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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C183A3 it is the complementary color #3E7C5C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C183A3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C183A3 shade: #C6839E, #D795B1, #E8A7C4, #F9B9D7 and #FFCBEA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C183A3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C183A3 shade: #C183A3, #B07190, #9F5F7D, #8E4D6A and #7D3B57

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C183A3 shade: #C185A4, #C18594 and #C18585

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C183A3 shade: #C185A4, #C185B5, #BE85C1, #AE85C1 and #9D85C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C183A3 shade matches the following richer shades: #C185A4, #D076A5, #DF67A5, #EE58A6 and #FD49A6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C183A3 shade: #C185A4, #B394A4, #A4A3A3, #95B1A3 and #86C0A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C183A3 shade: #BE85C1, #C185B4, #C185A4, #C18594 and #C18685

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C183A3 shade: #A2527B, #B46990, #C185A4, #CFA0B9 and #DDBCCD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C183A3 shade: #C183A3, #C1AE85 and #85BCC1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C183A3 shade: #C183A3, #A4C185 and #85A4C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C183A3 shade: #C183A3, #C1AE85, #85C1A2 and #8598C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C183A3 shade: #C183A3, #C1C085, #85C1A2 and #8586C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 16 / 24

HEX #C183A3

RGB 193 131 163

HSL 329.03, 0.33%, 0.64%

LAB 61.84, 28.65, -7.28

 

Complementary color

CMYK 50 / 0 / 26 / 51

HEX #3E7C5C

RGB 62 124 92

HSL 149.03, 0.33%, 0.36%

LAB 47.25, -28.05, 11.42

 

CMYK 0 / 34 / 20 / 22

HEX #C6839E

RGB 198 131 158

HSL 335.82, 0.37%, 0.65%

LAB 62.26, 29.64, -3.74

 

CMYK 0 / 31 / 18 / 16

HEX #D795B1

RGB 215 149 177

HSL 334.55, 0.45%, 0.71%

LAB 68.84, 28.9, -4.54

 

CMYK 0 / 28 / 16 / 9

HEX #E8A7C4

RGB 232 167 196

HSL 333.23, 0.59%, 0.78%

LAB 75.31, 28.21, -5.28

 

CMYK 0 / 26 / 14 / 2

HEX #F9B9D7

RGB 249 185 215

HSL 331.88, 0.84%, 0.85%

LAB 81.7, 27.57, -5.96

 

CMYK 0 / 20 / 8 / 0

HEX #FFCBEA

RGB 255 203 234

HSL 324.23, 1%, 0.9%

LAB 86.95, 23.24, -8.26

 

CMYK 0 / 32 / 16 / 24

HEX #C183A3

RGB 193 131 163

HSL 329.03, 0.33%, 0.64%

LAB 61.84, 28.65, -7.28

 

CMYK 0 / 36 / 18 / 31

HEX #B07190

RGB 176 113 144

HSL 330.48, 0.29%, 0.57%

LAB 55.13, 29.42, -6.51

 

CMYK 0 / 40 / 21 / 38

HEX #9F5F7D

RGB 159 95 125

HSL 331.88, 0.25%, 0.5%

LAB 48.31, 30.24, -5.64

 

CMYK 0 / 46 / 25 / 44

HEX #8E4D6A

RGB 142 77 106

HSL 333.23, 0.3%, 0.43%

LAB 41.37, 31.12, -4.62

 

CMYK 0 / 53 / 30 / 51

HEX #7D3B57

RGB 125 59 87

HSL 334.55, 0.36%, 0.36%

LAB 34.35, 32.01, -3.36

 

CMYK 0 / 31 / 15 / 24

HEX #C185A4

RGB 193 133 164

HSL 329, 0.33%, 0.64%

LAB 62.33, 27.71, -7.11

 

CMYK 0 / 31 / 23 / 24

HEX #C18594

RGB 193 133 148

HSL 345, 0.33%, 0.64%

LAB 61.87, 25.19, 1.32

 

