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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C1915D it is the complementary color #3E6EA2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C1915D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C1915D shade: #C69158, #D7A36B, #E8B57E, #F9C791 and #FFD9A4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C1915D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C1915D shade: #C1915D, #B07F4A, #9F6D37, #8E5B24 and #7D4911

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C1915D shade: #C1915C, #C1765C and #C15C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C1915D shade: #C1915C, #C1AC5C, #BBC15C, #A0C15C and #85C15C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C1915D shade matches the following richer shades: #C1915C, #D3924A, #E69238 and #F89326

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C1915D shade: #C1915C, #AF906E, #9D8F81, #8B8F93 and #798EA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C1915D shade: #C15C5E, #C1765C, #C1905C, #C1AB5C and #BCC15C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C1915D shade: #936738, #B17C43, #C1915C, #CDA57A and #D8B998

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C1915D shade: #C1915D, #79C15C and #685CC1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C1915D shade: #C1915D, #5CC190 and #905CC1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C1915D shade: #C1915D, #79C15C, #5C8DC1 and #A55CC1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C1915D shade: #C1915D, #5CC15E, #5C8DC1 and #C15CC0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 52 / 24

HEX #C1915D

RGB 193 145 93

HSL 31.2, 0.45%, 0.56%

LAB 63.65, 11.92, 34.48

 

Complementary color

CMYK 62 / 32 / 0 / 36

HEX #3E6EA2

RGB 62 110 162

HSL 211.2, 0.45%, 0.44%

LAB 45.34, 0.2, -32.92

 

CMYK 0 / 27 / 56 / 22

HEX #C69158

RGB 198 145 88

HSL 31.09, 0.49%, 0.56%

LAB 64.13, 13.59, 37.84

 

CMYK 0 / 24 / 50 / 16

HEX #D7A36B

RGB 215 163 107

HSL 31.11, 0.57%, 0.63%

LAB 70.67, 12.57, 36.4

 

CMYK 0 / 22 / 46 / 9

HEX #E8B57E

RGB 232 181 126

HSL 31.13, 0.7%, 0.7%

LAB 77.11, 11.69, 35.04

 

CMYK 0 / 20 / 42 / 2

HEX #F9C791

RGB 249 199 145

HSL 31.15, 0.9%, 0.77%

LAB 83.46, 10.91, 33.76

 

CMYK 0 / 15 / 36 / 0

HEX #FFD9A4

RGB 255 217 164

HSL 34.95, 1%, 0.82%

LAB 88.72, 6.01, 31.04

 

CMYK 0 / 25 / 52 / 24

HEX #C1915D

RGB 193 145 93

HSL 31.2, 0.45%, 0.56%

LAB 63.65, 11.92, 34.48

 

CMYK 0 / 28 / 58 / 31

HEX #B07F4A

RGB 176 127 74

HSL 31.18, 0.41%, 0.49%

LAB 56.98, 13.01, 35.97

 

CMYK 0 / 31 / 65 / 38

HEX #9F6D37

RGB 159 109 55

HSL 31.15, 0.49%, 0.42%

LAB 50.2, 14.31, 37.51

 

CMYK 0 / 36 / 75 / 44

HEX #8E5B24

RGB 142 91 36

HSL 31.13, 0.6%, 0.35%

LAB 43.3, 15.88, 38.98

 

CMYK 0 / 42 / 86 / 51

HEX #7D4911

RGB 125 73 17

HSL 31.11, 0.76%, 0.28%

LAB 36.3, 17.79, 39.96

 

CMYK 0 / 25 / 52 / 24

HEX #C1915C

RGB 193 145 92

HSL 31.49, 0.45%, 0.56%

LAB 63.64, 11.83, 35

 

CMYK 0 / 39 / 52 / 24

HEX #C1765C

RGB 193 118 92

HSL 15.45, 0.45%, 0.56%

LAB 57.14, 26.69, 26.72

 

