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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C15C5E it is the complementary color #3EA3A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C15C5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C15C5E shade: #C65C59, #D76E6C, #E8807F, #F99292 and #FFA4A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C15C5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C15C5E shade: #C15C5E, #B04A4B, #9F3838, #8E2625 and #7D1412

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C15C5E shade: #C15C5E and #C15C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C15C5E shade: #C15C5E, #C15C7A, #C15C95, #C15CB0 and #B75CC1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C15C5E shade matches the following richer shades: #C15C5E, #D34A4D, #E6383B and #F8262A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C15C5E shade: #C15C5E, #AF6E70, #9D8181, #8B9393 and #79A5A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C15C5E shade: #C15C96, #C15C7B, #C15C60, #C1745C and #C18F5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C15C5E shade: #93383A, #B14345, #C15C5E, #CD7A7C and #D89899

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C15C5E shade: #C15C5E, #B0C15C and #5C88C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C15C5E shade: #C15C5E, #60C15C and #5C60C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C15C5E shade: #C15C5E, #B0C15C, #5CC1BE and #6D5CC1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C15C5E shade: #C15C5E, #92C15C, #5CC1BE and #8B5CC1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 51 / 24

HEX #C15C5E

RGB 193 92 94

HSL 358.81, 0.45%, 0.56%

LAB 51.61, 40.63, 18.23

 

Complementary color

CMYK 62 / 0 / 1 / 36

HEX #3EA3A1

RGB 62 163 161

HSL 178.81, 0.45%, 0.44%

LAB 61.47, -29.21, -7.65

 

CMYK 0 / 54 / 55 / 22

HEX #C65C59

RGB 198 92 89

HSL 1.65, 0.49%, 0.56%

LAB 52.27, 42.05, 22.18

 

CMYK 0 / 49 / 50 / 16

HEX #D76E6C

RGB 215 110 108

HSL 1.12, 0.57%, 0.63%

LAB 58.68, 40.9, 20.17

 

CMYK 0 / 45 / 45 / 9

HEX #E8807F

RGB 232 128 127

HSL 0.57, 0.7%, 0.7%

LAB 65.06, 39.79, 18.44

 

CMYK 0 / 41 / 41 / 2

HEX #F99292

RGB 249 146 146

HSL 0, 0.9%, 0.77%

LAB 71.4, 38.75, 16.93

 

CMYK 0 / 36 / 35 / 0

HEX #FFA4A5

RGB 255 164 165

HSL 359.34, 1%, 0.82%

LAB 76.39, 33.77, 13.57

 

CMYK 0 / 52 / 51 / 24

HEX #C15C5E

RGB 193 92 94

HSL 358.81, 0.45%, 0.56%

LAB 51.61, 40.63, 18.23

 

CMYK 0 / 58 / 57 / 31

HEX #B04A4B

RGB 176 74 75

HSL 359.41, 0.41%, 0.49%

LAB 45.13, 41.74, 20.45

 

CMYK 0 / 65 / 65 / 38

HEX #9F3838

RGB 159 56 56

HSL 0, 0.48%, 0.42%

LAB 38.7, 42.74, 23.17

 

CMYK 0 / 73 / 74 / 44

HEX #8E2625

RGB 142 38 37

HSL 0.57, 0.59%, 0.35%

LAB 32.42, 43.41, 26.54

 

CMYK 0 / 84 / 86 / 51

HEX #7D1412

RGB 125 20 18

HSL 1.12, 0.75%, 0.28%

LAB 26.46, 43.33, 30.58

 

CMYK 0 / 52 / 51 / 24

HEX #C15C5E

RGB 193 92 94

HSL 358.81, 0.45%, 0.56%

LAB 51.61, 40.63, 18.23

 

CMYK 0 / 52 / 52 / 24

HEX #C15C5C

RGB 193 92 92

HSL 0, 0.45%, 0.56%

LAB 51.57, 40.46, 19.36

 

CMYK 0 / 52 / 51 / 24

HEX #C15C5E

RGB 193 92 94

HSL 358.81, 0.45%, 0.56%

LAB 51.61, 40.63, 18.23

 

CMYK 0 / 52 / 37 / 24

HEX #C15C7A

RGB 193 92 122

HSL 342.18, 0.45%, 0.56%

LAB 52.28, 43.56, 2.54

 

CMYK 0 / 52 / 23 / 24

HEX #C15C95

RGB 193 92 149

HSL 326.14, 0.45%, 0.56%

LAB 53.13, 47.12, -12.21

 

CMYK 0 / 52 / 9 / 24

HEX #C15CB0

RGB 193 92 176

HSL 310.1, 0.45%, 0.56%

LAB 54.16, 51.32, -26.41

 

CMYK 5 / 52 / 0 / 24

HEX #B75CC1

RGB 183 92 193

HSL 294.06, 0.45%, 0.56%

LAB 53.57, 51.49, -37.26

 

CMYK 0 / 52 / 51 / 24

HEX #C15C5E

RGB 193 92 94

HSL 358.81, 0.45%, 0.56%

LAB 51.61, 40.63, 18.23

 

CMYK 0 / 65 / 64 / 17

HEX #D34A4D

RGB 211 74 77

HSL 358.69, 0.61%, 0.56%

LAB 51.02, 54.02, 28.01

 

CMYK 0 / 76 / 74 / 10

HEX #E6383B

RGB 230 56 59

HSL 358.97, 0.78%, 0.56%

LAB 51.8, 65.58, 40.14

 

CMYK 0 / 85 / 83 / 3

HEX #F8262A

RGB 248 38 42

HSL 358.86, 0.94%, 0.56%

LAB 53.5, 74.56, 52.02

 

