0.38%, 0.11%

LAB 12.11, 2.79, 9.86

 

CMYK 0 / 24 / 55 / 64

HEX #5B4529

RGB 91 69 41

HSL 33.6, 0.38%, 0.26%

LAB 30.97, 5.53, 20.46

 

CMYK 0 / 24 / 55 / 44

HEX #8E6C40

RGB 142 108 64

HSL 33.85, 0.38%, 0.4%

LAB 48.07, 8, 29.65

 

CMYK 0 / 24 / 55 / 24

HEX #C19357

RGB 193 147 87

HSL 33.96, 0.46%, 0.55%

LAB 64.07, 10.3, 38.17

 

CMYK 41 / 0 / 55 / 24

HEX #71C157

RGB 113 193 87

HSL 105.28, 0.46%, 0.55%

LAB 71.1, -44.35, 45.23

 

CMYK 47 / 55 / 0 / 24

HEX #6757C1

RGB 103 87 193

HSL 249.06, 0.46%, 0.55%

LAB 43.58, 33.62, -53.69

 

CMYK 0 / 24 / 55 / 24

HEX #C19357

RGB 193 147 87

HSL 33.96, 0.46%, 0.55%

LAB 64.07, 10.3, 38.17

 

CMYK 55 / 0 / 25 / 24

HEX #57C191

RGB 87 193 145

HSL 152.83, 0.46%, 0.55%

LAB 71.02, -41.94, 15.07

 

CMYK 25 / 55 / 0 / 24

HEX #9157C1

RGB 145 87 193

HSL 272.83, 0.46%, 0.55%

LAB 47.86, 43.85, -46.59

 

CMYK 0 / 24 / 55 / 24

HEX #C19357

RGB 193 147 87

HSL 33.96, 0.46%, 0.55%

LAB 64.07, 10.3, 38.17

 

CMYK 41 / 0 / 55 / 24

HEX #71C157

RGB 113 193 87

HSL 105.28, 0.46%, 0.55%

LAB 71.1, -44.35, 45.23

 

CMYK 55 / 31 / 0 / 24

HEX #5786C1

RGB 87 134 193

HSL 213.4, 0.46%, 0.55%

LAB 55, 1.35, -35.62

 

CMYK 14 / 55 / 0 / 24

HEX #A657C1

RGB 166 87 193

HSL 284.72, 0.46%, 0.55%

LAB 50.42, 49.38, -42.37

 

CMYK 0 / 24 / 55 / 24

HEX #C19357

RGB 193 147 87

HSL 33.96, 0.46%, 0.55%

LAB 64.07, 10.3, 38.17

 

CMYK 55 / 0 / 52 / 24

HEX #57C15C

RGB 87 193 92

HSL 122.83, 0.46%, 0.55%

LAB 70.13, -51.19, 41.42

 

CMYK 55 / 31 / 0 / 24

HEX #5786C1

RGB 87 134 193

HSL 213.4, 0.46%, 0.55%

LAB 55, 1.35, -35.62

 

CMYK 0 / 55 / 3 / 24

HEX #C157BB

RGB 193 87 187

HSL 303.4, 0.46%, 0.55%

LAB 53.75, 55.56, -33.42

 

Description

Color code: HEX #C19357 | qconv.com Color code: HEX #C19357 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 147 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 147 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 55 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 55% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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