CMYK 0 / 31 / 31 / 24

HEX #C18585

RGB 193 133 133

HSL 0, 0.33%, 0.64%

LAB 61.49, 23.06, 9.33

 

CMYK 0 / 31 / 15 / 24

HEX #C185A4

RGB 193 133 164

HSL 329, 0.33%, 0.64%

LAB 62.33, 27.71, -7.11

 

CMYK 0 / 31 / 6 / 24

HEX #C185B5

RGB 193 133 181

HSL 312, 0.33%, 0.64%

LAB 62.88, 30.64, -15.94

 

CMYK 2 / 31 / 0 / 24

HEX #BE85C1

RGB 190 133 193

HSL 297, 0.33%, 0.64%

LAB 62.99, 31.87, -22.59

 

CMYK 10 / 31 / 0 / 24

HEX #AE85C1

RGB 174 133 193

HSL 281, 0.33%, 0.64%

LAB 61.33, 26.66, -25.28

 

CMYK 19 / 31 / 0 / 24

HEX #9D85C1

RGB 157 133 193

HSL 264, 0.33%, 0.64%

LAB 59.7, 21.24, -27.92

 

CMYK 0 / 31 / 15 / 24

HEX #C185A4

RGB 193 133 164

HSL 329, 0.33%, 0.64%

LAB 62.33, 27.71, -7.11

 

CMYK 0 / 43 / 21 / 18

HEX #D076A5

RGB 208 118 165

HSL 328.67, 0.49%, 0.64%

LAB 60.86, 41.17, -9.7

 

CMYK 0 / 54 / 26 / 13

HEX #DF67A5

RGB 223 103 165

HSL 329, 0.65%, 0.64%

LAB 59.98, 53.54, -10.79

 

CMYK 0 / 63 / 30 / 7

HEX #EE58A6

RGB 238 88 166

HSL 328.8, 0.82%, 0.64%

LAB 59.81, 64.76, -11.4

 

CMYK 0 / 71 / 34 / 1

HEX #FD49A6

RGB 253 73 166

HSL 329, 0.98%, 0.64%

LAB 60.25, 74.36, -10.49

 

CMYK 0 / 31 / 15 / 24

HEX #C185A4

RGB 193 133 164

HSL 329, 0.33%, 0.64%

LAB 62.33, 27.71, -7.11

 

CMYK 0 / 17 / 8 / 30

HEX #B394A4

RGB 179 148 164

HSL 329.03, 0.17%, 0.64%

LAB 64.52, 14.3, -4.04

 

CMYK 0 / 1 / 1 / 36

HEX #A4A3A3

RGB 164 163 163

HSL 0, 0.01%, 0.64%

LAB 67.07, 0.36, 0.12

 

CMYK 16 / 0 / 8 / 31

HEX #95B1A3

RGB 149 177 163

HSL 150, 0.15%, 0.64%

LAB 69.81, -12.42, 3.95

 

CMYK 30 / 0 / 16 / 25

HEX #86C0A2

RGB 134 192 162

HSL 148.97, 0.32%, 0.64%

LAB 73.14, -25.15, 9.16

 

CMYK 2 / 31 / 0 / 24

HEX #BE85C1

RGB 190 133 193

HSL 297, 0.33%, 0.64%

LAB 62.99, 31.87, -22.59

 

CMYK 0 / 31 / 7 / 24

HEX #C185B4

RGB 193 133 180

HSL 313, 0.33%, 0.64%

LAB 62.85, 30.46, -15.42

 

CMYK 0 / 31 / 15 / 24

HEX #C185A4

RGB 193 133 164

HSL 329, 0.33%, 0.64%

LAB 62.33, 27.71, -7.11

 

CMYK 0 / 31 / 23 / 24

HEX #C18594

RGB 193 133 148

HSL 345, 0.33%, 0.64%

LAB 61.87, 25.19, 1.32

 