CMYK 0 / 52 / 52 / 24

HEX #C15C5C

RGB 193 92 92

HSL 0, 0.45%, 0.56%

LAB 51.57, 40.46, 19.36

 

CMYK 0 / 25 / 52 / 24

HEX #C1915C

RGB 193 145 92

HSL 31.49, 0.45%, 0.56%

LAB 63.64, 11.83, 35

 

CMYK 0 / 11 / 52 / 24

HEX #C1AC5C

RGB 193 172 92

HSL 47.52, 0.45%, 0.56%

LAB 70.6, -2.78, 43.52

 

CMYK 3 / 0 / 52 / 24

HEX #BBC15C

RGB 187 193 92

HSL 63.56, 0.45%, 0.56%

LAB 75.75, -16.16, 49.47

 

CMYK 17 / 0 / 52 / 24

HEX #A0C15C

RGB 160 193 92

HSL 79.6, 0.45%, 0.56%

LAB 73.8, -26.97, 46.69

 

CMYK 31 / 0 / 52 / 24

HEX #85C15C

RGB 133 193 92

HSL 95.64, 0.45%, 0.56%

LAB 72.16, -37.04, 44.35

 

CMYK 0 / 25 / 52 / 24

HEX #C1915C

RGB 193 145 92

HSL 31.49, 0.45%, 0.56%

LAB 63.64, 11.83, 35

 

CMYK 0 / 31 / 65 / 17

HEX #D3924A

RGB 211 146 74

HSL 31.53, 0.61%, 0.56%

LAB 65.67, 17.53, 47.13

 

CMYK 0 / 37 / 76 / 10

HEX #E69238

RGB 230 146 56

HSL 31.03, 0.78%, 0.56%

LAB 67.77, 24.6, 58.25

 

CMYK 0 / 41 / 85 / 3

HEX #F89326

RGB 248 147 38

HSL 31.14, 0.94%, 0.56%

LAB 70.15, 30.93, 67.92

 

CMYK 0 / 25 / 52 / 24

HEX #C1915C

RGB 193 145 92

HSL 31.49, 0.45%, 0.56%

LAB 63.64, 11.83, 35

 

CMYK 0 / 18 / 37 / 31

HEX #AF906E

RGB 175 144 110

HSL 31.38, 0.29%, 0.56%

LAB 61.81, 6.78, 22.45

 

CMYK 0 / 9 / 18 / 38

HEX #9D8F81

RGB 157 143 129

HSL 30, 0.13%, 0.56%

LAB 60.25, 2.81, 9.33

 

CMYK 5 / 3 / 0 / 42

HEX #8B8F93

RGB 139 143 147

HSL 210, 0.04%, 0.56%

LAB 59.2, -0.65, -2.63

 

CMYK 27 / 14 / 0 / 35

HEX #798EA5

RGB 121 142 165

HSL 211.36, 0.2%, 0.56%

LAB 58.16, -2.09, -14.61

 

CMYK 0 / 52 / 51 / 24

HEX #C15C5E

RGB 193 92 94

HSL 358.81, 0.45%, 0.56%

LAB 51.61, 40.63, 18.23

 

CMYK 0 / 39 / 52 / 24

HEX #C1765C

RGB 193 118 92

HSL 15.45, 0.45%, 0.56%

LAB 57.14, 26.69, 26.72

 

CMYK 0 / 25 / 52 / 24

HEX #C1905C

RGB 193 144 92

HSL 30.89, 0.45%, 0.56%

LAB 63.39, 12.38, 34.68

 

CMYK 0 / 11 / 52 / 24

HEX #C1AB5C

RGB 193 171 92

HSL 46.93, 0.45%, 0.56%

LAB 70.34, -2.25, 43.2

 

CMYK 3 / 0 / 52 / 24

HEX #BCC15C

RGB 188 193 92

HSL 62.97, 0.45%, 0.56%

LAB 75.83, -15.75, 49.58

 