CMYK 0 / 52 / 51 / 24

HEX #C15C5E

RGB 193 92 94

HSL 358.81, 0.45%, 0.56%

LAB 51.61, 40.63, 18.23

 

CMYK 0 / 37 / 36 / 31

HEX #AF6E70

RGB 175 110 112

HSL 358.15, 0.29%, 0.56%

LAB 53.42, 26.08, 9.75

 

CMYK 0 / 18 / 18 / 38

HEX #9D8181

RGB 157 129 129

HSL 0, 0.13%, 0.56%

LAB 56.54, 10.73, 4.03

 

CMYK 5 / 0 / 0 / 42

HEX #8B9393

RGB 139 147 147

HSL 180, 0.04%, 0.56%

LAB 60.3, -2.88, -1.01

 

CMYK 27 / 0 / 1 / 35

HEX #79A5A4

RGB 121 165 164

HSL 178.64, 0.2%, 0.56%

LAB 64.69, -14.94, -4.29

 

CMYK 0 / 52 / 22 / 24

HEX #C15C96

RGB 193 92 150

HSL 325.54, 0.45%, 0.56%

LAB 53.16, 47.26, -12.74

 

CMYK 0 / 52 / 36 / 24

HEX #C15C7B

RGB 193 92 123

HSL 341.58, 0.45%, 0.56%

LAB 52.31, 43.68, 1.98

 

CMYK 0 / 52 / 50 / 24

HEX #C15C60

RGB 193 92 96

HSL 357.62, 0.45%, 0.56%

LAB 51.65, 40.82, 17.1

 

CMYK 0 / 40 / 52 / 24

HEX #C1745C

RGB 193 116 92

HSL 14.26, 0.45%, 0.56%

LAB 56.68, 27.78, 26.13

 

CMYK 0 / 26 / 52 / 24

HEX #C18F5C

RGB 193 143 92

HSL 30.3, 0.45%, 0.56%

LAB 63.14, 12.93, 34.37

 

CMYK 0 / 62 / 61 / 42

HEX #93383A

RGB 147 56 58

HSL 358.68, 0.45%, 0.4%

LAB 36.62, 38.54, 18.85

 

CMYK 0 / 62 / 61 / 31

HEX #B14345

RGB 177 67 69

HSL 358.91, 0.45%, 0.48%

LAB 43.93, 44.96, 22.55

 

CMYK 0 / 52 / 51 / 24

HEX #C15C5E

RGB 193 92 94

HSL 358.81, 0.45%, 0.56%

LAB 51.61, 40.63, 18.23

 

CMYK 0 / 40 / 40 / 20

HEX #CD7A7C

RGB 205 122 124

HSL 358.55, 0.45%, 0.64%

LAB 60.21, 32.53, 12.88

 

CMYK 0 / 30 / 29 / 15

HEX #D89899

RGB 216 152 153

HSL 359.06, 0.45%, 0.72%

LAB 69.01, 24.14, 9.11

 

CMYK 0 / 52 / 51 / 24

HEX #C15C5E

RGB 193 92 94

HSL 358.81, 0.45%, 0.56%

LAB 51.61, 40.63, 18.23

 

CMYK 9 / 0 / 52 / 24

HEX #B0C15C

RGB 176 193 92

HSL 70.1, 0.45%, 0.56%

LAB 74.91, -20.63, 48.29

 

CMYK 52 / 30 / 0 / 24

HEX #5C88C1

RGB 92 136 193

HSL 213.86, 0.45%, 0.56%

LAB 55.82, 1.3, -34.31

 

CMYK 0 / 52 / 51 / 24

HEX #C15C5E

RGB 193 92 94

HSL 358.81, 0.45%, 0.56%

LAB 51.61, 40.63, 18.23

 

CMYK 50 / 0 / 52 / 24

HEX #60C15C

RGB 96 193 92

HSL 117.62, 0.45%, 0.56%

LAB 70.45, -48.8, 41.89

 

CMYK 52 / 50 / 0 / 24

HEX #5C60C1

RGB 92 96 193

HSL 237.62, 0.45%, 0.56%

LAB 44.93, 25.68, -51.57

 

CMYK 0 / 52 / 51 / 24

HEX #C15C5E

RGB 193 92 94

HSL 358.81, 0.45%, 0.56%

LAB 51.61, 40.63, 18.23

 

CMYK 9 / 0 / 52 / 24

HEX #B0C15C

RGB 176 193 92

HSL 70.1, 0.45%, 0.56%

LAB 74.91, -20.63, 48.29

 

CMYK 52 / 0 / 2 / 24

HEX #5CC1BE

RGB 92 193 190

HSL 178.22, 0.45%, 0.56%

LAB 72.32, -30.05, -7.5

 

CMYK 44 / 52 / 0 / 24

HEX #6D5CC1

RGB 109 92 193

HSL 250.1, 0.45%, 0.56%

LAB 45.3, 31.98, -50.9

 

CMYK 0 / 52 / 51 / 24

HEX #C15C5E

RGB 193 92 94

HSL 358.81, 0.45%, 0.56%

LAB 51.61, 40.63, 18.23

 

CMYK 24 / 0 / 52 / 24

HEX #92C15C

RGB 146 193 92

HSL 87.92, 0.45%, 0.56%

LAB 72.91, -32.31, 45.42

 

CMYK 52 / 0 / 2 / 24

HEX #5CC1BE

RGB 92 193 190

HSL 178.22, 0.45%, 0.56%

LAB 72.32, -30.05, -7.5

 

CMYK 28 / 52 / 0 / 24

HEX #8B5CC1

RGB 139 92 193

HSL 267.92, 0.45%, 0.56%

LAB 48.25, 39.52, -46.01

 

Description

Color code: HEX #C15C5E | qconv.com Color code: HEX #C15C5E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 92 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 92 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 51 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 51% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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