CMYK 0 / 31 / 31 / 24

HEX #C18685

RGB 193 134 133

HSL 1, 0.33%, 0.64%

LAB 61.72, 22.51, 9.67

 

CMYK 0 / 49 / 24 / 36

HEX #A2527B

RGB 162 82 123

HSL 329.25, 0.33%, 0.48%

LAB 45.83, 38.09, -8.07

 

CMYK 0 / 42 / 20 / 29

HEX #B46990

RGB 180 105 144

HSL 328.8, 0.33%, 0.56%

LAB 53.84, 35.24, -8.38

 

CMYK 0 / 31 / 15 / 24

HEX #C185A4

RGB 193 133 164

HSL 329, 0.33%, 0.64%

LAB 62.33, 27.71, -7.11

 

CMYK 0 / 23 / 11 / 19

HEX #CFA0B9

RGB 207 160 185

HSL 328.09, 0.33%, 0.72%

LAB 70.81, 21.38, -6.17

 

CMYK 0 / 15 / 7 / 13

HEX #DDBCCD

RGB 221 188 205

HSL 329.09, 0.33%, 0.8%

LAB 79.47, 14.59, -4.16

 

CMYK 0 / 32 / 16 / 24

HEX #C183A3

RGB 193 131 163

HSL 329.03, 0.33%, 0.64%

LAB 61.84, 28.65, -7.28

 

CMYK 0 / 10 / 31 / 24

HEX #C1AE85

RGB 193 174 133

HSL 41, 0.33%, 0.64%

LAB 71.76, 0.62, 23.57

 

CMYK 31 / 3 / 0 / 24

HEX #85BCC1

RGB 133 188 193

HSL 185, 0.33%, 0.64%

LAB 72.76, -16.59, -8.28

 

CMYK 0 / 32 / 16 / 24

HEX #C183A3

RGB 193 131 163

HSL 329.03, 0.33%, 0.64%

LAB 61.84, 28.65, -7.28

 

CMYK 15 / 0 / 31 / 24

HEX #A4C185

RGB 164 193 133

HSL 89, 0.33%, 0.64%

LAB 74.65, -20.43, 27.08

 

CMYK 31 / 15 / 0 / 24

HEX #85A4C1

RGB 133 164 193

HSL 209, 0.33%, 0.64%

LAB 66.05, -3.76, -18.36

 

CMYK 0 / 32 / 16 / 24

HEX #C183A3

RGB 193 131 163

HSL 329.03, 0.33%, 0.64%

LAB 61.84, 28.65, -7.28

 

CMYK 0 / 10 / 31 / 24

HEX #C1AE85

RGB 193 174 133

HSL 41, 0.33%, 0.64%

LAB 71.76, 0.62, 23.57

 

CMYK 31 / 0 / 16 / 24

HEX #85C1A2

RGB 133 193 162

HSL 149, 0.33%, 0.64%

LAB 73.37, -25.95, 9.49

 

CMYK 31 / 21 / 0 / 24

HEX #8598C1

RGB 133 152 193

HSL 221, 0.33%, 0.64%

LAB 62.75, 2.95, -23.38

 

CMYK 0 / 32 / 16 / 24

HEX #C183A3

RGB 193 131 163

HSL 329.03, 0.33%, 0.64%

LAB 61.84, 28.65, -7.28

 

CMYK 0 / 1 / 31 / 24

HEX #C1C085

RGB 193 192 133

HSL 59, 0.33%, 0.64%

LAB 76.52, -8.86, 29.94

 

CMYK 31 / 0 / 16 / 24

HEX #85C1A2

RGB 133 193 162

HSL 149, 0.33%, 0.64%

LAB 73.37, -25.95, 9.49

 

CMYK 31 / 31 / 0 / 24

HEX #8586C1

RGB 133 134 193

HSL 239, 0.33%, 0.64%

LAB 57.93, 13.33, -30.83

 

Description

Color code: HEX #C183A3 | qconv.com Color code: HEX #C183A3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 131 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 131 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 16 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 16% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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