CMYK 0 / 30 / 62 / 42

HEX #936738

RGB 147 103 56

HSL 30.99, 0.45%, 0.4%

LAB 47.22, 12.46, 33.16

 

CMYK 0 / 30 / 62 / 31

HEX #B17C43

RGB 177 124 67

HSL 31.09, 0.45%, 0.48%

LAB 56.26, 14.59, 38.81

 

CMYK 0 / 25 / 52 / 24

HEX #C1915C

RGB 193 145 92

HSL 31.49, 0.45%, 0.56%

LAB 63.64, 11.83, 35

 

CMYK 0 / 20 / 40 / 20

HEX #CDA57A

RGB 205 165 122

HSL 31.08, 0.45%, 0.64%

LAB 70.38, 8.94, 27.85

 

CMYK 0 / 14 / 30 / 15

HEX #D8B998

RGB 216 185 152

HSL 30.94, 0.45%, 0.72%

LAB 77.02, 6.24, 20.87

 

CMYK 0 / 25 / 52 / 24

HEX #C1915D

RGB 193 145 93

HSL 31.2, 0.45%, 0.56%

LAB 63.65, 11.92, 34.48

 

CMYK 37 / 0 / 52 / 24

HEX #79C15C

RGB 121 193 92

HSL 102.77, 0.45%, 0.56%

LAB 71.54, -41.16, 43.45

 

CMYK 46 / 52 / 0 / 24

HEX #685CC1

RGB 104 92 193

HSL 247.13, 0.45%, 0.56%

LAB 44.87, 30.82, -51.62

 

CMYK 0 / 25 / 52 / 24

HEX #C1915D

RGB 193 145 93

HSL 31.2, 0.45%, 0.56%

LAB 63.65, 11.92, 34.48

 

CMYK 52 / 0 / 25 / 24

HEX #5CC190

RGB 92 193 144

HSL 150.89, 0.45%, 0.56%

LAB 71.17, -40.98, 15.84

 

CMYK 25 / 52 / 0 / 24

HEX #905CC1

RGB 144 92 193

HSL 270.89, 0.45%, 0.56%

LAB 48.8, 40.84, -45.1

 

CMYK 0 / 25 / 52 / 24

HEX #C1915D

RGB 193 145 93

HSL 31.2, 0.45%, 0.56%

LAB 63.65, 11.92, 34.48

 

CMYK 37 / 0 / 52 / 24

HEX #79C15C

RGB 121 193 92

HSL 102.77, 0.45%, 0.56%

LAB 71.54, -41.16, 43.45

 

CMYK 52 / 27 / 0 / 24

HEX #5C8DC1

RGB 92 141 193

HSL 210.89, 0.45%, 0.56%

LAB 57.25, -1.61, -32.09

 

CMYK 15 / 52 / 0 / 24

HEX #A55CC1

RGB 165 92 193

HSL 283.37, 0.45%, 0.56%

LAB 51.27, 46.53, -41.03

 

CMYK 0 / 25 / 52 / 24

HEX #C1915D

RGB 193 145 93

HSL 31.2, 0.45%, 0.56%

LAB 63.65, 11.92, 34.48

 

CMYK 52 / 0 / 51 / 24

HEX #5CC15E

RGB 92 193 94

HSL 121.19, 0.45%, 0.56%

LAB 70.33, -49.62, 40.73

 

CMYK 52 / 27 / 0 / 24

HEX #5C8DC1

RGB 92 141 193

HSL 210.89, 0.45%, 0.56%

LAB 57.25, -1.61, -32.09

 

CMYK 0 / 52 / 1 / 24

HEX #C15CC0

RGB 193 92 192

HSL 300.59, 0.45%, 0.56%

LAB 54.86, 54.07, -34.56

 

Description

Color code: HEX #C1915D | qconv.com Color code: HEX #C1915D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 145 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 145 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 52 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 52% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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